Join host and Malaprop’s Bookseller Patricia Furnish to discuss a range of books across true crime and public affairs. The club meets in Asheville and offsite, usually at a restaurant, on the first Thursday of the month at 4 p.m. Please email [email protected] for info and instructions to attend. See the list of upcoming dates above and click here to learn more about the club, view important news, and find the pick for this month!
Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
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Event is BYOT (Bring Your Own Tots) The beloved indie classic “Napoleon Dynamite” was made almost almost 20 years ago. Since then much has changed; but the characters, as enduring as they are endearing, stay in our hearts.
Appealing to the inner-teenager in each of us, the story, and more importantly the dialogue, makes “Napoleon Dynamite” one of the most quoted movies of our time.
Napoleon Dynamite makes us laugh – and laugh hard – over and over again.
This unique evening includes a full screening of “Napoleon Dynamite” followed by a lively, freewheeling, moderated discussion with fan-favorite cast members; Jon Heder (Napoleon Dynamite), Efren Ramirez (Pedro), and Jon Gries (Uncle Rico).
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This is a hybrid event with limited in-store seating and the option to attend online. The event is free but registration is required for both in-person and virtual attendance.
John Vercher is the inaugural Wilma Dykeman Writer-in-Residence at UNC Asheville. He lives in the Philadelphia area with his wife and two sons. His debut novel, Three-Fifths, in which a savage hate crime impels a young man toward a deeper reckoning with his biracial identity, received starred reviews from Library Journal and Booklist, was named one of the best books of 2019 by the Chicago Tribune, and has sold in seven countries. In the U.K., Three-Fifths was named a Book of the Year by The Sunday Times, The Financial Times, and The Guardian.
Vercher’s second novel, After the Lights Go Out, was published by Soho Press in 2022 and has been called “simply brilliant” by Publishers Weekly in a starred review and “shrewd and explosive” by The New York Times. BookRiot selected the novel as a 2022 Best Book of the Summer; Publishers Weekly included it in their Summer Reads 2022 list; and Booklist named it an Editors’ Choice in Adult Fiction for 2022.
His forthcoming work, Devil is Fine, will be published in 2024. Learn more at https://www.johnvercherauthor.com/.
Wiley Cash is an award-winning and New York Times bestselling author of four novels and the founder of This Is Working. He has published widely on issues ranging from the environment to history to foodways to music. He serves as the Alumni Author-in-Residence at UNC-Asheville and lives in North Carolina with his wife, photographer Mallory Cash, and their daughters.
John Vercher, inaugural Wilma Dykeman Writer-in-Residence at UNC Asheville, and Wiley Cash, New York Times bestselling author and Alumni Author-in-Residence at UNC Asheville, will host a conversation and booksigning at 5 p.m. on Sunday, Sept. 3 at Malaprop’s Bookstore/Cafe in downtown Asheville.
This is a hybrid event with limited in-store seating and the option to attend online. The event is free but registration is required for both in-person and virtual attendance.
John Vercher is the inaugural Wilma Dykeman Writer-in-Residence at UNC Asheville. He lives in the Philadelphia area with his wife and two sons. His debut novel, “Three-Fifths,” in which a savage hate crime impels a young man toward a deeper reckoning with his biracial identity, received starred reviews from Library Journal and Booklist, was named one of the best books of 2019 by the Chicago Tribune, and has sold in seven countries. In the U.K., “Three-Fifths” was named a Book of the Year by The Sunday Times, The Financial Times, and The Guardian.
Wiley Cash is an award-winning and New York Times bestselling author of four novels and the founder of This Is Working. He has published widely on issues ranging from the environment to history to foodways to music. He serves as the Alumni Author-in-Residence at UNC Asheville and lives in North Carolina with his wife, photographer Mallory Cash, and their daughters. Published in September 2021, Cash’s novel “When Ghosts Come Home” was a national bestseller. In 2017, Cash’s novel “The Last Ballad” was an American Library Association Book of the Year and a Chicago Public Library Best Book of 2017.
Visit Malaprop’s website for more information and to register.
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Join other literature lovers to discuss your favorite books at the library! This month’s pick is What My Bones Know, by Stephanie Foo. |
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| Every Wednesday morning, we open up the children’s activity room to give kids time for free play with puppets. Children must be under the supervision or a parent or guardian. |
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Puptart is a tail wagging robot dog who sits and stays, pants when listening, and responds to someone talking to and petting it. It will not jump up or run away, plus it’s fur free, so no sneezes and runny noses coming your way! Every Wednesday afternoon, Puptart will be available for reading practice in the children’s picture book room. Help establish a joy of reading and develop early literacy skills. Sign up at the front desk, pick a book and practice reading for up to 15 minutes. |
The Malaprop’s Book Club, hosted by Jay Jacoby, explores a diverse selection of fiction and nonfiction books determined by member suggestion. Click here to see a full schedule of what the club is reading. Club attendees get 10% off the book at Malaprop’s!
The club meets the first Wednesday of every month at 7:00 PM. The club will meet virtually until further notice. To join the club, please email [email protected]
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Our mission is to bring together, in small, intimate settings, authors, readers of all ages, novice writers, listeners, and learners. We are a festival of readers who appreciate discussing the ideas in literature.
We do not see ourselves as an academic festival, thou
Telling Our Own Story: Cherokee Self-Representation in Contemporary Media
Historically in film, literature, galleries, and textbooks, Native stories have been told by non-Native voices. In this panel, we’ll hear from citizens of the Eastern Band of Cherokee Indians (EBCI), North Carolina’s only federally recognized tribe, who are contributing to the international movement for Indigenous self-representation in media through writing, podcasting, visual art, and cultural perpetuation.
Annette Saunooke Clapsaddle (Eastern Band Cherokee)
Award-winning Author of Even as We Breathe
Annette Saunooke Clapsaddle (Eastern Band Cherokee) lives in Qualla, NC and is the author of Even As We Breathe. She sits on the Board of Directors for the Museum of the Cherokee Indian and is President of the North Carolina Writers Network. She is also an Appalachian Futures Series editor for the University Press of Kentucky.
Shana Bushyhead Condill (Eastern Band of Cherokee Indians)
Museum of the Cherokee Indian Executive Director
Shana Bushyhead Condill (Eastern Band of Cherokee) has worked in the museum and cultural field for over twenty years. As Executive Director of the Museum of the Cherokee Indian, Condill furthers a career-spanning commitment to cultivating Native representation and self-representation in public spaces, advocating for the intentional combining of mainstream best practices with Native best practices in cultural preservation.
Nola Pina (Eastern Band of Cherokee Indians)
Museum of the Cherokee Indian Lead Cultural Specialist
Nola Pina (Eastern Band Cherokee) grew up and still currently resides in the on the Qualla Boundary. As a Lead Cultural Specialist at the Museum of the Cherokee Indian, Nola enjoys demonstrating and teaching finger-weaving (she is a first-generation finger weaver herself), as well as storytelling and leading tours through the permanent exhibit.
Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo)
Visual artist
Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo) employs printmaking, digital design, and basketry techniques in creating her artist’s books, prints, and paper weavings. Both of her Tribal heritages, cultures, and lineages are manifested in her two- and three-dimensional artworks that range in size from a few inches to a few feet.
Sheyahshe Littledave (Eastern Band Cherokee)
Writer/podcaster
Sheyahshe Littledave (Eastern Band Cherokee) is passionate about storytelling and writing to highlight the Indigenous experience. Her work includes publication in National Geographic, NPR, and writing children’s books. In 2021, she became the co-host of “We are Resilient: An MMIW True Crime Podcast,” dedicated to telling the untold stories of Missing & Murdered Indigenous Women.gh we seek to advance authors of literary quality. Nor are we a book fair in which the primary objective is to sell books.
One of our goals is to raise awareness of works of literary significance from smaller presses. We do focus on regional writers, though not exclusively. But overall, our aspiration is to create a little literary community which is in dialog with readers, aspiring writers, and established authors about craft and ideas of sustaining merit.
Another goal is to make sure our authors are having good time. In the best scenario, authors leave the festival feeling renewed and rededicated to their work. So frequently when an author writes in isolation, it is hard to believe that his/her work is making an impact on people and society. But situating authors and readers together in close quarters, as our festival does, it is possible for authors to hear stories of how their work has influenced people. It’s not just signing a book, it’s making a human connection.
We hope the Carolina Mountains Literary Festival inspires people to read more, write more, and contribute positively to society through the literary arts.
Our Pecularities
No outside vendors have booths at our festival. In fact, we don’t even sell any litfest paraphernalia. In an attempt to support our quaint downtown, attendees are encouraged to buy souvenirs at the many local shops that host readings. Authors are not tied down to a table all day, but are free to roam the town, attend other sessions, or gab with other authors in more sequestered areas. Some authors spend a full two days attending others’ readings. As festival planners, we thoroughly enjoy this contribution. However, some chose to leave after their sessions, which is equally acceptable.
Our events are spread all over our small town— in galleries, small stores, the Town Center, library, nearby churches, and other various venues. Only a few used primarily for workshops are not within walking distance.
Events are scheduled simultaneously. As many as five different events may be occurring at any one time. (We know that it can be difficult to choose, but we make every attempt to have each author present at least twice during the weekend.) We have a festival bookseller (Malaprop’s) who sells all festival author books – authors do not sell their books on their own. (Therefore, if book sales are high on your list of priorities or you enjoy pitching your books, you may not find this event to your liking—and vice versa.)
Authors gather for morning and afternoon-session book-signings as a group. No individual authors will have their own signings. Author presentations are limited to two consecutive years. Exceptions may be made if an author has a new, significant work. At the same time, we welcome past participants as attendees, or to assist us as session moderators or introducers if they wish.
FOR WORKSHOPS: 2023 Schedule – cmlitfest.org
Crime and Politics Book Club
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Our mission is to bring together, in small, intimate settings, authors, readers of all ages, novice writers, listeners, and learners. We are a festival of readers who appreciate discussing the ideas in literature.
We do not see ourselves as an academic festival, thou
Telling Our Own Story: Cherokee Self-Representation in Contemporary Media
Historically in film, literature, galleries, and textbooks, Native stories have been told by non-Native voices. In this panel, we’ll hear from citizens of the Eastern Band of Cherokee Indians (EBCI), North Carolina’s only federally recognized tribe, who are contributing to the international movement for Indigenous self-representation in media through writing, podcasting, visual art, and cultural perpetuation.
Annette Saunooke Clapsaddle (Eastern Band Cherokee)
Award-winning Author of Even as We Breathe
Annette Saunooke Clapsaddle (Eastern Band Cherokee) lives in Qualla, NC and is the author of Even As We Breathe. She sits on the Board of Directors for the Museum of the Cherokee Indian and is President of the North Carolina Writers Network. She is also an Appalachian Futures Series editor for the University Press of Kentucky.
Shana Bushyhead Condill (Eastern Band of Cherokee Indians)
Museum of the Cherokee Indian Executive Director
Shana Bushyhead Condill (Eastern Band of Cherokee) has worked in the museum and cultural field for over twenty years. As Executive Director of the Museum of the Cherokee Indian, Condill furthers a career-spanning commitment to cultivating Native representation and self-representation in public spaces, advocating for the intentional combining of mainstream best practices with Native best practices in cultural preservation.
Nola Pina (Eastern Band of Cherokee Indians)
Museum of the Cherokee Indian Lead Cultural Specialist
Nola Pina (Eastern Band Cherokee) grew up and still currently resides in the on the Qualla Boundary. As a Lead Cultural Specialist at the Museum of the Cherokee Indian, Nola enjoys demonstrating and teaching finger-weaving (she is a first-generation finger weaver herself), as well as storytelling and leading tours through the permanent exhibit.
Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo)
Visual artist
Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo) employs printmaking, digital design, and basketry techniques in creating her artist’s books, prints, and paper weavings. Both of her Tribal heritages, cultures, and lineages are manifested in her two- and three-dimensional artworks that range in size from a few inches to a few feet.
Sheyahshe Littledave (Eastern Band Cherokee)
Writer/podcaster
Sheyahshe Littledave (Eastern Band Cherokee) is passionate about storytelling and writing to highlight the Indigenous experience. Her work includes publication in National Geographic, NPR, and writing children’s books. In 2021, she became the co-host of “We are Resilient: An MMIW True Crime Podcast,” dedicated to telling the untold stories of Missing & Murdered Indigenous Women.gh we seek to advance authors of literary quality. Nor are we a book fair in which the primary objective is to sell books.
One of our goals is to raise awareness of works of literary significance from smaller presses. We do focus on regional writers, though not exclusively. But overall, our aspiration is to create a little literary community which is in dialog with readers, aspiring writers, and established authors about craft and ideas of sustaining merit.
Another goal is to make sure our authors are having good time. In the best scenario, authors leave the festival feeling renewed and rededicated to their work. So frequently when an author writes in isolation, it is hard to believe that his/her work is making an impact on people and society. But situating authors and readers together in close quarters, as our festival does, it is possible for authors to hear stories of how their work has influenced people. It’s not just signing a book, it’s making a human connection.
We hope the Carolina Mountains Literary Festival inspires people to read more, write more, and contribute positively to society through the literary arts.
Our Pecularities
No outside vendors have booths at our festival. In fact, we don’t even sell any litfest paraphernalia. In an attempt to support our quaint downtown, attendees are encouraged to buy souvenirs at the many local shops that host readings. Authors are not tied down to a table all day, but are free to roam the town, attend other sessions, or gab with other authors in more sequestered areas. Some authors spend a full two days attending others’ readings. As festival planners, we thoroughly enjoy this contribution. However, some chose to leave after their sessions, which is equally acceptable.
Our events are spread all over our small town— in galleries, small stores, the Town Center, library, nearby churches, and other various venues. Only a few used primarily for workshops are not within walking distance.
Events are scheduled simultaneously. As many as five different events may be occurring at any one time. (We know that it can be difficult to choose, but we make every attempt to have each author present at least twice during the weekend.) We have a festival bookseller (Malaprop’s) who sells all festival author books – authors do not sell their books on their own. (Therefore, if book sales are high on your list of priorities or you enjoy pitching your books, you may not find this event to your liking—and vice versa.)
Authors gather for morning and afternoon-session book-signings as a group. No individual authors will have their own signings. Author presentations are limited to two consecutive years. Exceptions may be made if an author has a new, significant work. At the same time, we welcome past participants as attendees, or to assist us as session moderators or introducers if they wish.
FOR WORKSHOPS: 2023 Schedule – cmlitfest.org
| The Friends of the South Buncombe Library are pleased to announce their second live, in-person book sale of 2023! We will have thousands of books in fiction and non-fiction at bargain prices, in every genre and for every age group. |
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Our mission is to bring together, in small, intimate settings, authors, readers of all ages, novice writers, listeners, and learners. We are a festival of readers who appreciate discussing the ideas in literature.
We do not see ourselves as an academic festival, thou
Telling Our Own Story: Cherokee Self-Representation in Contemporary Media
Historically in film, literature, galleries, and textbooks, Native stories have been told by non-Native voices. In this panel, we’ll hear from citizens of the Eastern Band of Cherokee Indians (EBCI), North Carolina’s only federally recognized tribe, who are contributing to the international movement for Indigenous self-representation in media through writing, podcasting, visual art, and cultural perpetuation.
Annette Saunooke Clapsaddle (Eastern Band Cherokee)
Award-winning Author of Even as We Breathe
Annette Saunooke Clapsaddle (Eastern Band Cherokee) lives in Qualla, NC and is the author of Even As We Breathe. She sits on the Board of Directors for the Museum of the Cherokee Indian and is President of the North Carolina Writers Network. She is also an Appalachian Futures Series editor for the University Press of Kentucky.
Shana Bushyhead Condill (Eastern Band of Cherokee Indians)
Museum of the Cherokee Indian Executive Director
Shana Bushyhead Condill (Eastern Band of Cherokee) has worked in the museum and cultural field for over twenty years. As Executive Director of the Museum of the Cherokee Indian, Condill furthers a career-spanning commitment to cultivating Native representation and self-representation in public spaces, advocating for the intentional combining of mainstream best practices with Native best practices in cultural preservation.
Nola Pina (Eastern Band of Cherokee Indians)
Museum of the Cherokee Indian Lead Cultural Specialist
Nola Pina (Eastern Band Cherokee) grew up and still currently resides in the on the Qualla Boundary. As a Lead Cultural Specialist at the Museum of the Cherokee Indian, Nola enjoys demonstrating and teaching finger-weaving (she is a first-generation finger weaver herself), as well as storytelling and leading tours through the permanent exhibit.
Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo)
Visual artist
Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo) employs printmaking, digital design, and basketry techniques in creating her artist’s books, prints, and paper weavings. Both of her Tribal heritages, cultures, and lineages are manifested in her two- and three-dimensional artworks that range in size from a few inches to a few feet.
Sheyahshe Littledave (Eastern Band Cherokee)
Writer/podcaster
Sheyahshe Littledave (Eastern Band Cherokee) is passionate about storytelling and writing to highlight the Indigenous experience. Her work includes publication in National Geographic, NPR, and writing children’s books. In 2021, she became the co-host of “We are Resilient: An MMIW True Crime Podcast,” dedicated to telling the untold stories of Missing & Murdered Indigenous Women.gh we seek to advance authors of literary quality. Nor are we a book fair in which the primary objective is to sell books.
One of our goals is to raise awareness of works of literary significance from smaller presses. We do focus on regional writers, though not exclusively. But overall, our aspiration is to create a little literary community which is in dialog with readers, aspiring writers, and established authors about craft and ideas of sustaining merit.
Another goal is to make sure our authors are having good time. In the best scenario, authors leave the festival feeling renewed and rededicated to their work. So frequently when an author writes in isolation, it is hard to believe that his/her work is making an impact on people and society. But situating authors and readers together in close quarters, as our festival does, it is possible for authors to hear stories of how their work has influenced people. It’s not just signing a book, it’s making a human connection.
We hope the Carolina Mountains Literary Festival inspires people to read more, write more, and contribute positively to society through the literary arts.
Our Pecularities
No outside vendors have booths at our festival. In fact, we don’t even sell any litfest paraphernalia. In an attempt to support our quaint downtown, attendees are encouraged to buy souvenirs at the many local shops that host readings. Authors are not tied down to a table all day, but are free to roam the town, attend other sessions, or gab with other authors in more sequestered areas. Some authors spend a full two days attending others’ readings. As festival planners, we thoroughly enjoy this contribution. However, some chose to leave after their sessions, which is equally acceptable.
Our events are spread all over our small town— in galleries, small stores, the Town Center, library, nearby churches, and other various venues. Only a few used primarily for workshops are not within walking distance.
Events are scheduled simultaneously. As many as five different events may be occurring at any one time. (We know that it can be difficult to choose, but we make every attempt to have each author present at least twice during the weekend.) We have a festival bookseller (Malaprop’s) who sells all festival author books – authors do not sell their books on their own. (Therefore, if book sales are high on your list of priorities or you enjoy pitching your books, you may not find this event to your liking—and vice versa.)
Authors gather for morning and afternoon-session book-signings as a group. No individual authors will have their own signings. Author presentations are limited to two consecutive years. Exceptions may be made if an author has a new, significant work. At the same time, we welcome past participants as attendees, or to assist us as session moderators or introducers if they wish.
FOR WORKSHOPS: 2023 Schedule – cmlitfest.org
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Have You Got It Yet?
The Story of Syd Barrett and Pink Floyd
For Immediate Release: A new documentary explores the mystery of
what happened to the founder and leader of one of rock music/s most
legendary bands. A special September 11 one-night screening as part
of the Music Movie Mondays series at Grail Moviehouse will be hosted
by Asheville speaker, author, music journalist and Pink Floyd authority
Bill Kopp.
When Pink Floyd released their debut single, 1967’s “Arnold Layne,” it
marked the beginning of a momentous chapter in music. The song
showcased not only the psychedelic quality of the four-man group from
Cambridge and London, but the songwriting prowess and unique vision of the
band’s leader, Syd Barrett.
Guitarist and front man Roger Keith “Syd” Barrett was a promising artist,
creating unique songs that both captured the zeitgeist of the burgeoning
psychedelic movement and captured a particular kind of English whimsy, informed as much by poetry and fantasy as by
LSD. The band’s first album, The Piper at the Gates of Dawn featured a bounty of songs that displayed Barrett’s unique
and inimitable musical vision.
But little more than nine months after that album’s release, Barrett was gone from the group he had founded. Save for two
erratic and deeply idiosyncratic solo albums and a handful of unfinished recordings, that would be the last the world would
hear from the uniquely creative songwriter and musician. Completely leaving music behind, he went on to live a quiet life
in Cambridge, finally passing away in 2006, nearly 40 years after leaving (or being dismissed from) Pink Floyd.
What happened? Did Syd suffer a mental breakdown? Did he succumb to the effects of too many LSD trips? Did he
simply want to step out of the machinery of the music business? Or is the real story some combination of all of those
things and more? Until now, Syd’s life has been the subject of speculation and conjecture. But with the cooperation of
Barrett’s family and former band mates, director Roddy Bogawa explores the fascinating mystery that is the life and music
of Syd Barrett.
Have You Got It Yet? The Story of Syd Barrett and Pink Floyd is a new authorized documentary that digs deep into
the mystery that is Syd Barrett. As part of the Music Movie Mondays series, Grail Moviehouse in Asheville hosts a special
one-night-only showing of the film. Presented by Asheville-based speaker, author and music journalist Bill Kopp (author of
Reinventing Pink Floyd: From Syd Barrett to The Dark Side of the Moon) the evening will include a screening of the film
followed by an interactive discussion.
Hosted by author, speaker and music journalist Bill Kopp,
the evening will feature a screening of the film followed by
an interactive discussion. Have You Got It Yet? is the latest
in Grail Moviehouse’s popular series, Music Movie
Mondays.
“Going to the movies has always been a kind of communal experience,” says Kopp, host of
Music Movie Mondays. “Especially in this post-lockdown era, the opportunity to not only watch
a film but then to discuss it with others is something even more special. And music-related
films lend themselves remarkably well to this shared, interactive experience.”
Music Movie Mondays is sponsored by AshevilleFM. Hosted by Asheville-based author and music journalist Bill Kopp,
Grail Moviehouse presents a special screening of Have You Got It Yet? on Monday, Sep. 11 @ 7 pm. Sponsored by
AshevilleFM, the evening will feature a brief introduction. Then we’ll watch the film together; afterward, we’ll engage in a
moderated discussion.
The one-night-only screening of Have you Got It Yet? The Story of Syd Barrett and Pink Floyd is the latest in the
ongoing popular series of Music Movie Mondays at Grail Moviehouse. Every month, we’ll watch and discuss new
releases, classics and cult favorites.
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