Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Saturday, December
24, 2022
| Corn Wagon Thunder, Laundromat from the Wonder series, 2017. Archival print on Epson Ultra Premium Presentation matte paper, 10 × 15 inches, Asheville Art Museum. © Corn Wagon Thunder. |
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Rebel/Re-Belle: Exploring Gender, Agency, and Identity | Selections from the Asheville Art Museum and Rubell Museum combines works, primarily created by women, from two significant collections of contemporary art to explore how artists have innovated, influenced, interrogated, and inspired visual culture in the past 100 years.
Asheville-born and Raleigh-Durham-based interdisciplinary artist Sherrill Roland’s socially driven practice draws upon his experience with wrongful incarceration for a crime he did not commit and seeks to open conversations about how we care for our communities and one another with compassion and understanding. Through sculpture, installation, and conceptual art, Roland engages visitors in dialogues around community, social contract, identity, biases, and other deeply human experiences. Comprised of artwork created from 2016 to the present, Sherrill Roland: Sugar, Water, Lemon Squeeze reflects on making something from nothing, lemonade from lemons, the best of a situation. A reference to a simple recipe from the artist’s childhood, the title also speaks to Roland’s employment of materials available to him while incarcerated, such as Kool-Aid and mail from family members. In the face of his personal experiences, he invites viewers to confront their own uncomfortable complicity in perpetuating injustice. Roland’s work humanizes these difficult topics and creates a space for communication and envisioning a better future. This exhibition is organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator, in collaboration with the Artist. This exhibition is funded, in part, by a grant from South Arts in partnership with the National Endowment for the Arts.
| Left: Thermon Statom, Frankincense, 1999, siligraphy from glass plate with digital transfer on BFK Rives paper, edition 50/50, 36 1/4 × 29 3/8 inches. Asheville Art Museum. © Thermon Statom. | Right: Dale Chihuly, Suite of Ten Prints: Chandelier, 1994, 4-color intaglio from glass plate on BRK Rives paper, edition 34/50, image: 29 ½ × 23 ½ inches, sheet: 36 × 29 ½ inches. Asheville Art Museum. © Dale Chihuly / Artists Rights Society (ARS), New York. |
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| Asheville, N.C.—The selection of works from the Asheville Art Museum’s Collection presented in Stained with Glass: Vitreograph Prints from the Studio of Harvey K. Littleton features imagery that recreates the sensation and colors of stained glass. The exhibition showcases Littleton and the range of makers who worked with him, including Dale Chihuly, Cynthia Bringle, Thermon Statom, and more. This exhibition—organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator—will be on view in The Van Winkle Law Firm Gallery at the Museum from January 12 through May 23, 2022.
In 1974 Harvey K. Littleton (Corning, NY 1922–2013 Spruce Pine, NC) developed a process for using glass to create prints on paper. Littleton, who began as a ceramicist and became a leading figure in the American Studio Glass Movement, expanded his curiosity around the experimental potential of glass into innovations in the world of printmaking. A wide circle of artists in a variety of media—including glass, ceramics, and painting—were invited to Littleton’s studio in Spruce Pine, NC, to create prints using the vitreograph process developed by Littleton. Upending notions of both traditional glassmaking and printmaking, vitreographs innovatively combine the two into something new. The resulting prints created through a process of etched glass, ink, and paper create rich, colorful scenes reminiscent of luminous stained glass.
“Printmaking is a medium that many artists explore at some point in their career,” says Hilary Schroeder, assistant curator. “The process is often collaborative, as they may find themselves working with a print studio and highly skilled printmaker. The medium can also be quite experimental. Harvey Littleton’s contribution to the field is very much so in this spirit, as seen in his incorporation of glass and his invitation to artists who might otherwise not have explored works on paper. Through this exhibition, we are able to appreciate how the artists bring their work in clay, glass, or paint to ink and paper.” |
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- Hop on board the Holly Jolly Christmas Trolley for a fun and festive celebration of the season featuring live music!
- This seasonal favorite features an entertaining blend of holiday storytelling and traditional Christmas caroling. Enjoy stories of local lore and holiday traditions, then join-in with our on-board musician singing classic carols and songs of Christmas. And all the while the Holly Jolly Trolley is rolling past festive holiday decorations in downtown Asheville, Biltmore Village and the Montford and Grove Park neighborhoods.
This has all the makings of a jolly good family tradition!
- Recurrence: Recurring weekly on Monday, Tuesday, Wednesday, Thursday, Friday, Saturday
- Admission: Adults $29; Children (5-11) $13
- Phone:
- Email:
Sunday, December
25, 2022
We invite you to come downtown and experience one or more temporary installations from the Art in the Heart program. Share your thoughts on the artwork by clicking on the second tab below. Art in the Heart is a temporary art program specifically designed to help stimulate conversations about themes like identity, community, inclusion, healing, unity, and resilience. It’s also a way to start conversations about how public spaces can, or don’t, help reflect or express a community’s past, present, and future.
You can find more background and information about the Pack Square Visioning Project here.
Limited Capacity: 12 Guests per Tour
A truly memorable experience featuring rare photo opportunities, this exclusive guided tour offers a behind-the-scenes look at the design and construction of Biltmore House in areas unavailable on the regular house visit. Imagine yourself a Vanderbilt (or cherished Vanderbilt guest) as you take in stunning views seen only from the house’s rooftop and balconies.
Advance reservation required. Tour includes 250 stairs with no elevator access. Wheelchairs, strollers, and baby backpacks are prohibited. Backpacks are not allowed on any guided tours. Guests are required to leave backpacks in a locker or in their vehicle. To participate in this tour, guest must have a daytime ticket, a Biltmore Annual Pass, or a stay at one of the estate’s splendid overnight properties.
| Corn Wagon Thunder, Laundromat from the Wonder series, 2017. Archival print on Epson Ultra Premium Presentation matte paper, 10 × 15 inches, Asheville Art Museum. © Corn Wagon Thunder. |
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Rebel/Re-Belle: Exploring Gender, Agency, and Identity | Selections from the Asheville Art Museum and Rubell Museum combines works, primarily created by women, from two significant collections of contemporary art to explore how artists have innovated, influenced, interrogated, and inspired visual culture in the past 100 years.
Asheville-born and Raleigh-Durham-based interdisciplinary artist Sherrill Roland’s socially driven practice draws upon his experience with wrongful incarceration for a crime he did not commit and seeks to open conversations about how we care for our communities and one another with compassion and understanding. Through sculpture, installation, and conceptual art, Roland engages visitors in dialogues around community, social contract, identity, biases, and other deeply human experiences. Comprised of artwork created from 2016 to the present, Sherrill Roland: Sugar, Water, Lemon Squeeze reflects on making something from nothing, lemonade from lemons, the best of a situation. A reference to a simple recipe from the artist’s childhood, the title also speaks to Roland’s employment of materials available to him while incarcerated, such as Kool-Aid and mail from family members. In the face of his personal experiences, he invites viewers to confront their own uncomfortable complicity in perpetuating injustice. Roland’s work humanizes these difficult topics and creates a space for communication and envisioning a better future. This exhibition is organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator, in collaboration with the Artist. This exhibition is funded, in part, by a grant from South Arts in partnership with the National Endowment for the Arts.
| Left: Thermon Statom, Frankincense, 1999, siligraphy from glass plate with digital transfer on BFK Rives paper, edition 50/50, 36 1/4 × 29 3/8 inches. Asheville Art Museum. © Thermon Statom. | Right: Dale Chihuly, Suite of Ten Prints: Chandelier, 1994, 4-color intaglio from glass plate on BRK Rives paper, edition 34/50, image: 29 ½ × 23 ½ inches, sheet: 36 × 29 ½ inches. Asheville Art Museum. © Dale Chihuly / Artists Rights Society (ARS), New York. |
|
| Asheville, N.C.—The selection of works from the Asheville Art Museum’s Collection presented in Stained with Glass: Vitreograph Prints from the Studio of Harvey K. Littleton features imagery that recreates the sensation and colors of stained glass. The exhibition showcases Littleton and the range of makers who worked with him, including Dale Chihuly, Cynthia Bringle, Thermon Statom, and more. This exhibition—organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator—will be on view in The Van Winkle Law Firm Gallery at the Museum from January 12 through May 23, 2022.
In 1974 Harvey K. Littleton (Corning, NY 1922–2013 Spruce Pine, NC) developed a process for using glass to create prints on paper. Littleton, who began as a ceramicist and became a leading figure in the American Studio Glass Movement, expanded his curiosity around the experimental potential of glass into innovations in the world of printmaking. A wide circle of artists in a variety of media—including glass, ceramics, and painting—were invited to Littleton’s studio in Spruce Pine, NC, to create prints using the vitreograph process developed by Littleton. Upending notions of both traditional glassmaking and printmaking, vitreographs innovatively combine the two into something new. The resulting prints created through a process of etched glass, ink, and paper create rich, colorful scenes reminiscent of luminous stained glass.
“Printmaking is a medium that many artists explore at some point in their career,” says Hilary Schroeder, assistant curator. “The process is often collaborative, as they may find themselves working with a print studio and highly skilled printmaker. The medium can also be quite experimental. Harvey Littleton’s contribution to the field is very much so in this spirit, as seen in his incorporation of glass and his invitation to artists who might otherwise not have explored works on paper. Through this exhibition, we are able to appreciate how the artists bring their work in clay, glass, or paint to ink and paper.” |
|
Monday, December
26, 2022
We invite you to come downtown and experience one or more temporary installations from the Art in the Heart program. Share your thoughts on the artwork by clicking on the second tab below. Art in the Heart is a temporary art program specifically designed to help stimulate conversations about themes like identity, community, inclusion, healing, unity, and resilience. It’s also a way to start conversations about how public spaces can, or don’t, help reflect or express a community’s past, present, and future.
You can find more background and information about the Pack Square Visioning Project here.
| Many downtown businesses have decorated their windows for the holiday season. Follow along our Holiday Windows Walking Tour as you shop for the perfect gift for everyone on your list and support small businesses.
Charmed Asheville is offering a special 10% discount to people who mention the Holiday Windows Walking Tour (some exclusions apply). |
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Featured Artists:
Allen Davis (wood)
Vicki Love (leather)
Lynne Harrill (fiber)
Ruthie Cohen & David Alberts (jewelry)
Gigi Renee’ Fasano (fiber)
| see the beautiful holiday decorations and lights. Plus find lots of great gifts at the many local shops and businesses |
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Limited Capacity: 12 Guests per Tour
A truly memorable experience featuring rare photo opportunities, this exclusive guided tour offers a behind-the-scenes look at the design and construction of Biltmore House in areas unavailable on the regular house visit. Imagine yourself a Vanderbilt (or cherished Vanderbilt guest) as you take in stunning views seen only from the house’s rooftop and balconies.
Advance reservation required. Tour includes 250 stairs with no elevator access. Wheelchairs, strollers, and baby backpacks are prohibited. Backpacks are not allowed on any guided tours. Guests are required to leave backpacks in a locker or in their vehicle. To participate in this tour, guest must have a daytime ticket, a Biltmore Annual Pass, or a stay at one of the estate’s splendid overnight properties.
| Corn Wagon Thunder, Laundromat from the Wonder series, 2017. Archival print on Epson Ultra Premium Presentation matte paper, 10 × 15 inches, Asheville Art Museum. © Corn Wagon Thunder. |
|
Rebel/Re-Belle: Exploring Gender, Agency, and Identity | Selections from the Asheville Art Museum and Rubell Museum combines works, primarily created by women, from two significant collections of contemporary art to explore how artists have innovated, influenced, interrogated, and inspired visual culture in the past 100 years.
Asheville-born and Raleigh-Durham-based interdisciplinary artist Sherrill Roland’s socially driven practice draws upon his experience with wrongful incarceration for a crime he did not commit and seeks to open conversations about how we care for our communities and one another with compassion and understanding. Through sculpture, installation, and conceptual art, Roland engages visitors in dialogues around community, social contract, identity, biases, and other deeply human experiences. Comprised of artwork created from 2016 to the present, Sherrill Roland: Sugar, Water, Lemon Squeeze reflects on making something from nothing, lemonade from lemons, the best of a situation. A reference to a simple recipe from the artist’s childhood, the title also speaks to Roland’s employment of materials available to him while incarcerated, such as Kool-Aid and mail from family members. In the face of his personal experiences, he invites viewers to confront their own uncomfortable complicity in perpetuating injustice. Roland’s work humanizes these difficult topics and creates a space for communication and envisioning a better future. This exhibition is organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator, in collaboration with the Artist. This exhibition is funded, in part, by a grant from South Arts in partnership with the National Endowment for the Arts.
| Left: Thermon Statom, Frankincense, 1999, siligraphy from glass plate with digital transfer on BFK Rives paper, edition 50/50, 36 1/4 × 29 3/8 inches. Asheville Art Museum. © Thermon Statom. | Right: Dale Chihuly, Suite of Ten Prints: Chandelier, 1994, 4-color intaglio from glass plate on BRK Rives paper, edition 34/50, image: 29 ½ × 23 ½ inches, sheet: 36 × 29 ½ inches. Asheville Art Museum. © Dale Chihuly / Artists Rights Society (ARS), New York. |
|
| Asheville, N.C.—The selection of works from the Asheville Art Museum’s Collection presented in Stained with Glass: Vitreograph Prints from the Studio of Harvey K. Littleton features imagery that recreates the sensation and colors of stained glass. The exhibition showcases Littleton and the range of makers who worked with him, including Dale Chihuly, Cynthia Bringle, Thermon Statom, and more. This exhibition—organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator—will be on view in The Van Winkle Law Firm Gallery at the Museum from January 12 through May 23, 2022.
In 1974 Harvey K. Littleton (Corning, NY 1922–2013 Spruce Pine, NC) developed a process for using glass to create prints on paper. Littleton, who began as a ceramicist and became a leading figure in the American Studio Glass Movement, expanded his curiosity around the experimental potential of glass into innovations in the world of printmaking. A wide circle of artists in a variety of media—including glass, ceramics, and painting—were invited to Littleton’s studio in Spruce Pine, NC, to create prints using the vitreograph process developed by Littleton. Upending notions of both traditional glassmaking and printmaking, vitreographs innovatively combine the two into something new. The resulting prints created through a process of etched glass, ink, and paper create rich, colorful scenes reminiscent of luminous stained glass.
“Printmaking is a medium that many artists explore at some point in their career,” says Hilary Schroeder, assistant curator. “The process is often collaborative, as they may find themselves working with a print studio and highly skilled printmaker. The medium can also be quite experimental. Harvey Littleton’s contribution to the field is very much so in this spirit, as seen in his incorporation of glass and his invitation to artists who might otherwise not have explored works on paper. Through this exhibition, we are able to appreciate how the artists bring their work in clay, glass, or paint to ink and paper.” |
|
- Hop on board the Holly Jolly Christmas Trolley for a fun and festive celebration of the season featuring live music!
- This seasonal favorite features an entertaining blend of holiday storytelling and traditional Christmas caroling. Enjoy stories of local lore and holiday traditions, then join-in with our on-board musician singing classic carols and songs of Christmas. And all the while the Holly Jolly Trolley is rolling past festive holiday decorations in downtown Asheville, Biltmore Village and the Montford and Grove Park neighborhoods.
This has all the makings of a jolly good family tradition!
- Recurrence: Recurring weekly on Monday, Tuesday, Wednesday, Thursday, Friday, Saturday
- Admission: Adults $29; Children (5-11) $13
- Phone:
- Email:
Tuesday, December
27, 2022
We invite you to come downtown and experience one or more temporary installations from the Art in the Heart program. Share your thoughts on the artwork by clicking on the second tab below. Art in the Heart is a temporary art program specifically designed to help stimulate conversations about themes like identity, community, inclusion, healing, unity, and resilience. It’s also a way to start conversations about how public spaces can, or don’t, help reflect or express a community’s past, present, and future.
You can find more background and information about the Pack Square Visioning Project here.
Old Kentucky Home -The Thomas Wolfe Memorial
American Novelist Thomas Wolfe (1900-1938)
Considered by many to be one of the giants of 20th-century American literature, Thomas Wolfe immortalized his childhood home in his epic autobiographical novel, Look Homeward, Angel. Wolfe’s colorful portrayal of his family, his hometown of “Altamont” Asheville, North Carolina, and “Dixieland” the Old Kentucky Home boardinghouse, earned the Victorian period house a place as one of American literature’s most famous landmarks.
House tours are offered daily at half past each hour. Last tour leaves at 4:30 pm.
Group tours by reservation.
Adult – $5.00
Student (ages 7-17) – $2.00
Adult Group (10+) – $2.50 each
Student Group – $2.00 each
6 & under – Free
9:00am – 5:00pm
Tuesday – Saturday
Sunday & Monday: CLOSED
Closed State Holidays
| Many downtown businesses have decorated their windows for the holiday season. Follow along our Holiday Windows Walking Tour as you shop for the perfect gift for everyone on your list and support small businesses.
Charmed Asheville is offering a special 10% discount to people who mention the Holiday Windows Walking Tour (some exclusions apply). |
|
|
|
|
Featured Artists:
Allen Davis (wood)
Vicki Love (leather)
Lynne Harrill (fiber)
Ruthie Cohen & David Alberts (jewelry)
Gigi Renee’ Fasano (fiber)
| see the beautiful holiday decorations and lights. Plus find lots of great gifts at the many local shops and businesses |
|
|
|
|
Limited Capacity: 12 Guests per Tour
A truly memorable experience featuring rare photo opportunities, this exclusive guided tour offers a behind-the-scenes look at the design and construction of Biltmore House in areas unavailable on the regular house visit. Imagine yourself a Vanderbilt (or cherished Vanderbilt guest) as you take in stunning views seen only from the house’s rooftop and balconies.
Advance reservation required. Tour includes 250 stairs with no elevator access. Wheelchairs, strollers, and baby backpacks are prohibited. Backpacks are not allowed on any guided tours. Guests are required to leave backpacks in a locker or in their vehicle. To participate in this tour, guest must have a daytime ticket, a Biltmore Annual Pass, or a stay at one of the estate’s splendid overnight properties.
