The club will meet virtually for now.
Meetings will take place at 7:00 PM ET on the last Tuesday of each month via Zoom. Please visit the Romance Bookclub page for the monthly selection, and email Samantha at [email protected] for the link to join.
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Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
The Friends of the Black Mountain Library and the White Horse Black Mountain join with filmmaker Carolyn Crowder for a local showing of her feature length documentary At the River: Struggle and Grace in the Segregated South on Sunday, August 27 at 3 PM. Carolyn, a Black Mountain resident, grew up in the segregated Deep South in a racist family and culture. Later in life she learned of a few young southern Presbyterian ministers took a stand against segregation through their sermons, community organizing and participation in marches and protests. They faced dangerous, hate-filled consequences for these actions. Carolyn wondered why they dared. To find out she travelled throughout the Southeast interviewing ministers, now in their 80’s and 90’s, and family members about their experiences and what it took to go against the racist currents within their local communities and congregations.
At The River chronicles their lives and their decisions, as well as director Carolyn Crowder’s first-hand experience as a young white southern girl from Montgomery, Alabama. During those mean and turbulent times these ministers, through their love and example, had a huge impact on her life in helping her overcome her southern racist brainwashing.
The Friends of the Black Mountain Library and the White Horse join with filmmaker Carolyn Crowder for a local showing of her feature length documentary At The River: Struggle and Grace in the Segregated South on Sunday, August 27 at 3 PM.
At The River is a feature length documentary about a certain time and place in the deep south. In the Civil Rights era of the 50’s and 60’s most Presbyterian ministers stood on the banks of the cultural river of segregation and white supremacy. They opted not to stir the waters in their congregations and communities by speaking out. However, a few young southern Presbyterian ministers did brave those currents through their sermons, community organizing and participating in marches and protests. They faced dangerous, hate-filled consequences for these actions.
At The River chronicles their lives and their decisions, as well as director Carolyn Crowder’s first-hand experience as a young white southern girl from Montgomery, Alabama. During those mean and turbulent times these ministers, through their love and example, had a huge impact on her life in helping her overcome her southern racist brainwashing.
Director’s Statement:
I fled the south and lived 40 years out west and found that many people were skeptical about my stories of the young ministers who challenged my racial cultural brainwashing. When I moved back to the south several years ago, I realized that I lived in an area surrounded by Presbyterian ministers who had “fought the good fight” during the Civil Rights Era. Most of them had never told their stories in public and in many cases their grown children did not even know what they had been through. These men were modest and unpretentious about their strong stands during those hard times.
This is a story told from my perspective as white southerner who grew up in a racist family and culture with limited exposure to the suffering and inequalities around me. What started out as a small oral history project interviewing the ministers I knew as a teenager, grew into this feature length documentary. We traveled extensively throughout the southeast, interviewing over 60 ministers and family members, amassing over 100 hours of material.
As a psychologist I’ve always been interested in early memories and how they impact later behavior. So I asked these men about when they realized as children that what they were being taught about race was wrong.
The music in the film consists of old Presbyterian Scottish and English hymns mostly from the 17th, 18th and 19th centuries – the music that the ministers and I grew up with. These traditional hymns provide historical context, setting the mood and giving the film emotional depth.
It was a disgraceful chapter in (Southern) Presbyterian Church history. This movie is a document, however, of those white ministers who tried to do the right thing when the right thing was difficult and dangerous to do. Their modeling changed me and other teenagers who were watching.
DIRECTOR:
Carolyn Crowder, Ph.D. is a retired psychologist who specialized in parent education and published three parenting books, one of which was a NY Times national bestseller. She appeared on Today, 20/20, Dateline, and NPR.
She has produced three documentaries: SISTER DON’T WEEP is an art piece about being raised Southern and female; SOMEWHERE TO LAY MY HEAD is about the history of a Southern Black community in rural Arizona, as told by the elders; and, RUBY, an exploration of the life of Ruby Prevo who worked for the Crowder family for over 20 years.
PRODUCER, CAMERA, EDITOR:
Rod Murphy has won 14 awards for his first three documentary features, including Best of Fest, Best Documentary, and Audience Award. He directs and produces video for commercial and non-profit clients, including Outward Bound, American Express, New Belgium Brewing, Habitat for Humanity, and Industries for the Blind. His work has screened internationally at festivals and on cable. Website: Collective Projects
MUSIC DIRECTOR
Aaron Price has been making music in Asheville since 1997. He played in the Appalachian State University jazz band and began writing songs. After college Aaron moved to Asheville where he opened Collapsible Recording Studio. He has directed music for numerous regional musical theater productions and serves as Music Director at Black Mountain Presbyterian Church.
The club will meet virtually for now.
Meetings will take place at 7:00 PM ET on the last Tuesday of each month via Zoom. Please visit the Romance Bookclub page for the monthly selection, and email Samantha at [email protected] for the link to join.
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| Small group meeting. We will be discussing The Sweetness of Water by Nathan Harris. Limited to 8 participants. Please email [email protected] if you want to attend the small group discussion. |
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Puptart is a tail wagging robot dog who sits and stays, pants when listening, and responds to someone talking to and petting it. It will not jump up or run away, plus it’s fur free, so no sneezes and runny noses coming your way! Every Wednesday afternoon, Puptart will be available for reading practice in the children’s picture book room. Help establish a joy of reading and develop early literacy skills. Sign up at the front desk, pick a book and practice reading for up to 15 minutes. |
A book club for home cooks, foodies, industry folks, and anyone in-between. We will be focusing on all sorts of food writing. Somethemes will be (but not limited to): food critics, chef memoirs, wine, food history, and food politics.
The Foodie group meets virtually on the last Wednesday of every month at 7 p.m. (EST), beginning in June 2022. Please email [email protected] for the Zoom meeting info.
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| We will be discussing The Sweetness of Water by Nathan Harris. All are welcome! |
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Event is BYOT (Bring Your Own Tots) The beloved indie classic “Napoleon Dynamite” was made almost almost 20 years ago. Since then much has changed; but the characters, as enduring as they are endearing, stay in our hearts.
Appealing to the inner-teenager in each of us, the story, and more importantly the dialogue, makes “Napoleon Dynamite” one of the most quoted movies of our time.
Napoleon Dynamite makes us laugh – and laugh hard – over and over again.
This unique evening includes a full screening of “Napoleon Dynamite” followed by a lively, freewheeling, moderated discussion with fan-favorite cast members; Jon Heder (Napoleon Dynamite), Efren Ramirez (Pedro), and Jon Gries (Uncle Rico).
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This is a hybrid event with limited in-store seating and the option to attend online. The event is free but registration is required for both in-person and virtual attendance.
John Vercher is the inaugural Wilma Dykeman Writer-in-Residence at UNC Asheville. He lives in the Philadelphia area with his wife and two sons. His debut novel, Three-Fifths, in which a savage hate crime impels a young man toward a deeper reckoning with his biracial identity, received starred reviews from Library Journal and Booklist, was named one of the best books of 2019 by the Chicago Tribune, and has sold in seven countries. In the U.K., Three-Fifths was named a Book of the Year by The Sunday Times, The Financial Times, and The Guardian.
Vercher’s second novel, After the Lights Go Out, was published by Soho Press in 2022 and has been called “simply brilliant” by Publishers Weekly in a starred review and “shrewd and explosive” by The New York Times. BookRiot selected the novel as a 2022 Best Book of the Summer; Publishers Weekly included it in their Summer Reads 2022 list; and Booklist named it an Editors’ Choice in Adult Fiction for 2022.
His forthcoming work, Devil is Fine, will be published in 2024. Learn more at https://www.johnvercherauthor.com/.
Wiley Cash is an award-winning and New York Times bestselling author of four novels and the founder of This Is Working. He has published widely on issues ranging from the environment to history to foodways to music. He serves as the Alumni Author-in-Residence at UNC-Asheville and lives in North Carolina with his wife, photographer Mallory Cash, and their daughters.
John Vercher, inaugural Wilma Dykeman Writer-in-Residence at UNC Asheville, and Wiley Cash, New York Times bestselling author and Alumni Author-in-Residence at UNC Asheville, will host a conversation and booksigning at 5 p.m. on Sunday, Sept. 3 at Malaprop’s Bookstore/Cafe in downtown Asheville.
This is a hybrid event with limited in-store seating and the option to attend online. The event is free but registration is required for both in-person and virtual attendance.
John Vercher is the inaugural Wilma Dykeman Writer-in-Residence at UNC Asheville. He lives in the Philadelphia area with his wife and two sons. His debut novel, “Three-Fifths,” in which a savage hate crime impels a young man toward a deeper reckoning with his biracial identity, received starred reviews from Library Journal and Booklist, was named one of the best books of 2019 by the Chicago Tribune, and has sold in seven countries. In the U.K., “Three-Fifths” was named a Book of the Year by The Sunday Times, The Financial Times, and The Guardian.
Wiley Cash is an award-winning and New York Times bestselling author of four novels and the founder of This Is Working. He has published widely on issues ranging from the environment to history to foodways to music. He serves as the Alumni Author-in-Residence at UNC Asheville and lives in North Carolina with his wife, photographer Mallory Cash, and their daughters. Published in September 2021, Cash’s novel “When Ghosts Come Home” was a national bestseller. In 2017, Cash’s novel “The Last Ballad” was an American Library Association Book of the Year and a Chicago Public Library Best Book of 2017.
Visit Malaprop’s website for more information and to register.
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Join other literature lovers to discuss your favorite books at the library! This month’s pick is What My Bones Know, by Stephanie Foo. |
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| Every Wednesday morning, we open up the children’s activity room to give kids time for free play with puppets. Children must be under the supervision or a parent or guardian. |
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Puptart is a tail wagging robot dog who sits and stays, pants when listening, and responds to someone talking to and petting it. It will not jump up or run away, plus it’s fur free, so no sneezes and runny noses coming your way! Every Wednesday afternoon, Puptart will be available for reading practice in the children’s picture book room. Help establish a joy of reading and develop early literacy skills. Sign up at the front desk, pick a book and practice reading for up to 15 minutes. |
The Malaprop’s Book Club, hosted by Jay Jacoby, explores a diverse selection of fiction and nonfiction books determined by member suggestion. Click here to see a full schedule of what the club is reading. Club attendees get 10% off the book at Malaprop’s!
The club meets the first Wednesday of every month at 7:00 PM. The club will meet virtually until further notice. To join the club, please email [email protected]
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Our mission is to bring together, in small, intimate settings, authors, readers of all ages, novice writers, listeners, and learners. We are a festival of readers who appreciate discussing the ideas in literature.
We do not see ourselves as an academic festival, thou
Telling Our Own Story: Cherokee Self-Representation in Contemporary Media
Historically in film, literature, galleries, and textbooks, Native stories have been told by non-Native voices. In this panel, we’ll hear from citizens of the Eastern Band of Cherokee Indians (EBCI), North Carolina’s only federally recognized tribe, who are contributing to the international movement for Indigenous self-representation in media through writing, podcasting, visual art, and cultural perpetuation.
Annette Saunooke Clapsaddle (Eastern Band Cherokee)
Award-winning Author of Even as We Breathe
Annette Saunooke Clapsaddle (Eastern Band Cherokee) lives in Qualla, NC and is the author of Even As We Breathe. She sits on the Board of Directors for the Museum of the Cherokee Indian and is President of the North Carolina Writers Network. She is also an Appalachian Futures Series editor for the University Press of Kentucky.
Shana Bushyhead Condill (Eastern Band of Cherokee Indians)
Museum of the Cherokee Indian Executive Director
Shana Bushyhead Condill (Eastern Band of Cherokee) has worked in the museum and cultural field for over twenty years. As Executive Director of the Museum of the Cherokee Indian, Condill furthers a career-spanning commitment to cultivating Native representation and self-representation in public spaces, advocating for the intentional combining of mainstream best practices with Native best practices in cultural preservation.
Nola Pina (Eastern Band of Cherokee Indians)
Museum of the Cherokee Indian Lead Cultural Specialist
Nola Pina (Eastern Band Cherokee) grew up and still currently resides in the on the Qualla Boundary. As a Lead Cultural Specialist at the Museum of the Cherokee Indian, Nola enjoys demonstrating and teaching finger-weaving (she is a first-generation finger weaver herself), as well as storytelling and leading tours through the permanent exhibit.
Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo)
Visual artist
Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo) employs printmaking, digital design, and basketry techniques in creating her artist’s books, prints, and paper weavings. Both of her Tribal heritages, cultures, and lineages are manifested in her two- and three-dimensional artworks that range in size from a few inches to a few feet.
Sheyahshe Littledave (Eastern Band Cherokee)
Writer/podcaster
Sheyahshe Littledave (Eastern Band Cherokee) is passionate about storytelling and writing to highlight the Indigenous experience. Her work includes publication in National Geographic, NPR, and writing children’s books. In 2021, she became the co-host of “We are Resilient: An MMIW True Crime Podcast,” dedicated to telling the untold stories of Missing & Murdered Indigenous Women.gh we seek to advance authors of literary quality. Nor are we a book fair in which the primary objective is to sell books.
One of our goals is to raise awareness of works of literary significance from smaller presses. We do focus on regional writers, though not exclusively. But overall, our aspiration is to create a little literary community which is in dialog with readers, aspiring writers, and established authors about craft and ideas of sustaining merit.
Another goal is to make sure our authors are having good time. In the best scenario, authors leave the festival feeling renewed and rededicated to their work. So frequently when an author writes in isolation, it is hard to believe that his/her work is making an impact on people and society. But situating authors and readers together in close quarters, as our festival does, it is possible for authors to hear stories of how their work has influenced people. It’s not just signing a book, it’s making a human connection.
We hope the Carolina Mountains Literary Festival inspires people to read more, write more, and contribute positively to society through the literary arts.
No outside vendors have booths at our festival. In fact, we don’t even sell any litfest paraphernalia. In an attempt to support our quaint downtown, attendees are encouraged to buy souvenirs at the many local shops that host readings. Authors are not tied down to a table all day, but are free to roam the town, attend other sessions, or gab with other authors in more sequestered areas. Some authors spend a full two days attending others’ readings. As festival planners, we thoroughly enjoy this contribution. However, some chose to leave after their sessions, which is equally acceptable.
Our events are spread all over our small town— in galleries, small stores, the Town Center, library, nearby churches, and other various venues. Only a few used primarily for workshops are not within walking distance.
Events are scheduled simultaneously. As many as five different events may be occurring at any one time. (We know that it can be difficult to choose, but we make every attempt to have each author present at least twice during the weekend.) We have a festival bookseller (Malaprop’s) who sells all festival author books – authors do not sell their books on their own. (Therefore, if book sales are high on your list of priorities or you enjoy pitching your books, you may not find this event to your liking—and vice versa.)
Authors gather for morning and afternoon-session book-signings as a group. No individual authors will have their own signings. Author presentations are limited to two consecutive years. Exceptions may be made if an author has a new, significant work. At the same time, we welcome past participants as attendees, or to assist us as session moderators or introducers if they wish.
FOR WORKSHOPS: 2023 Schedule – cmlitfest.org
Join host and Malaprop’s Bookseller Patricia Furnish to discuss a range of books across true crime and public affairs. The club meets in Asheville and offsite, usually at a restaurant, on the first Thursday of the month at 4 p.m. Please email [email protected] for info and instructions to attend. See the list of upcoming dates above and click here to learn more about the club, view important news, and find the pick for this month!
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Our mission is to bring together, in small, intimate settings, authors, readers of all ages, novice writers, listeners, and learners. We are a festival of readers who appreciate discussing the ideas in literature.
We do not see ourselves as an academic festival, thou
Telling Our Own Story: Cherokee Self-Representation in Contemporary Media
Historically in film, literature, galleries, and textbooks, Native stories have been told by non-Native voices. In this panel, we’ll hear from citizens of the Eastern Band of Cherokee Indians (EBCI), North Carolina’s only federally recognized tribe, who are contributing to the international movement for Indigenous self-representation in media through writing, podcasting, visual art, and cultural perpetuation.
Annette Saunooke Clapsaddle (Eastern Band Cherokee)
Award-winning Author of Even as We Breathe
Annette Saunooke Clapsaddle (Eastern Band Cherokee) lives in Qualla, NC and is the author of Even As We Breathe. She sits on the Board of Directors for the Museum of the Cherokee Indian and is President of the North Carolina Writers Network. She is also an Appalachian Futures Series editor for the University Press of Kentucky.
Shana Bushyhead Condill (Eastern Band of Cherokee Indians)
Museum of the Cherokee Indian Executive Director
Shana Bushyhead Condill (Eastern Band of Cherokee) has worked in the museum and cultural field for over twenty years. As Executive Director of the Museum of the Cherokee Indian, Condill furthers a career-spanning commitment to cultivating Native representation and self-representation in public spaces, advocating for the intentional combining of mainstream best practices with Native best practices in cultural preservation.
Nola Pina (Eastern Band of Cherokee Indians)
Museum of the Cherokee Indian Lead Cultural Specialist
Nola Pina (Eastern Band Cherokee) grew up and still currently resides in the on the Qualla Boundary. As a Lead Cultural Specialist at the Museum of the Cherokee Indian, Nola enjoys demonstrating and teaching finger-weaving (she is a first-generation finger weaver herself), as well as storytelling and leading tours through the permanent exhibit.
Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo)
Visual artist
Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo) employs printmaking, digital design, and basketry techniques in creating her artist’s books, prints, and paper weavings. Both of her Tribal heritages, cultures, and lineages are manifested in her two- and three-dimensional artworks that range in size from a few inches to a few feet.
Sheyahshe Littledave (Eastern Band Cherokee)
Writer/podcaster
Sheyahshe Littledave (Eastern Band Cherokee) is passionate about storytelling and writing to highlight the Indigenous experience. Her work includes publication in National Geographic, NPR, and writing children’s books. In 2021, she became the co-host of “We are Resilient: An MMIW True Crime Podcast,” dedicated to telling the untold stories of Missing & Murdered Indigenous Women.gh we seek to advance authors of literary quality. Nor are we a book fair in which the primary objective is to sell books.
One of our goals is to raise awareness of works of literary significance from smaller presses. We do focus on regional writers, though not exclusively. But overall, our aspiration is to create a little literary community which is in dialog with readers, aspiring writers, and established authors about craft and ideas of sustaining merit.
Another goal is to make sure our authors are having good time. In the best scenario, authors leave the festival feeling renewed and rededicated to their work. So frequently when an author writes in isolation, it is hard to believe that his/her work is making an impact on people and society. But situating authors and readers together in close quarters, as our festival does, it is possible for authors to hear stories of how their work has influenced people. It’s not just signing a book, it’s making a human connection.
We hope the Carolina Mountains Literary Festival inspires people to read more, write more, and contribute positively to society through the literary arts.
No outside vendors have booths at our festival. In fact, we don’t even sell any litfest paraphernalia. In an attempt to support our quaint downtown, attendees are encouraged to buy souvenirs at the many local shops that host readings. Authors are not tied down to a table all day, but are free to roam the town, attend other sessions, or gab with other authors in more sequestered areas. Some authors spend a full two days attending others’ readings. As festival planners, we thoroughly enjoy this contribution. However, some chose to leave after their sessions, which is equally acceptable.
Our events are spread all over our small town— in galleries, small stores, the Town Center, library, nearby churches, and other various venues. Only a few used primarily for workshops are not within walking distance.
Events are scheduled simultaneously. As many as five different events may be occurring at any one time. (We know that it can be difficult to choose, but we make every attempt to have each author present at least twice during the weekend.) We have a festival bookseller (Malaprop’s) who sells all festival author books – authors do not sell their books on their own. (Therefore, if book sales are high on your list of priorities or you enjoy pitching your books, you may not find this event to your liking—and vice versa.)
Authors gather for morning and afternoon-session book-signings as a group. No individual authors will have their own signings. Author presentations are limited to two consecutive years. Exceptions may be made if an author has a new, significant work. At the same time, we welcome past participants as attendees, or to assist us as session moderators or introducers if they wish.
FOR WORKSHOPS: 2023 Schedule – cmlitfest.org