Calendar of Events

Are you ready for cool mountains, quiet reflection, and FUN? We are SOLD OUT of on-site lodging and have opened up two spaces for commuters and found a delightful B and B near by just for you! November 1-5, 2018 for the FIRST Fabuluscious Fall Retreat with Denise Medved and Gail Condrick!
Thursday, November 1 5:30 pm to Sunday, November 4 at 2 pm. Stay and play for one more night and enjoy a relaxing re-entry and special dinner together! Your Sunday room is included in your fee. Check out November 4 or 5th!
We will be back in Hendersonville, North Carolina on the beautiful 9 acres surrounding Denise’s home. A dream come true for us as we have rented cottages and group houses for the PERFECT fall residential retreat experience. Imagine awakening to the color of fall in the mountains, the sound of birds, the morning cool air and walk across the grass to the retreat center to begin your morning. Sigh…who is IN????
What will I do on this Fabuluscious Retreat with Denise and Gail????
Enjoy meditation, journaling, Tai Chi in the gardens, Ageless Grace and Nia Movement, Feng Shui, waterfall and nature easy hikes, a meditative labyrinth walk, dining out at local restaurants, and archetypal analysis all around the theme of CHANGING SEASONS with mind/body/movement experts Denise Medved and Gail Condrick.
Are the Mountains Calling YOU this Fall?
Retreat fee is $375 not including lodging or meals. Contact Gail for more information

https://www.facebook.com/events/329253724289517/

Join us for Homecoming 2018!

Schedule of events:

Thursday, November 1st
Homecoming Concert (Ramsey Center)
T-Pain & Blackbear with special guest FreeWILL!
https://www.wcu.edu/ramsey/events-tickets/tickets.asp

Friday, November 2nd
Homecoming Parade
6:30 p.m. Main Street, downtown Sylva

Stompfest (Bardo Arts Center)
8:30 pm- 11:30 pm

Saturday, November 3rd
Zombie 5k Chase Race
9 a.m. WCU Campus
All proceeds go to support the Mountain Area Pro Bono Health Services. Register on active.com Information at Facebook page “Zombie Run 5k Chase Race.”

Chancellor’s Brunch & Alumni Awards
10 a.m. – Noon
Honoring the WCU Alumni Association award recipients.

Tailgating
Noon-3:30 p.m.
Parking lots around E.J. Whitmire Stadium

WCU vs The Citadel Football
3:30 p.m.
E.J. Whitmire Stadium/ Bob Waters Field.
Call 800.344.6928 for tickets

African-American Alumni Postgame Reception
6:30-8:30 p.m.
Ramsey Center’s Peele, Westmoreland Suhre, Hartshorn Hospitality Room
Please RSVP by Friday, Oct. 26
Contact 877.440.9990, 828.227.7335 or [email protected]

https://www.facebook.com/events/2247954515220995/

Santa’s Shoppe Hours
Friday, November 2nd: 9:00AM – 6:00PM
Saturday, November 3rd: 9:00AM – 6:00PM
Sunday, November 4th: 12:00PM – 5:00PM

Mark your calendars for our 30th anniversary of Santa’s Shoppe – Friday, November 2nd through Sunday, November 4th. The weekend kicks off on Thursday, November 1st for Sip & Shoppe! Sip & Shoppe is an exclusive “stroller-free” night where those who are 21 and older can enjoy food and drinks.

Established in 1989, Santa’s Shoppe is the signature fundraising event for the Junior League of Spartanburg, for which all proceeds are used to support our community projects.
Held annually each November, Santa’s Shoppe features 80+ specialty merchants from the Southeast and beyond, offering an array of merchandise, including: jewelry, clothing, art objects, toys, sweet treats, stationery, and more! The weekend includes specialty events such as Sip & Shoppe, Cookies with Santa, and 3 days of Santa’s Shoppe! Tickets will be available in September!

Questions? Contact [email protected]

https://www.facebook.com/events/415519768940602/

UNLEASH YOUR ENTREPRENEURIAL POTENTIAL

A mash-up of an accelerator, a hackathon, and a weekend-long party, Hatch This matches attendees in teams with expert mentorship to craft a startup and compete for prizes including seed funding and office space at Hatch Asheville, located downtown at 45 S. French Broad Avenue.

Participants should come ready to pitch a business idea or ready to offer your skills and join a team. Once teams form, the real work begins: build a prototype, get real user feedback, pitch your deck in front of real investors, and win prizes.

The cost to participate in the weekend-long event is $75. (We’ll feed you and give you some cool swag, too!)

The general public is invited to attend the Final Pitch event on Sunday, November 4. This event is FREE and will be held at Asheville Social Hall.

https://www.facebook.com/events/230405050974582/

Reflexology 16 CEUs with Pamala Martin-Jurek
Tuition: $289
10% Early Bird Discount (30 days) ~ 20% Alumni Discount
Register Online or by Phone

Our informative hands-on Reflexology workshop focuses on the central fundamentals and countless benefits this ancient art form offers.

One of the foundational principles of Reflexology is that energy support to every organ system of the body is accessible through the feet. Reflexology is renowned as an efficient, effective, holistic health practice promoting circulation and assisting muscular and nerve function. It encourages the body’s own healing process, is straightforward, and the valuable stress-relief it provides is famous round the world.

You will have an opportunity to learn the elemental skills of touching and seeing the feet as a mini-map of the entire body. This course will prepare you to create a session sequence that best serves the needs of your client by attuning your listening and sensing skills to recognize the body’s best interests.

You will also learn which methods lend greatest support to those needs and how proper hand and body mechanics will allow you to effortlessly integrate this valuable modality into your practice.

https://www.facebook.com/events/374499712978423/

Culture Day (文化の日 Bunka no Hi) is a national holiday held annually in Japan on November 3 for the purpose of promoting culture, the arts, and academic endeavor. Festivities typically include art exhibitions, parades, and award ceremonies for distinguished artists and scholars.

SO! Here in WAKUWAKU Eatery, we will share some Japanese Culture both traditional and recent, including Bonsai, Bamboo Craft display, Traditional music instrument, anime, foods etc.
And you can see Martial Arts demonstration on Nov 3rd at 3pm.

Please stop us to see something different and new for you.

https://www.facebook.com/events/465322170543260/

GNOSTIK + Soundsystem Cultures presents:

Back To Basics: The Widdler x Pushloop
(Sub.Mission)

NORBY

Soundsystem Dub Collection
(Soundsystem Cultures)

Timos House
5 Biltmore Ave
Downtown
Asheville, NC

21+/$25

Funktion-One sound by Soundsystem Cultures

☿ Due to limited capacity there will only be 100 tickets sold ☿

https://www.facebook.com/events/723185464709761/

Welcome to 10th & Groove!

This month’s special guest:

Edward Weber

https://m.soundcloud.com/edward-weber-432707570

Hosted by Captain EZ

::: LISTEN to Captain EZ M U S I C :::

https://soundcloud.com/captain-ez

Follow Captain EZ on Facebook
https://www.facebook.com/CaptainEZnc

Captain EZ – The Vibe Conductor
Curator of the PIMP SMOOTH​ sound.

::: BIO :::

Think genre bending horn driven brassy hip hop funk; glitchy liquid future bass; international ghetto soul; and much more…

Captain EZ ​started DJing in 2000 in Boston and has always worked tirelessly behind the scenes producing and curating underground events. He can rock any time slot for any kind of vibe necessary. Whether it’s late night or early morning,

Captain EZ – The Vibe Conductor​ will lay down the correct vibe. He is a tone-setter and is always fine-tuning the science and practice of what it takes to open up an event.

Fondly referred to as the Stepfather of Funk​, Captain EZ​ has shared the stage with nationally touring acts including
Defunk, Desert Dwellers, Govinda, Kaminanda, Kayla Scintilla, Mark Farina, Ott, The Funk Hunters, Too Many Zooz, and many more.

Captain EZ​ has also performed at many burns, festivals, and other large or marquee events such as Alchemy, Asheville Full Moon Gatherings, ​Asheville Santacon, Burning Man, Euphoria, Five Elements Festival, Kinnection Campout, Living Asheville Arts Festival, Pangea, Serendipity, The Happening AVL, and Transformus. He has played venues both large and small throughout the Southeast and Northeast. Come see him at one of his monthly residencies.

https://www.facebook.com/events/888985971295230/

Cannibal Corpse
plus Harm’s Way & Hate Eternal
Show: 9pm
Doors: 8pm
$22 – $25
Ages 18+

Tickets & Info: www.theorangepeel.net/event/cannibal-corpse/

Many words come to mind when you hear the name Cannibal Corpse, but one truly defines the soon-to-be thirty-year death metal veterans: Unstoppable. Returning with their 14th full-length, the monstrous Red Before Black, serves to not only reiterate this but to once more raise the stakes, making it very clear who sets the standard when it comes to always compelling music that is equally brutal and complex. Moreover, the band have pushed themselves again, ensuring that it stands out from their catalog. “Throughout our career we’ve tried to improve the precision of both our musical execution and our album production, while still maintaining full-on aggression. ‘Red Before Black’ continues in that direction, but might go even further on the aggressive side of things. It’s definitely precise, but it has a rawness to it that goes beyond anything we’ve done recently,” asserts bassist Alex Webster. “We really worked super hard crafting these songs, practicing them, and getting them where we wanted to be more so than on any of our previous albums,” adds drummer Paul Mazurkiewicz. “And as Alex said, musically I think it’s the most raw sound we’ve had – and at the same time I think it’s our most focused, tightest and catchiest record.”

Having played in the region of two hundred shows around the globe in support of the titanic A Skeletal Domain, the quintet – rounded out by guitarists Rob Barrett and Pat O’Brien, and vocalist George “Corpsegrinder” Fisher – settled down to begin writing after completing their successful run on 2016’s Summer Slaughter tour. As has always been the case, there was no blueprint for what they wanted the full-length to be, rather letting it develop naturally with instruments in their hands. “Towards the end of the ‘A Skeletal Domain’ cycle we did talk about having some riffs that breathe a little more, but that was about it. When everybody started writing I believe it actually became a feel thing more than it ever has been with us,” says Mazurkiewicz. “That it wound up being a really raw, mostly straightforward kind of album wasn’t part of a big plan or anything,” Webster asserts. “We just tried to write the best songs we could, and this is how they turned out.” The aforementioned aggression, rawness and catchiness leap out from the speaker as soon as the listener hits play, “Only One Will Die” perhaps the most ruthless yet immediate album opener 2017 has seen. What follows is a relentless barrage of ferocious music that maintains the insanely high standards the unit have long held themselves to, and while there is a great diversity in dynamics there is never a let up in intensity. The devastating “Firestorm Vengeance”, for instance, sounds like the work of men only the most foolhardy would choose to mess with, likewise the title track and ultra-belligerent “Destroyed Without A Trace”. The vile, lurching passages of “Code Of The Slashers” play menacingly off against bloodthirsty thrashings, while “Scavenger Consuming Death” stands out as one of the heaviest additions to one of the weightiest catalogs in extreme music. With “Remaimed” – penned by O’Brien – unleashing some sickening tones that sound wrought from an instrument designed to devastate everything and the eerie droning breaking into “Hideous Ichor”, new flavors have been introduced to their sonic palette this time out. “We’re always looking for ways to move our sound forward while maintaining the style we’ve developed over the years,” Webster states. “I think we managed to do that with ‘Red Before Black’ – it has some new ideas, but you’ll also hear things on this album that would sound at home on our earlier releases. We want to grow as a band while staying true to our roots”.

With 2006’s Kill and the two releases that followed it – 2009’s Evisceration Plague and 2012’s Torture – the band forged a tight bond with renowned producer Erik Rutan (Hate Eternal, Goatwhore), and for Red Before Black they chose to reunite with him. Comfortable and confident in his company, Webster asserts that “he understands death metal better than just about anyone, both as a producer and as a musician”, and with his Mana Studios located not far from their home base in Florida it was also very convenient for one of the hardest touring bands in metal. “We of course love working with Erik and he did an awesome job on the albums he did for us, but we just finished a long tour cycle and then worked extremely hard on writing and practicing these songs, so being close to home for the recording was a compelling factor too,” says Mazurkiewicz. “These days, we don’t all have to be there for the whole process any more, but if one of us was needed at the studio we could get there fairly quick.” Under Rutan’s watchful eye the sessions went smoothly and without a hitch, the only thing slowing them down being the attention to detail exercised by all involved, intent on perfecting their vision. With Vince Locke once more handling the artwork, fans can be assured that it suitably reflects the music lurking behind it. “Vince’s style has been a huge part of our band’s visual image since our very first album. With ‘Red Before Black’ he’s made another killer piece, and this time the viewer has the victim’s perspective, which is a little different for us.”

With 2017 seeing a slew of stunning new releases from death metal’s old guard – including Suffocation, Obituary and Dying Fetus – it’s been a landmark year both for the genre and its early innovators, and with Red Before Black Cannibal Corpse stand strong alongside their peers. “We’re proud to be part of a scene that has great, experienced bands that stick to their guns,” affirms Webster. “Death metal is an established form of underground music that’s here to stay, and the leadership bands like these have shown by staying true to the genre is no doubt part of the reason it has such longevity.”That Cannibal Corpse have carved out a career spanning almost three decades is testament to their work ethic, innovative songwriting, passion and devotion to extreme music – though it still remains an astounding feat to the members, as Webster makes humbly clear. “Who could have imagined this? When we started, even Black Sabbath hadn’t been around for three decades. There simply was no precedent for a lifelong career in metal, of any kind, let alone a relatively new form like death metal. We’ve been unbelievably lucky, and we are so grateful to our fans for making it possible.” In typically grounded fashion, they continue to forge ahead, seeing no end in sight, Webster stating he likes to think they have yet to write their best record, while Mazurkiewicz outlines their goals: “I would say we just want to keep it going, try to better ourselves – and finally open for Slayer!”

www.cannibalcorpse.net

https://www.youtube.com/watch?v=XAIX2vISe3M

https://www.facebook.com/events/382756708918703/

Join us for a rockin’ good time!

https://www.facebook.com/events/536447876792204/

NIGHT TWO: Amanda Anne Platt & The Honeycutters (standing room only) at The Grey Eagle

with special guest: Oliver Bates Craven

AMANDA ANNE PLATT & THE HONEYCUTTERS

LISTEN: https://open.spotify.com/album/3y3Zrv42YZur33craetflX

LOOK: https://www.youtube.com/watch?v=K168ib7ltTc

Amanda Anne Platt & The Honeycutters are on tour with their latest album, a self-titled disc released June 9, 2017 on Organic Records. Lyrically driven, the songs of Amanda Anne Platt & The Honeycutters blend the band’s old-school country roots attitude with their shared influences of rock and folk. Amanda says of the album, “I think it’s just about life and all that that entails. Including but not limited to death, strangers, birthdays, money, leaving, arriving, seasons, corruption, and love.”

“This is a band that does everything right,” says Goldmine’s Mike Greenblatt. “Platt deserves all that might come to her over this, her fifth (and best) album. Backed by pedal steel, electric guitar, keyboards, bass, drums, percussion, and vocal harmony, it’s Platt’s show as she writes, sings and co-produces. Complete with lyrics of introspection with the kind of words you can chew on long after the album ends, it also works on a lighter level by dint of the fact that it just sounds so damn good. Go as deep as you want. It’s all good, as they say.”

Based in Asheville, North Carolina, Amanda is a storyteller by nature with an incredible band backing her. Performing along with Amanda Anne Platt, The Honeycutters are Matt Smith on pedal steel and guitar, Rick Cooper on bass, Josh Milligan on drums and harmony vocals, and Evan Martin on keys and guitar.

There is an empathetic and charming wit ingrained in Amanda’s songwriting. She has a knack for accessing a deep well of emotion and applying it to her story-telling, whether she is writing from her own experiences or immersing herself into the melody of emotions in another person’s life.

“She’s soothing (even in the hurtin’ songs) and sobering (except for the drinkin’ songs) and nuanced in a way that I think tops even those rather famous ladies of the moment named Margo and Kacey… I’d be hard pressed to find a finer string of recordings from any band working in the classic country/mountain tradition in these last five years,” writes Music City Roots’ Craig Havighurst.

OLIVER BATES CRAVEN

Originally from Lancaster, Pennsylvania, Oliver Bates Craven is a Nashville based singer, songwriter, and multi-instrumentalist. The oldest son of a folk-singing preacher, his diverse musical upbringing included a family band, a decade of classical violin lessons, and ultimately skipping football practice to teach himself the guitar playing along to Hendrix records. Oliver has spent the last ten years as a professional musician, and from intimately crowded folk clubs to sold-out festivals, has found himself on North American and European stages more than a thousand times.

A founding member of the revered Americana band The Stray Birds, he has collaborated with such artists as The Wood Brothers, Keller Williams and Mandolin Orange, and worked in studios with producers such as Dan Knobler (Lake Street Dive, Rodney Crowell) and Larry Campbell (Bob Dylan, Levon Helm). Stepping out of the band dynamic squarely to the center of the stage, he finds a voice and a style more uniquely his own. A poignant writer with soulful and powerful vocal and instrumental deliveries, accompanied by a sense of performance that honors nuance, movement and originality, his musicality is one of a clearly impassioned and tangible joy.

https://www.facebook.com/events/211559239527152/

Genre: Electronic
Tickets: $5 or any cash donations welcomed
Show: 9:30PM (Doors: 9PM)
Ages: 21+

It’s with deep regret that we have to announce that Kimball will not able to make it to Asheville for this show due to illness.
He will be rescheduled for a date in the near future. Ru-Dement will still be performing and will be joined by In Plain Sight. We apologize for any inconvenience this has caused.

Rudiment

American based artist Rudiment (real name Stephen Wilson) has been a DJ for more than 20 years.
Growing up in Central Florida in the early to mid 90’s he experienced the explosion of dance music culture, and its rapid impact across America. Those experiences ultimately shaped and formed his life long passion in music as he steadily DJ’d until the early 2000’s. In 2006 he moved to East Tennessee where he would switch his focus from DJ’ing to delve into the world of Music Production. During this time he honed in on his craft creating a unique sound which in 2015 led to the inception of Rudiment. Keeping “the music” as his foundation and the core of what he wants to be known by, Rudiment with writing partner Kimball Collins released their first remix of the The Sol Brothers – Maharani on Talavera Records with critical acclaim in 2016. While his partnership with Kimball Collins continues to grow and take shape, expect to see many future releases from the two on the horizon with up coming releases on Emotional Content Recordings, Making You Dance Records, Magician on Duty, and David Hohme’s Where The Heart Is Records

In Plain Sight

In Plain Sight work within the realm of house music, bringing their own passions and experiences to their production and live sets for a stirring sonic result. The trio’s (Ezekiel, Lucas and Nomad in the Dark) tracks have proven equally effective in tiny darkened warehouses as well as in packed, international nightclubs, spun by some of the leading names in electronic music. Sasha, Nick Warren, Hernan Cattaneo and Dave Seaman are just some of the esteemed fans of their work. Orbital chose their remix of “Where is it Going” as the winner of Moogfest’s 2012 remix contest.

https://www.facebook.com/events/305253803389271/

A night of Chills and thrills with: Skunk Ruckus, Ghostwriter,Viva Le Vox and Squidling Bros. side show
Ghostwriter (Austin,TX)
http://www.endofthewest.com/index.html
Skunk Ruckus
https://www.reverbnation.com/skunkruckus
Viva Le Vox
https://www.vivalevox.org
Squidling Bros. Side Show!
https://www.facebook.com/squidling.brothers/

https://www.facebook.com/events/247415292636131/

Sol Driven Train returns to Asheville bringing their unique blend of swamp rock, brass, and genre hopping fun to Isis Music Hall.

“If you need to visualize the soul, think of it as a kind of train. Yes, a long, lonesome freight train rumbling from generation to generation on an eternally rainy morning: its boxcars are loaded with sighs and laughter, its hobos are angels, its engineer is the queen of spades – and the queen is wild. Whoo-whoo! Hear that epiphanic whistle blow. The train’s destination is the godhead, but it stops at the Big Bang, at the orgasm, and at the hole in the fence that the red fox sneaks through down behind the barn. It’s simultaneously a local and an express, but it doesn’t transport weaponry, and it certainly ain’t no I milk run.” -Tom Robbins, Villa Incognito
Main Stage Standing Show

$12 Advance / $15 Day of Show

Standing Show with limited seating :: Seating is First Come First Serve :: General Admission :: Please Call Venue for Dinner Reservations in the dining room only

https://www.facebook.com/events/2141236932864455/

We’re kicking off our monthly dance party series with DJs Marley Carroll & Brandon Audette. Both of them are known for their eclectic taste in all things electronic music. Genres range from afrobeat, house, disco, techno, funk, to boogie.
These nights are free but we offer the opportunity to give a $5 donation. These funds go directly back into the music you love so much.
We’ll also be offering a special tapping from our downtown location mixed-culture program containing wild ales, funky farmhouse ales, and complex sours.

Marley Carroll Bio:
Onstage, Carroll brings a more raw and improvisatory adaptation of his music to rapt audiences, combining live sampling, drum pads and looping with stunning and often unorthodox turntable skills. He has shared the stage with similarly-minded peers like Floating Points, Bonobo, and DJ Shadow and has appeared at groundbreaking music festivals across the country (Coachella, Decibel, Moogfest).
With Flight Patterns, Carroll has tuned his instruments skyward and infused his unique style of subtle and compelling dance music with samples and textures from the natural world. Bird songs, field recordings, gongs, deep basses, wooden drums and plaintive analog synths provide the substrate for expansive songs with the kind of three-dimensional depth that invites immersive, intentional listening.
“This all started with the crows,” he explains. “I work from a small home studio in the mountains surrounded on all sides by trees, and I began to feel this spooky intelligence all around me, like I was being watched. I became fascinated by their activities, their comings-and-goings, the little dramas that are playing out all around us, all the time. That led to an obsession with bird calls and communication and now it’s gotten to the point where I have a Cornell Ornithology Lab calendar hanging in my bedroom.”
Regarding his new label home, Carroll says: “Signing with Loci felt very natural. I’ve been touring partners and friends with Doug for a long time and he deserves a ton of credit for helping my music reach wider audiences. I’m immensely grateful for the opportunity and I hope it reaches fans of Loci that are open to something a little more uptempo.”

Brandon Audette Bio:
A Detroit, Michigan native, Brandon quickly found himself carpooling to warehouse parties in the late 90s and early 2000s. Needless to say he was hooked on the music, the energy, and the dance community in the city of Detroit.

Fast forward to 2010 where he started spinning records and
became known for his subtle but effective early evening sets as well as for his late night/early morning sunrise vibes. Style choices range from deep soulful house, techno, acid, disco, funk, to boogie. He’s had the pleasure of sharing the decks with with Stacey Pullen, Mano Le Tough, Dj Three, Ataxia, Golf Clap, and a plethora of other local favorites and respected international selectors.

Having moved to Asheville, NC in 2012 to be closer to nature, he again found himself searching for that feeling of community in Detroit. “Asheville has come a long way in the short 5 years I’ve been here. There wasn’t a whole lot going on as far as dance parties with house & techno. But now it seems there’s somewhere to go get down every night of the week.” After an amazing summer of memorable shows at Ellington Underground and All Go West Music Festival, Brandon is ready to continue supporting dance music culture in a small, but growing mountain town.

https://www.facebook.com/events/246666389301149/

Blessing In Boxes through the Storehouse Ministry.

Every year, First Baptist Hendersonville partners with the Store House Ministry by providing gifts to help the needy children of Henderson County celebrate Christmas. This year our church has volunteered to “adopt” 100 children. You can help either individually or as a group or Sunday school class by purchasing gifts for a child/children.

Gift collection is December 10-12 from 8:00a.m. – 5:30p.m. You will need to deliver your unwrapped gifts to Upward Christian Fellowship, 991 Upward Road, Flat Rock, NC 28731.

Sign up sheets will be available in your Sunday school class and in the Welcome Center on Sunday, November 4 and 11. Children’s information will be available by November 18 and 25.

For more information or to adopt a child, contact Darlene Lambert at [email protected].

https://www.facebook.com/events/2172482206345790/?event_time_id=2172482213012456

The 48th Annual Christmas Bazaar hosted by the Greeneville Woman’s Club! To see a list of vendors and view more information, please see this page: http://www.greenevillewomansclub.net/holiday-bazaar.html

No vendor spots remain, but if you want to be put in the wait list, comment below, write wait list and what you would be selling.

https://www.facebook.com/events/241114173188745/

*** SORRY THIS EVENT HAS NOW SOLD OUT: There will be NO farm admissions accepted on this date except to those with a prebooked bonfire ticket ***

Our annual bonfire returns on November 4 with a fun-packed family day out.

Our bonfire is an all day event and your ticket includes farm admission, indoor and outdoor play, tractor and trailer rides.

** Please note that no farm admissions will be accepted on November 4 unless you have a pre-booked ticket. **

https://www.facebook.com/events/423691264813252/

Now in its 17th year, the NewSong Music Competition is recognized as one of North America’s premier showcases of emerging performers and songwriters.

The final deadline to submit song entries to the 2018 NewSong Music Performance & Songwriting Competition is Sunday, November 4. Submit your songs online at www.newsong-music.com/contest

https://www.facebook.com/events/245609342794763/