Calendar of Events

Twerking strengthens muscles in just about every part of your body, plus gets you CLUB READY!!

Not only do you sculpt, tone and grow your booty, your thighs become super strong, your hip flexibility increases and more than anything, TWERK boosts your confidence! You can burn up to 500 calories in 60 minutes of twerk. Basically, you’ll sculpt and and tone while having fun!

➳ 60 minutes of movement ? with Joshua McClure

➳ SIGN UP NOW to save your spot + save time signing in!
$12 drop in or Pre-register on Mindbody app- Primal Studios.

➳ Our Studio is in the same building as Tribe Dance & Pole at 457 N. Lousiana Ave.

✨ All levels welcome! No experience necessary!

✨ Primal Studios is a Yoga/ Buti Yoga /Movement studio that inspires you to move outside your comfort zone, and connect & thrive in the community as we evolve together! Visit us at 457 N. Louisiana Ave. in West Asheville. ✨primalstudiosasheville.com ✨

https://www.facebook.com/events/475804546277633/?event_time_id=475804552944299

Yonder Mountain String Band
w/ Handmade Moments
Show: 8pm
Doors: 7pm
$27.50 – $30
Ages 18+

Tickets & Info: www.theorangepeel.net/event/yonder-mountain-string-band-5/

Yonder Mountain String Band’s first new album in two years, LOVE. AIN’T LOVE is undeniably the Colorado-based progressive bluegrass outfit’s most surprising, creative, and yes, energetic studio excursion to date. Songs like “Chasing My Tail” and “Alison” are rooted in tradition but as current as tomorrow, animated by electrifying performance, vivid production, and the modernist power that has made Yonder one of the most popular live bands of their generation. Melding sophisticated songcraft, irrepressible spirit, and remarkable instrumental ability, LOVE. AIN’T LOVE is a testament to Yonder Mountain String Band’s organic, dynamic, and intensely personal brand of contemporary bluegrass-fueled Americana.

“I think this is our best album yet,” says Adam Aijala, guitarist.

Yonder founding members Aijala, banjo player Dave Johnston, and bassist Ben Kaufmann reconfigured Yonder Mountain String Band as a traditional bluegrass instrumental five-piece in 2014 with the recruitment of new players Allie Kral (violin) and Jacob Jolliff (mandolin). The reconstituted group debuted with 2015’s acclaimed BLACK SHEEP, but truly gelled as they toured, the new players’ personalities seamlessly blending and elevating the intrinsically tight Yonder sound. Yonder made certain to show off the current roster’s growing strength with the 2017 release of MOUNTAIN TRACKS: VOLUME 6, the first installment in their hugely popular live recording series since 2008.

“This lineup just keeps getting better,” Aijala says. “The more gigs you get under your belt, the better you get. Obviously. But the confidence I have in these individual musicians, I’m amazed at some of the places we go together on stage.”

LOVE. AIN’T LOVE is produced by Yonder Mountain String Band and longtime collaborator John McVey, with the majority of the album recorded at Coupe Studios in Yonder’s home base of Boulder, CO. Aijala and McVey handled all of the album’s mix and engineering at their respective home studios and while Yonder was on the road – the second time a Yonder member has taken on the technical task.

“John taught me a lot when we worked together on our last album,” Aijala says. “So this time around, I felt a lot more confident.”

Like virtually all aspects of Yonder Mountain String Band’s unlikely artistic methodology, LOVE. AIN’T LOVE is a fully collaborative effort, its original songs credited to the core founding trio of Aijala, Johnston, and Kaufmann, regardless of combination or specific input.

“I think it removes the jockeying for songs on a record,” says Aijala. “We’re all of the mind that even if one of us wrote a great song, if not for Yonder, would anyone get a chance to hear it? It works better this way. All three of us grew up playing team sports so we’re team players – everyone wants what’s best for the band.”

Laced with interstitial dialogue, music, sound effects, and other overlapping ephemera, LOVE. AIN’T LOVE is by design Yonder’s most ingenious studio collection thus far. Songs like “Take A Chance On Me” and the heavy metal-inspired breakdown, “Fall Outta Line,” see the quintet touching upon FM pop, country rock, funk, world music, and so much more; adopting traditional sonic and lyrical idioms to mask deeper and darker personal truths.

“It’s a little more eclectic,” Aijala says. “None of us grew up with bluegrass so there are always other influences in there. I think this record is a bit more reminiscent of our live show, with different genres and different types of songs.”

Indeed, “Last of the Railroad Men” plays like a lost narrative country classic while the unprecedented “Groovin’ Away” closes LOVE. AIN’T LOVE with a summery sense of joyous optimism. Yonder’s first-ever original reggae song, the track stands out as yet another shining example of the band’s lifelong commitment to anything-goes artistic freedom.

“There are no limits to what we do” says Aijala. “We’ll try anything, if it feels good, we’ll try it again.”

In addition to the founding trio’s songwriting efforts, Jolliff – who arrived to play on BLACK SHEEP sessions and never left – contributed a pair of fiery instrumentals and also lends vocals to a delightful cover of King Harvest’s eternal “Dancing In The Moonlight.”

“Allie sang a song that we wrote on BLACK SHEEP,” Aijala says, “so we wanted to showcase Jake’s vocals on this album. We’ve been playing ‘Dancing in the Moonlight’ in our live shows and whenever we play it people just light up. We always enjoy playing it, the harmonies are really good and Jake sings the hell out of it so we thought, why not put it on the record?”

2017 will see Yonder continue its seemingly endless touring, leading towards next year’s 20th anniversary of their initial coming together, an irrefutably momentous occasion.

“When we were first starting, our creativity was rooted in rebelliousness. Now, there’s a greater conscious awareness and attention to detail that we’re bringing to our writing and recording. Our nature and instincts remain progressive. We’re just doing it in a way that’s sharper, more musical, and way more satisfying,” says Ben Kaufmann.

With its melodic flair, expert technique, and forward-thinking fervor, LOVE. AIN’T LOVE is a strikingly assured and well-crafted manifestation of Yonder’s matchless musical vision. Nearly two decades in, Yonder Mountain String Band is still utterly unto themselves, a one-of-a-kind, once-in-a-lifetime combo whose inventiveness, versatility, and sheer imagination shows no sign of winding down.

“We’ve talked about this,” Aijala says, “and we all feel like we could play in Yonder until we can’t play anymore. As long we still have new ideas, as long as we’re still creating something that’s fresh to us, I don’t see any reason to stop.”

www.yondermountain.com

https://www.youtube.com/watch?v=wRECD9yuHy8

https://www.facebook.com/events/1909654985822094/

Zlatomir Fung is from Westborough, Massachusetts. He began to play the cello at the age of three and since then has had the privilege to share the music he loves with audiences around the world. He derives great enjoyment from the sheer act of making music, also through musical outreach in schools and retirement homes.

He currently studies cello performance at the Julliard School. Outside of music, he plays chess competitively and has completed his first short film.

Fung has won a number of international competitions and was recognized as a 2016 U.S. Presidential Scholar in the Arts. He was the first prize winner at the 2016 George Enescu International Cello Competition, the 2015 Johansen International Competition for Young String Players, the 2014 Stulberg International String Competition, and the 2014 Irving Klein International Competition. And in November 2017 he was a First Prize Winner of the Young Concert Artists International Auditions.

Fung has been a soloist with the Ann Arbor Symphony, the Baltimore Chamber Orchestra, the Santa Cruz Symphony, Boston Pops, the Lausanne Sinfonietta, the Grand Rapids Symphony, the State Philharmonic of Sibiu, and the New England Philharmonic, among others.

He won a Davidson Fellows Scholarship for his project, “Folk Music Influence in the Classical Tradition.” He is one of only twenty students across the country to receive this honor. He considers this an extraordinary honor; “to be listed alongside some of the most brilliant young minds alive today is surreal.”

He has been featured on NPR’s radio show From the Top a number of times, as well as on Performance Today.

In reflecting, Fung says, “My selection of performances gives voice to the more unusual crevices of the cello repertoire. Music is a mystical art: it can at once dazzle the intellect and inspire heartfelt nostalgia. I do very much hope that the nature of my performances–both in the quality of playing and the selection of music–touches audiences, giving them an emotional and spiritual outlet.”

A limited number of tickets are available at $45 each, as well as reduced-rate student tickets by calling 888-501-0297,

https://www.facebook.com/events/2165745583668537/

$15 Advance / $20 Day of Show

The DonJuans are a performing duo comprised of GRAMMY® Award-winning songwriters Don Henry and Jon Vezner.

By their name you might assume that the DonJuans rely merely on their good looks. However, you will be impressed to know that the group includes two GRAMMY® Award-winning songwriters, Don Henry and Jon Vezner. Their song, “Where’ve You Been” (recorded by ?Kathy Mattea?) was the first song in country music history to sweep all major song of the year honors including the GRAMMY®, ACM®, CMA, and the Nashville Songwriter’s Association International (NSAI) awards.

Main Stage Seated :: Limited Tables Available with a Dinner Reservation :: All Other Seating is First Come First Serve General Admission :: Please Call Venue for Dinner (Table) Reservations

https://www.facebook.com/events/365355937595552/

The Paper Mill Lounge & Theatre welcomes back the Hot Club of Cullowhee! Let this gypsy jazz set your January on fire with a musically magical night of warm vibes, great food and awesome libations! #thepapermilllounge #hotclubofcullowhee #livemusic #music #gypsyjazz

https://www.facebook.com/events/286479668675358/

The master of maniacal musical mashups, Iggy Radio, is bringing his unique style and guitar virtuosity to 27 Club! Featuring members of the 27 Club…ever wonder what Hendrix sounds like singing Nirvana? Thursday, January 31 @ 9:00. $5 CA$H door.

https://www.facebook.com/events/2225047744404767/

Liz Cooper & The Stampede
w/ New Madrid
at The Mothlight
Thursday, January 31st
Doors 8pm
Tickets: $13adv, https://www.ticketfly.com/purchase/event/1789847

https://www.facebook.com/events/370562383686693/

A chill 80s 90s around the world dance party for your winter cold days with special guests

DJ How D Bot
DJ Mass Appeal

https://www.facebook.com/events/274568856520378/

An Old Fashioned Turn About Show:

Non Drag performers dressing up and putting on a show!

* Mikel Hoyle AKA Carmen Allure
* Ryan A Smith AKA Cummunista
* Gabriel Texidor AKA Montgomery
* Daniel Franklin AKA Dutchess Kelly Hunter
* Austin Morgan AKA Amiyah Rose

These guys will be aided by their Queery Dragmothers:

* Margarita Del Encanto
* Ginger Von Snap
* DIVINE: Asheville’s Bearded Lady
* Jacob Chandler (Manhattan)

:: No Cover ✔️
:: Drag ✔️
:: Drink Specials ✔️
:: DJ ✔️
:: Dancing ✔️

Music provided by Eric Stephens (DJ RexxStep) and emcee Margarita Del Encanto with Beer City Sisters, Abbey of All Souls bring you a night of interactive drag and dance music to fill your needs!.

#turnabout #drag #tuckitupbuttercup #drinks #dance #DJ

https://www.facebook.com/events/2273738462908287/

Bring a donation and a friend!

https://www.facebook.com/events/2144552668971564/

Catch Lil Meow Meow Plays your favorite R&B and Rap jams every Thursday night! No cover. Party at Aux from 10pm-2am.

https://www.facebook.com/events/503021823559298/?event_time_id=503021826892631

Genre: Funk/Hip-Hop
Cover: Donations @ Door
Show: 10PM
Ages: 21+

Tribal Hoose

The Tribal Hoose is a 7 piece funk-rock hip-hop band hailing from Nashville, TN. The Hoose believes in the power of live music and is looking to inspire others and bring a positive energy in to the world through their music.

web: http://www.tribalhoose.com/

vid: https://youtu.be/krtnNKS1Syo

https://www.facebook.com/events/335240300409272/

Montford Park Players Seeks Directors for 2019 Season

Asheville, NC – The Montford Park Players, North Carolina’s longest running Shakespeare Festival, is seeking directors for its 2019 season, which will include the following shows:

Henry IV, Part 1 – May 31 – June 22
Romeo & Juliet – Aug 2 -24
Winter’s Tale – Aug 30 – Sept 14
16 Years Tried – Sept 20 – Oct. 5 (a world premiere)

In regards to Winter’s Tale and 16 Years Tried, we are open to the possibility of either hiring two directors, one for Winter’s Tale and one for 16 Years Tried, and presenting the shows as separate productions in sequence, OR, if a director wishes to direct both, the two plays could be performed in repertory for six weeks. Proposals for based on an interest in either option are welcomed.

Director candidates should e-mail John Russell, Managing Director, at [email protected] with the Application below filled out as completely as possible and the Guidelines below that read and signed. Include both in the body of the e-mail. Applications must be submitted by midnight, January 31st, and interviews will be scheduled as soon as possible after that. The application may also be downloaded at: https://www.montfordparkplayers.org/current-season/
_____________________________

Director Proposal for Montford Park Players

Title of Show:
Name:
Date:
Contact info: Email:
Phone

Please prepare a written proposal for the production of this show, making sure to answer each of the questions below. You do NOT need to detail your vision at this time, as that will be broached during the interview. Please note that Montford Park Players is seeking the most suitable candidate to direct this show to the standards that Montford has come to expect, NOT necessarily the most unique vision of the play.
*Please feel free to attach a resume in response to any of the below questions.

1. What about this play fueled your desire to direct [title]? (Please be as specific to this play as possible.)
2. Please describe your organizational and leadership skills along with any pertinent background information.
3. What experience (personal or professional) makes you uniquely suited to direct this particular play?
4. Describe any previous experience with this play and try to outline your impressions of the version you read, saw and/or worked on.
5. Given the number of characters in this play, what is the minimum number of actors that can be cast while maintaining the integrity and message of the play? Where might you double or triple characters? Are there opportunities for gender/race neutral characterizations?
6. What is your design concept for this play? Do you envision a traditional production or a more modern adaptation? How does your vision include utilizing the existing performance space?
7. If you have already identified a prospective production team, please list them and their roles.
8. Please provide three references of people who have worked with you on past productions.
9. Please give an estimate of the ideal budget your vision would require AND examples of how you might overcome budgetary restrictions to complete this vision.

At the interview, you will be asked to “pitch” your vision and design concept for the show in detail, including any script cuts or alterations you plan. Assistance will be made available for cutting scripts, if needed. You do NOT need to rehash your written proposal, although you may be asked questions on it. You may then defend that vision to the members of the Artistic Working Group, elaborate where necessary, report any new developments since writing your proposal, and ask us any questions you might have. You are also welcome at this time to bring in any supporting materials that you feel would enhance the Artistic Working Group’s understanding of your vision.

Thank you for your hard work and preparation and we look forward to seeing your proposal.
_____________________________

Mission Statement
The goal of The Montford Park Players will be to focus on the quality of theatrical experience for company members and audience, while broadening and improving outreach and continuing traditions of accessibility and Shakespearean emphasis.

MONTFORD PARK PLAYERS
DIRECTOR GUIDELINES, EXPECTATIONS AND JOB DESCRIPTION

Whereas, the Artistic Working Group understands that each production presents unique opportunities and challenges, it is expected that the Director’s process will be undertaken in good faith to meet with the expectations of the Artistic Working Group and in accordance with the Montford Park Players (“MPP”) mission statement outlined above.

As the Director is responsible for bringing ALL production elements together cohesively, he or she is REQUIRED to read the guidelines and manuals for every position.

Anyone contracted by MPP, whether paid or volunteer, found engaging in illegal activity on MPP property or in the course of MPP business, will be immediately terminated and, if necessary, prosecuted to the fullest extent of the law.

The Director must exhibit professionalism, as commonly defined by the theater community, in all associations and interactions on the behalf of MPP. Any uncertainty as to this definition will be decided by the Artistic Working Group on a case-by-case basis.

If any of the items outlined herein are not adhered to by the Director, the Director may be terminated, at any time, for reasons expressed or unexpressed, at the discretion of the Artistic Working Group.

Our goal is to educate and entertain (ourselves and our audience) while using the words of the playwright as a vehicle to do so. We operate on a modest budget and abundant enthusiasm. The text, talent, and willpower are there. It is the job of the Director and the Artistic Working Group to best utilize these resources and to make sure that all the other elements (sets, costumes, props, etc.) work together to help make great theatre.

MPP intends that the Director of any MPP production will have responsibility for the overall practical and creative interpretation of a script, while assuming the responsibility for the budgetary and physical constraints of production. Specifically, MPP has the following expectations of all production Directors:

1. Upon the selection of a Director for a particular production, the Director will be asked to present to the Artistic Working Group a specific outline of their vision, including, but not limited to cast, set, choreographer and design expectations in order to be sure that said Director will meet MPP expectations and the Artistic Working Group can better meet those of the Director.

2. Cutting a script for length is not discouraged. However, any alterations to the original script may be subject to review by the Artistic Working Group, or a Working Group approved proxy, prior to implementation.

3. The Director’s vision must be adequately conveyed by the Director to ALL technical personnel prior to the start of rehearsals. This includes, but is not limited to, the overall vision for the production, budgetary concerns, time lines and expectations. In addition, all tech crew should have access to any information the Artistic Working Group has regarding said Director’s vision.

4. The Director is responsible for bringing the varying interpretations of different designers into a single focus. In order to foster cohesiveness among all involved personnel, the Production Manager will schedule and facilitate the following:

a. Weekly Production meetings with the production staff, beginning prior to the rehearsal period and running up to opening night, in order to coordinate all production elements and review progress. These meetings should coordinate all technical elements of the production and allow non-rehearsal time to work on artistic and technical elements of the play. The Stage Manager will take notes on these meetings and distribute them to all involved in a timely fashion.

b. Occasional concept meetings. These may be needed for an individual play to coordinate specific artistic elements in addition to weekly production meetings.

5. The Director must conduct auditions and cast his or her production with adherence to MPP by-laws. Namely:
“Auditions for all productions will be open. No pre-casting will be done. It is the policy of the Montford Park Players for production Directors to cast purely on merit.”

6. Because all MPP members are volunteers, the Director must treat each member with due respect, adhering to what is considered acceptable theatrical behavior and professionalism, including as regards to harassment and safety.

7. The Director has final say on artistic choices and must be able to make those decisions in a timely fashion, in keeping with the original proposal and/or agreed upon deviations.

8. Any major changes to the production should be completed before tech rehearsals begin and should be conveyed to the actors, technical crew, and production team in a timely fashion.

9. Directors are free to assemble their own production team. If needed MPP can make recommendations, or appoint a production team for the Director. This includes, but is not limited to, a Stage Manager, a Technical Director, and Designers for their production. The capability of all personnel selected by the Director is the responsibility of the Director. Stage Managers who are paid (non-voluntary) must go through MPP’s training.

10. The Director must exhibit good time management and organizational skills in order to ensure that rehearsals are productive and the production remains on schedule.

11. It is the responsibility of the Director that the total production expenditure should be no more than the designated budget. This includes the total outlay for sets, costumes, props, and lighting (gels, gobos, etc.). Necessary additions to this budget must be negotiated with the Managing Director prior to expenditure. Stipends to be paid to technical staff will be negotiated separately and are not part of this production budget.

12. On opening night of the production, the Director will be paid a stipend in the amount agreed upon by the Director and board.

13. An MPP Master Rehearsal Calendar shall be set by the Production Manager before rehearsals begin. All rehearsals must be scheduled with adherence to the Master Calendar as set forth by the Production Manager or designated proxy. Rehearsals on the performance stage will be at the discretion of the Production Manager, with priority given to shows already in production, in the order they are to open during the season.

14. Rehearsal length and frequency, and the length and frequency of breaks during rehearsals, should reflect that the actors are volunteers, work other jobs during the day and have families.

15. The Director is responsible for enforcing guidelines for all cast and crew, as set forth in the membership handbook, regarding code of conduct while on MPP premises (i.e., no drugs, no alcohol, sexual harassment, basic hygiene, etc.).

16. The Director and the Production Manager, or designated proxy, must cover the following during the first meeting with cast and crew:
a. Introductions of all cast and crew
b. The Director’s vision and proposed method of execution of said vision
c. Rehearsal schedule
d. Contact information obtained and distributed
e. Have all cast and crew sign the Volunteer Agreement
f. Bios for all cast and crew written and given to SM or designated proxy
g. Headshots of cast and crew taken or scheduled
h. Costume measurements of all cast taken or scheduled
i. The Director’s expectations of the cast and crew, including how each will relate to each other during the course of rehearsals and production.

17. Resources
a. Set: Directors may make temporary additions to the permanent set. NO member of the production team is permitted to alter any structural element of the stagehouse or paint any existing element of the stage without prior approval. It is the responsibility of the production team to return the stage to its original configuration, and return any properties borrowed from outside of MPP, within an agreed upon period of time after the closing of the show, or to communicate with the Director of the following production as to what might be used in that production.
b. Costumes: MPP has a stock of costumes that Directors may pull from. MPP also has a considerable amount of fabric and materials for a Costumer to use to add to or create costume pieces. The Costumer and production team is responsible for the care, maintenance and proper return of any pieces supplied by MPP, as well as return any properties borrowed from outside of MPP. Any items created or acquired for the production using MPP’s budget become the property of MPP.
c. Props: MPP has an assortment of props that may be used in any production. The Stage Manager and/or Props Master is responsible for the care, maintenance and proper return of any pieces supplied by MPP, as well as return any properties borrowed from outside of MPP. Any items created or acquired for the production using MPP’s budget become the property of MPP.

I, ____________________, have read these guidelines and promise to adhere to them to the best of my ability during my term of contract with MPP.

_______________________________ ________________
Signature Date

https://www.facebook.com/events/530474240796800/

He’s back! Hooligan, our Scottish trouble maker, will make his way back into Catawba Tasting Rooms (Draft Only) for a limited time!

https://www.facebook.com/events/1703116246653536/

The Cooperative Extension of Polk County is hosting our annual berry plant sale. This year, the Cooperative Extension director has chosen four varieties of blueberries, two varieties of raspberries, two varieties of strawberries, and one blackberry variety that have proven to specifically thrive in the North Carolina Foothills.

Orders will be accepted for plants now through February 22 and will be available for pickup in mid-March. Proceeds from this fundraiser go to support the activities, classes, and research that make the Cooperative Extension such a vital part of the Polk County community. For more information or to place an order, visit the Extension’s website at https://polk.ces.ncsu.edu or give us a call at 894-8218.

Download the Order Form HERE: https://polk.ces.ncsu.edu/wp-content/uploads/2019/01/2019-Berry-Plant-Order-Form-Writeable.pdf?fwd=no

https://www.facebook.com/events/393022604782447/?event_time_id=393022638115777

Don’t miss our RuPaul Drag Race : All Star’s Season 4 – Viewing Party.

Who are YOU rooting for?!
*EVERY* Friday at Banks Ave. we are having a viewing party and show hosted by Ginger Von Snap!

8pm airtime
9:30pm showtime

This week featuring Ginger Von Snap, GenDroid & EE Cumming (Elizabeth Evans).

All ages until 10pm! Must have parent if under 18, with ID’s.

#dragshow #RuPauldragrace #drinks #dance

https://www.facebook.com/events/236793743910465/

February 1, 2019 is National Wear Red Day to kick off Heart Month! Join us in raising awareness for heart health by wearing red and tagging #GoRedUpstate

https://www.facebook.com/events/284755442205276/

https://buncombe.ces.ncsu.edu/site-buncombe/2019-certified-turfgrass-professional-short-course/

https://www.facebook.com/events/503966060094309/

https://buncombe.ces.ncsu.edu/site-buncombe/2019-certified-turfgrass-professional-short-course/

https://www.facebook.com/events/503966060094309/?event_time_id=503966073427641

This 3.5 hour program is part of our Leadership Flight series, making it easy to attend and afford.

Our innovative “Leadership RoadMap©” approach centers on the understanding that the individual possesses a model that cannot be duplicated, lost or stolen. The individual’s model is a one-of-a-kind “biology” that contains the source of their behavioral and performance outcomes. It is not contained in a book, a power point slide show, assessment or manual. These tools can be helpful but the discovery and improvement process cannot be conducted with pre-conceived academic models, concepts and principles. Our process leads the individual to understand more deeply than ever before the true dynamics that are creating the outcomes in one’s life and work, integrating mind, body and emotions.

Our goals in this multi-faceted “Leadership RoadMap©” process are to increase significantly the individual’s understanding of their internal leadership model, the fixed-tape-loops that drive that model, the unique barriers that are inherent in every individual model and how to create a pathway into the best of themselves and their LeaderSelf, becoming a guiding light and leadership model for the organization.

https://www.facebook.com/events/2169018316483119/

Please join us for our Free Shop Day for Children’s Clothing. You pay $1 to register and shop for free. Watch our Facebook page for regular updates, shoppers rules and more.

https://www.facebook.com/events/390328285061884/

– Break up the winter doldrums by rushing over to the Bookends One-Day-Only Sale – Friday, February 1st, 2019 (10 am – 4 pm). Cash, check, or charge.
– You want to stock up for the rest of the winter!

https://www.facebook.com/events/370592870158590/

Welcome to our flash sale…I mean…FLOSS SALE!!! We’re dancing because this sale is so good. 40% off ALL 2018 apparel designs for one day only. We’re clearing out and making room for new 2019 designs!! Come see us and grab some gear to celebrate the new year :)

https://www.facebook.com/events/2263614083882763/

We are supporting Bounty & Soul’s work providing healthy food for our local community by providing them with metal silverware for their food sampling events. These wiill prevent the wastage and expense of disposable spoons and forks.
Bounty & Soul provide samples of delicious plant based foods and education for those members of the community who are receiving donated healthy food. Rather than use plastic spoons and forks for the demonstrations and sampling, Bounty & Sould are finding ways to be more green and sustainable, and we want to help.
We are aiming to collect 80 sets of metal or durable bamboo small spoons and forks through the month of February. Please bring washed used or new silverware to our store and enjoy our thanks and a browse and a cup of fair trade coffee.

https://www.facebook.com/events/618459661957593/?event_time_id=618459665290926

B.B. Barns Garden Center Is Now Hiring!
As Spring approaches, we are looking for energetic people with a love for helping others to join our team.

Positions Available:
-Customer Retail Sales Associate
-Cashier
-Customer Loader
-Waterer
-Receiving Department Assistant
-Perennial Support & Annual Support
-Container Garden Installation Assistant

Open Interviews:
February 1 & 2nd (Friday & Saturday)
February 8 & 9th (Friday & Saturday)
Open Interviews at the Garden Center from 10 am－3 pm

Click on the link below for more information regarding the positions above and positions available with Landscape Services.
https://bbbarns.com/gardencenterspecials/2019/1/15/grow-with-us-open-interviews

https://www.facebook.com/events/754216071611917/?event_time_id=754216081611916

Winter can be the most beautiful time of the year at Chimney Rock. Leafless trees make for expansive views of Lake Lure and the Hickory Nut Gorge. The sky is clear; you’re likely to find a quiet spot to sit and enjoy the peacefulness. You may even see a critter scamper by you in the forest. Capture that special moment or scene on your camera, enter it in our Winter Wonders Photo Contest and tell us about it. We’ll use the winning entries on our website and Facebook album, and you’ll win some fun prizes. Photos must be taken within the Chimney Rock section of the Park.

Cost: No additional cost to enter.

https://www.facebook.com/events/789533238046693/?event_time_id=789533344713349

Your first class is always free! Register at http://Asheville.FIT4MOM.com

Stroller Barre® is a 60-minute cardio and strength interval class designed to improve posture, stability, and mobility. The workout combines moves inspired by barre, ballet, Pilates, fitness, and yoga to help you regain your posture and alignment and strengthen your body from the inside out! Stroller Barre will help you reconnect with your body, increase flexibility and develop the core strength needed for motherhood. This class will be indoors until late spring. We will see YOU in January!

https://www.facebook.com/events/2347757482123949/?event_time_id=2347757502123947

Your first class is always free! Register at http://Asheville.FIT4MOM.com

Stroller Barre® is a 60-minute cardio and strength interval class designed to improve posture, stability, and mobility. The workout combines moves inspired by barre, ballet, Pilates, fitness, and yoga to help you regain your posture and alignment and strengthen your body from the inside out! Stroller Barre will help you reconnect with your body, increase flexibility and develop the core strength needed for motherhood. This class will be indoors until late spring. We will see YOU in January!

https://www.facebook.com/events/2347757482123949/

Join us January 15th-February 14th
For every pint of Lorelai IPA bought, we’ll donate $1 to Claxton Elementary School’s 4th Grade Raleigh Field Trip Fund.

https://www.facebook.com/events/1422139054587321/

Join us January 15th-February 14th
For every pint of Lorelai IPA bought, we’ll donate $1 to Claxton Elementary School’s 4th Grade Raleigh Field Trip Fund.

https://www.facebook.com/events/1422139054587321/?event_time_id=1422139111253982