Arts and Theatre
Browse through upcoming arts and theater events in Asheville, NC, including Broadway shows, musicals, plays, operas, and more.
Friday, March 24, 2023 CALL FOR ARTISTS! Story Parlor’s Story/Arts Residency Kirsten Stolle: The Grass Isn’t Always Greener Laurie Yeates Adams Exhibition Tri-State Dance Competition Vanya + Sonia + Masha + Spike at North Carolina Stage Company An Abundance of Riches Artists Collective | Spartanburg Retail Volunteer Opportunities
Center for Craft: Cowork Office Available
Exhibition: NEO MINERALIA .jpg)
Exhibition: Something earned, Something left behind 
Exhibition: Crafting Denim 
Art Exhibit: RAUSCHENBERG: A Gift in Your Pocket 
Asheville Gallery of Art “Awakenings” Group Show Luzene Hill: Revelate Natural Collector | Gifts of Fleur S. Bresler Pulp Potential: Works in Handmade Paper
Stained with Glass: Vitreograph Prints from the Studio of Harvey K. Littleton Exhibition
Too Much Is Just Right: The Legacy of Pattern and Decoration Teen Acting Class Youth Acting Class Youth Production Class Bright Star Youth Tech and Run Crew Improv I: The Basics of Inspired Improvisation Improv III: The Performance Lab Love + Laughter Comedy Theatre Vanya and Sonia and Masha and Spike
ASHEVILLE VAUDEVILLE COLLECTIVE Classic World Cinema at Flood Gallery Heart Ripped Out Twice And So Can You! in the Asheville Fringe Heart Ripped Out Twice And So Can You! in the Asheville Fringe
Offered for BIPOC, LGTBQIA+, and individuals from other historically marginalized communities—the residency invites artists to present a three-week performance featuring the core elements of storytelling through art, collaboration, and exploration of the human condition.
Applications due April 30.
About the STORY/ARTS RESIDENCY
Story Parlor’s residencies exist to champion the creative work of locally-based artists and art groups hailing from BIPOC, LGTBQIA+, and other historically marginalized communities in the quest to amplify and bridge together the diverse fabric of voices in Asheville.
Specifically, the Story/Arts residency aims to provide a platform that showcases the transformative and healing powers of storytelling through all art mediums, while tending to the core values of Story Parlor’s mission, which include:
• Connecting audiences and artists from varying creative backgrounds and interests
• Informing, inspiring, and invigorating through the arts
• Promoting and fostering self-inquiry and mindfulness
• Cultivating creative exchange and cultural insight
• Fostering authenticity and inclusiveness
In addition to public performances and/or workshops, artists-in-residence receive dedicated rehearsal time in the space; an artist stipend; creativity coaching sessions; marketing and promotion; and more.
Applications for the 2023 summer residency are below and due no later than April 30, with preference given to applicants who cross disciplines, embrace collaboration, and present a residency proposal that embodies the core elements of storytelling through all art forms.
Tracey Morgan Gallery is pleased to present The Grass Isn’t Always Greener, an exhibition of recent work by multimedia artist Kirsten Stolle. Working in collage and text-based imagery, Stolle’s research-based practice examines the influence of pesticide companies on our food supply, particularly how Bayer-Monsanto and Dow Chemical use aggressive advertising campaigns to manipulate public perception. Reimagining and recontextualizing found imagery and appropriated text, Stolle’s work spotlights these companies’ persistent greenwashing and troubling histories.
Central to Stolle’s practice is her interest in the intersection of art and science, and the potential for art to bring new perspectives to contemporary scientific issues. Using this cross-disciplinary approach, she creates work that engages the viewer on an aesthetic level and offers an opening for increased awareness and consideration.
This exhibition brings together several bodies of work, Pesticide Pop, HERBS, Science for a Better Life, If All You Have is a Hammer, Everything Looks Like a Nail, How to Control Weeds, and Weeds are the Enemy, all of which were recently included in the artist’s solo exhibition Only You Can Prevent A Forest at the Halsey Institute of Contemporary Art, Charleston, SC.
Pesticide Pop explores the visual strategy and seductive power of chemical company advertising. Appropriated images of toxic weed killers are transformed into large-scale, Pop Art inspired prints, absurdly glorifying chemicals as objects of desire. Another series, HERBS, examines the so-called “rainbow herbicides” supplied by Monsanto and Dow Chemical to the U.S Air Force which sprayed over 74 million liters of the chemical herbicides in Vietnam between 1962 and 1971. In Science for a Better Life, Stolle uses collage, cutting, and drawing to redact original texts from magazine advertisements – propaganda which overwhelmingly promoted the use of chemicals in war, agriculture, and home – altering the intended messaging and reframing the visuals to expose the true threat posed by harmful chemicals.
Also included is If All You Have Is A Hammer, Everything Looks Like A Nail, a wall installation of nine engraved wooden hammers. Each hammer, hung horizontally at eye level, is engraved with a marketing phrase associated with herbicide spraying programs. Referring to the use of pesticides as a blunt instrument, the installation speaks to the mass deployment of chemicals used in industrial agriculture.
Kirsten Stolle was born in Newton, MA in 1967, lived and worked in the San Francisco Bay Area for 19 years, and currently lives in Asheville, NC. She received a BA in Visual Arts from Framingham State University, and completed studies at Richmond College in London, England and Massachusetts College of Art and Design. Her work has been published in The Atlantic, Photograph, Poetry Magazine, The Billboard Creative, among many others. Her work is included in the permanent collections of the North Carolina Museum of Art, San Jose Museum of Art, Crocker Art Museum, and the Minneapolis Institute of Art. She is a recipient of a Pollock-Krasner Foundation grant, as well as grants from the San Francisco Arts Commission, The Puffin Foundation, North Carolina Arts Council, and Artists’ Fellowship, Inc. She has been awarded numerous residencies including the Ucross Foundation, Blue Mountain Center, Millay Arts, and Marble House Project.
The work presented in the LAURIE YEATES ADAMS EXHIBITION at Art on 7th is a collection of pieces, both paintings and sculptures from past to present. The exhibited works are evocative of her journey for artistic expression, and beautifully demonstrate the depths of her acutely thoughtful, introspective mind.
See the exquisite results of her experimentation with a variety of organic materials such as charcoal, sand, paint pigment, water, coffee, acrylic paint and more.
ALL ARTWORK IS FOR SALE.
Celebrating 40 Years!
Beale and Peggy Fletcher began this wonderful event in order to showcase the very talented dance students of the Tri-State area. The contests of the past created performance opportunities for dancers to be critiqued in a positive forum for their efforts. The Fletcher’s grew the Tri-State Dance Contest into an event everyone looked forward to year after year and is still know for it’s traditional values.
Special Awards are given each year in honor and rememberance of the Fletchers.
In this Tony Award® winning comedy by Christopher Durang, middle-aged siblings Vanya and Sonia share a home in Bucks County, PA, where they bicker and complain about the circumstances of their lives. Suddenly, their movie-star sister, Masha, swoops in with her new boy toy, Spike. Old resentments flare up, eventually leading to threats to sell the house. Also on the scene are sassy maid Cassandra, who can predict the future, and a lovely young aspiring actress named Nina, whose prettiness somewhat worries the imperious Masha. Hilarity, a bit of pathos, and just a touch of Chekhovian ennui ensue as the family, neighbor, boyfriend, and housekeeper navigate the complexities of their relationships.
Discretionary Content: Adult themes and Language
COVID protocol: masks still required in the theatre during the performance
Andrea Rich’s intricately designed, carved, and printed woodcuts draw viewers in for an up-close look.
Some of the artist’s earliest memories are of drawing animals. Childhood encounters with pets, livestock, and wildlife, including birds, deer, and toads, created a lasting connection to the natural world. Through encounters with creatures both tame and wild, Rich developed a fascination and a compassion for animals integral to her art.
“My prints are a visual record of the intriguing creatures that have enriched my life. The woodcut process challenges me to focus on the essence of my subjects. At the same time, I am drawn to the smell of the wood, its texture and grain, and the pleasure I experience while carving. I begin working on a block of wood and realize later that hours have passed without notice.”
Rich uses a centuries-old medium that requires one carved wood panel for each color – varying from one to sixteen – necessary to develop the composition. These panels are painstakingly aligned one atop another sequentially and pulled through a printing press to create the final woodcut.
The subjects of Rich’s woodcuts range from the wilderness of the Australian outback and the lush tropical Amazon forests to the roaring rivers of Yellowstone Park. Rich has traveled worldwide to study wildlife habitats and these varied firsthand experiences are reflected in her work.
Among Rich’s many achievements are international recognition for her woodcut prints, including a 2009 Award of Excellence from the Society of Animal Artists and a 2009 Medal of Excellence from the Artists for Conservation Foundation. She was named Master Artist by the Leigh Yawkey Woodson Art Museum in 2006. In 2010 her work was featured in a solo exhibition at the Mass Audubon Visual Arts Center, Canton, Massachusetts. Rich is a member of the California Society of Printmakers, Artists for Nature Foundation, the Society of Animal Artists, and Society of Wildlife Artists.
In 2000 Rich designated the Woodson Art Museum as the repository for her artistic oeuvre. An Abundance of Riches is drawn from these holdings, which include an example of each of her woodcuts created since the mid-1980s.
| Do you have a love for art and creativity? Do you have some time on your hands? Are you interested in getting to know a terrific group of talented artists? Volunteering at the Artists Collective | Spartanburg may be the right move for you. Come see what all the buzz is about and expand your circle of influence! We are actively seeking people to volunteer at the Collective in the retail role.
Now is the time to make a change and get out there! We will be happy to have you aboard. |
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Photo credit:
Sae Honda. Courtesy of the Artist.
NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.
NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.
The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.
Photo credit:
J Diamond, “Pony II,” 2022. Courtesy of the Artist
Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.
Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.
Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.
Photo credit:
Photograph by Bowery Blue Makers
Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.
A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.
Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.
Robert Rauschenberg, Autobiography, 1968
In the late 70s, Bradley Jeffries had a chance meeting with Robert Rauschenberg outside his home on Captiva Island, and they bonded immediately. Bradley was hired to be the artist’s business and life manager. Her employment with him for over 30 years, until his death in 2008, involved many roles on the Board of Directors of Change, Inc and The Rauschenberg Foundation. Bradley’s travels with Rauschenberg took her on incredible adventures all over the world and exposed her to extraordinary opportunities. Throughout their friendship and work together, Rauschenberg gifted Bradley with many of his original artworks.
The family and friends of Bradley Jeffries will use her expansive and never previously exhibited Rauschenberg collection as a means of memorializing Bradley through this traveling exhibition. “Rauschenberg: A Gift in Your Pocket” opens on April 25, 2022 at the Bob Rauschenberg Gallery at Florida Southwestern State College in Ft. Myers for display throughout the summer. After which her collection will travel to The University of Kentucky Art Museum followed by its culminating exhibition at BMCM+AC.
Once her collection of Rauschenberg’s artwork completes its planned memorial exhibitions, pieces will be donated to each of the involved institutions in an ongoing memorial to Bradley and her legacy of promoting the arts and artists.
Curated by Jade Dellinger, Director of the Bob Rauschenberg Gallery at Florida Southwestern State College.
Asheville Gallery of Art’s March show, “Awakenings” features work by three new Gallery members: Jon Sebastian, Sara Bell, Andrea Stutesman. The show runs daily March 1 through March 31st, 2023 during gallery hours, 11am-6pm. An opening reception will be held March 3, 5-8pm; everyone is welcome.
The three artists will showcase their passion through three mediums, respectively. Not unlike the delicate and elusive trillium of the North Carolina mountain beds, these artists spring forward in the presentation of “Awakenings.” As featured artists of the month, Andrea Stutesman, Sara Bell, and Jon Sebastian join forces in presenting this amazing show by rendering their art using pastels, watercolors, and oil paints. Mesmerizing spring colors will grace the windows and walls of the gallery, rendering imagery of flowers, exotic and endangered animals, and vibrant landscapes. “Awakenings” is the second of three group shows featuring new artists to the gallery.
Andrea Stutesman
Andrea’s early art explorations began with pastels under the guidance of her mother, an accomplished painter. Her work is from the heart, inspired by her interactions with people and places or by the stories brought to her with requests for commissions. She strives to transform a sense of calm and connection that she experiences when painting that will invite viewers to slow down and enjoy the beauty of life.
Jon Sebastian
Art and painting in particular is, for artist Jon Sebastian, the selective recreation of reality according to his own principles and what he deems interesting and just in this world we share. Jon cannot remember a time when he did not paint. At Asheville Gallery of Art, Jon is now moving forward with confidence that others will find his works a compelling addition to their own collections. Jon paints immersive works filled with color, light and shadow. His subjects are of nature and of the peace and spirituality in which they envelope us.
Sara Bell
Sara Bell has always loved drawing. It’s a form of meditation for her and has now become a way for her to find peace and sanity when her world gets too overwhelming, which, as a single mom with a neuro-divergent teen, happens quite often. When it does, Sara follows John Muir’s quote, “Off into the woods I go to lose my mind and find my soul.” The results of these adventures are delightful sketches and photography of the forests. Sara then works from her photos to create her watercolors and intaglio prints.
Come visit this engaging and thoughtful exhibition at 82 Patton Avenue in downtown Asheville. For further information about this show, contact the Asheville Gallery of Art at (828) 251-5796, visit the Gallery’s website at ashevillegallery-of-art.com, or go to the Gallery’s Facebook page.
An enrolled member of the Eastern Band of Cherokee Indians, Luzene Hill advocates for Indigenous sovereignty—linguistically, culturally, and individually. Revelate builds upon Hill’s investigation of pre-contact cultures. This has led Hill to incorporate the idea of Ollin, the Nahuatl word for the natural rhythms of the universe, in Aztec cosmology in her work. Before Europeans arrived in North America, Indigenous societies were predominantly matrilineal. Women were considered sacred, involved in the decision-making process, and thrived within communities holding a worldview based on equilibrium.
Ollin emphasizes that we are in constant state of motion and discovery. Adopted as an educational framework, particularly in social justice and ethnic studies, Ollin guides individuals through a process of reflection, action, reconciliation, and transformation. This exhibition combines Hill’s use of mylar safety blankets alongside recent drawings. Capes constructed of mylar burst with energy and rustle with subtle sound, the shining material a signifier of care, awareness, displacement, and presence. Though Hill works primarily in sculpture, drawing has increasingly become an essential part of her practice as she seeks to communicate themes of feminine and Indigenous power across her entire body of work. The energy within her drawings extends to the bursts of light reflecting from her capes or the accumulation of materials in other installation works.
Luzene Hill was born in Atlanta, GA, in 1946. She received her bachelor of fine art and master of fine art from Western Carolina University. She lives and works on the Qualla Boundary, Cherokee, NC.
Natural Collector is organized by the Asheville Art Museum. IMAGE: Christian Burchard, Untitled (nesting bowls), 1998, madrone burl, various from 6 × 6 × 6 to ⅜ × ⅜ × ⅜ inches. Gift of Fleur S. Bresler, 2021.76.01.
Natural Collector | Gifts of Fleur S. Bresler features around 15 artworks from the collection of Fleur S. Bresler, which include important examples of modern and contemporary American craft including wood and fiber art, as well as glass and ceramics. These works that were generously donated by contemporary craft collector Bresler to the Asheville Art Museum over the years reflect her strong interest in wood-based art and themes of nature. According to Associate Curator Whitney Richardson, “This exhibition highlights artworks that consider the natural element from which they were created or replicate known flora and fauna in unexpected materials. The selection of objects displayed illustrates how Bresler’s eye for collecting craft not only draws attention to nature and artists’ interest in it, but also accentuates her role as a natural collector with an intuitive ability to identify themes and ideas that speak to one another.”
This exhibition presents work from the Collection representing the first generation of American wood turners like Rude Osolnik and Ed Moulthrop, as well as those that came after and learned from them, such as Philip Moulthrop, John Jordan, and local Western North Carolina (WNC) artist Stoney Lamar. Other WNC-based artists in Natural Collector include Anne Lemanski, whose paper sculpture of a snake captures the viewer’s imagination, and Michael Sherrill’s multimedia work that tricks the eye with its similarity to true-to-life berries. Also represented are beadwork and sculpture by Joyce J. Scott and Jack and Linda Fifield.
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| Paul Wong, Carbon, silver and gold, 2016, pigmented linen and cotton pulp, publisher: Dieu Donné, New York, edition 3/25, 18 × 11 inches. Gift of Dieu Donné, New York, 2022.27.06. © Paul Wong. |
On View March 8 through July 24, 2023
The Van Winkle Law Firm Gallery • Level 1
Paper is an essential part of the art-making process for many artists, serving as the base for drawing, painting, printmaking, and other forms of art. As a substrate, paper can vary in weight, absorbency, color, size, and other aspects. Since industrialization, paper has primarily been produced through mechanical means that allow for consistency and affordability.
What happens, then, when an artist chooses to return to the foundations of paper, wherein it is made by hand using pulps, fibers, and dyes that reflect the human element through variations, inconsistencies, flaws, and surprises? Certain artists have sought out these qualities and embraced them, making paper not just a support on which to work, but fully a medium in and of itself.
Pulp Potential: Works in Handmade Paper is organized by the Asheville Art Museum and curated by Hilary Schroeder, former assistant curator, with assistance from Alexis Meldrum, curatorial assistant. Special thanks to Dieu Donné, New York, NY.
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In the past 50 years in the United States and beyond, artists have sought to break down social and political hierarchies that include issues of identity, gender, power, race, authority, and authenticity. Unsurprisingly, these decades generated a reconsideration of the idea of pattern and decoration as a third option to figuration and abstraction in art. From 1972 to 1985, artists in the Pattern and Decoration movement worked to expand the visual vocabulary of contemporary art to include ethnically and culturally diverse options that eradicated the barriers between fine art and craft and questioned the dominant minimalist aesthetic. These artists did so by incorporating opulence and bold intricacies garnered from such wide-ranging inspirations as United States quilt-making and Islamic architecture.
Too Much Is Just Right: The Legacy of Pattern and Decoration features more than 70 artworks in an array of media from both the original time frame of the Pattern and Decoration movement, as well as contemporary artworks created between 1985 and the present. The artworks in this exhibition demonstrate the vibrant and varied approaches to pattern and decoration in art. Artworks from the 21st century elucidate contemporary perspectives on the employment of pattern to inform visual vocabularies and investigations of diverse themes in the present day.
Artworks drawn from the Asheville Art Museum’s Collection join select major loans and feature Pattern and Decoration artists Valerie Jaudon, Joyce Kozloff, Robert Kushner, and Miriam Schapiro, as well as Anni Albers, Elizabeth Alexander, Sanford Biggers, Tawny Chatmon, Margaret Curtis, Mary Engel, Cathy Fussell, Samantha Hennekke, John Himmelfarb, Anne Lemanski, Rashaad Newsome, Peter Olson, Don Reitz, Sarah Sense, Billie Ruth Sudduth, Mickalene Thomas, Shoku Teruyama, Anna Valdez, Kehinde Wiley, and more.
This exhibition is organized by the Asheville Art Museum and guest curated by Marilyn Laufer & Tom Butler.
Ages 13-18
Mar 23-May 11 | Thursdays at 4:30-6:00 PM
In this class designed for beginners to intermediate performers, students will develop and hone their acting techniques. They’ll work on short scenes, monologues and play drama games that teach key skills in a fun and approachable way. This class gives students the confidence to shine on stage and off – even in their next audition or school play! Students will perform a showcase for family and friends during the last class.
Registration begins on Wednesday, February 1, 2023 at 10:00 am. Tuition will be $225 – Scholarships are available.
NOTE: If applying for a scholarship, please fill out the Scholarship Application INSTEAD of filling out registration. If your application is approved, we will be in touch with you to register.
Ages 8-12
Mar 21-May 9 | Tuesdays at 4:30-6:00 PM
In this class designed for beginners and younger performers, students will learn basic acting techniques and have a great time doing so! They’ll get creative with short scenes and play drama games that teach key skills in a fun and approachable way. This class builds the confidence to help them to shine on stage and in life – even in their next audition or school play! Students will perform a showcase for family and friends during the last class.
Registration begins on Wednesday, February 1, 2023 at 10:00 am. Tuition will be $225 – Scholarships are available.
NOTE: If applying for a scholarship, please fill out the Scholarship Application INSTEAD of filling out registration. If your application is approved, we will be in touch with you to register.
Ages 13-18
Mar 14-May 13 | Tuesdays at 4:30-7:30 PM and Saturdays at 1:00-5:00 PM
Tech Week: May 15-18 | Monday through Thursday | 4:30-8:00 PM
Performances: Saturday, May 20 at 6:30 PM and Sunday, May 21 at 2:30 PM
Inspired by a real event and featuring the Tony-nominated score by Steve Martin and Edie Brickell, Broadway’s Bright Star tells a sweeping tale of love and redemption set against the rich backdrop of the American South in the 1920s and ’40s. When literary editor Alice Murphy meets a young soldier just home from World War II, he awakens her longing for the child she once lost. Haunted by their unique connection, Alice sets out on a journey to understand her past – and what she finds has the power to transform both of their lives.
Youth Production Classes tackle the entire production process – from auditions, rehearsals, character development, and performance. Great for performers of all levels of experience.
Registration begins on Wednesday, February 1, 2023 at 10:00 am. Tuition will be $450– Scholarships are available.
NOTE: If applying for a scholarship, please fill out the Scholarship Application INSTEAD of filling out registration. If your application is approved, we will be in touch with you to register.
Ages 12+
Mar 23-May 11 | Thursdays at 4:30-6:00 PM
Tech Week: May 15-18 | Monday through Thursday | 4:30-8:00 PM
Performances: Saturday, May 20 at 6:30 PM and Sunday, May 21 at 2:30 PM
What goes on behind the curtain? In our Tech Youth Production Classes, students learn and experience technical theatre and backstage work, including: safety, basic light and sound board operation, and stage management. Students will then put their skills to practice by running all technical and backstage roles during the Youth performances of Bright Star Young Performers Edition, a musical tale of love and redemption inspired by real events and set against the rich backdrop of the American South in the 1920s and ’40s.
NOTE: If applying for a scholarship, please fill out the Scholarship Application INSTEAD of filling out registration. If your application is approved, we will be in touch with you to register.
Taught by Tom Chalmers
Ages 18+
Mar 6-Apr 10 | Mondays at 6:30-8:30 PM
This class will be offered in person on the ACT Mainstage, following all the recommended protocols for safety and sanitation. Limited to 10 students. For ages 18+.
This six-week course taught by local comedian Tom Chalmers covers the fundamentals of improvisational acting with an emphasis on comedy; such as listening, commitment, intuitive reaction, as well as recognizing and capitalizing on emerging patterns. A final showcase will be held on Friday, April 14th.
**If the class if full, we encourage you to sign up for the waitlist. If there is enough interest, we may add an additional class for the session.**
Registration opens 1/25/2023. Tuition will be $180– Scholarships are available.
NOTE: If applying for a scholarship, please fill out the Scholarship Application INSTEAD of filling out registration. If your application is approved, we will be in touch with you to register.
Taught by Tom Chalmers
Ages 18+
Mar 7-Apr 11 | Tuesdays at 6:30-8:30 PM
PREREQUISITE: Improv 1 and Improv 2 (must be pre-approved by instructor)
The Performance Lab works with students to take the skills they have learned in the earlier levels and improve upon them by applying them to structures intended for performance. Students will be instructed on how to make “show-worthy” choices, choosing sustainable characters over quick-laugh caricatures, establishing relationships rather than just spouting punchlines, but at the same time developing instincts as to when a scene needs a spring or a solid blackout line. A final showcase will be held on Friday, April 14th.
**If the class if full, we encourage you to sign up for the waitlist. If there is enough interest, we may add an additional class for the session.**
Registration opens 1/25/2022. Tuition will be $180– Scholarships are available.
NOTE: If applying for a scholarship, please fill out the Scholarship Application INSTEAD of filling out registration. If your application is approved, we will be in touch with you to register.
“In the midst of the challenges of life, there are days when we just need some encouragement. Some fresh perspective to keep moving forward in the journey of faith. So we’d like to bring some encouragement and laughter through comedy theatre. We’ll perform a series of sketches that highlight some of those challenges, but also bring to life some of the mystery and gains of leaning into the presence of God; the surprise places where grace and love show up to give us strength for the journey. Laughter is good medicine.” -Carol Anderson, Acts of Renewal
By Christopher Durang
Winner of the 2013 Tony Award for Best Play.
Middle-aged siblings Vanya and Sonia share a home in Bucks County, PA, where they bicker and complain about the circumstances of their lives. Suddenly, their movie-star sister, Masha, swoops in with her new boy toy, Spike. Old resentments flare up, eventually leading to threats to sell the house. Also on the scene are sassy maid Cassandra, who can predict the future, and a lovely young aspiring actress named Nina, whose prettiness somewhat worries the imperious Masha.
Discretionary Content: Adult themes and Language
Asheville’s LARGEST vaudeville show featuring WNC’s best comedy, juggling, magic, burlesque, acrobatics, aerial arts, short plays, puppetry, sideshow, music and more!
>> More details soon
Open donation.
Coming off a lauded Philly Fringe run extended twice by popular demand, HEART RIPPED OUT TWICE AND SO CAN YOU! will be performing two nights at Asheville’s Fringe Festival celebrating local, national, and international theatre. This one woman show was inspired by a double rare tumor diagnosis, open chest surgery, a severe infection, and a terrible breakup. HROTASCY! is a clown comedy set in the world between death and rebirth and asks how we look for hope in the midst of life’s terrible pain. It’s like 127 Hours meets 500 Days of Summer… performed by a sales representative in bardo.
From the Broad Street Review: “Time and effort can transform pain into art and laughter. Heart Ripped Out is the triumphant result of this alchemy…Witty and moving.”
March 24th at 9P
March 26th at 6P
Run time: 1 hour
Coming off a lauded Philly Fringe run extended twice by popular demand, HEART RIPPED OUT TWICE AND SO CAN YOU! will be performing two nights at Asheville’s Fringe Festival celebrating local, national, and international theatre. This one woman show was inspired by a double rare tumor diagnosis, open chest surgery, a severe infection, and a terrible breakup. HROTASCY! is a clown comedy set in the world between death and rebirth and asks how we look for hope in the midst of life’s terrible pain. It’s like 127 Hours meets 500 Days of Summer… performed by a sales representative in bardo.
From the Broad Street Review: “Time and effort can transform pain into art and laughter. Heart Ripped Out is the triumphant result of this alchemy…Witty and moving.”
March 24th at 9P
March 26th at 6P
Run time: 1 hour