Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
The Good, The Bad and The Guilty: A Trio of One-Acts
The Rising of the Moon by Lady Gregory
Trifles by Susan Glaspell
In the Shadow of the Glen by J.M. Synge
Directed by Margaret Crowell
AUDITION DATE: Tuesday, March 21, 2023; 10:30 am-2:30 pm on the Mainstage
PRODUCTION DATES: April 14-16, 2023; All performances at 2:30 pm; Friday and Saturday performances at Asheville Community Theatre, Sunday performance at the Reuter Center on the campus of UNCA
REHEARSALS: Tuesdays & Thursdays March 28, 30, April 4, 6, 11, and 13, 2023; 10:30 am-2:30 pm
DIRECTOR SEEKS:
The Rising of the Moon – 4M
Trifles – 3M, 2W
In the Shadow of the Glen – 3M, 1W
The Holy Week schedule begins April 2. Here is a list of all services:
Palm Sunday, April 2
8:45 and 11:00 a.m. Rite I Eucharists
Maundy Thursday, April 6
7:00 p.m. Service with Foot Washing and Stripping of the Altar
Good Friday, April 7
11:00 a.m. Stations of the Cross – meet in the parking lot of the Parish Hall
12:00 p.m. Good Friday Service (No Eucharist)
1:00 – 4:00 p.m. Veneration of the Cross in the church
5:30 p.m. Good Friday Service (No Eucharist)
Easter Sunday, April 8
8:45 a.m. Easter Service – Rite II Eucharist
10:00 a.m. Easter Egg Hunt in the Rector's Garden and Parish Hall Lawn
11:00 a.m. Easter Service – Rite II Eucharist
The Episcopal Church of St. John in the Wilderness welcomes children of all ages to participate in an
Easter Egg Hunt at 10am on Easter Sunday, April 9th. The annual event is hosted by St. John's Young
Family Ministry.
Participants are encouraged to join the fun in the Rector’s Garden and Parish Hall lawn next to the Parish
Hall across Rutledge Drive from the church. Parking is available.
“We invite neighbors, friends, and visitors to join us for Easter at St. John in the Wilderness this year,”
said Fr. Josh Stephens, Rector. “We are excited to offer the Easter Egg Hunt for the community, as well
as the beautiful worship with a warm welcome as we celebrate Christ’s resurrection.”
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
For musical auditions, see specifics below for each show. In general, please prepare 16 bars of music and bring your sheet music to the audition in the key in which you will be singing. We will provide an accompanist. No one may sing along to a CD or other recording.
MAINSTAGE
Bat Boy: The Musical
Musical
Book by: Keythe Farley and Brian Flemming; Music and Lyrics by: Laurence O’Keefe
Directed by: Stephanie Hickling Beckman
AUDITION DATES: The evenings of Monday April 24 & Tuesday April 25, 2023. Sign up here for your audition slot.
PRODUCTION SCHEDULE:
Read-Thru MAY 19 6:30-9:30 pm
Rehearsals 2-4 nights per week beginning May 23 6:30-9:30.
Performance Dates: Friday-Sun July 21-August 6 Fri-Sat 7:30 pm and Sundays at 2:30 pm
DIRECTOR SEEKS: All actors over 17 will be considered for all roles with no limitation on gender or race.
CHARACTERS (17)
NON DOUBLING
Bat Boy
Meredith Parker
Dr. Thomas Parker
Shelley Parker
Sheriff Taylor
DOUBLING ENSEMBLE
Rick, Lorraine, Mr. Dillon
Ron Taylor, Maggie, Clem
Ruthie Taylor, Ned
Mrs, Taylor, Roy
Rev. Billie Hightower, Institute Man, Bud
Daisy, Pan, Doctor
Crowd/ Chorus 4M 2F
AUDITION MATERIAL: Audition sides from the play will be provided, and available on the ACT website prior to auditions. Memorization is not expected. This is a rock musical. Please prepare one song selection, in the style of the show, of no more than 45 seconds. Please do not prepare songs from the play itself.
An audition accompanist will not be provided. A speaker will be provided in lieu of live accompaniment. We will have a laptop and aux cord to accommodate your digital backing track (mp3 file, youtube karaoke track, etc.).
AUDITION SIDES:
Bat Boy: Pg 80-81 – Hightower
Bat Boy: Pg 83 – Batboy
Bat Boy: Pg 86-87 – Parker
Bat Boy: Pg 92 – Sheriff
Bat Boy: Pg 15 – Sheriff
Bat Boy: Pg 27 – Rick
Bat Boy: Pg 20 – Meredith and Shelley
THE STORY: Based on a story in The Weekly World News, BAT BOY: THE MUSICAL is a rock musical comedy/horror show about a half boy/half bat creature who is discovered in a cave near Hope Falls, West Virginia. For lack of a better solution, the local sheriff brings Bat Boy to the home of the town veterinarian, Dr. Parker, where he is eventually accepted as a member of the family and taught to act like a “normal” boy by the veterinarian’s wife, Meredith, and teenage daughter, Shelley. Bat Boy is happy with his new life, but when he naively tries to fit in with the narrow-minded people of Hope Falls, they turn on him, prodded by the machinations of Dr. Parker, who secretly despises Bat Boy. Shelley and Bat Boy, who have fallen in love, run away together from the ignorant townfolk and have a blissful coupling in the woods, but their happiness is shattered when Meredith arrives and reveals a secret. Soon the entire town arrives and hears the shocking story of Bat Boy’s origin.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
For musical auditions, see specifics below for each show. In general, please prepare 16 bars of music and bring your sheet music to the audition in the key in which you will be singing. We will provide an accompanist. No one may sing along to a CD or other recording.
MAINSTAGE
Bat Boy: The Musical
Musical
Book by: Keythe Farley and Brian Flemming; Music and Lyrics by: Laurence O’Keefe
Directed by: Stephanie Hickling Beckman
AUDITION DATES: The evenings of Monday April 24 & Tuesday April 25, 2023. Sign up here for your audition slot.
PRODUCTION SCHEDULE:
Read-Thru MAY 19 6:30-9:30 pm
Rehearsals 2-4 nights per week beginning May 23 6:30-9:30.
Performance Dates: Friday-Sun July 21-August 6 Fri-Sat 7:30 pm and Sundays at 2:30 pm
DIRECTOR SEEKS: All actors over 17 will be considered for all roles with no limitation on gender or race.
CHARACTERS (17)
NON DOUBLING
Bat Boy
Meredith Parker
Dr. Thomas Parker
Shelley Parker
Sheriff Taylor
DOUBLING ENSEMBLE
Rick, Lorraine, Mr. Dillon
Ron Taylor, Maggie, Clem
Ruthie Taylor, Ned
Mrs, Taylor, Roy
Rev. Billie Hightower, Institute Man, Bud
Daisy, Pan, Doctor
Crowd/ Chorus 4M 2F
AUDITION MATERIAL: Audition sides from the play will be provided, and available on the ACT website prior to auditions. Memorization is not expected. This is a rock musical. Please prepare one song selection, in the style of the show, of no more than 45 seconds. Please do not prepare songs from the play itself.
An audition accompanist will not be provided. A speaker will be provided in lieu of live accompaniment. We will have a laptop and aux cord to accommodate your digital backing track (mp3 file, youtube karaoke track, etc.).
AUDITION SIDES:
Bat Boy: Pg 80-81 – Hightower
Bat Boy: Pg 83 – Batboy
Bat Boy: Pg 86-87 – Parker
Bat Boy: Pg 92 – Sheriff
Bat Boy: Pg 15 – Sheriff
Bat Boy: Pg 27 – Rick
Bat Boy: Pg 20 – Meredith and Shelley
THE STORY: Based on a story in The Weekly World News, BAT BOY: THE MUSICAL is a rock musical comedy/horror show about a half boy/half bat creature who is discovered in a cave near Hope Falls, West Virginia. For lack of a better solution, the local sheriff brings Bat Boy to the home of the town veterinarian, Dr. Parker, where he is eventually accepted as a member of the family and taught to act like a “normal” boy by the veterinarian’s wife, Meredith, and teenage daughter, Shelley. Bat Boy is happy with his new life, but when he naively tries to fit in with the narrow-minded people of Hope Falls, they turn on him, prodded by the machinations of Dr. Parker, who secretly despises Bat Boy. Shelley and Bat Boy, who have fallen in love, run away together from the ignorant townfolk and have a blissful coupling in the woods, but their happiness is shattered when Meredith arrives and reveals a secret. Soon the entire town arrives and hears the shocking story of Bat Boy’s origin.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
Performances are coordinated with and performed for audiences in non-traditional spaces such as homeless shelters, correctional facilities, community centers, low income senior centers and locations throughout rural Western North Carolina. For schools, the Community Tour offers student workshops with teaching artists from the Ensemble.
The Community Tour also includes a series of ticketed performances for audiences at NC Stage. Performances at NC Stage are staged in an intimate setting with all the lights on so our audiences may enjoy the performances as it is experienced at each tour location.
Charles Davidson, minister and author of Foster’s Pie Pan: Stories of Grace Abounding in a Fallen World, will read from his new book and sign copies for purchase at Calvary Presbyterian Church. Profits from the event benefit Homeward Bound of Western North Carolina. Jim Lowder will speak briefly about the work of Homeward Bound.
Office Hours
By Norm Foster; Directed by Ellen Pappas
AUDITION DATES: Tuesday, May 2, 2023; 10:30 am-2:30 pm on the Mainstage
PRODUCTION DATES: May 26-28, 2023; All performances at 2:30 pm; Friday and Saturday performances at Asheville Community Theatre, Sunday performance at the Reuter Center on the campus of UNCA
REHEARSALS: Tuesdays & Thursdays May 9, 11, 16, 18, 23, and 25, 2023; 10:30 am-2:30 pm
DIRECTOR SEEKS: 3M, 2W playing 16 characters