Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.

Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.

Thursday, June 8, 2023
Biltmore Estate: Ciao! From Italy Sculptural Postcard Display
Jun 8 @ 8:30 am
Biltmore Estate

Included with admission

Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.

Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.

Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!

Exhibition: NEO MINERALIA
Jun 8 @ 10:00 am – 6:00 pm
Center for Craft

Photo credit:

Sae Honda. Courtesy of the Artist.

NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.

NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.

The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.

Exhibition: Something earned, Something left behind
Jun 8 @ 10:00 am – 6:00 pm
Center for Craft

Photo credit:

J Diamond, “Pony II,” 2022. Courtesy of the Artist

Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.

Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.

Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.

Exhibition: Crafting Denim
Jun 8 @ 10:00 am – 6:00 pm
Center for Craft

Photo credit:

Photograph by Bowery Blue Makers

Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.

A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.

Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.

Italian Renaissance Alive
Jun 8 @ 10:00 am
Biltmore Estate

Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.

PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences

PLUS: FREE next-day access to Biltmore’s Gardens and Grounds

This visit includes access to:

  • Italian Renaissance Alive at Amherst at Deerpark®
  • 8,000 Acres of Gardens and Grounds for two consecutive days
  • Antler Hill Village & Winery
  • Complimentary Wine Tastings at the Winery
  • Tastings require a Day-of-Visit Reservation, which can be made by:
    • Scanning the QR Code found in your Estate Guide
    • Visiting any Guest Services location
  • Complimentary parking

Art Exhibition: Italian Renaissance Alive

This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history

LAZOOM: CITY COMEDY TOUR
Jun 8 @ 10:00 am
LaZoom Room

Learn Asheville’s history, discover hidden gems, and laugh at LaZoom’s quirky sense of adventure.

  • Guided comedy tour bus of historical Asheville
  • 90-Minutes – tours run daily
  • 15-minute break at Green Man Brewing
  • $39 per person (ages 13+ only)
Black Mountain College and Mexico (BMC/MX): Exhibition
Jun 8 @ 11:00 am – 5:00 pm
Black Mountain College Museum + Arts Center

Black Mountain College and Mexico (BMC/MX): Exhibition, Publication, and Public Programming

Black Mountain College (1933–1957), a small but remarkably influential liberal arts school in rural North Carolina, had important links to Mexico that until now have been little investigated. A crucible of twentieth-century creativity, BMC galvanized and inspired artists and intellectuals from around the world, while Mexico’s innovations and age-old traditions—in fine and applied arts, architecture, poetry, music, performance, and more—dovetailed with, and indeed drove, global impulses toward modernism and beyond. Among the many key BMC figures whose lives were importantly touched by experiences in Mexico were Anni and Josef Albers, Ruth Asawa, John Cage, Jean Charlot, Elaine de Kooning, Buckminster Fuller, Carlos Mérida, Robert Motherwell, Charles Olson, Clara Porset, M.C. Richards, and Aaron Siskind. In turn, engagements with BMC and its legacy have played a significant role in shaping contemporary approaches to art in Mexico, evident in the works of Jorge Méndez Blake, Iñaki Bonillas, Abraham Cruzvillegas, Jose Dávila, Gerda Gruber, Lake Verea, Gabriel Orozco, and Damián Ortega, among others.

The exhibition BMC/MX features works by these and other prominent contemporary Mexican artists alongside a selection of historic works by BMC artists, highlighting the ways in which ideas and modalities are translated across materials, space, and time.

Related programming, planned in collaboration with Mexican artists, features a series of public events, including a performance by artist (and BMC/MX co-curator) David Miranda to take place at Different Wrld; an exhibition visit (in Spanish and English) with BMC/MX Project Director Eric Baden; and a series of experiential art events in the BMCM+AC library.

The exhibition is accompanied by the book Black Mountain College and Mexico (forthcoming late summer 2023), which investigates the people, ideas, and practices linking BMC and Mexico during the life of the school, as well as resonances between BMC and the work of contemporary Mexican artists. With contributions by BMC/MX’s curators, as well as by artist Abraham Cruzvillegas, design scholar Ana Elena Mallet, and author and activist Margaret Randall, this fully illustrated volume brings new light to this complex and underexplored subject.

BMC/MX is an investigation into modes of communication—the arenas in which new ideas and alliances may come to be—between Black Mountain College and Mexico, between past and present, between form and idea.

About the Curators

BMC/MX’s Project Director Eric Baden is a photographer and from 1994 to 2022 was professor of photography at Warren Wilson College in Swannanoa, North Carolina. He is the founding director of photo+, a multidisciplinary arts event held in Asheville, North Carolina.

Artist and educator David Miranda is curator at the Museo Experimental El Eco (Universidad Nacional Autónoma de México, UNAM), and teaches at the Escuela Nacional de Pintura, Escultura y Grabado “La Esmeralda” in Mexico City.

Diana Stoll is an editor, writer and curator who works with institutions such as The Museum of Modern Art and the J. Paul Getty Museum. She has served as an editor at Aperture and Artforum magazines, and contributes writings to prominent arts publications.

Eliada Campus Farm Tours
Jun 8 @ 11:00 am – 12:00 pm
Eliada Homes

Join us at Eliada Home’s campus for a small group guided walking Farm Tour. Tours last approximately 1 hour. Participants will learn about outdoor and greenhouse growing practices, aquaponics, hydroponics, market gardening, corn maze production, and about our equine therapy program.

Reservations required. There is no cost, but donations to the non-profit agency are greatly appreciated.

We recommend bringing the following: comfortable shoes for walking on pavement and grass, hat, sunglasses, and water. This tour is not handicap accessible and will require participants to climb stairs and walk on uneven ground.

Pulp Potential: Works in Handmade Paper
Jun 8 @ 11:00 am – 6:00 pm
Asheville Art Museum

Paul Wong, Carbon, silver and gold, 2016, pigmented linen and cotton pulp, publisher: Dieu Donné, New York, edition 3/25, 18 × 11 inches. Gift of Dieu Donné, New York, 2022.27.06. © Paul Wong.

On View March 8 through July 24, 2023
The Van Winkle Law Firm Gallery • Level 1

Paper is an essential part of the art-making process for many artists, serving as the base for drawing, painting, printmaking, and other forms of art. As a substrate, paper can vary in weight, absorbency, color, size, and other aspects. Since industrialization, paper has primarily been produced through mechanical means that allow for consistency and affordability.

What happens, then, when an artist chooses to return to the foundations of paper, wherein it is made by hand using pulps, fibers, and dyes that reflect the human element through variations, inconsistencies, flaws, and surprises? Certain artists have sought out these qualities and embraced them, making paper not just a support on which to work, but fully a medium in and of itself.

Pulp Potential: Works in Handmade Paper is organized by the Asheville Art Museum and curated by Hilary Schroeder, former assistant curator, with assistance from Alexis Meldrum, curatorial assistant. Special thanks to Dieu Donné, New York, NY.

Sandburg Home Tours
Jun 8 @ 11:00 am
Carl Sandburg Home

Sandburg Home Tours – Thursday to Sunday at 11am, 1pm, 2pm.

*As of April 2022, tours are free until further notice. See rates below if they change before your visit. Online reservations are available at recreation.gov.

The Sandburg Home is a great place to start your visit! The ground floor of the home contains visitor information, exhibits, tour ticket sales, the park store, and you can watch the park video. The main and top level of the home are furnished with the Sandburg family belongings. Visitors may only access the furnished ares of the home on a guided tour.

  • Tour Reservations: Reserving in advance lets you pick your preferred house tour time. Tours fill up quickly. Last-minute, in-person tickets may not be available on the day you visit. Plan ahead and reserve house tour tickets at recreation.gov.
  • Passes: The park does not currently sell the America the Beautiful– National Parks and Federal Recreational Lands Passes.
    *These passes do not waive the house tour fee, but do provide a discount.
    *You can purchase a pass online at 
    America the Beautiful – National Parks & Federal Recreational Lands Annual Pass | USGS Store.
  • 30-minute house tours are offered year-round, schedule varies by season. Visit recreation.gov for the current schedule.
  • Visitors may only tour the Sandburg Home on a guided tour.
  • Tours are limited to 6 persons.
  • Strollers are not permitted on the house tour, but there is a place to leave them for storage. Infants and small children should be carried through the house while on tour.

    Sandburg Home Guided Tour Fee
    *Tours are free until further notice, this chart is the rate when fees resume.

    (credit card only)
    $10.00 for Adults 16 and older
    $6.00 for Adults age 62 and older and all interagency pass holders
    Free for Children age 15 and under

The Vanderbilts at Home and Abroad
Jun 8 @ 11:00 am – 7:00 pm
Biltmore Estate

Included with admission

Back by popular demand, The Vanderbilts at Home and Abroad exhibition offers guests:

  • An opportunity to view rarely-seen treasures from the Biltmore collection
  • A first-hand look at the Vanderbilts’ lifestyle
  • Deeper insights into George, Edith, and Cornelia’s personalities, both at home and on their extensive travels

Access to exhibitions at The Biltmore Legacy is included with Biltmore daytime admission.

Grandfather Presents: Ian Shive
Jun 8 @ 5:00 pm – 7:30 pm
Grandfather Mountain

Award-winning author, photographer and filmmaker Ian Shive presents “From America’s National Parks to the National Wildlife Refuge System.” A speaker in our Grandfather Presents series, Ian has authored several award-winning books including “The National Parks: An American Legacy” (2020), which is where the evening journey will begin — with iconic locations of “America’s Best Idea” but also an exploration of what National Parks represent today and in the future of conservation. Through the lens of Ian’s work on Yellowstone National Park’s 150th anniversary, to recovery efforts on Channel Islands National Park, in California, Shive will share two decades of stories in the parks and how they compare to one of America’s other great, protected areas, the National Wildlife Refuge System. There is perhaps no other person in the world who has been to more protected areas in both the parks and refuges than Shive.

Ian is an Ansel Adams award-winning American photographer and filmmaker whose work documents some of the world’s most pristine environments and brings to the public important conservation stories from around the globe. In March 2021, Ian took audiences to a protected and remote Alaskan archipelago with the launch of his documentary, “The Last Unknown,” as well as an ASMR experience in our National Wildlife Refuge System with “Secret Islands of the Pacific,” both now streaming on Discovery+. In 2020, Ian Shive launched a digital series on Discovery Channel titled “Nature in Focus,” where he explores our planet as host and executive producer. In 2019, Ian led several expeditions to some of the world’s most remote coral atolls for the giant-screen film, “Hidden Pacific,” which he directed and produced. “Hidden Pacific” brings to life in IMAX 3D the vibrant marine national monuments at the far reaches of the Pacific Ocean — thriving ecosystems filled with colorful coral reefs, large colonies of birds and threatened species that depend on these habitats for survival.

Ian’s work has been critically acclaimed in the New York Times, Wall Street Journal, Smithsonian, CNN and countless other media. Since its inception in 2010, Ian has worked as CEO of the company he founded, Tandem Stills + Motion, Inc., a leading health, fitness and environmental media company. He is proud to be a steward of his local community’s injured and vulnerable wildlife as a member of the board at the Santa Barbara Wildlife Care Network.

Follow Ian’s adventures on social media @ianshivephoto and learn more about Tandem at tandemstillsmotion.com.

Tickets
Buy tickets below beginning May 15, 2023.

“VIP” tickets include a VIP reception with the guest speaker that includes heavy hors d’oeuvres, in addition to the program and the “meet-and-greet” session after the event. Admission to the park for the day is also included.

  • $60 “VIP” Adult
  • $51 “VIP” Bridge Club Member

“Regular” tickets are a more cost-effective option and include only the speaker’s program and the “meet-and-greet” session after the event.

  • $25 “Regular” Adult
  • $20 “Regular” Bridge Club Member
  • Children 12 and under admitted for free (max of four free children per purchase)

Schedule

  • 8 a.m. | Park opens for the day and “VIP” ticket holders allowed access to the park
  • 4:45 p.m. | “Regular” ticket holders allowed to enter the park and head to the Wilson Center for the event
  • 5 – 5:30 p.m. | “VIP” Reception in one of the classrooms in the Wilson Center (VIP ticket holders only)
  • 5:45 – 6:45 p.m. | Speaker Presentation in the Classroom in the Clouds
  • 6:45 – 7:30 p.m. | Meet-and-Greet or Book Signing with Speaker
  • 7:45 p.m. | Park should be clear of all Grandfather Presents guests
LAZOOM Tours: GHOST COMEDY BUS TOUR
Jun 8 @ 7:00 pm
LaZoom Room


GHOST COMEDY BUS TOUR

Grab a local beer, crucifix and a rubber chicken* —You might survive this hour long hilarious haunted ghost tour of Asheville.

  • Guided comedy bus tour of Haunted Asheville
  • 60 minutes; tours run nightly after dark
  • $33 per person (Ages 17+ only)
  • Departs from 76 Biltmore Avenue

*Legal Note: Crucifix not required to board the bus; we do not condone exorcisms, chickens, rubber, or any combination of the three.

Blue Ghost Firefly Twilight Tour
Jun 8 @ 9:00 pm – 10:30 pm
Cradle of Forestry in America

The Blue Ridge Mountains are home to a very unique creature that some say resembles a tribe of fairies carrying blue candles through the forest. 

The Blue Ghost Firefly (Phausis reticulata) is a secretive, hard-to-find native insect that calls our area home, and for a very short amount of time in early summer, they inhabit our surrounding woodlands of Transylvania County. 

You’ll experience an educational presentation at our outdoor amphitheater starting at 9:00pm and then use the cover of darkness and special flashlights to go in search of the Blue Ghost fireflies while hiking on a paved trail through the forest. Cradle of Forestry team members will be stationed at key locations around the trail to provide further information about this amazing natural phenomenon. Please feel free to congregate near these areas with your fellow firefly enthusiasts or go explore on your own! We require everyone to stay on the trail to prevent habitat damage, and team members will clear the trail and require everyone to depart by 10:30pm.

Ticket Purchase/Pre-registration is required. This is a light rain or shine, family-friendly event!
In order to maximize our participant experience while minimizing our impact on the resource, we limit each night to 125 participants. 

Friday, June 9, 2023
Biltmore Estate: Ciao! From Italy Sculptural Postcard Display
Jun 9 @ 8:30 am
Biltmore Estate

Included with admission

Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.

Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.

Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!

Eidolon art exhibition
Jun 9 @ 10:00 am – 5:00 pm
Tyger Tyger Gallery

Exhibition dates: June 9 – July 23

Hours: Tuesday-Saturdays from 10-5 pm, Sundays 11-4 pm

Eidolon is an ancient term from Greek -oeidēs “form”. Early meanings included “mental image”, “appearance”, and “reflection” (as in a mirror or pool), and later, “apparition” or “imaginary entity”, among other things. Expanding beyond the definition pointing to a phantasm or specter, eidolon also sounds like some kind of astral or idyllic place in a novel or poem about an imaginary world. Eidolon features the work of Jacqueline Shatz and Margaret Thompson.
Jacqueline Shatz’s small sculptures of ambiguous and hybridized figures float, entwine, swim, commune with animals and collapse into abstract arabesques and gestures, hinting at mythology, in-between states, and the permeable nature of existence. Margaret Thompson’s paintings are inspired by elements of the symbolist movement and magical realism; she channels dreams and the associative powers of the imagination into her practice, painting subjects that live between our physical realm and spaces beyond the categories of known experience: they are unrestrained, undefined, and free.

Exhibition: NEO MINERALIA
Jun 9 @ 10:00 am – 6:00 pm
Center for Craft

Photo credit:

Sae Honda. Courtesy of the Artist.

NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.

NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.

The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.

Exhibition: Something earned, Something left behind
Jun 9 @ 10:00 am – 6:00 pm
Center for Craft

Photo credit:

J Diamond, “Pony II,” 2022. Courtesy of the Artist

Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.

Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.

Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.

Exhibition: Crafting Denim
Jun 9 @ 10:00 am – 6:00 pm
Center for Craft

Photo credit:

Photograph by Bowery Blue Makers

Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.

A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.

Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.

Italian Renaissance Alive
Jun 9 @ 10:00 am
Biltmore Estate

Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.

PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences

PLUS: FREE next-day access to Biltmore’s Gardens and Grounds

This visit includes access to:

  • Italian Renaissance Alive at Amherst at Deerpark®
  • 8,000 Acres of Gardens and Grounds for two consecutive days
  • Antler Hill Village & Winery
  • Complimentary Wine Tastings at the Winery
  • Tastings require a Day-of-Visit Reservation, which can be made by:
    • Scanning the QR Code found in your Estate Guide
    • Visiting any Guest Services location
  • Complimentary parking

Art Exhibition: Italian Renaissance Alive

This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history

LAZOOM: CITY COMEDY TOUR
Jun 9 @ 10:00 am
LaZoom Room

Learn Asheville’s history, discover hidden gems, and laugh at LaZoom’s quirky sense of adventure.

  • Guided comedy tour bus of historical Asheville
  • 90-Minutes – tours run daily
  • 15-minute break at Green Man Brewing
  • $39 per person (ages 13+ only)
Black Mountain College and Mexico (BMC/MX): Exhibition
Jun 9 @ 11:00 am – 5:00 pm
Black Mountain College Museum + Arts Center

Black Mountain College and Mexico (BMC/MX): Exhibition, Publication, and Public Programming

Black Mountain College (1933–1957), a small but remarkably influential liberal arts school in rural North Carolina, had important links to Mexico that until now have been little investigated. A crucible of twentieth-century creativity, BMC galvanized and inspired artists and intellectuals from around the world, while Mexico’s innovations and age-old traditions—in fine and applied arts, architecture, poetry, music, performance, and more—dovetailed with, and indeed drove, global impulses toward modernism and beyond. Among the many key BMC figures whose lives were importantly touched by experiences in Mexico were Anni and Josef Albers, Ruth Asawa, John Cage, Jean Charlot, Elaine de Kooning, Buckminster Fuller, Carlos Mérida, Robert Motherwell, Charles Olson, Clara Porset, M.C. Richards, and Aaron Siskind. In turn, engagements with BMC and its legacy have played a significant role in shaping contemporary approaches to art in Mexico, evident in the works of Jorge Méndez Blake, Iñaki Bonillas, Abraham Cruzvillegas, Jose Dávila, Gerda Gruber, Lake Verea, Gabriel Orozco, and Damián Ortega, among others.

The exhibition BMC/MX features works by these and other prominent contemporary Mexican artists alongside a selection of historic works by BMC artists, highlighting the ways in which ideas and modalities are translated across materials, space, and time.

Related programming, planned in collaboration with Mexican artists, features a series of public events, including a performance by artist (and BMC/MX co-curator) David Miranda to take place at Different Wrld; an exhibition visit (in Spanish and English) with BMC/MX Project Director Eric Baden; and a series of experiential art events in the BMCM+AC library.

The exhibition is accompanied by the book Black Mountain College and Mexico (forthcoming late summer 2023), which investigates the people, ideas, and practices linking BMC and Mexico during the life of the school, as well as resonances between BMC and the work of contemporary Mexican artists. With contributions by BMC/MX’s curators, as well as by artist Abraham Cruzvillegas, design scholar Ana Elena Mallet, and author and activist Margaret Randall, this fully illustrated volume brings new light to this complex and underexplored subject.

BMC/MX is an investigation into modes of communication—the arenas in which new ideas and alliances may come to be—between Black Mountain College and Mexico, between past and present, between form and idea.

About the Curators

BMC/MX’s Project Director Eric Baden is a photographer and from 1994 to 2022 was professor of photography at Warren Wilson College in Swannanoa, North Carolina. He is the founding director of photo+, a multidisciplinary arts event held in Asheville, North Carolina.

Artist and educator David Miranda is curator at the Museo Experimental El Eco (Universidad Nacional Autónoma de México, UNAM), and teaches at the Escuela Nacional de Pintura, Escultura y Grabado “La Esmeralda” in Mexico City.

Diana Stoll is an editor, writer and curator who works with institutions such as The Museum of Modern Art and the J. Paul Getty Museum. She has served as an editor at Aperture and Artforum magazines, and contributes writings to prominent arts publications.

Pulp Potential: Works in Handmade Paper
Jun 9 @ 11:00 am – 6:00 pm
Asheville Art Museum

Paul Wong, Carbon, silver and gold, 2016, pigmented linen and cotton pulp, publisher: Dieu Donné, New York, edition 3/25, 18 × 11 inches. Gift of Dieu Donné, New York, 2022.27.06. © Paul Wong.

On View March 8 through July 24, 2023
The Van Winkle Law Firm Gallery • Level 1

Paper is an essential part of the art-making process for many artists, serving as the base for drawing, painting, printmaking, and other forms of art. As a substrate, paper can vary in weight, absorbency, color, size, and other aspects. Since industrialization, paper has primarily been produced through mechanical means that allow for consistency and affordability.

What happens, then, when an artist chooses to return to the foundations of paper, wherein it is made by hand using pulps, fibers, and dyes that reflect the human element through variations, inconsistencies, flaws, and surprises? Certain artists have sought out these qualities and embraced them, making paper not just a support on which to work, but fully a medium in and of itself.

Pulp Potential: Works in Handmade Paper is organized by the Asheville Art Museum and curated by Hilary Schroeder, former assistant curator, with assistance from Alexis Meldrum, curatorial assistant. Special thanks to Dieu Donné, New York, NY.

Sandburg Home Tours
Jun 9 @ 11:00 am
Carl Sandburg Home

Sandburg Home Tours – Thursday to Sunday at 11am, 1pm, 2pm.

*As of April 2022, tours are free until further notice. See rates below if they change before your visit. Online reservations are available at recreation.gov.

The Sandburg Home is a great place to start your visit! The ground floor of the home contains visitor information, exhibits, tour ticket sales, the park store, and you can watch the park video. The main and top level of the home are furnished with the Sandburg family belongings. Visitors may only access the furnished ares of the home on a guided tour.

  • Tour Reservations: Reserving in advance lets you pick your preferred house tour time. Tours fill up quickly. Last-minute, in-person tickets may not be available on the day you visit. Plan ahead and reserve house tour tickets at recreation.gov.
  • Passes: The park does not currently sell the America the Beautiful– National Parks and Federal Recreational Lands Passes.
    *These passes do not waive the house tour fee, but do provide a discount.
    *You can purchase a pass online at 
    America the Beautiful – National Parks & Federal Recreational Lands Annual Pass | USGS Store.
  • 30-minute house tours are offered year-round, schedule varies by season. Visit recreation.gov for the current schedule.
  • Visitors may only tour the Sandburg Home on a guided tour.
  • Tours are limited to 6 persons.
  • Strollers are not permitted on the house tour, but there is a place to leave them for storage. Infants and small children should be carried through the house while on tour.

    Sandburg Home Guided Tour Fee
    *Tours are free until further notice, this chart is the rate when fees resume.

    (credit card only)
    $10.00 for Adults 16 and older
    $6.00 for Adults age 62 and older and all interagency pass holders
    Free for Children age 15 and under

The Vanderbilts at Home and Abroad
Jun 9 @ 11:00 am – 7:00 pm
Biltmore Estate

Included with admission

Back by popular demand, The Vanderbilts at Home and Abroad exhibition offers guests:

  • An opportunity to view rarely-seen treasures from the Biltmore collection
  • A first-hand look at the Vanderbilts’ lifestyle
  • Deeper insights into George, Edith, and Cornelia’s personalities, both at home and on their extensive travels

Access to exhibitions at The Biltmore Legacy is included with Biltmore daytime admission.

Eliada Campus Farm Tours
Jun 9 @ 1:00 pm – 2:00 pm
Eliada Homes

Join us at Eliada Home’s campus for a small group guided walking Farm Tour. Tours last approximately 1 hour. Participants will learn about outdoor and greenhouse growing practices, aquaponics, hydroponics, market gardening, corn maze production, and about our equine therapy program.

Reservations required. There is no cost, but donations to the non-profit agency are greatly appreciated.

We recommend bringing the following: comfortable shoes for walking on pavement and grass, hat, sunglasses, and water. This tour is not handicap accessible and will require participants to climb stairs and walk on uneven ground.

Eidolon Opening Reception at Tyger Tyger Gallery
Jun 9 @ 5:00 pm – 8:00 pm
Tyger Tyger Gallery

Exhibition dates: June 9 – July 23
Opening Reception: June 9, 5-8 pm
Hours: Tuesday-Saturdays from 10-5 pm, Sundays 11-4 pm

Eidolon is an ancient term from Greek -oeidēs “form”. Early meanings included “mental image”, “appearance”, and “reflection” (as in a mirror or pool), and later, “apparition” or “imaginary entity”, among other things. Expanding beyond the definition pointing to a phantasm or specter, eidolon also sounds like some kind of astral or idyllic place in a novel or poem about an imaginary world. Eidolon features the work of Jacqueline Shatz and Margaret Thompson.
Jacqueline Shatz’s small sculptures of ambiguous and hybridized figures float, entwine, swim, commune with animals and collapse into abstract arabesques and gestures, hinting at mythology, in-between states, and the permeable nature of existence. Margaret Thompson’s paintings are inspired by elements of the symbolist movement and magical realism; she channels dreams and the associative powers of the imagination into her practice, painting subjects that live between our physical realm and spaces beyond the categories of known experience: they are unrestrained, undefined, and free.

LAZOOM Tours: BAND AND BEER TOUR
Jun 9 @ 5:30 pm – 8:30 pm
LaZoom Room

Wanna hear the best local music ​and​ drink the best local beers? Hop aboard LaZoom’s Purple Bus and rock out with a local band while we take you on a journey to Asheville’s premiere local breweries.

  • Curated Live Music & Brewery Bus experience
  • 3 Hours long, includes three 30 Minute Local Brewery Stops
  • You Can Drink on the Funky Purple Bus! **Must be purchased at LaZoom or at brewery stop**
LAZOOM Tours: GHOST COMEDY BUS TOUR
Jun 9 @ 7:00 pm
LaZoom Room


GHOST COMEDY BUS TOUR

Grab a local beer, crucifix and a rubber chicken* —You might survive this hour long hilarious haunted ghost tour of Asheville.

  • Guided comedy bus tour of Haunted Asheville
  • 60 minutes; tours run nightly after dark
  • $33 per person (Ages 17+ only)
  • Departs from 76 Biltmore Avenue

*Legal Note: Crucifix not required to board the bus; we do not condone exorcisms, chickens, rubber, or any combination of the three.

Blue Ghost Firefly Twilight Tour
Jun 9 @ 9:00 pm – 10:30 pm
Cradle of Forestry in America

The Blue Ridge Mountains are home to a very unique creature that some say resembles a tribe of fairies carrying blue candles through the forest. 

The Blue Ghost Firefly (Phausis reticulata) is a secretive, hard-to-find native insect that calls our area home, and for a very short amount of time in early summer, they inhabit our surrounding woodlands of Transylvania County. 

You’ll experience an educational presentation at our outdoor amphitheater starting at 9:00pm and then use the cover of darkness and special flashlights to go in search of the Blue Ghost fireflies while hiking on a paved trail through the forest. Cradle of Forestry team members will be stationed at key locations around the trail to provide further information about this amazing natural phenomenon. Please feel free to congregate near these areas with your fellow firefly enthusiasts or go explore on your own! We require everyone to stay on the trail to prevent habitat damage, and team members will clear the trail and require everyone to depart by 10:30pm.

Ticket Purchase/Pre-registration is required. This is a light rain or shine, family-friendly event!
In order to maximize our participant experience while minimizing our impact on the resource, we limit each night to 125 participants.