Details
2023-07-15T11:30:00-04:00
2023-07-15T11:45:00-04:00
Contact
Center for Connection + Collaboration
Information
11.30am – Gather for Deep Listening Coffee
(Times approximate)
12.30 – Peter – Listening game
1.30 – Jon Claude – Research project
2.30 – Curt – Soundwalk
12.30 – Peter – Listening game
1.30 – Jon Claude – Research project
2.30 – Curt – Soundwalk
The remainder of the day will be left open to spontaneous deep listening activities.
Ideas are welcome!
Ideas are welcome!
Discussion in between.
Bring interesting sounding snax.
Bring interesting sounding snax.
Deep Listening Day is a pay-what-you-can event
Venmo: CCC-AVL
Paypal: [email protected]
Cash: on the door
Venmo: CCC-AVL
Paypal: [email protected]
Cash: on the door
The Center for Connection + Collaboration
65 Coleman Ave AVL 28801
65 Coleman Ave AVL 28801
DETAILS:
Peter Speer
Title:
How Many Things Can You Hear?
How Many Things Can You Hear?
Description:
In this talk I will be describing a listening/mindfulness game that has been central to my practice for over 15 years, called simply “How Many Things Can You Hear?” After a brief overview of the game and a practical exercise with it, I will demonstrate how this game has been incorporated into my synthesis work and general artistic practice.
In this talk I will be describing a listening/mindfulness game that has been central to my practice for over 15 years, called simply “How Many Things Can You Hear?” After a brief overview of the game and a practical exercise with it, I will demonstrate how this game has been incorporated into my synthesis work and general artistic practice.
Social Media: https://www.instagram.com/peter.speer/
Bio: I am an Asheville-based artist working primarily with paper-based collage and synthesized soundscapes. My work investigates the quiet stillness at the center of loud, fast things and celebrates the endlessly evolving symphony of the everyday.
Jon Claude Bieschke
Title:
Objective Assessment of Music Processing Through Hearing Aids: Predictions in Understanding Lyrical Content.
Objective Assessment of Music Processing Through Hearing Aids: Predictions in Understanding Lyrical Content.
Description:
This 2022 research project spearheaded as part of the final stages of my graduate program through the Audiology dept at ETSU is a foray into a clever modeling experiment to answer the question: What happens to lyric intelligibility across different genres of music for different configurations of hearing loss?
This 2022 research project spearheaded as part of the final stages of my graduate program through the Audiology dept at ETSU is a foray into a clever modeling experiment to answer the question: What happens to lyric intelligibility across different genres of music for different configurations of hearing loss?
Social Media: https://oo1outofoo1.bandcamp.com/
Short Bio: Jon Claude Bieschke is associated with no.001outof001recording ltd. and LWA (limbswanderedalone) est. 2000AD on Planet Earth. Jon Claude is also a licensed Audiologist and member of ASHA.
Curt Cloninger
Title:
EMFAF (electro-magnetic frequency as f#&k)
Description:
We will walk around with a small device that detects (inaudible) electro-magnetic frequencies and translates them into (audible) audio waves. This device will be hooked up to a small battery-powered amplifier so we can all hear what is happening. We will point the device at different things and listen. A brief introductory talk on analog waveforms and process philosophy will precede the walk.
EMFAF (electro-magnetic frequency as f#&k)
Description:
We will walk around with a small device that detects (inaudible) electro-magnetic frequencies and translates them into (audible) audio waves. This device will be hooked up to a small battery-powered amplifier so we can all hear what is happening. We will point the device at different things and listen. A brief introductory talk on analog waveforms and process philosophy will precede the walk.
Links:
Book: https://punctumbooks.com/…/some-ways-of-making-nothing…/ Album: http://mahakalamusic.bandcamp.com/album/drum-major-instinct Collab: http://utterings.hotglue.me Portfolio: http://lab404.com/art/ Home: http://lab404.com Garden: http://playdamage.org Archive: http://deepyoung.org School: http://nm.unca.edu Rack: http://modulargrid.net/e/racks/view/1241922 Chain: http://lab404.com/misc/chain/chain.jpg
Book: https://punctumbooks.com/…/some-ways-of-making-nothing…/ Album: http://mahakalamusic.bandcamp.com/album/drum-major-instinct Collab: http://utterings.hotglue.me Portfolio: http://lab404.com/art/ Home: http://lab404.com Garden: http://playdamage.org Archive: http://deepyoung.org School: http://nm.unca.edu Rack: http://modulargrid.net/e/racks/view/1241922 Chain: http://lab404.com/misc/chain/chain.jpg
Bio:
Curt Cloninger is an artist, musician, writer, and Associate Professor of New Media at the University of North Carolina Asheville. His art uses an array of media combinations to undermine language as a system of meaning in order to reveal it as an embodied force in the world. His art work has been featured in the New York Times and at festivals and galleries from Korea to Brazil. Exhibition and performance venues include Centre Georges Pompidou (Paris), Whitney Museum of American Art (New York), Granoff Center for The Creative Arts (Brown University), Ukrainian Institute of Modern Art (Chicago), Black Mountain College Museum + Arts Center (Asheville), and the internet. His fifth and most recent book is entitled, “Some Ways of Making Nothing: Apophatic Apparatuses in Contemporary Art” (Punctum Books, 2021). His art, music, and writing may be accessed at lab404.com, playdamage.org, and deepyoung.org.
Curt Cloninger is an artist, musician, writer, and Associate Professor of New Media at the University of North Carolina Asheville. His art uses an array of media combinations to undermine language as a system of meaning in order to reveal it as an embodied force in the world. His art work has been featured in the New York Times and at festivals and galleries from Korea to Brazil. Exhibition and performance venues include Centre Georges Pompidou (Paris), Whitney Museum of American Art (New York), Granoff Center for The Creative Arts (Brown University), Ukrainian Institute of Modern Art (Chicago), Black Mountain College Museum + Arts Center (Asheville), and the internet. His fifth and most recent book is entitled, “Some Ways of Making Nothing: Apophatic Apparatuses in Contemporary Art” (Punctum Books, 2021). His art, music, and writing may be accessed at lab404.com, playdamage.org, and deepyoung.org.
DEEP LISTENING DAY is part of the CCC’s SoS!
Summer of Sound
For other SoS events please visit:
https://www.ccc-avl.org/whats-on
Summer of Sound
For other SoS events please visit:
https://www.ccc-avl.org/whats-on