Bender Gallery is excited to present “A Clear Choice,” a solo exhibition of stunning abstract sculptures by internationally recognized master glass artist Karsten Oaks. “A Clear Choice” opens on Saturday, September 3rd with an artist’s reception with Oaks present from 6 – 9 PM, and runs through September 25th. Using specialized optical glass, Oaks creates sculptures that bend light and color via their unique forms. Reminiscent of graffiti marks, his forms are instantly recognizable and are made with meticulous perfection. When viewing, a discernible object often appears from a momentary perspective creating a vision that allows the viewer to connect on a more personal level with the piece. This mystery inspires a deeply personal relationship between viewer and object and sets Oaks’ work apart from that of his contemporaries. We hope to see you there!

Mon – Sat 10 – 6 Sun 12 – 5

“LIFE ART LIFE William Bernstein 50 year retrospective” exhibition August 6-October 9, 2022 at the Toe River Arts’ Kokol Gallery, Spruce Pine, NC, features the paintings and glass of this artist who has been on the forefront of the studio glass movement.

Graduating 1968 from the Philadelphia College of Arts and just married, Bernstein moved to Penland School of Crafts to be their second glass resident artist from 1968-70. He was a co-founder of the Glass Arts Society (GAS) that formed to bring together the glass community so people could work together and learn from each other. Receiving numerous awards, fellowships and grants, he has exhibited internationally and has artwork in many private and public collections. Bernstein has lived most of his professional life in the rural Celo community of Yancey, North Carolina along with his family and artist wife, Katherine Bernstin. This retrospective provides a great opportunity for one to imagine a life surrounded by art.

This has been not only been a year-long process of curating pieces for an exhibit, but a lifetime of making art that connects with all things about one’s life. Bernstein’s work in glass and paint showcases just that: his family, his pets, friends, his environs, his moods and so much more. A life well-lived in creating art. More on Bernstein Glass www.bernsteinglass.com

William Warmus (A Fellow and former curator of Modern Glass at the Corning Museum), writes for the exhibition catalog, “Bernstein is a minimalist whose style is based upon the dedication to the concepts of honesty, modesty, and humility. It has a feel of its surroundings and of the people of the region.”

The Toe River Arts Kokol Gallery is located at 269 Oak Avenue, Spruce Pine, NC 28777. The exhibition dates: August 6 – October 9, 2022. Hours: Tuesdays-Saturdays from 10:30 – 5:00 pm. 828-765-0520, www.toeriverarts.org

Public receptions on Fridays: August 12 and October 7, both 5:00-7:00 PM. Artist gallery talk Friday, August 12, 4:00 pm. The exhibition travels to Cary Arts Center November 30 – January 21, 2023.

Coinciding with the United Nations’ Year 2022 as the Year of Glass and the 60th Anniversary of the Studio Glass Movement, this has been made possible by Toe River Arts, the North Carolina Arts Council, the Cary Art Center, Art Alliance for Contemporary Glass, the Blumenthal Foundation, and Mountain Electronics in Micaville, NC.

Useful and Beautiful: Silvercraft by William Waldo Dodge features a selection of functional silver works by Dodge drawn from the Museum’s Collection. Organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator, this exhibition will be on view in the Debra McClinton Gallery at the Museum from February 23 through October 17, 2022.

William Waldo Dodge Jr. (Washington, DC 1895–1971 Asheville, NC) moved to Asheville in 1924 as a trained architect and a newly skilled silversmith. When he opened for business promoting his handwrought silver tableware, including plates, candlesticks, flatware (spoons, forks, and knives), and serving dishes, he did so in a true Arts and Crafts tradition. The aesthetics of the style were dictated by its philosophy: an artist’s handmade creation should reflect their hard work and skill, and the resulting artwork should highlight the material from which it was made. Dodge’s silver often displayed his hammer marks and inventive techniques, revealing the beauty of these useful household goods.

The Arts and Crafts style of England became popular in the United States in the early 1900s. Asheville was an early adopter of the movement because of the popularity and abundance of Arts and Crafts architecture in neighborhoods like Biltmore Forest, Biltmore Village, and the area around The Grove Park Inn. The title of this exhibition was taken from the famous quotation by one of the founding members of the English Arts and Crafts Movement, William Morris, who said, “have nothing in your house that you do not know to be useful or believe to be beautiful.” Not only did Dodge follow this suggestion; he contributed to American Arts and Crafts silver’s relevancy persisting almost halfway into the 20th century.

“It has been over 15 years since the Museum exhibited its collection of William Waldo Dodge silver and I am looking forward to displaying it in the new space with some new acquisitions added,” said Whitney Richardson, associate curator. Learn more at ashevilleart.org.

Bender Gallery is excited to present “A Clear Choice,” a solo exhibition of stunning abstract sculptures by internationally recognized master glass artist Karsten Oaks. “A Clear Choice” opens on Saturday, September 3rd with an artist’s reception with Oaks present from 6 – 9 PM, and runs through September 25th. Using specialized optical glass, Oaks creates sculptures that bend light and color via their unique forms. Reminiscent of graffiti marks, his forms are instantly recognizable and are made with meticulous perfection. When viewing, a discernible object often appears from a momentary perspective creating a vision that allows the viewer to connect on a more personal level with the piece. This mystery inspires a deeply personal relationship between viewer and object and sets Oaks’ work apart from that of his contemporaries. We hope to see you there!

Mon – Sat 10 – 6 Sun 12 – 5

“LIFE ART LIFE William Bernstein 50 year retrospective” exhibition August 6-October 9, 2022 at the Toe River Arts’ Kokol Gallery, Spruce Pine, NC, features the paintings and glass of this artist who has been on the forefront of the studio glass movement.

Graduating 1968 from the Philadelphia College of Arts and just married, Bernstein moved to Penland School of Crafts to be their second glass resident artist from 1968-70. He was a co-founder of the Glass Arts Society (GAS) that formed to bring together the glass community so people could work together and learn from each other. Receiving numerous awards, fellowships and grants, he has exhibited internationally and has artwork in many private and public collections. Bernstein has lived most of his professional life in the rural Celo community of Yancey, North Carolina along with his family and artist wife, Katherine Bernstin. This retrospective provides a great opportunity for one to imagine a life surrounded by art.

This has been not only been a year-long process of curating pieces for an exhibit, but a lifetime of making art that connects with all things about one’s life. Bernstein’s work in glass and paint showcases just that: his family, his pets, friends, his environs, his moods and so much more. A life well-lived in creating art. More on Bernstein Glass www.bernsteinglass.com

William Warmus (A Fellow and former curator of Modern Glass at the Corning Museum), writes for the exhibition catalog, “Bernstein is a minimalist whose style is based upon the dedication to the concepts of honesty, modesty, and humility. It has a feel of its surroundings and of the people of the region.”

The Toe River Arts Kokol Gallery is located at 269 Oak Avenue, Spruce Pine, NC 28777. The exhibition dates: August 6 – October 9, 2022. Hours: Tuesdays-Saturdays from 10:30 – 5:00 pm. 828-765-0520, www.toeriverarts.org

Public receptions on Fridays: August 12 and October 7, both 5:00-7:00 PM. Artist gallery talk Friday, August 12, 4:00 pm. The exhibition travels to Cary Arts Center November 30 – January 21, 2023.

Coinciding with the United Nations’ Year 2022 as the Year of Glass and the 60th Anniversary of the Studio Glass Movement, this has been made possible by Toe River Arts, the North Carolina Arts Council, the Cary Art Center, Art Alliance for Contemporary Glass, the Blumenthal Foundation, and Mountain Electronics in Micaville, NC.

Tracey Morgan Gallery is pleased to present Uncharted, a joint exhibition by multiple-disciplinary artists Georgia Deal and Tom Ashcraft. Incorporating both individual and collaborative works, the exhibition will in-clude wooden and cast bronze boat sculptures, prints on hand-made paper, and photographs, all centered around ideas of physical and psychological transitions.

The isolation of the pandemic and the ensuing global geo-political tumult compelled Deal and Ashcraft to re-examine their studio practices. The individual and collaborative works in this exhibition reference a liminal space, that transitional point between “what was” and “what’s next.”

For Deal, the pandemic afforded time to examine ideas of solitude and anticipation and her work echoes the imagery brought on by that period of stasis. Ashcraft’s sculptures, selected versions from his collection of 200+ handmade wooden boats, gather ideas of migration, observation, scale, and object-making. Their col-laborative piece, Uncharted, undertakes these overlapping themes, dealing with both the psychic and antici-patory nature of movement, especially when that movement is only possible through imagination

Deal and Ashcraft each conduct significant individual studio practices and have been committed to the ethic of collaborative art for over 35 years. They are core members of Workingman Collective, founded in 2005 as a cooperative group of artists and other professionals whose membership and objectives evolve to fit each new project. They are interested in process, invention, chance, and the public.

Georgia Deal is Professor Emeritus and former Chair of the Printmaking and Papermaking Program at the Corcoran School of Art & Design of George Washington University in Washington DC. Her work is in multiple collections including the Philadelphia Museum, the Library of Congress, the Corcoran Gallery of Art, and Yale University Library. She currently lives in Asheville, NC and is proprietor of the papermaking studio, Swannanoa Paper.

Tom Ashcraft’s diverse practice is rooted in object-making, public and participatory artwork. He and Work-ingman Collective have exhibited and produced work in the U.S., Europe, the Caribbean and Africa. Awards include a National Endowment for the Arts Design Grant and a Ford Foundation Fellowship, among others. He recently completed a student / artist collaborative work “Public Practice” which was a three-year course focused on creating two permanent artworks for the US Embassy in Niamey, Niger, commissioned by Art in Embassies, US Department of State. Ashcraft is currently based in Asheville, North Carolina and is the MFA Director and Distinguished Professor at the School of Art + Design, Western Carolina University.

Passion begets passion, beauty begets beauty…..this is thought that is in professional photographer, Monica Stevenson’s, mind every moment she spends
at Red Bell Run. The photographs for this exhibition are inspired by Mary Adams, the owner of Red Bell Run, affection for and dedication to the animals and plants that thrive at her equine sanctuary.  As with much of Monica’s work, she leans heavily on her own collaborative spirit and the generous nature of her artistic partners–Preston Wainwright, floral designer, Thomas Ignatius and Sean Smith, both illustrative designers, to support some of the exhibit’s featured works. The resulting pictures included in this show, photographed with a large format digital camera and hand printed,  display an abundance of beautiful details– flowers, leaves, illustrations, textures, colors, dogs, cats, horses, donkeys, expressions, shapes, movement, fur, teeth, limbs–all the things that make up the natural world that is Red Bell Run.

Bender Gallery is excited to present “A Clear Choice,” a solo exhibition of stunning abstract sculptures by internationally recognized master glass artist Karsten Oaks. “A Clear Choice” opens on Saturday, September 3rd with an artist’s reception with Oaks present from 6 – 9 PM, and runs through September 25th. Using specialized optical glass, Oaks creates sculptures that bend light and color via their unique forms. Reminiscent of graffiti marks, his forms are instantly recognizable and are made with meticulous perfection. When viewing, a discernible object often appears from a momentary perspective creating a vision that allows the viewer to connect on a more personal level with the piece. This mystery inspires a deeply personal relationship between viewer and object and sets Oaks’ work apart from that of his contemporaries. We hope to see you there!

Mon – Sat 10 – 6 Sun 12 – 5

“LIFE ART LIFE William Bernstein 50 year retrospective” exhibition August 6-October 9, 2022 at the Toe River Arts’ Kokol Gallery, Spruce Pine, NC, features the paintings and glass of this artist who has been on the forefront of the studio glass movement.

Graduating 1968 from the Philadelphia College of Arts and just married, Bernstein moved to Penland School of Crafts to be their second glass resident artist from 1968-70. He was a co-founder of the Glass Arts Society (GAS) that formed to bring together the glass community so people could work together and learn from each other. Receiving numerous awards, fellowships and grants, he has exhibited internationally and has artwork in many private and public collections. Bernstein has lived most of his professional life in the rural Celo community of Yancey, North Carolina along with his family and artist wife, Katherine Bernstin. This retrospective provides a great opportunity for one to imagine a life surrounded by art.

This has been not only been a year-long process of curating pieces for an exhibit, but a lifetime of making art that connects with all things about one’s life. Bernstein’s work in glass and paint showcases just that: his family, his pets, friends, his environs, his moods and so much more. A life well-lived in creating art. More on Bernstein Glass www.bernsteinglass.com

William Warmus (A Fellow and former curator of Modern Glass at the Corning Museum), writes for the exhibition catalog, “Bernstein is a minimalist whose style is based upon the dedication to the concepts of honesty, modesty, and humility. It has a feel of its surroundings and of the people of the region.”

The Toe River Arts Kokol Gallery is located at 269 Oak Avenue, Spruce Pine, NC 28777. The exhibition dates: August 6 – October 9, 2022. Hours: Tuesdays-Saturdays from 10:30 – 5:00 pm. 828-765-0520, www.toeriverarts.org

Public receptions on Fridays: August 12 and October 7, both 5:00-7:00 PM. Artist gallery talk Friday, August 12, 4:00 pm. The exhibition travels to Cary Arts Center November 30 – January 21, 2023.

Coinciding with the United Nations’ Year 2022 as the Year of Glass and the 60th Anniversary of the Studio Glass Movement, this has been made possible by Toe River Arts, the North Carolina Arts Council, the Cary Art Center, Art Alliance for Contemporary Glass, the Blumenthal Foundation, and Mountain Electronics in Micaville, NC.

Tracey Morgan Gallery is pleased to present Uncharted, a joint exhibition by multiple-disciplinary artists Georgia Deal and Tom Ashcraft. Incorporating both individual and collaborative works, the exhibition will in-clude wooden and cast bronze boat sculptures, prints on hand-made paper, and photographs, all centered around ideas of physical and psychological transitions.

The isolation of the pandemic and the ensuing global geo-political tumult compelled Deal and Ashcraft to re-examine their studio practices. The individual and collaborative works in this exhibition reference a liminal space, that transitional point between “what was” and “what’s next.”

For Deal, the pandemic afforded time to examine ideas of solitude and anticipation and her work echoes the imagery brought on by that period of stasis. Ashcraft’s sculptures, selected versions from his collection of 200+ handmade wooden boats, gather ideas of migration, observation, scale, and object-making. Their col-laborative piece, Uncharted, undertakes these overlapping themes, dealing with both the psychic and antici-patory nature of movement, especially when that movement is only possible through imagination

Deal and Ashcraft each conduct significant individual studio practices and have been committed to the ethic of collaborative art for over 35 years. They are core members of Workingman Collective, founded in 2005 as a cooperative group of artists and other professionals whose membership and objectives evolve to fit each new project. They are interested in process, invention, chance, and the public.

Georgia Deal is Professor Emeritus and former Chair of the Printmaking and Papermaking Program at the Corcoran School of Art & Design of George Washington University in Washington DC. Her work is in multiple collections including the Philadelphia Museum, the Library of Congress, the Corcoran Gallery of Art, and Yale University Library. She currently lives in Asheville, NC and is proprietor of the papermaking studio, Swannanoa Paper.

Tom Ashcraft’s diverse practice is rooted in object-making, public and participatory artwork. He and Work-ingman Collective have exhibited and produced work in the U.S., Europe, the Caribbean and Africa. Awards include a National Endowment for the Arts Design Grant and a Ford Foundation Fellowship, among others. He recently completed a student / artist collaborative work “Public Practice” which was a three-year course focused on creating two permanent artworks for the US Embassy in Niamey, Niger, commissioned by Art in Embassies, US Department of State. Ashcraft is currently based in Asheville, North Carolina and is the MFA Director and Distinguished Professor at the School of Art + Design, Western Carolina University.