A free screening of four recently restored experimental short films (1923-1929) by artist Man Ray with a new soundtrack by Sqürl. The evening will begin with a live performance by Chad Beattie.
Film Screening + Performance: Man Ray’s Return to Reason With a solo performance by Chad Beattie Thursday, June 20, 2024 at 7 PM Black Mountain College Museum + Arts Center {120 College Street} Free and open to all Join us for a screening of Man Ray’s newly restored experimental masterpieces Return to Reason (1923-1929) with a new soundtrack by Jim Jarmusch-Carter Logan combo Sqürl. The evening will begin with a solo performance by the Asheville-based multi-instrumentalist Chad Beattie, followed by a free screening of the films. About Return to Reason: The four films Man Ray directed between 1923 and 1929, Le Retour à la raison, Emak-Bakia, L’Étoile de mer and Les Mystères du Château du Dé represent a high watermark of early European avant-garde cinema, a seminal nexus of experimental technique, surrealist narrative, and playful abstraction as suffused with dark eroticism. In these films Ray began discovering the limitless possibilities of montage as well as the direct application onto celluloid of objects such as salt, pepper, pins, and thumbtacks. Juxtaposing undulating geometric patterns, a twirling fairground ride, and a female nude, among other striking images, Ray finds subconscious correspondences among seemingly incongruous materials and figures. In celebration of the hundredth anniversary of Le Retour à la raison, the Jim Jarmusch-Carter Logan combo Sqürl present Man Ray: Return to Reason, with a newly-recorded drone rock soundtrack for that title as well as the three other Ray films. The band’s cosmic sounds complement Ray’s work by conjuring the beautiful, ineffable, haunting, and sublime. Born Emmanuel Radnitzky in the United States in 1890 to Russian Jewish immigrants, Man Ray is considered a pioneer of the surrealist and Dada movements, with work spanning painting, sculpture, photography, and filmmaking. Disillusioned with conventional art and shaped by the trauma of World War I, along with the emergence of modern media culture, Man Ray and other Dadaists turned to audacious formal experimentation to capture an unreasoning world. Though Man Ray is perhaps best remembered for his striking fashion photography, and the camera-less pictures he called “rayographs”—photograms made by positioning objects directly onto photosensitive material, which he then exposed—his inventive forays into filmmaking are lesser known. In his silent shorts, Man Ray expanded his avant-garde techniques to the realm of moving images, playing with chance and light to fantastic effect. About the performance: Chad Beattie has been making music under the name Yes Selma for the past decade, rummaging through clatter and drones. Since relocating from Baltimore to Asheville in 2021, he has found a distinct voice in the hammered dulcimer, exploring its dynamic range through the repetition of melodic patterns, the reverberation of harmonic phrases – both in his solo work as well as with vibraphonist Adam Lion under their duo, Aperture. Beattie’s latest album Tapioca Daydreams was released in 2023.