– ALL AGES
– STANDING ROOM ONLY

DAN DEACON

How do you make something solid, beautiful, and built to last in a time of cultural chaos and personal doubt? With Mystic Familiar, Dan Deacon gives us the stunning result of years of obsessive work, play, and self-discovery. It’s at once his most emotionally open record and his most transcendent, 11 kaleidoscopic tracks of majestic synth-pop that exponentially expand his sound with unfettered imagination and newfound vulnerability.

Since 2015’s Gliss Riffer, Deacon has branched out from his core body of work as a popular recording artist into a dizzying array of collaborative projects: scoring eight films, including the feature documentaries Rat Film and Time Trial (both released as LPs on Domino Soundtracks) and HBO’s Well Groomed; collaborating with the New York City Ballet’s resident choreographer Justin Peck on the dance piece The Times Are Racing; performing expanded arrangements of his music with the Baltimore Symphony Orchestra; and for the first time producing and co-writing an album by another artist, Ed Schrader’s Music Beat’s alt-rock dynamo Riddles.

But as varied and fulfilling as these projects were, they all lacked one thing: Deacon’s voice. And in the midst of that whirlwind of activity, he returned whenever he could to a personal oasis — the songs that would become Mystic Familiar, informed by all these collaborations but built from within. Propelled by the unprecedented response to Gliss Riffer highlight “When I Was Done Dying” and the exquisite-corpse animated video that vividly amplified that song’s narrative odyssey of multiverse-traveling post-life energy, Deacon’s writing took an exploratory new direction. He further developed this new material with daily prompts from Brian Eno’s deck of Oblique Strategies and the use of meditation to access that inner well of creativity David Lynch describes in Catching the Big Fish. These techniques, in tandem with his newly adopted therapeutic practices of self-compassion and mindfulness, produced Dan Deacon songs that go places far beyond those his music has traveled before — songs that wield the profundity of a philosopher and the absurdity of a court jester as they paint life as a psychedelic journey brimming with bliss and disruption, darkness and light.

Mystic Familiar’s opening track “Become a Mountain” immediately announces itself as something new, for the first time ever on record presenting Dan’s natural singing voice, unprocessed and with only minimal accompaniment. When Deacon proclaims “I rose up” here, it is Dan Deacon singing in the first person as Dan Deacon — a startlingly vulnerable shift in a songbook abundant with characters, metaphors, and distorted vocals. As other ornate voices answer this unadorned I, we’re introduced to the album’s central concept and titular character: the Mystic Familiar, that supernatural other being that we carry with us everywhere in our head, which only we can hear and with whom we live our lives in eternal conversation. “Hypnagogic” takes us deeper into Deacon’s mind, a synth swirl similar to those which have begun his recent performances, absorbing the pulse of the room and extending that abstract moment in which a journey begins.

Guests are welcome to enjoy the grounds and trails before or after the
meal. Kanuga’s 21 miles of hiking trails will be open, as well as Daisy’s Lake Trail, which is an easy walk encircling Kanuga Lake. In
addition, Kanuga Lake’s waterfront will be open for swimming and boating from 11 a.m.-3 p.m., with canoes and kayaks available
(weather permitting). Kanuga chefs have prepared a wonderful brunch menu and we invite everyone to bring family and friends to
break bread together. The brunch buffet features rosemary beef tenderloin, brown sugar and maple ham, spring frittata, fresh fruit,
asparagus, salad bar, and more, topped off with homemade lemon bars and iced blueberry biscuits. Mimosas and Bloody Marys will
be available as well. Guests may enjoy the meal in the dining room, at outside tables, or on the Rocking Chair Porch.

Come hang with our favorite mother daughter Duo is back to perform all your favorites. Enjoy great music, great wine and food, with great friends!

Phuncle Sam is Asheville’s own Dead-Centric “jam band”. Since their formation in 2004, Phuncle Sam has been firmly rooted in musical exploration. The band serves up inventive interpretations of Jerry Garcia, Grateful Dead, and many others. They have built up a faithful following by using an approach that respects the improvisational traditions of The Grateful Dead, while exploring what can happen when individual band members bring their unique influences and interpretations into the mix.

Every Tuesday 1/2 off bottles of wine at 131 Main Restaurant

EVERY WEDNESDAY AT 6:30 pm ~ FREE!

AGES 18+ ADULTS ONLY ~ NO KIDS ALLOWED

ON OUR HUGE SCREEN IN THEATER 2!

ENJOY DINNER & DRINKS (FULL BAR) WHILE PLAYING

There are 3 rounds with new winners each round so you can show up late, miss a round and still be a winner. Plus, we have mid-round prizes to create as many winners as possible.

The questions are presented by a hilarious host on our giant movie screen and includes fun videos in each round.  You haven’t played a trivia night like this one!

Beat the mid week grind with some fun trivia! Win a $25 gift card for our taproom along with a $25 gift card from our resident kitchen, Bears Smokehouse BBQ!

Every Wednesday Trivia Night

– ALL AGES
– STANDING ROOM ONLY

VANCOUVER SLEEP CLINIC

Vancouver Sleep Clinic is the lustful, ambient guise of 26-year-old singer-songwriter and producer Tim Bettinson. Across his catalogue, elements of anthemic indie rock, intimate R&B, and sophisticated folk provide a sweeping film soundtrack for Bettinson’s gentle vocal and expansive storytelling. Emerging from his native Brisbane, Australia on the strength of a series of singles including “Someone To Stay,” “Middle of Nowhere,” “The Wire,” and the bedroom-produced viral cover of “As It Was,” Vancouver Sleep Clinic is poised to shift from under the radar success story to 2023 global headline mainstay.

GHOSTLY KISSES
Music has always been around Margaux Sauvé, born in Quebec to a family of musicians; she picked up the violin at the tender age of five. Moving on to the Conservatoire in Quebec, she quit due to“missing the fun part of it” but still loved music so started to play violin in local bands. Singing came a bit later as she thought that “to be a singer you had to have a powerful voice and be loud”, something that doesn’t come naturally to her as a quiet, thoughtful person. Alongside this, the pop music on the radio whilst growing up in Quebec wasn’t connecting with her, so it wasn’t until she started to write music whilst studying psychology at University that the creativity and desire to express revealed itself: “it just opened a completely new path for me”.

Writing music as Ghostly Kisses arrived at a moment where Margaux was in “a living situation I was not able to get out of. A toxic relationship where I had a hard time understanding what was happening.” With this knowledge, it is understandable that most of her early music has a sorrowful but exploratory mood; knowing there were things she needed to express, but not understanding quite how instinctively she was writing until years later it became apparent what she was singing about.

And now, with ‘Heaven, Wait’, her mesmeric debut album ready for release, her songwriting has developed to the point that this is the first time she has written and felt like she was part of the conversation. Able to view herself with an external eye, the album reflects transitions and rebirth – still talking about difficult situations, but with the ability to cast someone else in the lead role, giving the music a deeply personal yet starkly universal appeal. One which Margaux feels has come from “a more mature, adult way of looking at it.”

Identifying key themes of the album, Margaux frames the album artwork within the context of the songs as being “from water towards the air, there’s a lot of dark around me and I’m just going through to the light.” And that feels like the crux of the album, that nothing is perfect – there are always difficult situations, but it is about trusting the process and working hard towards something positive.

– ALL AGES
– LIMITED PATIO SEATING IN FIRST COME FIRST SERVE

GRIEFCAT
Griefcat is an all-women musical comedy duo hailed as “local favorites” by Washington City Paper in their hometown of DC. Often referred to as “Tenacious Double D’s” due to their musicality and hilarious lyrics, their sequin studded shows have been referred to by attendees as “the most fun [we’ve] had since Lizzo.” They recently finished recording their 2nd studio album, “late stage capitalism,” with singles expected in Spring of 2023. A live clip of one of their upcoming singles, “Revolution (Poop at Work), ” recently garnered over 1M views on Instagram and counting.

BRITTANY ANN TRANBAUGH
Brittany Ann Tranbaugh is a singer songwriter hailing from Philadelphia. Her queer country song “Kiss You” won Song of the Year in the 2021 John Lennon Songwriting Contest, and she regularly tours with Carsie Blanton. In October, she recorded a 5 song EP in LA with Grammy-nominated producer Tyler Chester, and will be releasing a single every 6 weeks beginning in March.

Every Thursday Live Music with Aaron Lafalce at 131 Main Restaurant, 6:00 p.m.

Trivia, Singo, tailgate games, and more! Our games are sure to challenge you, but c’mon… it’s not rocket science!

– ALL AGES
– STANDING ROOM ONLY

DEXTER AND THE MOONROCKS
Hailing from Abilene, Texas, Dexter & The Moonrocks deliver a unique Southern Alternative fusion lovingly dubbed “Western Space Grunge” by their fans. The band released their first single “Couch” in August of 2021, taking the internet by storm. After massive success with the hit single, the band released their self-titled EP featuring a number of hits like “Where I Steer” or “Behave” and receiving overwhelmingly positive responses. Lead vocalist/rhythm guitarist James Tuffs, lead guitarist/vocal harmonizer Ryan Anderson, bassist Ty Anderson, and drummer/vocal harmonizer Fox, draw on their favorite elements of bands like Nirvana, Austin Meade, Rainbow Kitten Surprise, and Whiskey Myers in order to create the unique sound that can only be described as “Western Space Grunge.”

Flatland Cavalry Tickets | Asheville, NC | The Orange Peel (etix.com)

Wanna hear the best local music ​and​ drink the best local beers? Hop aboard LaZoom’s Purple Bus and rock out with a local band while we take you on a journey to Asheville’s premiere local breweries.

Our very own Keri Ann has connected with the African Christian Fellowship to embark on a Mission trip this July to Malawi, Africa.

$10 cover charge, a raffle and an opportunity to donate!

To support this wonderful cause, Saint Paul Mountain Vineyard and Appalachian Ridge will kick off Spring with a 4 week Friday Night Jam’s Fundraiser at Appalachian Ridge from 6-9pm. �We will have live Music each Friday from 6-8:30pm. There will be a $10 cover charge, a raffle and an opportunity to donate. All of these proceeds go straight to the ACFUSA to provide and support primary health care needs to 6 villages in Malawi.

Friday Night Jam’s Malawi Fundraiser will take place every other Friday; Friday, April 14th- Live Music with Collin Cheek Friday, April 28th- Live Music with Hunnilicious Friday, May 12th- TBD Friday, May 26th- TBD

– ALL AGES
– PARTIALLY SEATED SHOW
– SEATED AND STANDING ROOM ONLY TICKETS AVAILABLE

LORETTA LYNN BIRTHDAY TRIBUTE (HOSTED BY CYNDI LOU & THE WANT TO)

CyndiLou & the Want To hosts our 4th annual birthday tribute to the legendary Loretta Lynn, and this year it’s bittersweet. Loretta left us last October at the age of 90. She also left a beloved catalog of songs that span a glorious and groundbreaking career. Come help us celebrate Loretta’s legacy with some of the region’s finest purveyors of country music.

Live Music at Hickory Tavern, 9:00 p.m. until 12:00 a.m.