Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.

Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.

Friday, September 9, 2022
Entries for the 30th Annual National Gingerbread House Competition™ are now being accepted!
Sep 9 all-day
online

 

The Omni Grove Park Inn, an award-winning, 513-room resort set in the idyllic Blue Ridge Mountains just minutes from downtown Asheville, N.C., is celebrating The 30th National Gingerbread House Competition™, which is the nation’s largest, hosted at the resort annually. Beginning July 6, 2022 the competition registration is officially now open here through November 14, 2022. The competition will be held and winners will be announced on November 21, 2022.

 

New elements for The 30th National Gingerbread House Competition™ include:

  • Introduction of 10th Judge, Ashleigh Shanti, chef/owner of Good Hot Fish & 2020 James Beard finalist.
  • Addition of six brand-new specialty awards and increased prizes (60% increase to years past) across the four age categories, which include Best Use of Sprinkles, Most Unique Ingredient, Longest Standing Competitor, Best Use of Color, Pop Culture Star, Most Innovative Structure, and Best Use of Spice.
  • All registered competitors will have the opportunity to vote on their favorite piece of the entire competition to determine the winner of the new People’s Choice: Best in Show award.

 

The full press release announcing the official rules and entry forms can be found here and below, and a highlight reel and hi-res imagery from last year’s competition can be found here. Please let me know if you will consider the news on behalf of The Omni Grove Park Inn!

Grassroots Arts Grant
Sep 9 all-day
online

Since 1977, the North Carolina Arts Council’s Grassroots Arts Program (GAP) has provided North Carolina citizens access to quality arts experiences. Using a per capita based formula, the program provides funding for the arts in all 100 counties of the state through partnerships with local arts councils. The Grassroots Grant Program is made possible by the Grassroots Arts Program of North Carolina Arts Council, a division of the Department of Natural & Cultural Resources, and Buncombe County Government.

The Grassroot Arts Program provides programmatic and operating support for nonprofit arts organizations in Buncombe County. Grants for FY23 will range from $2,500-7,500 dollars depending on the size of the organization. The deadline to apply is September 15, 2022.

Multicultural programs and organizations located outside of the City of Asheville will receive special consideration. To be considered a multicultural organization the mission of the organization must be focused on supporting African American, Asian American, Latino, or Native American cultures. For a program to be considered multicultural it must be conducted by artists, ensembles, or organizations of color.

Hello Death, Where Have You Been All My Life?
Sep 9 all-day
Center for Craft

Over the past two years, artist-researcher, community organizer, and Center for Craft grant recipient, Macon Reed has built Hello Death, Where Have You Been All My Life? an immersive installation that harnesses the social function of ritual space to reflect, process grief, heal, and envision alternative futures.

RAFFLE FOR COMMUNITY ORGANIZATIONS: Revolve + Bob Moog Foundation
Sep 9 all-day
online

Make a $20 donation or more to either REVOLVE or the Bob Moog Foundation (or both), and be entered into a raffle to win wonderful prizes such as our new Sync T-Shirt, Records and Tapes from the Make Noise Crew, and an XPO! For every $20 you donate, you’ll receive a raffle ticket. Donations must be made September 9-September 27 10AM EST directly to the org using the links provided (coming soon), and you must include Make Noise in the memo line. These orgs will send us a list of all donors & donations on the 27th, and we will announce the winners live in person at our Closing Party September 29th. Items will be mailed the following week, unless the winner is there to receive it. People who come to the pop-up for a demo will receive an extra raffle ticket after they donate.

 

Why do these organizations mean a lot to the Make Noise Crew?
REVOLVE is a place we go to often–to play, to see each other play, to immerse ourselves in sound, to experience installations, to gather with other artists. REVOLVE provides inclusive programming centered around sound experiments, and that’s joy for us!

The Bob Moog Foundation creates hands-on opportunities for folks of all ages to explore the science of sound. We especially love the work they do teaching children about the intersection of music and tech, preparing them for a lifetime of sonic adventures!

The 11th Annual ReStore ReUse Contest
Sep 9 all-day
online

Reuse Contest 2022 1236x728 Web Page No Url

ReUse Contest Guidelines

WHEN
The contest begins on August 1, 2022 and ends on September 30, 2022. Winners will be announced in October.

WHO
Anyone! (Except employees of Asheville Area Habitat for Humanity)

WHAT
The Asheville Area Habitat for Humanity ReStore is hosting the 11th annual ReUse Contest to showcase innovative building projects constructed predominantly of used building materials.

Winners will be selected in the following categories:

  • Furniture: $200 ReStore gift card
  • Homesteading (i.e. chicken coop, raised bed): $200 ReStore gift card
  • Live and/or work space: $200 ReStore gift card
  • Art: $200 ReStore gift card
  • Home Decor: $200 ReStore gift card
  • Vans & Vehicles: $200 ReStore gift card
  • Best in Show: $500 ReStore gift card

Winners will be announced in a press release, on Asheville Habitat’s website and social media pages, and featured in the Asheville Habitat ReStore.

OTHER DETAILS

  • Entries must be submitted electronically using the form provided.
  • Projects should have been completed within the last 2 years.
  • You may submit up to three separate projects (individually).
  • Re-submission of a project submitted in previous years will not be accepted.
  • Incomplete entries will not be considered.
  • Questions? Email [email protected].

JUDGING
There will be 5 judges, assessing entries based on:

  • Quality of design and execution
  • Replicability of concept
  • Clarity of description
  • Quality of photos (if we can’t see it well, we can’t judge it fairly)
“A Clear Choice” Karsten Oaks’ Solo Exhibition
Sep 9 @ 10:00 am – 6:00 pm
Bender Gallery

Bender Gallery is excited to present “A Clear Choice,” a solo exhibition of stunning abstract sculptures by internationally recognized master glass artist Karsten Oaks. “A Clear Choice” opens on Saturday, September 3rd with an artist’s reception with Oaks present from 6 – 9 PM, and runs through September 25th. Using specialized optical glass, Oaks creates sculptures that bend light and color via their unique forms. Reminiscent of graffiti marks, his forms are instantly recognizable and are made with meticulous perfection. When viewing, a discernible object often appears from a momentary perspective creating a vision that allows the viewer to connect on a more personal level with the piece. This mystery inspires a deeply personal relationship between viewer and object and sets Oaks’ work apart from that of his contemporaries. We hope to see you there!

Mon – Sat 10 – 6 Sun 12 – 5

Haywood Community College’s Professional Crafts Program Graduate Exhibition
Sep 9 @ 10:00 am – 5:00 pm
Folk Art Center
Haywood Community College’s Professional Crafts Program Graduate Exhibition
Sep 9 @ 10:00 am – 5:00 pm
Folk Art Center
“Life Art Life” William Bernstein 50 Year Art Retrospective
Sep 9 @ 10:30 am – 5:00 pm
Toe River Arts, Kokol Gallery

“LIFE ART LIFE William Bernstein 50 year retrospective” exhibition August 6-October 9, 2022 at the Toe River Arts’ Kokol Gallery, Spruce Pine, NC, features the paintings and glass of this artist who has been on the forefront of the studio glass movement.

Graduating 1968 from the Philadelphia College of Arts and just married, Bernstein moved to Penland School of Crafts to be their second glass resident artist from 1968-70. He was a co-founder of the Glass Arts Society (GAS) that formed to bring together the glass community so people could work together and learn from each other. Receiving numerous awards, fellowships and grants, he has exhibited internationally and has artwork in many private and public collections. Bernstein has lived most of his professional life in the rural Celo community of Yancey, North Carolina along with his family and artist wife, Katherine Bernstin. This retrospective provides a great opportunity for one to imagine a life surrounded by art.

This has been not only been a year-long process of curating pieces for an exhibit, but a lifetime of making art that connects with all things about one’s life. Bernstein’s work in glass and paint showcases just that: his family, his pets, friends, his environs, his moods and so much more. A life well-lived in creating art. More on Bernstein Glass www.bernsteinglass.com

William Warmus (A Fellow and former curator of Modern Glass at the Corning Museum), writes for the exhibition catalog, “Bernstein is a minimalist whose style is based upon the dedication to the concepts of honesty, modesty, and humility. It has a feel of its surroundings and of the people of the region.”

The Toe River Arts Kokol Gallery is located at 269 Oak Avenue, Spruce Pine, NC 28777. The exhibition dates: August 6 – October 9, 2022. Hours: Tuesdays-Saturdays from 10:30 – 5:00 pm. 828-765-0520, www.toeriverarts.org

Public receptions on Fridays: August 12 and October 7, both 5:00-7:00 PM. Artist gallery talk Friday, August 12, 4:00 pm. The exhibition travels to Cary Arts Center November 30 – January 21, 2023.

Coinciding with the United Nations’ Year 2022 as the Year of Glass and the 60th Anniversary of the Studio Glass Movement, this has been made possible by Toe River Arts, the North Carolina Arts Council, the Cary Art Center, Art Alliance for Contemporary Glass, the Blumenthal Foundation, and Mountain Electronics in Micaville, NC.

Border Cantos | Sonic Border Art Exhibition
Sep 9 @ 11:00 am – 6:00 pm
Asheville Art Museum
Richard Misrach, Wall, Jacumba, California, 2009, pigment print, 60 × 80 inches. Courtesy the Artist. © Richard Misrach, courtesy Fraenkel Gallery, San Francisco..
Border Cantos | Sonic Border, a unique collaboration between American photographer Richard Misrach and Mexican American sculptor and composer Guillermo Galindo, uses the power of art to explore and humanize the complex issues surrounding the Mexican-American border. Organized by Crystal Bridges Museum of American Art, the transformative and multi-sensory experience will be on view in the Asheville Art Museum’s Appleby Foundation Exhibition Hall from July 22 through October 24, 2022.

Misrach, who has photographed the border since 2004, beautifully captures landscapes and objects, including things left behind by migrants. His large-scale photographs, along with grids of smaller photos, highlight issues surrounding migration and its effect on regions and people, and also introduce a complicated look at policing the boundary.

Responding to these photographs, Galindo fashioned sound-generating sculptures from items Misrach collected along the border, such as water bottles, Border Patrol “drag tires,” spent shotgun shells, ladders, and sections of the border wall itself. The sounds they produce give voices to people through the personal belongings they have left behind. The composition embraces the Pre-Columbian belief that there was an intimate connection between an instrument and the material from which it was made, with no separation between spiritual and physical worlds. Based on the Mesoamerican Venus calendar, Sonic Border plays for a total of 260 minutes and is separated into 13 cycles of 20 minutes. Within these cycles, the instruments play in small groups of two or more, or all together as an orchestra.

Presented in English and Spanish, Border Cantos | Sonic Border offers perspective on the challenges of migration, inviting us to bridge boundaries. When experienced as a whole, the images, instruments, and emanating sounds create an immersive space in which to look, listen, and learn about the complicated issues surrounding the Mexican-American border. While the artists do not seek to provide solutions to these issues, they do provide insight into a place where most people have never ventured, creating a poignant connection that draws on our humanity.

Border Cantos | Sonic Border is organized by Crystal Bridges Museum of American Art, Bentonville, Arkansas. Support for the national tour of Border Cantos | Sonic Border is provided by Art Bridges.

Learn more at ashevilleart.org.

Draped and Veiled Art Exhibit
Sep 9 @ 11:00 am – 6:00 pm
Asheville Art Museum
Draped and Veiled: 20×24 Polaroid Photographs by Joyce Tenneson showcases Joyce Tenneson’s Transformations series, which she began in 1985 and engaged with through 2005. Transformations features partially or fully nude figures poetically presented; Tenneson’s photographs have always been interested in the magic of the human figure, contained within bodies of all ages and emotions in a broad range that are both vulnerable and bold. This exhibition features 12 large Polaroids from the poetic series. Draped and Veiled will be on view May 25–October 10, 2022.
Georgia Deal + Tom Ashcraft: Uncharted
Sep 9 @ 11:00 am – 5:00 pm
Tracey Morgan Gallery

Tracey Morgan Gallery is pleased to present Uncharted, a joint exhibition by multiple-disciplinary artists Georgia Deal and Tom Ashcraft. Incorporating both individual and collaborative works, the exhibition will in-clude wooden and cast bronze boat sculptures, prints on hand-made paper, and photographs, all centered around ideas of physical and psychological transitions.

The isolation of the pandemic and the ensuing global geo-political tumult compelled Deal and Ashcraft to re-examine their studio practices. The individual and collaborative works in this exhibition reference a liminal space, that transitional point between “what was” and “what’s next.”

For Deal, the pandemic afforded time to examine ideas of solitude and anticipation and her work echoes the imagery brought on by that period of stasis. Ashcraft’s sculptures, selected versions from his collection of 200+ handmade wooden boats, gather ideas of migration, observation, scale, and object-making. Their col-laborative piece, Uncharted, undertakes these overlapping themes, dealing with both the psychic and antici-patory nature of movement, especially when that movement is only possible through imagination

Deal and Ashcraft each conduct significant individual studio practices and have been committed to the ethic of collaborative art for over 35 years. They are core members of Workingman Collective, founded in 2005 as a cooperative group of artists and other professionals whose membership and objectives evolve to fit each new project. They are interested in process, invention, chance, and the public.

Georgia Deal is Professor Emeritus and former Chair of the Printmaking and Papermaking Program at the Corcoran School of Art & Design of George Washington University in Washington DC. Her work is in multiple collections including the Philadelphia Museum, the Library of Congress, the Corcoran Gallery of Art, and Yale University Library. She currently lives in Asheville, NC and is proprietor of the papermaking studio, Swannanoa Paper.

Tom Ashcraft’s diverse practice is rooted in object-making, public and participatory artwork. He and Work-ingman Collective have exhibited and produced work in the U.S., Europe, the Caribbean and Africa. Awards include a National Endowment for the Arts Design Grant and a Ford Foundation Fellowship, among others. He recently completed a student / artist collaborative work “Public Practice” which was a three-year course focused on creating two permanent artworks for the US Embassy in Niamey, Niger, commissioned by Art in Embassies, US Department of State. Ashcraft is currently based in Asheville, North Carolina and is the MFA Director and Distinguished Professor at the School of Art + Design, Western Carolina University.

Stained with Glass: Vitreograph Prints from the Studio of Harvey K. Littleton Exhibition
Sep 9 @ 11:00 am – 6:00 pm
Asheville Art Museum
 
Left: Thermon Statom, Frankincense, 1999, siligraphy from glass plate with digital transfer on BFK Rives paper, edition 50/50, 36 1/4 × 29 3/8 inches. Asheville Art Museum. © Thermon Statom. | Right: Dale Chihuly, Suite of Ten Prints: Chandelier, 1994, 4-color intaglio from glass plate on BRK Rives paper, edition 34/50, image: 29 ½ × 23 ½ inches, sheet: 36 × 29 ½ inches. Asheville Art Museum. © Dale Chihuly / Artists Rights Society (ARS), New York.
Asheville, N.C.—The selection of works from the Asheville Art Museum’s Collection presented in Stained with Glass: Vitreograph Prints from the Studio of Harvey K. Littleton features imagery that recreates the sensation and colors of stained glass. The exhibition showcases Littleton and the range of makers who worked with him, including Dale Chihuly, Cynthia Bringle, Thermon Statom, and more. This exhibition—organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator—will be on view in The Van Winkle Law Firm Gallery at the Museum from January 12 through May 23, 2022.

In 1974 Harvey K. Littleton (Corning, NY 1922–2013 Spruce Pine, NC) developed a process for using glass to create prints on paper. Littleton, who began as a ceramicist and became a leading figure in the American Studio Glass Movement, expanded his curiosity around the experimental potential of glass into innovations in the world of printmaking. A wide circle of artists in a variety of media—including glass, ceramics, and painting—were invited to Littleton’s studio in Spruce Pine, NC, to create prints using the vitreograph process developed by Littleton. Upending notions of both traditional glassmaking and printmaking, vitreographs innovatively combine the two into something new. The resulting prints created through a process of etched glass, ink, and paper create rich, colorful scenes reminiscent of luminous stained glass.

“Printmaking is a medium that many artists explore at some point in their career,” says Hilary Schroeder, assistant curator. “The process is often collaborative, as they may find themselves working with a print studio and highly skilled printmaker. The medium can also be quite experimental. Harvey Littleton’s contribution to the field is very much so in this spirit, as seen in his incorporation of glass and his invitation to artists who might otherwise not have explored works on paper. Through this exhibition, we are able to appreciate how the artists bring their work in clay, glass, or paint to ink and paper.” 

Useful and Beautiful: Silvercraft by William Waldo Dodge
Sep 9 @ 11:00 am – 6:00 pm
Asheville Art Museum
Left to right: William Waldo Dodge Jr., Teapot, 1928, hammered silver and ebony, 8 × 5 3/4 × 9 1/2 inches. Asheville Art Museum. © Estate of William Waldo Dodge Jr. | William Waldo Dodge Jr., Lidded vegetable bowl, 1932, hammered silver, 6 × 6 5/8 × 6 5/8 inches. Asheville Art Museum. © Estate of William Waldo Dodge Jr.

Useful and Beautiful: Silvercraft by William Waldo Dodge features a selection of functional silver works by Dodge drawn from the Museum’s Collection. Organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator, this exhibition will be on view in the Debra McClinton Gallery at the Museum from February 23 through October 17, 2022.

William Waldo Dodge Jr. (Washington, DC 1895–1971 Asheville, NC) moved to Asheville in 1924 as a trained architect and a newly skilled silversmith. When he opened for business promoting his handwrought silver tableware, including plates, candlesticks, flatware (spoons, forks, and knives), and serving dishes, he did so in a true Arts and Crafts tradition. The aesthetics of the style were dictated by its philosophy: an artist’s handmade creation should reflect their hard work and skill, and the resulting artwork should highlight the material from which it was made. Dodge’s silver often displayed his hammer marks and inventive techniques, revealing the beauty of these useful household goods.

The Arts and Crafts style of England became popular in the United States in the early 1900s. Asheville was an early adopter of the movement because of the popularity and abundance of Arts and Crafts architecture in neighborhoods like Biltmore Forest, Biltmore Village, and the area around The Grove Park Inn. The title of this exhibition was taken from the famous quotation by one of the founding members of the English Arts and Crafts Movement, William Morris, who said, “have nothing in your house that you do not know to be useful or believe to be beautiful.” Not only did Dodge follow this suggestion; he contributed to American Arts and Crafts silver’s relevancy persisting almost halfway into the 20th century.

“It has been over 15 years since the Museum exhibited its collection of William Waldo Dodge silver and I am looking forward to displaying it in the new space with some new acquisitions added,” said Whitney Richardson, associate curator. Learn more at ashevilleart.org.

Art Exhibit Animals of Red Bell Run: Flora + Fauna
Sep 9 @ 12:00 pm – 4:00 pm
Tryon Fine Arts Center

Animals of Red Bell Run by Monica Stevenson

Passion begets passion, beauty begets beauty…..this is thought that is in professional photographer, Monica Stevenson’s, mind every moment she spends
at Red Bell Run. The photographs for this exhibition are inspired by Mary Adams, the owner of Red Bell Run, affection for and dedication to the animals and plants that thrive at her equine sanctuary.  As with much of Monica’s work, she leans heavily on her own collaborative spirit and the generous nature of her artistic partners–Preston Wainwright, floral designer, Thomas Ignatius and Sean Smith, both illustrative designers, to support some of the exhibit’s featured works. The resulting pictures included in this show, photographed with a large format digital camera and hand printed,  display an abundance of beautiful details– flowers, leaves, illustrations, textures, colors, dogs, cats, horses, donkeys, expressions, shapes, movement, fur, teeth, limbs–all the things that make up the natural world that is Red Bell Run.

Date Night: Make Your Own Bleach-Print Napkin Sets
Sep 9 @ 5:30 pm – 8:00 pm
Center For Craft

For the Craft Your Commerce Fall Makers Mixer, the Center for Craft and Mountain BizWorks have teamed up for a special hands-on making activity: DIY bleach-print fabric napkin sets! Using bleach pens and brushes, create custom designs on two napkins and take a selfie against a bleach-printed backdrop as a memento. Meet artists and creatives from WNC and create your very own hand-crafted table dressing to impress guests at your next dinner party!

Saturday, September 10, 2022
Artist Support Grant
Sep 10 all-day
online

The Artist Support Grant provides funding emerging or established artists to create work, improve their business operations, or bring their work to new audiences. Grants range from $500-3,000.

Asheville Gallery of Art September Show, “Full Circle” featuring artist Anne Marie Braown
Sep 10 all-day
Asheville Gallery of Art

Visitors to the Asheville Gallery of Art will be able to view Anne Marie Brown’s show from September 1st through September 30th.

Anne Marie Brown started her career as a florist in New Jersey in her 20’s. “I owned a shop with a boyfriend who was into houseplants, and I loved flowers! I would do an arrangement and fall so in love with it, that I would do a small watercolor of it.” Many careers later, Anne Marie again picked up a brush and started painting when, as a realtor in Florida in 2007, the market tanked. “I’m not sure how I started painting again, I guess it was sheer boredom.”

She started doing outdoor art shows with the Delray Art League in Delray Beach, Florida. And to her surprise and delight, the pieces were selling. Thus started a 10 year journey of the outdoor art circuit. She attended shows all over Florida, and eventually started travelling up the east coast.

“I went from watercolor to acrylic, and finally to oil. By the time I got to oil painting, I had moved to Asheville, North Carolina, and started participating in plein air events.” The rolling mountain ranges were exceptionally inspirational to her after all the ocean scenes she’d been exposed to. “I went up to the Blue Ridge Parkway in October, 2014, and that was it! I had to move here!”

Anne Marie’s first and strongest passion is painting, particularly flowers and landscapes. “I also create needle felted animals, and do jewelry work in silver, but painting is my first love, and I devote most of my time to it.” She has won numerous awards, participated in multiple juried shows, and even ran an artists’ cooperative in Delray Beach called “The Arts Arena”.

Now, her heart is settled within these Blue Ridge Mountains, and she hopes that the scenes that touch her heart, will touch yours, and thus, the circle is complete!

Anne Marie’s artwork can be found under “Fine Art by Anne Marie Brown” on Etsy, Fine Art America and Facebook and her website is www.anne-marie-brown.pixels.com

Bearfootin’ Public Art Walk + Auction
Sep 10 all-day
Hendersonville nc

ince 2003, the Bearfootin’ Art Walk has helped raise funding for Downtown Hendersonville and a variety of local non-profits. In addition to raising funds, the bears offer a window into good work being done by community organizations in Henderson County.

The Bearfootin’ Bears arrive as blank slates before local artists transform each in a spectacular fashion, with creative themes ranging from Mona Lisa to Blue Ridge Mountain scenery. After the “Reveal” event in early May, the bears then take up residence in downtown Hendersonville for the duration of the summer and fall, up until auction. Participants bid during the auction to raise funds for local non-profits and Downtown Hendersonville. Winning bids up to $3,000 are split evenly between the downtown program and the nonprofit chosen by the sponsor, while bid amounts exceeding $3,000 are directed entirely to the non-profit. In 2021, the Bears raised more than $100,000, and in 2022 we hope to continue the tradition of giving.

 

Brevard Music Center Car Raffle
Sep 10 all-day
online w/ Brevard Music Center

Official 2022 Raffle RulesAudi Asheville

PROCEEDS

This raffle is a fundraising event, and all net proceeds benefit the Brevard Music Center (BMC). Brevard Music Center is a 501(c)(3) nonprofit organization. EIN# 56-0729350

DRAWING

The drawing will take place on Tuesday, November 15, 2022 at 3:00pm EDT. All mail, phone, and internet orders must be received by 11:59pm EDT on Monday, November 14, 2022.

TICKETS

The cost to purchase a single entry (“Ticket”) for the Raffle is $125 (U.S. Funds only) and is not tax deductible.

DETAILS

  1. By entering this raffle, entrants accept and agree to be bound by all the rules, limitations and restrictions set forth here and that their names and/or likenesses may be disclosed to and used by the news media and may otherwise be used by BMC for publicity purposes.
  2. The winner may choose a new 2022 Volvo, Subaru, or Hyundai prize vehicle from Hunter Automotive Group of Fletcher, NC with an MSRP up to $50,000.
  3. Vehicle choice will be subject to the current available inventory of the dealer. BMC reserves the right to substitute a Volvo, Subaru, or Hyundai model of equal value.
  4. The winner is responsible for all taxes, delivery costs, dealer fees, and any options he or she may choose above the vehicle’s manufacturer’s suggested retail price (MSRP) greater than $50,000.
  5. The gross winnings of the raffle will be reported to the federal and state tax authorities at the MSRP and the winner is responsible for income tax withholding prior to taking title to the prize.
  6. Individuals may purchase as many tickets as they wish; however, only 1,500 tickets will be sold.
  7. Participants must be 18 years old or older.
  8. BMC employees, faculty, and students 18 or older are eligible to participate.
  9. Winnings are not redeemable for cash.
  10. If a minimum of 600 tickets is not sold, all ticket holders will receive a full refund and the raffle will not occur.
  11. BMC does not make or provide any representation, guarantee or warranty, expressed or implied, in connection with the car and accepts no liability or responsibility regarding the construction or condition of the car.

WINNINGS

Once the winner has selected a prize vehicle, the Dealer will notify BMC of the award vehicle’s MSRP. BMC will calculate the required federal income taxes due. The raffle winner is responsible for remitting the funds to BMC for the federal income tax. Brevard Music Center is required by law to report the base MSRP of the vehicle the winner chooses as gaming income to federal and state authorities and to withhold and deposit federal income taxes equal to 25% of the MSRP less the wager (raffle ticket). The winner’s payment of the federal taxes to BMC will be deposited with the US Federal Treasury and the winner will receive credit for the taxes remitted. In order for the dealer to release the winner’s vehicle, the winner will need to provide the following to BMC:

  1. A completed form W-9.
  2. Payment to BMC of the appropriate amount of federal tax withholding in cash or certified check.

Once both of these are received, BMC will authorize the dealer to release the vehicle. The winner will receive a Form W-2G by January 31, 2023 to use in preparing their 2022 income tax return.

Entries for the 30th Annual National Gingerbread House Competition™ are now being accepted!
Sep 10 all-day
online

 

The Omni Grove Park Inn, an award-winning, 513-room resort set in the idyllic Blue Ridge Mountains just minutes from downtown Asheville, N.C., is celebrating The 30th National Gingerbread House Competition™, which is the nation’s largest, hosted at the resort annually. Beginning July 6, 2022 the competition registration is officially now open here through November 14, 2022. The competition will be held and winners will be announced on November 21, 2022.

 

New elements for The 30th National Gingerbread House Competition™ include:

  • Introduction of 10th Judge, Ashleigh Shanti, chef/owner of Good Hot Fish & 2020 James Beard finalist.
  • Addition of six brand-new specialty awards and increased prizes (60% increase to years past) across the four age categories, which include Best Use of Sprinkles, Most Unique Ingredient, Longest Standing Competitor, Best Use of Color, Pop Culture Star, Most Innovative Structure, and Best Use of Spice.
  • All registered competitors will have the opportunity to vote on their favorite piece of the entire competition to determine the winner of the new People’s Choice: Best in Show award.

 

The full press release announcing the official rules and entry forms can be found here and below, and a highlight reel and hi-res imagery from last year’s competition can be found here. Please let me know if you will consider the news on behalf of The Omni Grove Park Inn!

Grassroots Arts Grant
Sep 10 all-day
online

Since 1977, the North Carolina Arts Council’s Grassroots Arts Program (GAP) has provided North Carolina citizens access to quality arts experiences. Using a per capita based formula, the program provides funding for the arts in all 100 counties of the state through partnerships with local arts councils. The Grassroots Grant Program is made possible by the Grassroots Arts Program of North Carolina Arts Council, a division of the Department of Natural & Cultural Resources, and Buncombe County Government.

The Grassroot Arts Program provides programmatic and operating support for nonprofit arts organizations in Buncombe County. Grants for FY23 will range from $2,500-7,500 dollars depending on the size of the organization. The deadline to apply is September 15, 2022.

Multicultural programs and organizations located outside of the City of Asheville will receive special consideration. To be considered a multicultural organization the mission of the organization must be focused on supporting African American, Asian American, Latino, or Native American cultures. For a program to be considered multicultural it must be conducted by artists, ensembles, or organizations of color.

Hello Death, Where Have You Been All My Life?
Sep 10 all-day
Center for Craft

Over the past two years, artist-researcher, community organizer, and Center for Craft grant recipient, Macon Reed has built Hello Death, Where Have You Been All My Life? an immersive installation that harnesses the social function of ritual space to reflect, process grief, heal, and envision alternative futures.

RAFFLE FOR COMMUNITY ORGANIZATIONS: Revolve + Bob Moog Foundation
Sep 10 all-day
online

Make a $20 donation or more to either REVOLVE or the Bob Moog Foundation (or both), and be entered into a raffle to win wonderful prizes such as our new Sync T-Shirt, Records and Tapes from the Make Noise Crew, and an XPO! For every $20 you donate, you’ll receive a raffle ticket. Donations must be made September 9-September 27 10AM EST directly to the org using the links provided (coming soon), and you must include Make Noise in the memo line. These orgs will send us a list of all donors & donations on the 27th, and we will announce the winners live in person at our Closing Party September 29th. Items will be mailed the following week, unless the winner is there to receive it. People who come to the pop-up for a demo will receive an extra raffle ticket after they donate.

 

Why do these organizations mean a lot to the Make Noise Crew?
REVOLVE is a place we go to often–to play, to see each other play, to immerse ourselves in sound, to experience installations, to gather with other artists. REVOLVE provides inclusive programming centered around sound experiments, and that’s joy for us!

The Bob Moog Foundation creates hands-on opportunities for folks of all ages to explore the science of sound. We especially love the work they do teaching children about the intersection of music and tech, preparing them for a lifetime of sonic adventures!

REVIVE: Asheville Regional Airport New Local Art Exhibit
Sep 10 all-day
Asheville Regional Airport

The art gallery at Asheville Regional Airport is showcasing 3 local artists in its newest exhibit. Revive highlights a variety of creations from sculpture and pottery to mixed media pieces.

The artists each bring a unique perspective of new life to their work. Mark Crossley’s botanical studies are realized in copper sculptures. Mark Flowers’ mixed media designs tell stories that are a cause for reflection. Akira Satake’s pottery uses traditional Japanese firing and glazing methods to create classic and unique forms.

 

“As hundreds of thousands of travelers pass through our airport during this exhibit, we are proud to show off these local artists and give visitors and residents a taste of the creativity in our region,” said Alexandra Ingle, Brand and Experience Designer at AVL and curator of the gallery.

 

Artwork can be purchased from the gallery by emailing [email protected]. Details about the program and how to apply can be found on the airport’s website at flyavl.com.

Sponsorships to support TFAC programs
Sep 10 all-day
Tryon Fine Arts Center
 Sponsorships now available for businesses, groups, families & individuals to support TFAC programs.
Contact Marianne at 828-859-8322 or email [email protected] to learn more.
The 11th Annual ReStore ReUse Contest
Sep 10 all-day
online

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ReUse Contest Guidelines

WHEN
The contest begins on August 1, 2022 and ends on September 30, 2022. Winners will be announced in October.

WHO
Anyone! (Except employees of Asheville Area Habitat for Humanity)

WHAT
The Asheville Area Habitat for Humanity ReStore is hosting the 11th annual ReUse Contest to showcase innovative building projects constructed predominantly of used building materials.

Winners will be selected in the following categories:

  • Furniture: $200 ReStore gift card
  • Homesteading (i.e. chicken coop, raised bed): $200 ReStore gift card
  • Live and/or work space: $200 ReStore gift card
  • Art: $200 ReStore gift card
  • Home Decor: $200 ReStore gift card
  • Vans & Vehicles: $200 ReStore gift card
  • Best in Show: $500 ReStore gift card

Winners will be announced in a press release, on Asheville Habitat’s website and social media pages, and featured in the Asheville Habitat ReStore.

OTHER DETAILS

  • Entries must be submitted electronically using the form provided.
  • Projects should have been completed within the last 2 years.
  • You may submit up to three separate projects (individually).
  • Re-submission of a project submitted in previous years will not be accepted.
  • Incomplete entries will not be considered.
  • Questions? Email [email protected].

JUDGING
There will be 5 judges, assessing entries based on:

  • Quality of design and execution
  • Replicability of concept
  • Clarity of description
  • Quality of photos (if we can’t see it well, we can’t judge it fairly)
“A Clear Choice” Karsten Oaks’ Solo Exhibition
Sep 10 @ 10:00 am – 6:00 pm
Bender Gallery

Bender Gallery is excited to present “A Clear Choice,” a solo exhibition of stunning abstract sculptures by internationally recognized master glass artist Karsten Oaks. “A Clear Choice” opens on Saturday, September 3rd with an artist’s reception with Oaks present from 6 – 9 PM, and runs through September 25th. Using specialized optical glass, Oaks creates sculptures that bend light and color via their unique forms. Reminiscent of graffiti marks, his forms are instantly recognizable and are made with meticulous perfection. When viewing, a discernible object often appears from a momentary perspective creating a vision that allows the viewer to connect on a more personal level with the piece. This mystery inspires a deeply personal relationship between viewer and object and sets Oaks’ work apart from that of his contemporaries. We hope to see you there!

Mon – Sat 10 – 6 Sun 12 – 5

Haywood Community College’s Professional Crafts Program Graduate Exhibition
Sep 10 @ 10:00 am – 5:00 pm
Folk Art Center
Haywood Community College’s Professional Crafts Program Graduate Exhibition
Sep 10 @ 10:00 am – 5:00 pm
Folk Art Center