Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Monday, April
10, 2023
Stained with Glass: Vitreograph Prints from the Studio of Harvey K. Littleton Exhibition
Too Much Is Just Right: The Legacy of Pattern and Decoration
Garden in the Mountains: Fruit Trees for Home Gardens
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In the past 50 years in the United States and beyond, artists have sought to break down social and political hierarchies that include issues of identity, gender, power, race, authority, and authenticity. Unsurprisingly, these decades generated a reconsideration of the idea of pattern and decoration as a third option to figuration and abstraction in art. From 1972 to 1985, artists in the Pattern and Decoration movement worked to expand the visual vocabulary of contemporary art to include ethnically and culturally diverse options that eradicated the barriers between fine art and craft and questioned the dominant minimalist aesthetic. These artists did so by incorporating opulence and bold intricacies garnered from such wide-ranging inspirations as United States quilt-making and Islamic architecture.
Too Much Is Just Right: The Legacy of Pattern and Decoration features more than 70 artworks in an array of media from both the original time frame of the Pattern and Decoration movement, as well as contemporary artworks created between 1985 and the present. The artworks in this exhibition demonstrate the vibrant and varied approaches to pattern and decoration in art. Artworks from the 21st century elucidate contemporary perspectives on the employment of pattern to inform visual vocabularies and investigations of diverse themes in the present day.
Artworks drawn from the Asheville Art Museum’s Collection join select major loans and feature Pattern and Decoration artists Valerie Jaudon, Joyce Kozloff, Robert Kushner, and Miriam Schapiro, as well as Anni Albers, Elizabeth Alexander, Sanford Biggers, Tawny Chatmon, Margaret Curtis, Mary Engel, Cathy Fussell, Samantha Hennekke, John Himmelfarb, Anne Lemanski, Rashaad Newsome, Peter Olson, Don Reitz, Sarah Sense, Billie Ruth Sudduth, Mickalene Thomas, Shoku Teruyama, Anna Valdez, Kehinde Wiley, and more.
This exhibition is organized by the Asheville Art Museum and guest curated by Marilyn Laufer & Tom Butler.
FREE Virtual Event
Presenter: Craig Mauney, Extension Area Specialized Agent, Fruit and Vegetables
Fruit trees are a home garden favorite, and it’s challenging to grow good fruit in our WNC environment. It helps to carefully select smaller, more disease-resistant varieties and consider more unusual fruit like Asian pears, sour cherries, mulberries and pawpaws. Our Presenter,Craig Mauney, is an Extension Area Specialized Agent for fruit production in our Western counties. He has years of experience growing small fruits in his own home landscape, and you’re sure to learn something new to help you grow those little gems of flavor.
Registration: The talk is free but registration is required. Please click on the link below to register. If you encounter problems registering or if you have questions, call 828-255-5522.
Zoom seminar access: After registration, you will receive an email with instructions and a link to join this online live broadcast via Zoom. The ability to access Zoom through a computer, tablet or smartphone with a reliable internet connection is necessary to attend.
Tuesday, April
11, 2023
Asheville Community Theatre Raffle: Trip to NYC 2023
Asheville Regional Airport: art exhibit highlighting local artists
Biltmore Blooms
CALL FOR ARTISTS! Story Parlor’s Story/Arts Residency
Spring Photo Contest: “Spring Trails”
Biltmore Estate: Ciao! From Italy Sculptural Postcard Display
An Abundance of Riches
An Abstract Classicist: California Hard-Edge
Exhibition: NEO MINERALIA
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Exhibition: Something earned, Something left behind
Exhibition: Crafting Denim
Italian Renaissance Alive
Art Exhibit: RAUSCHENBERG: A Gift in Your Pocket
Dark City Poet’s Society
Fairview Library Fiber Arts Club: An Evening of Crafting and Conversation
Stitch n’ Bitch
Raffle: Trip to NYC 2023
Enter to win a fabulous trip for two to New York!
Raffle tickets on sale through Sunday, August 6, 2023!
Tickets are $50 and only 500 will be sold.
Travel package for Thanksgiving 2023, with check-in on Wednesday, November 22, 2023 and check-out on Sunday, November 26, 2023.
Prize includes:
- Two round-trip Business Class tickets to New York from Asheville Regional Airport
- Transfers to and from the airport to your hotel
- Accomodations for four nights in Midtown at The Lotte New York Palace, with a choice of one king bed or two double beds
- VIP Macy’s Parade Day experience, including brunch and complimentary drinks, access to indoor and outdoor VIP viewing areas, and access to the Inflation Celebration of parade balloons on Wednesday afternoon
- Orchestra seating tickets to the Radio City Rockettes Christmas Spectacular
- Tickets to a Broadway show
- Up to $500 to spend on guided tours or additional theatre tickets
- Personal consultation with Foothills Travel to customize your trip
- On-site concierge provided through MyBucketListEvents
The drawing will take place the week of August 7, 2023. Winner will be notified by phone call and email.
Edge, the newest exhibit showing in the airport art gallery, is open to the public now through July 21, 2022. The local art is unique, bold and is sure to capture the imaginations of its viewers.
The local artists’ work featured in this exhibit consist of many different mediums. Diane Bronstein creates complex and mesmerizing pieces with photographs, embroidery floss and other materials. Susan Devitt uses bold colors and vivid details to capture the beauty and possibilities of nature with her acrylic paintings. Jen Pacicci crafts peaceful and majestic collages of landscapes using watercolor and torn paper. Kurt Ross designs clay vessels of varying materials and glazes that are each unique in their thoughtful and clean design. Paul Silverman presents ceramic figures of various tools and vintage items that trick the eye in their realistic appearance and awe with their attention to detail.
“The Edge exhibit welcomes travelers and residents to Asheville with a vibrant and unique display this spring at AVL,” said Alexandra Ingle, Brand and Experience Designer at AVL and curator of the gallery. “We are excited at each gallery opening to bring a fresh taste of our talented WNC art community into the airport.”
Artwork can be purchased from the gallery by emailing [email protected]. Details about the program and how to apply can be found on the airport’s website at flyavl.com.
Spring at Biltmore, one of the estate’s most glorious seasons, invites you to experience a spring break mountain escape with all the charm of a European retreat. Immerse yourself in thousands of colorful tulips as Biltmore Blooms transforms our gardens and grounds. Explore Italian Renaissance Alive and Ciao! From Italy. Savor our Winery’s award-winning vintages and, of course, the timeless elegance of Biltmore House.
- Daytime access to 8,000 acres of gardens and grounds, including:
- 75+ Acres of formal and informal gardens
- 20+ Miles of hiking, biking, and walking trails
- Antler Hill Village & Winery
- Complimentary Wine Tasting
- Complimentary Parking
Gardens & Grounds admission does NOT include Biltmore House entry.
Offered for BIPOC, LGTBQIA+, and individuals from other historically marginalized communities—the residency invites artists to present a three-week performance featuring the core elements of storytelling through art, collaboration, and exploration of the human condition.
Applications due April 30.
About the STORY/ARTS RESIDENCY
Story Parlor’s residencies exist to champion the creative work of locally-based artists and art groups hailing from BIPOC, LGTBQIA+, and other historically marginalized communities in the quest to amplify and bridge together the diverse fabric of voices in Asheville.
Specifically, the Story/Arts residency aims to provide a platform that showcases the transformative and healing powers of storytelling through all art mediums, while tending to the core values of Story Parlor’s mission, which include:
• Connecting audiences and artists from varying creative backgrounds and interests
• Informing, inspiring, and invigorating through the arts
• Promoting and fostering self-inquiry and mindfulness
• Cultivating creative exchange and cultural insight
• Fostering authenticity and inclusiveness
In addition to public performances and/or workshops, artists-in-residence receive dedicated rehearsal time in the space; an artist stipend; creativity coaching sessions; marketing and promotion; and more.
Applications for the 2023 summer residency are below and due no later than April 30, with preference given to applicants who cross disciplines, embrace collaboration, and present a residency proposal that embodies the core elements of storytelling through all art forms.
NC State Parks’ Year of the Trail continues with a celebration of how our trails transform each spring. Bring your camera on your next excursion in the park and capture budding wildflowers, spring hikers, or whatever you encounter along the way. You may even win a prize for your efforts!
GREAT PRIZES WILL BE AWARDED TO 3 WINNING ENTRIES
1st Prize: The winning photo will be our Facebook cover photo for two weeks, and the photographer will receive two annual passes to Chimney Rock State Park and lunch for four at the Old Rock Café.
2nd Prize: After the first place photo, the second place photo will be our Facebook cover photo for one week. The photographer will receive one annual pass to Chimney Rock State Park and lunch for two at the Old Rock Café.
3rd Prize: The third place photographer will receive two adult day passes (or one family pack of day passes) to Chimney Rock State Park and lunch for two at the Old Rock Café.
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
Andrea Rich’s intricately designed, carved, and printed woodcuts draw viewers in for an up-close look.
Some of the artist’s earliest memories are of drawing animals. Childhood encounters with pets, livestock, and wildlife, including birds, deer, and toads, created a lasting connection to the natural world. Through encounters with creatures both tame and wild, Rich developed a fascination and a compassion for animals integral to her art.
“My prints are a visual record of the intriguing creatures that have enriched my life. The woodcut process challenges me to focus on the essence of my subjects. At the same time, I am drawn to the smell of the wood, its texture and grain, and the pleasure I experience while carving. I begin working on a block of wood and realize later that hours have passed without notice.”
Rich uses a centuries-old medium that requires one carved wood panel for each color – varying from one to sixteen – necessary to develop the composition. These panels are painstakingly aligned one atop another sequentially and pulled through a printing press to create the final woodcut.
The subjects of Rich’s woodcuts range from the wilderness of the Australian outback and the lush tropical Amazon forests to the roaring rivers of Yellowstone Park. Rich has traveled worldwide to study wildlife habitats and these varied firsthand experiences are reflected in her work.
Among Rich’s many achievements are international recognition for her woodcut prints, including a 2009 Award of Excellence from the Society of Animal Artists and a 2009 Medal of Excellence from the Artists for Conservation Foundation. She was named Master Artist by the Leigh Yawkey Woodson Art Museum in 2006. In 2010 her work was featured in a solo exhibition at the Mass Audubon Visual Arts Center, Canton, Massachusetts. Rich is a member of the California Society of Printmakers, Artists for Nature Foundation, the Society of Animal Artists, and Society of Wildlife Artists.
In 2000 Rich designated the Woodson Art Museum as the repository for her artistic oeuvre. An Abundance of Riches is drawn from these holdings, which include an example of each of her woodcuts created since the mid-1980s.
Johal’s process is part painstaking and part intuitive. She begins by arranging cut out shapes or creating sketches of the overall composition, which is of utmost importance, balanced and full of energy. She then transfers the design onto a sanded canvas using tape, templates, or other tools to achieve a clean hard edge. Now the music begins. Using high quality acrylic paints, Johal spontaneously applies color to the canvas, letting the music guide her choices. Her understanding of Color Theory is instinctive yet effective and, along with her forms, creates a kind of dance on the surface.
Angela Johal (b.1962), US, has a Bachelor of Fine Art (BFA) Magna Cum Laude from San Jose State University in San Jose, CA. Johal has taken part in solo and group exhibitions in prestigious institutes and such as de Young Museum, San Francisco, SFMOMA Artist’s Gallery, San Francisco and in art galleries in LA, Boston, NY, Montreal, and more.
Photo credit:
Sae Honda. Courtesy of the Artist.
NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.
NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.
The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.
Photo credit:
J Diamond, “Pony II,” 2022. Courtesy of the Artist
Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.
Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.
Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.
Photo credit:
Photograph by Bowery Blue Makers
Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.
A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.
Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.
Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.
PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences
PLUS: FREE next-day access to Biltmore’s Gardens and Grounds
This visit includes access to:
- Italian Renaissance Alive at Amherst at Deerpark®
- 8,000 Acres of Gardens and Grounds for two consecutive days
- Antler Hill Village & Winery
- Complimentary Wine Tastings at the Winery
- Tastings require a Day-of-Visit Reservation, which can be made by:
- Scanning the QR Code found in your Estate Guide
- Visiting any Guest Services location
- Complimentary parking
Art Exhibition: Italian Renaissance Alive
This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history
Robert Rauschenberg, Autobiography, 1968
In the late 70s, Bradley Jeffries had a chance meeting with Robert Rauschenberg outside his home on Captiva Island, and they bonded immediately. Bradley was hired to be the artist’s business and life manager. Her employment with him for over 30 years, until his death in 2008, involved many roles on the Board of Directors of Change, Inc and The Rauschenberg Foundation. Bradley’s travels with Rauschenberg took her on incredible adventures all over the world and exposed her to extraordinary opportunities. Throughout their friendship and work together, Rauschenberg gifted Bradley with many of his original artworks.
The family and friends of Bradley Jeffries will use her expansive and never previously exhibited Rauschenberg collection as a means of memorializing Bradley through this traveling exhibition. “Rauschenberg: A Gift in Your Pocket” opens on April 25, 2022 at the Bob Rauschenberg Gallery at Florida Southwestern State College in Ft. Myers for display throughout the summer. After which her collection will travel to The University of Kentucky Art Museum followed by its culminating exhibition at BMCM+AC.
Once her collection of Rauschenberg’s artwork completes its planned memorial exhibitions, pieces will be donated to each of the involved institutions in an ongoing memorial to Bradley and her legacy of promoting the arts and artists.
Curated by Jade Dellinger, Director of the Bob Rauschenberg Gallery at Florida Southwestern State College.
Great news for poets and poetry lovers: Dark City Poet’s Society is returning to the Black Mountain Library. DCPS is a completely free poetry group that is open to poets of all ages and experience levels. Join us at the Black Mountain Library from 6-7:30 p.m. on the first Tuesday of every month for our (respectful) critique group. DCPS will meet at BAD Craft from 6-7 p.m. on the third Tuesday for our monthly open mic Poetry Night. Find out more on Instagram @darkcitypoetssociety or contact the Black Mountain Library.
A monthly gathering of those who enjoy knitting, crocheting, and hanging out with friends!
This is not an instructional group, but newcomers are most welcome. Come ready to meet fun people!
Join us for a stitch n’ bitch fiber arts group! Debbie and Alicia are knowledgeable in knitting, crochet, embroidery, and historical fiber techniques including spinning yarn and traditional darning. Ideal for beginners that need guidance or for the seasoned professionally looking for a social group to craft with!
*potluck snacks and beverages always welcome!
Wednesday, April
12, 2023
Asheville Community Theatre Raffle: Trip to NYC 2023
Asheville Regional Airport: art exhibit highlighting local artists
Biltmore Blooms
CALL FOR ARTISTS! Story Parlor’s Story/Arts Residency
Have a Gardening Question? Contact the Helpline! 2023 Schedule
Call 828-255-5522
Spring Photo Contest: “Spring Trails”
Biltmore Estate: Ciao! From Italy Sculptural Postcard Display
An Abundance of Riches
An Abstract Classicist: California Hard-Edge
Exhibition: NEO MINERALIA
Exhibition: Something earned, Something left behind
Raffle: Trip to NYC 2023
Enter to win a fabulous trip for two to New York!
Raffle tickets on sale through Sunday, August 6, 2023!
Tickets are $50 and only 500 will be sold.
Travel package for Thanksgiving 2023, with check-in on Wednesday, November 22, 2023 and check-out on Sunday, November 26, 2023.
Prize includes:
- Two round-trip Business Class tickets to New York from Asheville Regional Airport
- Transfers to and from the airport to your hotel
- Accomodations for four nights in Midtown at The Lotte New York Palace, with a choice of one king bed or two double beds
- VIP Macy’s Parade Day experience, including brunch and complimentary drinks, access to indoor and outdoor VIP viewing areas, and access to the Inflation Celebration of parade balloons on Wednesday afternoon
- Orchestra seating tickets to the Radio City Rockettes Christmas Spectacular
- Tickets to a Broadway show
- Up to $500 to spend on guided tours or additional theatre tickets
- Personal consultation with Foothills Travel to customize your trip
- On-site concierge provided through MyBucketListEvents
The drawing will take place the week of August 7, 2023. Winner will be notified by phone call and email.
Edge, the newest exhibit showing in the airport art gallery, is open to the public now through July 21, 2022. The local art is unique, bold and is sure to capture the imaginations of its viewers.
The local artists’ work featured in this exhibit consist of many different mediums. Diane Bronstein creates complex and mesmerizing pieces with photographs, embroidery floss and other materials. Susan Devitt uses bold colors and vivid details to capture the beauty and possibilities of nature with her acrylic paintings. Jen Pacicci crafts peaceful and majestic collages of landscapes using watercolor and torn paper. Kurt Ross designs clay vessels of varying materials and glazes that are each unique in their thoughtful and clean design. Paul Silverman presents ceramic figures of various tools and vintage items that trick the eye in their realistic appearance and awe with their attention to detail.
“The Edge exhibit welcomes travelers and residents to Asheville with a vibrant and unique display this spring at AVL,” said Alexandra Ingle, Brand and Experience Designer at AVL and curator of the gallery. “We are excited at each gallery opening to bring a fresh taste of our talented WNC art community into the airport.”
Artwork can be purchased from the gallery by emailing [email protected]. Details about the program and how to apply can be found on the airport’s website at flyavl.com.
Spring at Biltmore, one of the estate’s most glorious seasons, invites you to experience a spring break mountain escape with all the charm of a European retreat. Immerse yourself in thousands of colorful tulips as Biltmore Blooms transforms our gardens and grounds. Explore Italian Renaissance Alive and Ciao! From Italy. Savor our Winery’s award-winning vintages and, of course, the timeless elegance of Biltmore House.
- Daytime access to 8,000 acres of gardens and grounds, including:
- 75+ Acres of formal and informal gardens
- 20+ Miles of hiking, biking, and walking trails
- Antler Hill Village & Winery
- Complimentary Wine Tasting
- Complimentary Parking
Gardens & Grounds admission does NOT include Biltmore House entry.
Offered for BIPOC, LGTBQIA+, and individuals from other historically marginalized communities—the residency invites artists to present a three-week performance featuring the core elements of storytelling through art, collaboration, and exploration of the human condition.
Applications due April 30.
About the STORY/ARTS RESIDENCY
Story Parlor’s residencies exist to champion the creative work of locally-based artists and art groups hailing from BIPOC, LGTBQIA+, and other historically marginalized communities in the quest to amplify and bridge together the diverse fabric of voices in Asheville.
Specifically, the Story/Arts residency aims to provide a platform that showcases the transformative and healing powers of storytelling through all art mediums, while tending to the core values of Story Parlor’s mission, which include:
• Connecting audiences and artists from varying creative backgrounds and interests
• Informing, inspiring, and invigorating through the arts
• Promoting and fostering self-inquiry and mindfulness
• Cultivating creative exchange and cultural insight
• Fostering authenticity and inclusiveness
In addition to public performances and/or workshops, artists-in-residence receive dedicated rehearsal time in the space; an artist stipend; creativity coaching sessions; marketing and promotion; and more.
Applications for the 2023 summer residency are below and due no later than April 30, with preference given to applicants who cross disciplines, embrace collaboration, and present a residency proposal that embodies the core elements of storytelling through all art forms.
Extension Master GardenerSM volunteers will be staffing the Helpline as indicated in the schedule below. You may send an email or leave a voicemail at any time and an Extension Master Gardener volunteer will respond during Garden Helpline hours. When emailing, please include a photo if it helps describe your garden question. Soil test kits can be picked up at the Extension office, 24/7. The kits are located in a box outside the front door.
Three ways to contact the Garden Helpline
Call 828-255-5522
Email questions and photos to [email protected]
Visit the Extension Office at 49 Mt. Carmel Road during Helpline hours, listed below.
Garden Helpline Hours
March – (starts March 6)
Monday 10:00 a.m. – 12:00 Noon
Thursday 11:00 a.m. – 2:00 p.m.
April through September:
Monday 10:00 a.m. – 2:00 p.m.
Tuesday 10:00 a.m. – 12:00 Noon
Wednesday 12:00 Noon – 2:00 p.m.
Thursday 11:00 a.m. – 2:00 p.m.
October – (ends October 26th)
Monday 10:00 a.m. – 12:00 Noon
Thursday 11:00 a.m. – 2:00 p.m.
We are here to help and support you! Please contact us. We look forward to answering your gardening questions.
NC State Parks’ Year of the Trail continues with a celebration of how our trails transform each spring. Bring your camera on your next excursion in the park and capture budding wildflowers, spring hikers, or whatever you encounter along the way. You may even win a prize for your efforts!
GREAT PRIZES WILL BE AWARDED TO 3 WINNING ENTRIES
1st Prize: The winning photo will be our Facebook cover photo for two weeks, and the photographer will receive two annual passes to Chimney Rock State Park and lunch for four at the Old Rock Café.
2nd Prize: After the first place photo, the second place photo will be our Facebook cover photo for one week. The photographer will receive one annual pass to Chimney Rock State Park and lunch for two at the Old Rock Café.
3rd Prize: The third place photographer will receive two adult day passes (or one family pack of day passes) to Chimney Rock State Park and lunch for two at the Old Rock Café.
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
Andrea Rich’s intricately designed, carved, and printed woodcuts draw viewers in for an up-close look.
Some of the artist’s earliest memories are of drawing animals. Childhood encounters with pets, livestock, and wildlife, including birds, deer, and toads, created a lasting connection to the natural world. Through encounters with creatures both tame and wild, Rich developed a fascination and a compassion for animals integral to her art.
“My prints are a visual record of the intriguing creatures that have enriched my life. The woodcut process challenges me to focus on the essence of my subjects. At the same time, I am drawn to the smell of the wood, its texture and grain, and the pleasure I experience while carving. I begin working on a block of wood and realize later that hours have passed without notice.”
Rich uses a centuries-old medium that requires one carved wood panel for each color – varying from one to sixteen – necessary to develop the composition. These panels are painstakingly aligned one atop another sequentially and pulled through a printing press to create the final woodcut.
The subjects of Rich’s woodcuts range from the wilderness of the Australian outback and the lush tropical Amazon forests to the roaring rivers of Yellowstone Park. Rich has traveled worldwide to study wildlife habitats and these varied firsthand experiences are reflected in her work.
Among Rich’s many achievements are international recognition for her woodcut prints, including a 2009 Award of Excellence from the Society of Animal Artists and a 2009 Medal of Excellence from the Artists for Conservation Foundation. She was named Master Artist by the Leigh Yawkey Woodson Art Museum in 2006. In 2010 her work was featured in a solo exhibition at the Mass Audubon Visual Arts Center, Canton, Massachusetts. Rich is a member of the California Society of Printmakers, Artists for Nature Foundation, the Society of Animal Artists, and Society of Wildlife Artists.
In 2000 Rich designated the Woodson Art Museum as the repository for her artistic oeuvre. An Abundance of Riches is drawn from these holdings, which include an example of each of her woodcuts created since the mid-1980s.
Johal’s process is part painstaking and part intuitive. She begins by arranging cut out shapes or creating sketches of the overall composition, which is of utmost importance, balanced and full of energy. She then transfers the design onto a sanded canvas using tape, templates, or other tools to achieve a clean hard edge. Now the music begins. Using high quality acrylic paints, Johal spontaneously applies color to the canvas, letting the music guide her choices. Her understanding of Color Theory is instinctive yet effective and, along with her forms, creates a kind of dance on the surface.
Angela Johal (b.1962), US, has a Bachelor of Fine Art (BFA) Magna Cum Laude from San Jose State University in San Jose, CA. Johal has taken part in solo and group exhibitions in prestigious institutes and such as de Young Museum, San Francisco, SFMOMA Artist’s Gallery, San Francisco and in art galleries in LA, Boston, NY, Montreal, and more.
Photo credit:
Sae Honda. Courtesy of the Artist.
NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.
NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.
The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.
Photo credit:
J Diamond, “Pony II,” 2022. Courtesy of the Artist
Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.
Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.
Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.