Book by Chris D’Arienzo
Arrangements and Orchestrations by Ethan Popp
Presented by arrangement with Concord Theatricals
www.concordtheatricals.com

Director: Victoria Lamberth

This five-time Tony Award-nominated musical tells the story of a small-town girl, a city boy, and a rock ‘n’ roll romance on the Sunset Strip. But when the bar where rock reigns supreme is set to be demolished, it’s up to these wannabe rockers and their band of friends to save the day – and the music. Rock of Ages takes you back to the time of big bands with big egos playing big guitar solos and sporting even bigger hair! This jukebox musical features all of your favorite ‘80s rock anthems and power ballads from bands including Styx, Journey, Bon Jovi, Whitesnake, Night Ranger, REO Speedwagon, Pat Benatar, Twisted Sister and more.

Approximate Run Time: 2 hours, 15 minutes

Rating: PG-13 due to adult content, alcohol use, and language.

The “One Singular Sensation,” A Chorus Line, is coming to Flat Rock Playhouse for the first time and we are thrilled to share this award-winning musical with everyone! A Chorus Line is a celebration of those unsung heroes of the American Musical Theatre: the chorus dancers. The show follows 17 would-be dancers in their quest to make the cut for a new Broadway Musical. One by one, the dancers come forward to share the stories of their lives, giving it their all and putting themselves on the line to make the cut. Only eight will remain. Capturing the spirit, tension, and hope of an audition, A Chorus Line is the musical for everyone who’s ever had a dream and put it all out there to make it come true!

A Chorus Line once held the record as the longest running show on Broadway with over 6000 performances, and heralds nine Tony® Awards including Best Musical, Best Director and Best Choreographer, as well as the Pulitzer Prize for Drama. Conceived and Originally Directed and Choreographed by Michael Bennett. Book by James Kirkwood & Nicholas Dante, Music by Marvin Hamlisch, Lyrics by Edward Kleban. Co-Choreographed by Bob Avian. Original Broadway production produced by the New York Shakespeare Festival, Joseph Papp, Producer, in association with Plum Productions, Inc.

“Eclectic, immersive and mesmerizing; guitarist and songwriter Hiroya Tsukamoto embodies the notion that music has no language: Beautifully raw and cathartically emotional, Tsukamoto is a world-renowned, self-made musician.”

Hiroya Tsukamoto is an innovative guitarist and composer who fuses folk,jazz, and world music. Born and raised in Japan, in 2000 he received a scholarship to Berklee College of music and came to the U.S.

Tsukamoto’s instrumental abilities are indeed breathtaking and astounding, but his performances are so much more than that. He has the unique capability of engaging an audience thru a personable and genuine approach that transfixes his audience and almost transcends his capabilities as a guitarist. Audience members will be mesmerized; Tsukamoto plays with an effortless skill on the guitar and a repertoire that will have you traveling the world, not to mention experiencing new sounds with his own compositions.

Tsukamoto headlines concerts throughout the U.S. as well as internationally including Blue Note in NYC, United Nations and Japanese National Television. Most recently Hiroya won 2nd place in International Finger Style Guitar Championship in 2022.

Quotes:

Fingerpicking is delicate, fluid, and beautifully detailed” -Acoustic Guitar magazine

“HiroyaTsukamoto takes us to an impressionistic journey ” -Boston Herald

“…chops, passion and warmth. Zealously recommended!”  -Jazz Review.com

“Fingerpicking is delicate, fluid, and beautifully detailed” -Acoustic Guitar magazine

You Tube Links:

1. Another Great Day To Be Alive

https://youtu.be/m0k6VGS6xcU

2. Gemini Bridge

https://www.youtube.com/watch?v=3aEhApYFtWg

• Visit the HIROYA TSUKAMOTO website

From Tudor Queens to Pop Icons, the six wives of Henry VIII take the microphone to remix five hundred years of historical heartbreak into a Euphoric Celebration of 21st-century girl power! This new original musical is a global sensation that everyone is losing their head over! Featuring an all-woman cast and all-woman band, SIX has won 23 awards in the 2021/2022 Broadway season, including the Tony Award® for Best Original Score (Music and Lyrics) and the Outer Critics Circle Award for Best Musical. The New York Times says SIX “TOTALLY RULES!” (Critic’s Pick), and The Washington Post hails SIX as “Exactly the kind of energizing, inspirational illumination this town aches for!”  The SIX: LIVE ON OPENING NIGHT Broadway album debuted at Number 1 on the Billboard cast album charts and surpassed 6 Million streams in its first month.

America’s #1 James Taylor tribute artist Bill Griese visits from Nashville with his acclaimed Sweet Baby James show. Join us for the timeless music of the 6-time Grammy winner, with a performance you have to hear to believe! Not your typical tribute band fare and not a “look-alike” impersonator, Griese brings you the songs & stories of Taylor in a refreshingly authentic way – using only his spot-on vocals and skillful guitar playing. It’s a natural & respectful homage to an American original. Whether you’re a lifelong or casual JT fan, this one is not-to-miss!

See why audiences rave: “close my eyes and it’s JT,” “the next best thing to James himself,” and “like having James Taylor in your living room!” Walking Man Productions presents the ultimate James Taylor experience, with favorites like “Fire & Rain,” “You’ve Got a Friend,” “Shower the People,” “How Sweet It Is,” “Steamroller,” and more; plus hidden gems for a truly “Taylor made” show honoring one of our greatest troubadours.

Read the audience reviews for yourself at https://sweetbabyjamesofficial.com/reviews and then get your tickets in advance today!

– ALL AGES
– STANDING ROOM ONLY

PONY BRADSHAW

On his new album North Georgia Rounder, Pony Bradshaw leads the listener on an exploration of the woods, rivers, and mountains of Appalachia, more specifically, the area for which the album is named and he’s called home for the past 15 years. “It’s got its hooks in me,” Bradshaw says of North Georgia, and it shows, with songs that quickly establish a setting, much like the one he initiated with the album’s predecessor, Calico Jim. The sonic excursion includes stops along the Conasauga River, visits to the holler, and a few diversions—nearby Knoxville plays a supporting role, as do Louisiana and Arkansas. It’s an impressionistic journey of introspection and connection all at once.

Will Stewart’s tastefully-understated guitar leads and Philippe Bronchtein’s atmospheric pedal steel provide the perfect backdrop for Bradshaw’s impassioned vocals in lead-off track “Foxfire Wine.” Its swampy, bluesy intro makes way for an interesting amalgamation of Sturgill Simpson and The Grateful Dead, serving as the perfect aperitif for “a hell of a heaven and a hell of a show.” From that point on till the album wraps with the aptly titled “Notes on a River Town,” not only do you see and hear North Georgia, you even smell and taste it.

Take, for example, “Safe in the Arms of Vernacular,” a pensive, melancholy track that delights all the senses and is reminiscent of Ray Lamontagne’s mellow side. When Bradshaw sings of the “bonafide gas mask” his Dad brought back from Desert Storm and describes the Saudi Arabian sand as turning to “glass sharp as a sultan’s sword,” one can almost see it. As quickly as it sets the ever-vivid stage, the track shifts its focus to a waitress downtown. “Draped in Bedouin gown, smoking Kent cigarettes in the underground” in an attempt to “escape all those voices,” she naturally drinks white wine—”Riesling room temp from a coffee cup,” to be exact.

A voracious reader, Bradshaw credits his talent for expressing such rich details in his songs not so much to other songwriters but instead to books, fiction, short stories, essays, and literary criticism. With such colorful descriptions as “teeth stained red with Lebanese wine, long hair … in sweeps of oil blacker than a cypress pool,” one might assume he bases the subjects of his songs on real-life people he interacts with in North Georgia; instead, Bradshaw describes them as “nameless characters” compiled from “fragments” he’s collected, pieces that usually start with just a line or two. These fragments all add up to a remarkably cohesive 10-song collection, despite Bradshaw being a self-professed admirer of (and writer of) the non-sequitur. This is thanks in no small part to his own masterful vocal delivery and the expert musicianship of his backing band, one that includes the aforementioned Stewart and Bronchtein with Robert Green on bass, Ryan Moore on drums, and Jenna Mobley on fiddle.

“The poet soon stops experimenting and innovating and starts his life’s work,” Bradshaw expounds, citing a quote from one of his favorite writers, Wendell Berry. A single album as a life’s work may seem like a grand, overambitious aspiration. But for Pony Bradshaw, North Georgia Rounder is just that – a life’s work, one that, as he describes it, is a culmination of “sweat and work and joy and pain and anger and patience and restraint.”

The “One Singular Sensation,” A Chorus Line, is coming to Flat Rock Playhouse for the first time and we are thrilled to share this award-winning musical with everyone! A Chorus Line is a celebration of those unsung heroes of the American Musical Theatre: the chorus dancers. The show follows 17 would-be dancers in their quest to make the cut for a new Broadway Musical. One by one, the dancers come forward to share the stories of their lives, giving it their all and putting themselves on the line to make the cut. Only eight will remain. Capturing the spirit, tension, and hope of an audition, A Chorus Line is the musical for everyone who’s ever had a dream and put it all out there to make it come true!

A Chorus Line once held the record as the longest running show on Broadway with over 6000 performances, and heralds nine Tony® Awards including Best Musical, Best Director and Best Choreographer, as well as the Pulitzer Prize for Drama. Conceived and Originally Directed and Choreographed by Michael Bennett. Book by James Kirkwood & Nicholas Dante, Music by Marvin Hamlisch, Lyrics by Edward Kleban. Co-Choreographed by Bob Avian. Original Broadway production produced by the New York Shakespeare Festival, Joseph Papp, Producer, in association with Plum Productions, Inc.

Before Rent, there was Tick, Tick… Boom!. This autobiographical musical by Jonathan Larson, the Pulitzer Prize- and Tony Award-winning composer of Rent, is the story of a composer and the sacrifices that he made to achieve his big break in theatre. Containing fourteen songs, ten characters, and three actors, Tick, Tick… Boom! takes you on the playwright/composer’s journey that led to a Broadway blockbuster.

TICK, TICK… BOOM! Is presented through special arrangement with Musical Theatre International (MTI).

All authorized performance materials are also supplied by MTI. www.mtishows.com

Head to www.avlmt.org or @avlmusicals for more information.

From Tudor Queens to Pop Icons, the six wives of Henry VIII take the microphone to remix five hundred years of historical heartbreak into a Euphoric Celebration of 21st-century girl power! This new original musical is a global sensation that everyone is losing their head over! Featuring an all-woman cast and all-woman band, SIX has won 23 awards in the 2021/2022 Broadway season, including the Tony Award® for Best Original Score (Music and Lyrics) and the Outer Critics Circle Award for Best Musical. The New York Times says SIX “TOTALLY RULES!” (Critic’s Pick), and The Washington Post hails SIX as “Exactly the kind of energizing, inspirational illumination this town aches for!”  The SIX: LIVE ON OPENING NIGHT Broadway album debuted at Number 1 on the Billboard cast album charts and surpassed 6 Million streams in its first month.

From the local favorites to new regional acts, all live from the river banks of the Nantahala. Raft, dine, then jam with us with Live Music every Friday and Saturday from 5pm-8pm between Memorial Day and Labor Day!

Super 60’s, a hugely popular local band who
plays the best of classic rock, will perform at Firehouse Subs, alongside a classic car show from, organized by the Carolina
Mountain Car Club, Free line-dance classes from Betty Busch from 5:30-6:30pm and the concert to follow from 6:30-8:30pm,
Please note: no smoking, coolers or pets

Wanna hear the best local music ​and​ drink the best local beers? Hop aboard LaZoom’s Purple Bus and rock out with a local band while we take you on a journey to Asheville’s premiere local breweries.

We will have a will-call list at the Admission Cabana, the purchaser will be the name on the ticket. If you buy multiple tickets the tickets will be under the same name. Please check in together if possible! When you check out you will see “FARM STORE PICKUP” please ignore for admission purchases.

It’s time to catch a show in the Big Barn here at Hickory Nut Gap Farm in gorgeous Fairview, NC! Come out from 6pm-9pm to see a favorite of ours, ZYDECO YA YA! A powerhouse band from the Piedmont area of the Carolinas and Georgia that play high energy Louisiana sound of Zydeco.

What goes better with high stepping, blaring accordion, the rhythm of a washboard and a cold brew better than traditional Cajun food- we’ll have VOODOO ROUX food truck, Cajun cuisine by cousins and business partners Emanuel Nunez and Brian Richards out of Black Mountain, NC. Can I get a beignet, Mon Cher?

Hickory Nut Gap will have a bar serving local beers, ciders, seltzers and non-alcoholic beverages to slake your thirst between reels. We cannot wait to dust off our good boots and dance again with y’all.

PET POLICY: While we normally allow leashed pets on the grounds, we ask you leave your furry friends at home for the Barn Dances & Shows.

Learn more about the Band & their music HERE

Learn more about the Food Truck & their food HERE

– ALL AGES
– LIMITED PATIO SEATING IS FIRST COME FIRST SERVE

THE WHISKEY CHARMERS

The Whiskey Charmers are a Detroit-based band led by Carrie Shepard and Lawrence Daversa. Fans have often compared their sound to riding through the desert with the top down, or the feeling of being in some lonesome smoky bar off the side of an abandoned highway, or music from a Spaghetti Western. William P Davis (Former Deputy Director of the Country Music Hall of Fame and Museum in Nashville) says of the band, “I’ve heard a lot of good musicians. The Whiskey Charmers remind me of no one – and, to me, that is one of the best compliments an act can receive.”

The Whiskey Charmers are currently touring to promote their fourth album “On The Run” which Ken Capobianco, Boston Globe Music Critic described as a “Sharply executed and evocative set of Americana rock filled with superbly arranged songs about the struggle to find connections, a sense of home, and a center in a ghost town of a world”.

The rest of their discography includes a self titled album (2015) and “The Valley” (2017) which received a Detroit Music Award for Outstanding Country Recording, and “Lost on the Range” (2020), which received a Detroit Music Award for Outstanding Americana Recording.

Many fans have found The Whiskey Charmers through the video game “Detroit: Become Human” which is set in their home city in the near future world of 2038 and has sold more then eight million copies worldwide. The band is working on their fifth full length record, set to release at the end of 2023.

Phuncle Sam is back for a Saturday night summer series!

Outdoor taproom is opens at 2PM. Music from 6-9PM.

Since their formation in October 2004, Asheville North Caroline based, Phuncle Sam has been firmly rooted in musical exploration. Phuncle Sam is Asheville’s own improv/Americana, Dead/Centric jam band. Over five years of intense jamming and rehearsing finds Phuncle Sam with an ever-expanding body of original music. The band will also serve up quintessential interpretations of Jerry Garcia, Grateful Dead, and many others.

Join us for beach tunes and good times at Point Lookout Vineyards this July!
The Catalinas’ popularity is based primarily in the southeastern US, however, their music is played on radio stations in the UK, Greece, and Australia, to name a few. Known for their quality, tight sound, and energy onstage, they are one of the “in demand” groups for city festivals, weddings, and private parties, always playing a variety of music that suits all ages. Though known for beach music, regionally and nationally for the mega-hit “Summertime’s Callin’ Me,” they play all styles to a high standard of excellence. “Summertime’s Callin’ Me” has become the anthem of North and South Carolina beachgoers as they wait for summer to arrive.
To learn more, visit this link: https://thecatalinas.net/
NO COOLERS
NO OUTSIDE ALCOHOL
SEATING IS AVAILABLE, BUT YOU MAY BRING YOUR OWN CHAIR. SPACE FOR PERSONAL CHAIRS IS FIRST COME FIRST SERVE.

GATES OPEN AT 5:00PM

Greensky Bluegrass will be performing LIVE on the Outdoor Stage at Salvage Station on Friday July 21st and Saturday, July 22nd , 2023 with Big Something! Doors open at 5:30PM and the music starts at 6:30PM. This is a General Admission, 12+ only event.

Root Down will be serving their delicious twist on Southern Soul food, along with a couple of other amazing local food trucks on-site (and, of course, we’ll have several full bars open for you to enjoy)!

The 57th season of Shindig on the Green, a free event in the heart of downtown Asheville with a stage show and informal jam sessions, takes place on Saturday evenings July 1 through August 26, 2023.

Locals and visitors alike come together at downtown’s Pack Square Park “along about sundown,” or at 7:00 pm for those who wear a watch, and continues until 10:00 pm. Concessions are available! The remaining Shindig on the Green events will be held on July 1, 8, 15, 22 and August 12, 19, 26, 2023.

The stage show takes place on the Bascom Lamar Lunsford stage, named for the founder of the Mountain Dance and Folk Festival. Since the outdoor event’s inception in 1967, hundreds of thousands of individuals from across the region and throughout the world have shared and enjoyed the rich traditional music and dance heritage of the Southern Appalachian Mountains in this outdoor setting.

Shindig on the Green remains a free event due in part to net proceeds from ticket sales to the nation’s longest continually running festival, the granddaddy of all festivals, the Mountain Dance and Folk Festival.

Before Rent, there was Tick, Tick… Boom!. This autobiographical musical by Jonathan Larson, the Pulitzer Prize- and Tony Award-winning composer of Rent, is the story of a composer and the sacrifices that he made to achieve his big break in theatre. Containing fourteen songs, ten characters, and three actors, Tick, Tick… Boom! takes you on the playwright/composer’s journey that led to a Broadway blockbuster.

TICK, TICK… BOOM! Is presented through special arrangement with Musical Theatre International (MTI).

All authorized performance materials are also supplied by MTI. www.mtishows.com

Head to www.avlmt.org or @avlmusicals for more information.

Bat Boy: The Musical

Book by: Keythe Farley and Brian Flemming; Music and Lyrics by: Laurence O’Keefe

A rock musical, Bat Boy: The Musical expands on a June 23, 1992 Weekly World News tabloid story about a bat boy – half-boy, half-bat – found in a cave and forced into society. The musical – at turns both haunting and hilarious – deals with themes of racism and revenge, hypocrisy and forgiveness. This darkly quirky, compelling musical is not to be missed!

Content Warning: Bat Boy: the Musical contains violence, drug use, and sexual references. Viewer discretion is advised.

Accessibility:

All performances: Accessible wheelchair/scooter seating available.

Saturday, Aug 5, 2023: ASL-Interpreted Performance

BMC Artistic Director Keith Lockhart continues his cycle of Mahler symphonies with the one that started it all, “The Titan.” Arguably the greatest first symphony ever written, Mahler continues the Romantic traditions of Beethoven, Brahms, and Bruckner, while injecting the modern ideas of Liszt and Wagner. The result is an exciting and masterful work that firmly celebrates the heroic, and delivers one of the most epic concert endings ever heard. Jeremy Denk opens the concert with Beethoven’s Fourth Piano Concerto, one of the pinnacles of the concerto repertoire. The public premiere took place at one of the most famous concerts in music history, which also witnessed the premieres of the Choral Fantasy, as well as the Fifth and Sixth Symphonies.

PERFORMANCE & ARTIST DETAILS
Brevard Music Center Orchestra
Keith Lockhart, conductor
Jeremy Denk, piano

LUDWIG VAN BEETHOVEN Piano Concerto No. 4 in G major, Op. 58
GUSTAV MAHLER Symphony No. 1, “Titan”

Auditorium seating is reserved.  Lawn seating is general admission.

Book by Chris D’Arienzo
Arrangements and Orchestrations by Ethan Popp
Presented by arrangement with Concord Theatricals
www.concordtheatricals.com

Director: Victoria Lamberth

This five-time Tony Award-nominated musical tells the story of a small-town girl, a city boy, and a rock ‘n’ roll romance on the Sunset Strip. But when the bar where rock reigns supreme is set to be demolished, it’s up to these wannabe rockers and their band of friends to save the day – and the music. Rock of Ages takes you back to the time of big bands with big egos playing big guitar solos and sporting even bigger hair! This jukebox musical features all of your favorite ‘80s rock anthems and power ballads from bands including Styx, Journey, Bon Jovi, Whitesnake, Night Ranger, REO Speedwagon, Pat Benatar, Twisted Sister and more.

Approximate Run Time: 2 hours, 15 minutes

Rating: PG-13 due to adult content, alcohol use, and language.

The “One Singular Sensation,” A Chorus Line, is coming to Flat Rock Playhouse for the first time and we are thrilled to share this award-winning musical with everyone! A Chorus Line is a celebration of those unsung heroes of the American Musical Theatre: the chorus dancers. The show follows 17 would-be dancers in their quest to make the cut for a new Broadway Musical. One by one, the dancers come forward to share the stories of their lives, giving it their all and putting themselves on the line to make the cut. Only eight will remain. Capturing the spirit, tension, and hope of an audition, A Chorus Line is the musical for everyone who’s ever had a dream and put it all out there to make it come true!

A Chorus Line once held the record as the longest running show on Broadway with over 6000 performances, and heralds nine Tony® Awards including Best Musical, Best Director and Best Choreographer, as well as the Pulitzer Prize for Drama. Conceived and Originally Directed and Choreographed by Michael Bennett. Book by James Kirkwood & Nicholas Dante, Music by Marvin Hamlisch, Lyrics by Edward Kleban. Co-Choreographed by Bob Avian. Original Broadway production produced by the New York Shakespeare Festival, Joseph Papp, Producer, in association with Plum Productions, Inc.

Fans of Wendy Jones featured vocals as a member of The Asheville Jazz Orchestra are going to be excited to hear Wendy in a full show of her own…. a tribute to one of Wendy’s heroes, the immortal ROSEMARY CLOONEY.

“Everything is Rosie” featuring WENDY JONES tells the story of Rosemary Clooney’s rise to top of the Billboard charts in the 50’s, her success in Hollywood in films like WHITE CHRISTMAS followed by her mental breakdown, and finally her triumphant return to the top of the jazz charts in the 80’s and 90’s. It is a compelling story of heartbreak, tragedy, perseverance, and triumph. As Wendy takes the audience on a riveting trip through Rosemary’s life, she interweaves some of Rosemary’s most beloved hits such as “Come On A My House”, “Half as Much”, “Hey There”, and Tenderly” as well as songs from her movie musicals including WHITE CHRISTMAS and jazz standards by composers such as George Gershwin, Duke Ellington, and Harold Arlen.

Performers for this special event at:

Michael Jefry Stevens – piano

Bob Songster – bass

Rick Dilling – drums

and of course

Wendy Jones doing the vocals

Many of you know Wendy Jones as the featured singer of the Asheville Jazz Orchestra. She’s a much beloved part of the orchestra and her vocals are audience favorites.

Wendy is a professional vocalist, arranger, songwriter, producer, and commercial voice specialist. She has appeared on stages from New York to Tokyo and has performed with artists such as NEA Jazz Master Jamey Aebersold, The New York Voices, legendary jazz guitarist Howard Alden, jazz violinist Christian Howes, the Page Brothers, Crystal Gale, and has sung backup for the alternative hip hop group Deltron 3030 and for Las Vegas Elvis Impersonator, Donnie Edwards. She has appeared at Club Bonafide in NYC, the Jazz Arts Initiative, the Mountain Oasis Music Festival, the Spartanburg Jazz Festival, Our World Festival, and the Django Reinhardt Festival in Asheville, NC

In addition to singing with her own jazz quartet, she is the featured vocalist with the Asheville Jazz Orchestra, the Ole ’74 big Band, the Russ Wilson Orchestra, the Michael Jefry Stevens Trio, the Richard Shulman Group and is often a guest vocalist with the Greenville Jazz Collective big band.

She has recorded her own projects as well as with Darmon Meader of the New York Voices, the Richard Shulman Group, Michael Jefry Stevens, and Steve Watson.

Wendy has served on the executive boards for the North Carolina Chapter and the Mid-Atlantic Region of the National Association of Teachers of Singing and as a mentor teacher as part of the NATS Mentored Teaching program. She a member of ASCAP, a voting member of the Recording Academy (GRAMMY’S), Actors’ Equity Association, and the Jazz Education Network.

Wendy received a B.M. and an M.M. in vocal Performance from Appalachian State University and then joined the voice faculty there where she taught for 8 years before embarking on a full time, professional singing/acting career. Having sung with Opera Carolina, Appalachian Opera Theatre, and the Brevard Music Center Opera, her favorite roles include Adina in L’Elisir d’Amore, Laetitia in The Old Maid and the Thief, and Papagena in Die Zauberflöte. An accomplished Equity actor as well as singer, Wendy has appeared in leading roles on stage of many professional theatres throughout the U.S. including Florida Repertory Theatre, Flat Rock Playhouse, Little Theatre on the Square, Temple Theatre, and Blowing Rock Stage Company in roles such as Miss Sandra in All Shook Up, Brenda in Smokey Joe’s Cafe, Luisa in The Fantasticks, Fiona in Brigadoon, and Eliza in My Fair Lady.

Wendy has also appeared as a soloist with the The Symphony of the Mountains, the Western Piedmont Symphony, the Asheville Choral Society, and the Carolina Concert Choir in works such as Vaughan Williams’ Dona Nobis Pacem, John Corgliano’s Fern Hill, Bach’s Magnificat, and Mozart’s Great Mass in C Minor.

From Tudor Queens to Pop Icons, the six wives of Henry VIII take the microphone to remix five hundred years of historical heartbreak into a Euphoric Celebration of 21st-century girl power! This new original musical is a global sensation that everyone is losing their head over! Featuring an all-woman cast and all-woman band, SIX has won 23 awards in the 2021/2022 Broadway season, including the Tony Award® for Best Original Score (Music and Lyrics) and the Outer Critics Circle Award for Best Musical. The New York Times says SIX “TOTALLY RULES!” (Critic’s Pick), and The Washington Post hails SIX as “Exactly the kind of energizing, inspirational illumination this town aches for!”  The SIX: LIVE ON OPENING NIGHT Broadway album debuted at Number 1 on the Billboard cast album charts and surpassed 6 Million streams in its first month.