Calendar of Events

Clint is putting on a solo show in Hendersonville!

https://www.facebook.com/events/597248690725982/

Come join Sanctuary Brewing Company and Daddy-Rabbit for some pre-valentines day blues and rock on Saturday February 9th, 2019 @ 8 PM. It’s always a great time at The Sanctuary, where folks love great live music and BEER!

https://www.facebook.com/events/506293999866281/

Dallas Danger was born in a small town, raised on country radio and mail order punk records, and grew up to be a punk rock storyteller. Now he fuses the down home storytelling of country with the hard-driving passion of punk rock into songs about love, loss, and life tinged with optimism.

https://www.facebook.com/events/332352330678684/

Dallas Danger brings his unique brand of acoustic rock ‘n’ roll to Mad Anthony’s Taproom and Restaurant!!!

https://www.facebook.com/events/279713056066605/

Worthwhile Sounds Presents: Hawktail w/ Ruglifter Trio (featuring John Herrmann, Leo Shannon, and Meredith McIntosh)

WHEN: Saturday February 9, 2019

WHERE: Ambrose West 312 Haywood Road Asheville, NC 28806

DOORS: 7pm

SHOW: 8pm

SEATING: Seated

TICKETS ON SALE Friday 11/9 10am:
$15 ADV / $18 DOS / $20 VIP (Guaranteed 1st 3 Rows)

Hawktail

Haas Kowert Tice asked the question, what if? After forging their own brand of roots music—one grounded in timeless tradition, crafted by top-shelf musicianship, and performed with jubilant comradery—what if this trio of America’s finest string players became a quartet?

Brittany Haas (fiddle), Paul Kowert (bass), and Jordan Tice (guitar) own the sweat equity of a decade spent stoking the fires of their passion project. Haas, whose 2004 self-titled release instantly became the touchstone for a generation of old-time fiddlers, has since lent her sound to Crooked Still, Live From Here, Michael Daves – and David Rawlings, where she plays alongside Kowert, well known as Punch Brothers’ virtuosic bass player. Tice is a rare guitar player whose music showcases his unique identity and a particular knack for tune-writing. Haas Kowert Tice was a special road they could travel together. Where communication was intuitive, then innovative. Where musical curiosity was boundless and inspiring for each as writers, players, and friends.

Their 2004 album You Got This displays a breadth of acumen and ambition rarely heard on a band’s debut. Norwegian dance rhythms astride traditional Appalachian folk, bluegrass woven progressively into fundamental notions of jazz and chamber music. But for all their success, they found themselves grinding hard through recording sessions for a follow-up record. “I felt like we were missing an element,” says Kowert; “the sound was incomplete.” “We recorded this collection of music first as a trio,” remembers Tice. “Upon listening back to those sessions we kept yearning for more rhythmic energy and robustness in the ensemble sound, so we cut the tunes again with special guests on mandolin and percussion before realizing that what we really wanted was a fourth member to round out the band.”

Enter Dominick Leslie, the versatile mandolinist whose rhythmic sensibility has made him ubiquitous on the acoustic music scene (Noam Pikelny, The Deadly Gentlemen, Brotet). They had all already known each other for years. The trio wanted the rhythmic backbone he offered, and another plectrum to balance the dueling bows of bass and fiddle. His addition thickens the sound and tightens the groove, opening new creative doors. In short, Leslie is a great fit. Says Tice, “because of the time we shared coming up in the same scene, being inspired by the same music, and collaborating in various projects, Dominick was able to instantly find a voice in our music, seamlessly filling it out.” “They have such an established chemistry as a trio, jumping into the mix felt natural,” remarks Dominick.

Reborn a foursome, they recut the music for the next album. The release of Unless, in reality Hawktail’s debut, is certain to confirm that this quartet has found its wings. “It feels as though this is now a whole band capable of doing anything,” says Haas. “The music of Unless represents hours of creation, founded on our years as close friends. And I think you can hear that,” she continues. Kowert adds, “we strove to write strong tunes that could take us to different places while holding to a simple form, for a natural music that breathes. Melodies and basslines arrived together with a core sound, and arrangements seemed encoded in the tunes.”

With Unless, Hawktail has delivered an album of original instrumental music that showcases their unique talents. A mixture of recordings from the studio and from shows, this album was written to be played live for people in a room. The inclusiveness of that extends beyond the speakers: a finger on the string, a rush of energy when you didn’t expect it – this is music made to be enjoyed.

https://www.hawktailmusic.com/

https://www.facebook.com/events/2191137604243704/

Come one, come all, to a special listening room-style evening of heart-melting singer/songwriters at Static Age Records on Lexington Ave in the heart of downtown Asheville.

SHOW: 8pm
TICKETS: $5 at door

THE LINEUP:

KATHRYN O’SHEA
MEL & FATE (A special duo set by Melanie A. Davis and Fate McAfee)
COWBABY

Info about the artists:

KATHRYN O’SHEA

Kathryn is a banjo-playing singer/songwriter solo artist who was born and raised in Asheville, NC. Perfect for fans of Sufjan Stevens or Sarah Jarosz, Kathryn is known best for her hauntingly poignant lyricism and masterful vocal play. Her minimalistic banjo accompaniment lays a hypnotic foundation for her powerful vocal stylings to shine. This fall, Kathryn placed 2nd overall in the 11th annual Brown Bag Songwriter’s Competition at The Asheville Music Hall and opened for the internationally renowned Los Angeles-based artist Terra Naomi at 7 Stages Theater in Atlanta. She is currently recording with music producer M.G. O’Shea, a talented audio engineer who just so happens to be her big brother. This summer, the two worked together to release Kathryn’s debut single, “Snow.” Immersive Atlanta wrote the following in response to the track: “The moment Kathryn O’Shea’s enormous voice slips into the jaunty bustle of ‘Snow,’ you’ll surely wonder what record label she’s gunning for. With a timbre as dynamic as Florence Welsh, the singer/songwriter strips back the sentimental mush from falling snow to tell a clever tale about getting holed in for the winter; even in just four minutes, she fleshes out a character who wrestles with more than just frozen desire.”

FB: https://www.facebook.com/kathrynosheamusic/
YOUTUBE: https://www.youtube.com/playlist?list=PLZx6zSq2ehAsZfDCZAdU9iXM6SnoIYX6H
BANDCAMP: https://kathrynoshea.bandcamp.com/

MELANIE A. DAVIS

Emanating from the low hills of western Kentucky are the unmistakable songs of Melanie Davis. A thespian at heart, her ability to craft tunes that are simultaneously poignant and liberating is steeped in an appreciation for the nuances of human relationships. Whether it’s contemplating the potential of her immediate community or considering her own vices and tendencies, she never shies away from the glaring truths therein. Her stage experience translates into a captivating live performance that leaves the listener hanging with each line. She can deliver complex phrases that speak to neuroses we all understand, all within a fresh wave of jazz-inspired folk arrangements that seem to emphasize the range of emotions she describes. With an inimitable voice and a terrific sense of unique rhythms on the guitar, she has created a truly original sound within the vibrant scene of Murray, KY, and the surrounding area.

http://melanieadavis.bandcamp.com/
http://www.facebook.com/melanieadavis

FATE MCAFEE

Fate McAfee began his career as a songwriter at the age of 20, recorded his first full length studio album at 22, and has played small festivals, coffee shops, and dive bars everywhere from the Appalachian Mountains, to the Mississippi River, the streets of New Orleans, to theatres in Kentucky. Originally from West Tennessee, Fate’s insightful perspective into the fragile nuances of the human experience are steeped with the knowledge of beauty, struggle, and stoicism of someone raised in the mid-South. His adept finger picking rooted in traditional Americana cradles the disguised allegoric nature of his lyricism. Originally playing solo, Fate has collaborated with several talented musicians for his debut album, “Little Bill and the Late Fees,” recorded in Paducah, KY. His second studio album, “Diesel Palomino,” is set to release late this winter.

http://www.facebook.com/fatemcafeemusic https://soundcloud.com/fatemcafee/sets/diesel-palomino-rough-mixes/s-9Sy2s

COWBABY

Cowbaby is an Asheville, NC based folk duo that combines the angelic voices of Claire Hoke and Annie Jo Buchanan. Drawing inspiration from a range of old-time and bluegrass-influenced artists like Gillian Welch and Dolly Parton, Cowbaby uses banjo, acoustic guitar, and velvety warm harmonies to evoke nostalgia for the tumult of childhood. Since their origin in late 2017, Hoke and Buchanan have explored themes from blurring the lines between girlhood and womanhood to feelings thought but never shared. Their rich, effortless harmonies and dreamy, poetic lyricism offer a cathartic depth of sound and content. Their debut studio recordings are set to release in late January, but clips of their sound, show dates, and other information can be found by following their instagram page: @cowbabyband.

https://www.instagram.com/cowbabyband/
https://www.facebook.com/Cowbaby-222544204930166/

https://www.facebook.com/events/2190030684543760/

Catch Rossdafareye at this funky spot nestled in the Smoky Mountains! Free show.. Cold Beer.

https://www.facebook.com/events/2386793621362477/

Lazy Hiker welcomes back Hiker faves Porch 40 to the taproom stage as part of the “Pour 40 Tour” , promoting great music, craft beer and community! We’re gonna rawk! www.porch40.com

https://www.facebook.com/events/2295464704005284/

It’s a Pre-V-Day Rock Show!!!
Featuring Rock Hard Heart-Throbs;
Rory Kelly, Crimson Soil, Gutterhound , & Electric Phantom!
Saturday Feb 9th, Doors – 8:00 PM, Show – 9:00 PM!
Cover – $7.00.
Join us for a POWER Packed Line-Up of PURE ROCK,
Sure to get your heart pounding in PRE-V-DAY Preparation!
PLUS Heart shaped Goodies & Plenty of Prizes !

https://www.facebook.com/events/1973802669588673/

Young the Giant
With special guest Sure Sure
Show: 8pm
Doors: 7pm
$32 – $139
Ages 18+

Tickets & Info: www.theorangepeel.net/event/young-the-giant/

Los Angeles quintet Young the Giant expertly juxtapose their adventurous spirit with fearless grace on their new album Mirror Master, that features singles “Simplify” and “Superposition.” As the band’s fourth album, Mirror Master follows 2016’s critically acclaimed album Home of the Strange.

Mirror Master comes at a time when we are engulfed in points of conflict and scrutiny, yet with this album Young the Giant have found some space to breathe.

Lead singer Sameer Gadhia explains “What we forget to realize is that the image that reflects is just an illusion. Like the world, we are made up of fictions of things people tell us. How we should dress, what we should believe in, what type of stock to invest in, how we should vote. What is our free will, if we trudge across tracks already traveled?

If there is nothing else we control; nothing else new, we are at least in control of ourselves; can make our paths novel and undefined; shatter categories, stereotypes, and roles. Do what we want to do, think freely and not how others tell us to—live beneath the surface of things.”

Young the Giant first broke through with their 2010 self-titled debut album, which featured the RIAA-gold certified hits, “My Body” and “Cough Syrup.” This was followed by the release of 2014’s Mind Over Matter, which was both a commercial and critical success and prompted The New York Times to call [Lead singer Sameer Gadhia] “one of the great contemporary rock voices.” Young the Giant continued to brave new themes and sonic landscapes with their wildly adventurous third album, Home of the Strange, anchored by the perspective of the modern American immigrant as most members of the quintet are immigrants or first-generation Americans. Gadhia had an in-depth conversation with NPR’s Ailsa Chang on the topic (see here). The album features hits “Amerika,” “Something to Believe In,” and “Silvertongue.”

Young the Giant is composed of Sameer Gadhia (vocals), Jacob Tilley (guitar), Eric Cannata (guitar/vocals), Payam Doostzadeh (bass), and Francois Comtois (drums/vocals). They’ve sold out performances at historic venues such as Radio City Music Hall (New York), The Greek Theatre (Los Angeles), The Aragon Ballroom (Chicago), Red Rocks Amphitheater (Morrison), and more. They have become a festival mainstay at high profile outings such as Bonnaroo, Austin City Limits, Lollapalooza, Outside Lands, and Governor’s Ball among others. Over the course of their career, Young The Giant has charted 5 singles on the Billboard Alternative Top 10.

For more information and artist updates, visit www.youngthegiant.com.

https://www.youtube.com/watch?v=QxJhrwyn0M4

https://www.facebook.com/events/163340717950884/

Live music

https://www.facebook.com/events/404550290314192/

Somebody’s Child Summed Up in their own Words:
“We are soul mates who have the privilege of writing and living music together. Through musical harmony, we attempt to convey and better our own understanding of existence. We hope you enjoy the show. As always, we adore you all!”

https://www.reverbnation.com/somebodyschild

https://www.facebook.com/somebodyschild2/

https://www.facebook.com/events/2029422437124131/

Dan Keller trio is an instrumental jazz project comprised of upright bassist Ryan Kijanka, drummer Micah Thomas, and guitarist Dan Keller. They put their own spin on timeless standards and melodies, without losing the grit and authenticity of jazz. Many eras from early swing, latin jazz, bebop, and soul-jazz are represented. They strive to entertain both casual listeners and connoisseurs.

kellerjazz.vpweb.com

https://www.facebook.com/events/819186291762262/

Young the Giant Live Concert at Asheville, NC
February 9, 2019, 8:00 pm

Tickets: https://goo.gl/E7T7Z4

https://www.facebook.com/events/1152975624858741/

Join us for some old time/bluegrass/country/acoustic rock fun with Rob Mangum, Parrish Ellis, James Johnson, Doug Sharkey and Kevin Kehrberg.
The Barsters bring a sound that draws from all sorts of styles from the past. Strong singing and harmonies with flat-out hot pickin’ makes for an entertaining evening, come join us!

https://www.facebook.com/events/219747885512310/

$35 Advance / $40 Day of Show

Isis Music Hall welcomes David Bromberg, the Godfather of Americana back to our stage

You can tell a lot about a person from the company he keeps. When that company has included Bob Dylan, The Beastie Boys, George Harrison, Emmylou Harris, Doc Watson, John Hiatt, Jerry Garcia, Reverend Gary Davis, Dr. John, Pete Seeger, Willie Nelson, John Prine, Phoebe Snow, Jerry Jeff Walker, and Mississippi John Hurt, you realize you’re dealing with a very special case

Standing Show with limited seating :: Seating is First Come First Serve :: General Admission :: Please Call Venue for Dinner Reservations in the dining room only

https://www.facebook.com/events/467756827084812/

Join us at The Black Cloud for Descent. Descent is a monthly showcase of local and regional electronic artists spinning their sets for your aural enjoyment. Fall down the rabbit hole and dance the night away with us.

Rob Breax
Oneiric
Bongwater

Genres: Minimal techno/synthwave

The Black Cloud
723 Haywood Rd Basement, 28806
Music starts at 9:30 PM.
21+.
No cover but cash donations to the performing artists are highly suggested.

https://www.facebook.com/events/524633888051047/

You all know Guns n Roses… We’re bringing the next best thing! Their Tribute band!

https://www.facebook.com/events/791854454481937/

We are breaking out the Disco Ball and clearing out the chairs in the back at the lounge to get our groove on with a live band every Saturday night in February, beginning the 9th!
House band is Cara Rimmer, Tyler Kittle, Katie Hutchinson, Isaac Capers, and Curt Collins, all local musicians who are gonna groove your shoes off!

https://www.facebook.com/events/2419904934896705/?event_time_id=2419904948230037

Super Heavy
Metal Show!!
Mega Colossus
https://music.meltedfaces.com/

Velvet Reaper- New local face rockers!

Earth Collider
https://earthcolliderusa.bandcamp.com/

Children of the Reptile
https://cotr.bandcamp.com/

https://www.facebook.com/events/310428416348148/

The Pinecar Derby is back!!!
The tournament will take place on a certified track at The Mothlight on Saturday February 9th. Host, Randy Thunder will be present leading the events.
Arrive at 8pm, Races start at 9pm

https://www.facebook.com/events/2266834080230600/

Phuncle Sam is Asheville’s own Dead-Centric “jam band”. Since their formation in 2004, Phuncle Sam has been firmly rooted in musical exploration. The band serves up inventive interpretations of Jerry Garcia, Grateful Dead and many others. They have built up a faithful following by using an approach that respects the improvisational traditions of The Grateful Dead, while exploring what can happen when individual band members bring their unique influences and interpretations into the mix”

$5 Entry Fee
520 Haywood Rd, Asheville, NC

https://www.facebook.com/events/2015513858745529/

Come Show Off Your Skills And Get Down With Your Friends This Saturday Night With Karaoke!

https://www.facebook.com/events/956916254511902/?event_time_id=956916271178567

TAUK at Salvage Station!
w/ special guest People’s Blues of Richmond
Tickets $15 | On Sale THIS Friday, 11/16
Doors: 5:00pm
Show: 9:00pm

—
www.TAUKband.com
https://www.facebook.com/taukband
https://twitter.com/taukband
https://www.youtube.com/user/Taukband
https://www.instagram.com/taukband/

Want to stay updated? Sign up to receive the latest Tour Dates and News from TAUK – http://taukband.com/email-list/

Join our street team dubbed the STAUKERS and get free tickets to shows by helping spread the word! Join here: http://taukband.com/staukers/

Check out our Merch – http://hellomerch.com/collections/tauk
—

On their new album Shapeshifter II: Outbreak, New York-bred band TAUK offer an unsettling but ultimately exhilarating look at artificial intelligence and its potential to upend our world. With its dynamic sense of tension and cinematic mastery of mood, TAUK’s all-instrumental blend of progressive rock, hip-hop, and jazz proves to be the perfect backdrop for such explorations, giving way to an album that’s both powerfully hypnotic and intensely thought-provoking.

“We’re all very much interested in A.I., and this idea of machines getting out of the hands of the people trying to control them,” notes TAUK guitarist Matt Jalbert, whose bandmates include bassist Charlie Dolan, keyboardist Alric “A.C.” Carter, and drummer Isaac Teel. “This album felt like a good setting to tell that kind of story, but in a way where we could have fun with it and let the listener escape into a whole other world.”

Equally inspired by classic sci-fi like Blade Runner and more recent films like Ex Machina, Shapeshifter II: Outbreak embeds that narrative into TAUK’s most sonically adventurous, emotionally expansive work to date. A continuation of their early-2018 EP Shapeshifter I: Construct, the new album picks up its predecessor’s narrative thread with “Prelude”: a fantastically unsettling intro track whose frenetic keyboard work and chilling vocal samples set the tone for what’s to come. “The idea is that in the EP you’re seeing the construction of this being, and in the album you’re seeing it break out and become something that you can’t ignore anymore,” Carter explains.

From there, TAUK charge forward with the driving rhythms of “Recreational Outrage” (a track laced with the ominous throb of a robotic heartbeat), the futuristic soundscape and heady grooves of “CMF 9000,” the gauzy reverie and glorious chaos of “Checkmate,” and the bright melodies and soulful guitar sprawl of “Convoy.” One of the album’s most mesmerizing moments, “Let It Ride” builds a brilliant tapestry from its luminous keyboard tones, kinetic guitar work, and kaleidoscopic rhythms. And on “Upside Down,” TAUK close out Shapeshifter II: Outbreak with a thrillingly epic burst of unfettered experimentalism.

Free-flowing yet elaborately composed, Shapeshifter II: Outbreak came to life in collaboration with TAUK’s longtime cohort Robert Carranza—a Grammy Award-winning producer/mixer/engineer also known for his work The Mars Volta, Ozomatli, Marilyn Manson, and Taj Mahal. In a departure from their previous releases (including 2016’s Sir Nebula), the band shunned the typical studio environment and holed up for weeks in a long-abandoned, century-old home that Teel describes as “the Jumanji house meets Addams Family meets Amityville Horror.” Located in their homeland of Long Island, the house turned out to be the ideal spot for their makeshift studio, allowing for a creativity-enhancing seclusion. “Overall the whole process was incredibly organic—there were no constrictions as far as time or space, nothing ever felt forced,” says Dolan. “There was a greater feeling of possibility, and it ended up being a really liberating experience for all of us.” Jalbert adds: “The location definitely added to the vibe of everything we were going for. It was like we set up a laboratory in the middle of nowhere and shut off the rest of the world, which really helped get us into a specific headspace.”

True to its thematic terrain, Shapeshifter II: Outbreak endlessly blurs the boundaries between organic and electronic, with TAUK broadening their sonic palette to include a vast spectrum of synth sounds and programmed effects (such as those exquisitely eerie vocal samples heard in “Prelude”). And in sculpting the album’s intricate arrangements, TAUK called on such esteemed musicians as The Naughty Horns, Ghost-Note’s Nate Werth (a percussionist who’s also played with David Crosby, Q-Tip, and Snarky Puppy), and Juan Alderete (longtime bassist for Racer X and The Mars Volta).

Throughout Shapeshifter II: Outbreak, TAUK reveal the potent chemistry they discovered in childhood, when longtime friends Dolan, Jalbert, and Carter formed their first band in seventh grade. After playing together in various projects, the trio brought Teel into the fold in 2012, cementing the final lineup. Since then, TAUK have shared stages with acts like Umphrey’s McGee, Widespread Panic, and Lettuce, appeared at festivals like Electric Forest and Bonnaroo, and earned acclaim from major outlets like the Washington Post (who praised TAUK for “creating a hard-charging, often melodic fusion that—thanks to a penchant for improv—offers limitless possibilities”). As Teel points out, the band’s incessant touring over the years has significantly strengthened their musical connection. “The four of us as individuals are all very animated souls in our own right,” he says. “We each have our ideas and our perspectives, and when it all comes together, it creates this collective statement that takes on a life of its own.”

In creating Shapeshifter II: Outbreak, TAUK made that statement more deliberate and impactful than ever before. But while several upcoming videos and the vibrant artwork of illustrator Raul Urias add a new dimension to the album’s concept, the band purposely maintained a certain open-endedness in its execution. “People tell us all kinds of stories about what our songs mean to them, and it’s always cool to see how wide the gamut of those stories is,” says Carter. “What the song means to me might not be the same as what it means to you, but that’s one of the great things about this whole experience. There’s room for everyone to develop whatever narrative they want.”

https://www.facebook.com/events/1998064390287087/

The Steel Woods at The Grey Eagle

https://www.facebook.com/events/192168075043226/

Envisioned Arts ATL Presents:

TRUTH
Khiva
The Undergrowth Showcase

Saturday, February 9th
Asheville Music Hall
31 Patton Ave, Asheville, NC 28801

9pm | 21+ | $15+
Tix: https://truth-khiva-avl.theticketingco.com/

TRUTH
Sonic architects of songs with an emotional heft as heavy as the subwoofer rupturing basslines that underpin their work, Truth are one of New Zealand’s finest creative exports. Respected across the globe, since inception several years ago, Truth (Andre Fernandez and Tristan Roake) have, as both world-class producers and party-rocking DJs, cut a clear pathway through the international dubstep scene.

On the nightclub and festival circuits, the fruits of their labor have included, several European tours, countless shows across the USA, New Zealand and Australia, a massive South American tour, and shows in Asia. Truth has built this performance presence through DJ support from Mala, Skream, Youngsta, Hatcha and N-Type, to name a few, giving their music an advance presence at key club nights like DMZ in London, Club Love in New York and through seminal radio stations such as BBC Radio One, Kiss Fm and Rinse FM.

Through keynote DJ support, they have been rewarded with single releases via Deep Medi Muzik, Tempa Records, Wheel and Deal, Blackbox Recs, Aquatic Lab, Disfigured Dubz, Argon and Boka Records. Through these, including critically ‘The Fatman’ (as released via Deep Medi Muzik) and their acclaimed Aquatic Lab released album Puppets, Truth have seen their stock rise, placing them as in-demand remixers and collaborators to The Nextmen, Miss Dynamite, Shapeshifter, The Black Seeds, Silkie, Kromestar, Tunndige and countless figures of note within the international dubstep community.
Acclaimed by critics both within and outside the dubstep scene, their momentum is undeniable and impossible to ignore. Face the truth or get well outta the way.

music = https://soundcloud.com/truthdubstep

Khiva
Honouring a deep longing to convey a passion that arises from somewhere far beneath a visible reality, Khiva attempts to bring the deep rooted to the surface. Finding her true love within sonic sculpture, and nurturing a propensity toward the emotionally fuelled and often dramatic, dubstep and bass driven 140-centric styles offer a natural focal point, but in no way a limit, for her musical exports.

Intricately crafting low frequency soundscapes and charging beats while fervently utilizing contrasts, she to hopes of invoke a true experience in the listener, whatever that may be. As a yogi, her visions for music tie in organically with those of yoga, in an all-embracing practice of tapping into something unseen.

With a current monthly show on London based radio station Subtle FM, praised festival appearances, locking in weighty slots alongside some of dubstep’s finest acts and various international guest mixes, her intentional selections bring forth a contagious energy through lively and dynamic mixes, using the decks as a tool to channel the profound, moving and unexplainable in an experience through sound that goes much deeper than the eye can see.

After finishing a European tour with Deep Dark and Dangerous, releasing her hard-hitting debut EP ‘In the Quiet’ on the label, and making waves with her latest productions and compelling performances, what lies ahead for the young artist is matched only by our wildest imaginations.

music = https://soundcloud.com/realkhiva

The Undergrowth Showcase
Conscious Collective based in Asheville, NC.
Music. Art. Love.

music = https://soundcloud.com/theundergrowthcollective

https://www.facebook.com/events/1468755486592347/

JJB return for an evening of Allman Bros. Music

https://www.facebook.com/events/358522694731183/

Doctor Ocular is back in Black Mountain, NC!!
Music from 10pm-1am
-No cover-
Blending synth and guitar with drum and bass, Johnson City, Tennessee’s Doctor Ocular sets original melodies and arrangements of covers with vibes from jamtronica, acid jazz, synth-pop, and roots-rock.

Since their inception, DocOc has trekked throughout the Southeast and Midwest, spreading the word of their very own brand of psychedelic rock.

https://www.facebook.com/events/1775220449251197/

Genre: Indie Rock
Cover: Donations @ Door
Show: 10PM
Ages: 21+

Little Bird

Born and raised in Annapolis, MD, Indie R&B/Soul outfit, Little Bird, now hails from Charleston, SC. They are currently touring their 2018 release, Familiar, which reflects the sonic alchemy of a broad range of musical influences, such as legendary artists, D’Angelo and Erykah Badu, along with revered modern acts, Hiatus Kaiyote, Fat Freddy’s Drop, and Nick Hakim.

With the release of Familiar, and a consistent, impressive live performance, Little Bird has received acclaim in their new hometown, being voted the 2018 Charleston City Paper “RnB/Soul Band of the Year”. New members Ben Mossman (Bass), Oleg Terentiev (Drums), Noah Jones (Piano) have joined originators Jay Hurtt (Guitar/Vocals) and James Rubush (Guitar) to create the sound heard on Familiar, and continue to develop their sound with material set to be released in 2019. Familiar was released in April 2018, recorded with Engineer/Producers Shane Woods, and Jeff Lucci (Mo Lowda & the Humble) recorded at Headroom Studios (Philadelphia, PA) in October 2017.

Formed originally in 2014 as the brainchild of Jay and James, the group began began relentlessly touring throughout the East Coast in early 2017 on the heels of their self-produced record “Groove” (2015). The early and new sounds of the band landed them gigs performing and headlining festivals such as Silopanna, EastPortaRockin’, Savannah Stopover along with sharing bills with the likes of G. Love & Special Sauce, Zach Deputy, Boy Named Banjo, Jimmies Chicken Shack, The Hip Abduction, Caroline Rose, Stop Light Observations, Mo Lowda & the Humble and many more.

web: http://www.thisislittlebird.com/

vid: https://youtu.be/GcKp5ut_afo

https://www.facebook.com/events/227590698162286/

The largest RV, Boat and Recreation show in W.N.C. 11 dealers, hundreds of units, Thousands of savings!

https://www.facebook.com/events/2279925412333169/?event_time_id=2279925422333168