Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
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Our Town
PLAY
By: Thornton Wilder
Directed by: Robert Arleigh White
Seeking a large cast of all ages, representing our community of Asheville. Tattoos, piercings, and extra-ness are welcome! Be YOU! Actors of all ages, gender identities, races, ethnicities, and disabilities will be considered for any desired role indicated on their audition sheet. The director prefers that you prepare a one-minute memorized monologue of your choosing for your audition.
PRODUCTION DATES: September 30th – October 16th, 2022; Performances Fridays and Saturdays at 7:30 pm, Sundays at 2:30 pm. Cast must plan to arrive at least 1 hour prior to show time.
REHEARSALS: August 8th -September 29th. A printed rehearsal calendar will be available at auditions – you are able to list any conflicts you have with the rehearsal schedule at this time.
DIRECTOR SEEKS: A large cast of all ages, representing our community of Asheville. Tattoos, piercings, and extra-ness are welcome! Bring your weirdness…be YOU!
Actors of all ages, gender identities, races, ethnicities, and disabilities will be considered for any desired role indicated on their audition sheet.
AUDITION MATERIAL: Auditionees – The director prefers that you prepare a one-minute memorized monologue of your choosing. You may additionally be asked to read from sides (pages from the script) at the audition. (Check back for sides here closer to audition date.) Need help finding a monologue? Check out this handy monologue resource!
Directed by: Robert Arleigh White
AUDITION DATES: Monday, July 25th and Tuesday, July 26th, 2022; 5:30-7:30 pm
PRODUCTION DATES: September 30th – October 16th, 2022; Performances Fridays and Saturdays at 7:30 pm, Sundays at 2:30 pm. Cast must plan to arrive at least 1 hour prior to show time.
REHEARSALS: August 8th -September 29th. A printed rehearsal calendar will be available at auditions – you are able to list any conflicts you have with the rehearsal schedule at this time.
DIRECTOR SEEKS: A large cast of all ages, representing our community of Asheville. Tattoos, piercings, and extra-ness are welcome! Bring your weirdness…be YOU!
Actors of all ages, gender identities, races, ethnicities, and disabilities will be considered for any desired role indicated on their audition sheet.
AUDITION MATERIAL: Auditionees – The director encourages you to prepare a one-minute memorized monologue of your choosing, but it’s not required. If you don’t have a monologue, you will be asked to read from sides (pages from the script) at the audition.
Need help finding a monologue? Check out this handy monologue resource!
Scripts are available for checkout from the theatre. Or, borrow the script here from the library. (Disclaimer: The library version may be slightly different from the version we are using.)
SIDES:
AUDITION FORM: Fill out this Audition Form here or at the audition.
CAST OF CHARACTERS:
Primary Characters:
- Stage Manager – a narrator, commentator, and guide through Grover’s Corners. She joins in the action of the play periodically, as the minister at the wedding, the soda shop owner, a local townsman, etc., and speaks directly to Emily after her death.
- Emily Webb – one of the main characters; we follow her from a precocious young girl through her wedding to George Gibbs and her early death.
- George Gibbs – the other main character; the boy next door, a kind but irresponsible teenager who matures over time and becomes a responsible husband, father and farmer.
- Frank Gibbs – George’s father, the town doctor.
- Julia (Hersey) Gibbs –George’s mother. She dreams of going to Paris but doesn’t get there. She saved $350 for the trip from the sale of an antique furniture piece but willed it to George and Emily. Dies while visiting her daughter in Ohio.
- Charles Webb – Emily’s father, Editor of the Grover’s Corners Sentinel
- Myrtle Webb – Emily and Wally’s mother.
Secondary characters:
-
- Joe and Si Crowell – local paperboys. Joe’s intelligence earns him a full scholarship to MIT where he graduates at the top of his class. His promise will be cut short on the fields of France during World War I, according to the Stage Manager. Both he and his brother Si hold marriage in high disdain.
- Simon Stimson – the choir director and church organist. We never learn the specific cause of his alcoholism and suicide, although Joe Stoddard, the undertaker, observes that “He’s seen a peck of troubles.” He remains bitter and cynical even beyond the grave.
- Howie Newsome – the milkman, a fixture of Grover’s Corners.
- Rebecca Gibbs – George’s younger sister. Later elopes with a traveling salesman and settles in Ohio.
- Wallace “Wally” Webb – Emily’s younger brother. Dies of a burst appendix on a Boy Scout camping trip.
- Professor Willard – a rather long-winded lecturer
- Woman in the Balcony – attendee of Editor Webb’s political and social report – concerned with temperance
- Belligerent Man at Back of Auditorium – attendee of Editor Webb’s political and social report – concerned with social justice
- Lady in a Box – attendee of Editor Webb’s political and social report – concerned with culture and beauty
- Mrs. Louella Soames – a gossipy townswoman and member of the choir
- Constable Bill Warren – the policeman
- Three Baseball Players – who mock George at the wedding
- Joe Stoddard – the undertaker
- Sam Craig – a nephew of Mrs. Gibbs who left town to seek his fortune. He came back after 12 years in Buffalo for Emily’s funeral.
- Man from among the Dead
- Woman from among the Dead
- Mr. Carter (Dead)
- Farmer McCarty
Our Town
PLAY
By: Thornton Wilder
Directed by: Robert Arleigh White
Seeking a large cast of all ages, representing our community of Asheville. Tattoos, piercings, and extra-ness are welcome! Be YOU! Actors of all ages, gender identities, races, ethnicities, and disabilities will be considered for any desired role indicated on their audition sheet. The director prefers that you prepare a one-minute memorized monologue of your choosing for your audition.
PRODUCTION DATES: September 30th – October 16th, 2022; Performances Fridays and Saturdays at 7:30 pm, Sundays at 2:30 pm. Cast must plan to arrive at least 1 hour prior to show time.
REHEARSALS: August 8th -September 29th. A printed rehearsal calendar will be available at auditions – you are able to list any conflicts you have with the rehearsal schedule at this time.
DIRECTOR SEEKS: A large cast of all ages, representing our community of Asheville. Tattoos, piercings, and extra-ness are welcome! Bring your weirdness…be YOU!
Actors of all ages, gender identities, races, ethnicities, and disabilities will be considered for any desired role indicated on their audition sheet.
AUDITION MATERIAL: Auditionees – The director prefers that you prepare a one-minute memorized monologue of your choosing. You may additionally be asked to read from sides (pages from the script) at the audition. (Check back for sides here closer to audition date.) Need help finding a monologue? Check out this handy monologue resource!
Directed by: Robert Arleigh White
AUDITION DATES: Monday, July 25th and Tuesday, July 26th, 2022; 5:30-7:30 pm
PRODUCTION DATES: September 30th – October 16th, 2022; Performances Fridays and Saturdays at 7:30 pm, Sundays at 2:30 pm. Cast must plan to arrive at least 1 hour prior to show time.
REHEARSALS: August 8th -September 29th. A printed rehearsal calendar will be available at auditions – you are able to list any conflicts you have with the rehearsal schedule at this time.
DIRECTOR SEEKS: A large cast of all ages, representing our community of Asheville. Tattoos, piercings, and extra-ness are welcome! Bring your weirdness…be YOU!
Actors of all ages, gender identities, races, ethnicities, and disabilities will be considered for any desired role indicated on their audition sheet.
AUDITION MATERIAL: Auditionees – The director encourages you to prepare a one-minute memorized monologue of your choosing, but it’s not required. If you don’t have a monologue, you will be asked to read from sides (pages from the script) at the audition.
Need help finding a monologue? Check out this handy monologue resource!
Scripts are available for checkout from the theatre. Or, borrow the script here from the library. (Disclaimer: The library version may be slightly different from the version we are using.)
SIDES:
AUDITION FORM: Fill out this Audition Form here or at the audition.
CAST OF CHARACTERS:
Primary Characters:
- Stage Manager – a narrator, commentator, and guide through Grover’s Corners. She joins in the action of the play periodically, as the minister at the wedding, the soda shop owner, a local townsman, etc., and speaks directly to Emily after her death.
- Emily Webb – one of the main characters; we follow her from a precocious young girl through her wedding to George Gibbs and her early death.
- George Gibbs – the other main character; the boy next door, a kind but irresponsible teenager who matures over time and becomes a responsible husband, father and farmer.
- Frank Gibbs – George’s father, the town doctor.
- Julia (Hersey) Gibbs –George’s mother. She dreams of going to Paris but doesn’t get there. She saved $350 for the trip from the sale of an antique furniture piece but willed it to George and Emily. Dies while visiting her daughter in Ohio.
- Charles Webb – Emily’s father, Editor of the Grover’s Corners Sentinel
- Myrtle Webb – Emily and Wally’s mother.
Secondary characters:
-
- Joe and Si Crowell – local paperboys. Joe’s intelligence earns him a full scholarship to MIT where he graduates at the top of his class. His promise will be cut short on the fields of France during World War I, according to the Stage Manager. Both he and his brother Si hold marriage in high disdain.
- Simon Stimson – the choir director and church organist. We never learn the specific cause of his alcoholism and suicide, although Joe Stoddard, the undertaker, observes that “He’s seen a peck of troubles.” He remains bitter and cynical even beyond the grave.
- Howie Newsome – the milkman, a fixture of Grover’s Corners.
- Rebecca Gibbs – George’s younger sister. Later elopes with a traveling salesman and settles in Ohio.
- Wallace “Wally” Webb – Emily’s younger brother. Dies of a burst appendix on a Boy Scout camping trip.
- Professor Willard – a rather long-winded lecturer
- Woman in the Balcony – attendee of Editor Webb’s political and social report – concerned with temperance
- Belligerent Man at Back of Auditorium – attendee of Editor Webb’s political and social report – concerned with social justice
- Lady in a Box – attendee of Editor Webb’s political and social report – concerned with culture and beauty
- Mrs. Louella Soames – a gossipy townswoman and member of the choir
- Constable Bill Warren – the policeman
- Three Baseball Players – who mock George at the wedding
- Joe Stoddard – the undertaker
- Sam Craig – a nephew of Mrs. Gibbs who left town to seek his fortune. He came back after 12 years in Buffalo for Emily’s funeral.
- Man from among the Dead
- Woman from among the Dead
- Mr. Carter (Dead)
- Farmer McCarty
The Haunted Trail at the Adventure Center of Asheville is hosting open auditions! The Haunted Trail (brought to you by Asheville Plays) is a family friendly all ages event that features 15 live action story based scenes in an outdoor trail. Actors bring the scenes to life as guests pass through. Actors earn free event tickets based on the amount of nights they have committed to working. Mellow Mushroom provides cast and crew dinner each night! This event raises meals for MANNA food bank, so come have fun and support your community this Halloween season and help us say BOO! to hunger! Volunteer actors should be at least 16 years old. For more information please contact our creative director, Lauren Rivas. [email protected]
Elf The Musical
MUSICAL
Book by Thomas Meehan & Bob Martin; Music by Matthew Sklar; Lyrics by Chad Beguelin
Directed by: Jeff Catanese
AUDITION DATES: Monday, August 15 and Tuesday, August 16, 2022; 5:30-7:30 pm
PRODUCTION DATES: December 2-December 18, 2022; Performances: Fridays December 2, 9, 16 and Saturdays December 3, 10, and 17 at 7:30pm and Sundays December 4, 11, and 18 at 2:30pm. Extra Performance Added for Thursday, December 15 at 7:30pm. Student Matinee: Tuesday December 6th, 2022 at 10am
Cast must plan to arrive at least 1 hour prior to show time.
REHEARSALS: TBA. A printed rehearsal calendar will be available at auditions – you are able to list any conflicts you have with the rehearsal schedule at this time.
DIRECTOR SEEKS: TBA
Actors of all ages, gender identities, races, ethnicities, and disabilities will be considered for any desired role indicated on their audition sheet.
AUDITION MATERIAL: TBA
AUDITION FORM: Fill out this Audition Form here or at the audition.
Elf The Musical
MUSICAL
Book by Thomas Meehan & Bob Martin; Music by Matthew Sklar; Lyrics by Chad Beguelin
Directed by: Jeff Catanese
AUDITION DATES: Monday, August 15 and Tuesday, August 16, 2022; 5:30-7:30 pm
PRODUCTION DATES: December 2-December 18, 2022; Performances: Fridays December 2, 9, 16 and Saturdays December 3, 10, and 17 at 7:30pm and Sundays December 4, 11, and 18 at 2:30pm. Extra Performance Added for Thursday, December 15 at 7:30pm. Student Matinee: Tuesday December 6th, 2022 at 10am
Cast must plan to arrive at least 1 hour prior to show time.
REHEARSALS: TBA. A printed rehearsal calendar will be available at auditions – you are able to list any conflicts you have with the rehearsal schedule at this time.
DIRECTOR SEEKS: TBA
Actors of all ages, gender identities, races, ethnicities, and disabilities will be considered for any desired role indicated on their audition sheet.
AUDITION MATERIAL: TBA
AUDITION FORM: Fill out this Audition Form here or at the audition.
Cindy Morgan, Wil Nance and Jason SeverCindy Morgan, Wil Nance and Jason Sever are a blend of GRAMMY® nominated, Dove award winning, chart-topping songwriters who’ve penned songs for George Strait, Vince Gill, Amy Grant, Brad Paisley, Diamond Rio, Jason Aldean, Luke Bryan, Martina McBride, Tim McGraw and many more!Showcasing their mission to support the military community, Operation Song will be presenting a songwriter event at the Tryon Fine Arts Center. District 113 NC State Representative Jake Johnson is scheduled to appear. Operation Song will also be honoring local hero, Major General Jack A. Davis and his family. Major General Davis served in the United States Marine Corps for 37 years. He is a decorated Vietnam Veteran and an active member of St. John the Baptist Catholic Church in Tryon.
If unable to attend, please consider a donation at www.operationsong.org or text “SONG” to 615-471-6008. You can also download our app at: https://subsplash.com/operationsong/app!
Operation Song is a 501(c)(3) nonprofit that pairs Nashville Songwriters with veterans, active duty, and their family members to tell their story through the process of songwriting. To learn more visit www.operationsong.org & like us on socials. Operation Song® is a tax-exempt public charity (federal tax ID #46-5442758). All contributions are tax deductible to the extent allowable by law.
Elf The Musical
MUSICAL
Book by Thomas Meehan & Bob Martin; Music by Matthew Sklar; Lyrics by Chad Beguelin
Directed by: Jeff Catanese
AUDITION DATES: AUDITION DATES HAVE BEEN CHANGED. NEW AUDITION DATES ARE: Saturday, August 27 5:30-8:30pm and Sunday, August 28 1:00-4:00pm with callbacks Tuesday, Aug 30th 6:30-9:30pm.
AUDITION FORM: Please fill out the Audition Form and sign up for an open time slot. Walk-ups are welcome (just be aware you may have to wait for an open slot). You can fill out the Audition Form at the audition, or save time and fill it out now!
CALLBACK DATE: Tuesday, August 30, 2022; 6:30-9:30 pm
PRODUCTION DATES: December 2-December 18, 2022; Performances: Fridays December 2, 9, 16 and Saturdays December 3, 10, and 17 at 7:30pm and Sundays December 4, 11, and 18 at 2:30pm. Extra Performance Added for Thursday, December 15 at 7:30pm. Student Matinee: Tuesday December 6th, 2022 at 10am. Cast must plan to arrive at least 1 hour prior to show time.
REHEARSALS: Production Calendar. Rehearsals will be held Sundays, Mondays, Wednesdays, and Thursdays from 6:30PM – 9:30PM beginning September 18th. A printed rehearsal calendar will be available at auditions – you are able to list any conflicts you have with the rehearsal schedule at this time.
DIRECTOR SEEKS: A cast of 9 principal roles and 10+ ensemble roles. Actors of all ages, gender identities, races, ethnicities, and disabilities will be considered for any desired role indicated on their audition sheet.
AUDITION MATERIAL:
Singing: Please prepare 16 bars of music and bring your sheet music to the audition in the key in which you will be singing. We will provide an accompanist. Acapella is fine if you don’t have sheet music. The music director will also have you sing scales.
Dance: All those auditioning will learn a short routine with choreographer Rose Pillmore. Dances will be modified as needed to ensure accessibility of choreographic content. No need to prepare in advance, just wear something you can move in.
Elf The Musical
MUSICAL
Book by Thomas Meehan & Bob Martin; Music by Matthew Sklar; Lyrics by Chad Beguelin
Directed by: Jeff Catanese
AUDITION DATES: AUDITION DATES HAVE BEEN CHANGED. NEW AUDITION DATES ARE: Saturday, August 27 5:30-8:30pm and Sunday, August 28 1:00-4:00pm with callbacks Tuesday, Aug 30th 6:30-9:30pm.
AUDITION FORM: Please fill out the Audition Form and sign up for an open time slot. Walk-ups are welcome (just be aware you may have to wait for an open slot). You can fill out the Audition Form at the audition, or save time and fill it out now!
CALLBACK DATE: Tuesday, August 30, 2022; 6:30-9:30 pm
PRODUCTION DATES: December 2-December 18, 2022; Performances: Fridays December 2, 9, 16 and Saturdays December 3, 10, and 17 at 7:30pm and Sundays December 4, 11, and 18 at 2:30pm. Extra Performance Added for Thursday, December 15 at 7:30pm. Student Matinee: Tuesday December 6th, 2022 at 10am. Cast must plan to arrive at least 1 hour prior to show time.
REHEARSALS: Production Calendar. Rehearsals will be held Sundays, Mondays, Wednesdays, and Thursdays from 6:30PM – 9:30PM beginning September 18th. A printed rehearsal calendar will be available at auditions – you are able to list any conflicts you have with the rehearsal schedule at this time.
DIRECTOR SEEKS: A cast of 9 principal roles and 10+ ensemble roles. Actors of all ages, gender identities, races, ethnicities, and disabilities will be considered for any desired role indicated on their audition sheet.
AUDITION MATERIAL:
Singing: Please prepare 16 bars of music and bring your sheet music to the audition in the key in which you will be singing. We will provide an accompanist. Acapella is fine if you don’t have sheet music. The music director will also have you sing scales.
Dance: All those auditioning will learn a short routine with choreographer Rose Pillmore. Dances will be modified as needed to ensure accessibility of choreographic content. No need to prepare in advance, just wear something you can move in.
Announcing youth auditions for Flat Rock Playhouse and Studio 52’s upcoming holiday productions of
A CHARLIE BROWN CHRISTMAS, an adaptation of the 1965 animated television special based on the comic strip Peanuts, by Charles M. Schulz, and A FLAT ROCK PLAYHOUSE CHRISTMAS.
All cast members must be fully vaccinated, along with the production team and all Flat Rock Playhouse staff. Proof of vaccination will be required upon being cast.
Auditions will be held by appointment on Wednesday, September 14, and Thursday, September 15, between 5 – 8 PM with invited callbacks on Saturday, September 17 from 10AM – 1PM. Actors who are invited to callbacks will receive an email invitation on Friday, September 16.
Auditioning young actors will be asked to sing a minute (16 – 32 bars) of a Broadway song or their favorite holiday song. Actors can sing a cappella or bring sheet music. An accompanist will be provided. We also ask that actors bring a recent photo of themselves and a resume or list of experience, if possible. Please be prepared to list any conflicts at your audition. (Again, Studio 52 classes will not be considered a conflict for casting.)
Flat Rock Playhouse seeks a small Youth Ensemble ages 10-18 for A FLAT ROCK PLAYHOUSE CHRISTMAS, with rehearsals beginning November 13 and the production running November 25 through December 22.
Studio 52 seeks a diverse company of young actors and singers, ages 10 – 18, for the following roles in A CHARLIE BROWN CHRISTMAS:
CHARLIE BROWN
SNOOPY
LUCY VAN PELT
LINUS VAN PELT
PIG PEN
FRIEDA
SCHROEDER
VIOLET
SALLY BROWN
PATTY
SHERMY
WOODSTOCK
ENSEMBLE (will also understudy named roles)
The Veterans Healing Farm, in collaboration with LivingWorks is offering
safeTALK, a 4-hour training that equips people to be more alert to
persons thinking of suicide and better able to connect them with
further help.
What Will You Learn?
In LivingWorks safeTALK you will learn how to reach out to someone thinking about
suicide and help them keep safe by promptly connecting them to further support.
Your role as a connector is the main focus of this training.
You will also be encouraged and empowered to talk openly with someone about
suicide through a 4-step model.
Overcoming personal and community attitudes to seeking and providing help is a
key theme of this training.
A growing body of published research and evaluation supports the value of this
training to individuals and organizations while informing program improvements.
Over 800,000 people have attended this training since its inception.
How Will You Learn?
We aim to provide a safe learning environment. The learning process includes:
Trainer presentations, facilitated discussion, and skills practice.
Videos that illustrate what happens when signs of suicide are overlooked, and how
you can contribute to safe outcomes when these signs are heard and addressed.
Opportunities to further explore organizational applications of the training.
Direct and honest discussion about suicide is encouraged. While sometimes
challenging, this prepares helpers to openly approach people with thoughts of
suicide and connect them with further help.
Who Should Attend?
Anyone aged 15+ years is encouraged to take LivingWorks safeTALK.
It will prepare you to raise and respond to concerns about suicide in relationships
with family, friends, and co-workers.
It will equip you to build a culture of safety from suicide in your organization or
community.
You can play a vital connector role in what LivingWorks has called a Networks of
Safety.
There is no instructional cost to attend this class but each participant is required to
purchase the ASIST participant kit, $43.25 each, plus $3.00 shipping costs.
What Will You Learn?
In LivingWorks ASIST you will learn how to help someone thinking about suicide develop
a personalized SafePlan to keep safe-for-now and connect with further help.
You will learn to apply a Safety Framework to guide the development of this
SafePlan through a collaborative helping relationship.
You will also consider how personal and community attitudes about suicide affect
someone’s openness to seek help and your ability to provide it.
This workshop will increase your willingness, confidence, and capacity to provide
suicide first aid.
A growing body of published research and evaluation supports the value of this
training to individuals and organizations while informing program improvements.
More than one million people have attended LivingWorks ASIST globally over 35
years.
How Will You Learn?
We aim to provide a safe learning environment. The learning process includes:
Trainer presentations and powerful videos to stimulate discussion and support
learning
Extensive opportunities for skills practice
Shared participant experiences that enrich learning
Trainer-facilitated workgroups to optimize participation
Direct and honest discussion about suicide is encouraged. While sometimes
challenging, this prepares helpers to openly approach people with thoughts of
suicide, and to help them keep safe.
Commented [AY1]:
Who Should Attend?
Anyone aged 16+ years is encouraged to take LivingWorks ASIST.
It provides a suicide first-aid intervention model for relationships with family,
friends, and co-workers. It can also be incorporated into more formal helping roles
such as counseling, health care, crisis services, or chaplaincy.
You can play a vital role in creating Networks of Safety from suicid