Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.

Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.

Monday, July 31, 2023
Calling All Visual Artists
Jul 31 all-day
online w/ Artist Collective/Spartanburg
Inqwiry: Outdoor Wire Sculptures by Josh Coté
Jul 31 all-day
Grovewood Village

Grovewood Gallery will present Inqwiry, an outdoor exhibition of wire animal sculptures by Bakersville, NC, artist Josh Coté. This event is open to the public and free to attend. Inqwiry will remain on view through August 13, 2023.

Biltmore Estate: Ciao! From Italy Sculptural Postcard Display
Jul 31 @ 8:30 am
Biltmore Estate

Included with admission

Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.

Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.

Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!

Exhibition: NEO MINERALIA
Jul 31 @ 10:00 am – 6:00 pm
Center for Craft

Photo credit:

Sae Honda. Courtesy of the Artist.

NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.

NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.

The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.

Exhibition: Something earned, Something left behind
Jul 31 @ 10:00 am – 6:00 pm
Center for Craft

Photo credit:

J Diamond, “Pony II,” 2022. Courtesy of the Artist

Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.

Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.

Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.

Exhibition: Crafting Denim
Jul 31 @ 10:00 am – 6:00 pm
Center for Craft

Photo credit:

Photograph by Bowery Blue Makers

Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.

A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.

Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.

Italian Renaissance Alive
Jul 31 @ 10:00 am
Biltmore Estate

Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.

PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences

PLUS: FREE next-day access to Biltmore’s Gardens and Grounds

This visit includes access to:

  • Italian Renaissance Alive at Amherst at Deerpark®
  • 8,000 Acres of Gardens and Grounds for two consecutive days
  • Antler Hill Village & Winery
  • Complimentary Wine Tastings at the Winery
  • Tastings require a Day-of-Visit Reservation, which can be made by:
    • Scanning the QR Code found in your Estate Guide
    • Visiting any Guest Services location
  • Complimentary parking

Art Exhibition: Italian Renaissance Alive

This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history

Jewelry | Live Demo
Jul 31 @ 10:00 am – 4:00 pm
Folk Art Center

Amy Brandenburg works with Precious Metal Clay, and creates unique, everyday jewelry in silver, bronze, and copper. She will be demonstrating her craft in the lobby.

Carolina Shine Moonshine Experience
Jul 31 @ 10:30 am – 3:00 pm
Great Smoky Mountain Railroad

“Shine and Dine” on the railway! We cordially invite you to hop on board The Carolina Shine, GSMR’s All-Adult First Class Moonshine Car! We will be proudly serving hand crafted, triple-distilled, craft moonshine. Some of the smoothest tasting moonshine in the Carolinas! Offered on the Nantahala Gorge excursion, this shine and dine experience begins in a renovated First Class train fleet car, The Carolina Shine. The interior features copper lined walls filled with the history of moonshining in North Carolina. Learn about the proud tradition that the Appalachians established when bootlegging was an acceptable way of life and local home brews were the best in town. Read about Swain County’s very own Major Redmond, the most famous mountain moonshine outlaw of the 19th century. Once your appetite for knowledge is satisfied, enjoy sample tastings of flavors like Apple Pie, Blackberry, Blueberry, Cherry, Peach, and Strawberry moonshine. If the samples are not enough, there will be plenty of Moonshine infused cocktails like Copper Cola or Moonshiner’s Mimosa available for purchase. GSMR is excited to feature multiple craft NC based distilleries to serve our guests only the best! Each jar is handcrafted and authentically infused with real fruit, the way moonshine was meant to be made. Passengers will also enjoy a full service All-Adult First Class ride with an attendant and our popular Cajun seasoned Pulled Pork BBQ with Sweet Baby Ray’s sauce cooked in our special spices and slow roasted to perfection! During the month of October, 9am departures will feature the option of a delicious Cheesy Shrimp & Grits or Cheesy Ham Hash Brown Casserole while 2pm departures will be served the popular BBQ meal.

Nantahala Gorge Excursion
Jul 31 @ 10:30 am – 3:00 pm
Great Smoky Mountain Railroad

TAKE A TRAIN RIDE ALONG SIDE THE BEAUTIFUL NANTAHALA RIVER ON OUR NANTAHALA GORGE EXCURSION! DEPARTING FROM BRYSON CITY, THIS 4½ HOUR ROUNDTRIP EXCURSION CARRIES YOU 44 MILES TO THE NANTAHALA GORGE AND BACK AGAIN ARRIVING AT OUR BRYSON CITY DEPOT.

Enjoy the sights and sounds of the Great Smoky Mountains while traveling along the Tennessee and Nantahala (nan-tuh-HAY-luh) River. The historic trellis bridge Fontana Trestle takes you across Fontana Lake and into the beautiful Nantahala Gorge. Onboard dining is available in First Class Seating and selecting from our  First Class Dinning menu options OR you can pre-purchase a box lunch option to make this an amazing unique moving dining experience. Arrive at our layover destination in the heart of the Nantahala Gorge for a one-hour layover where you can relax by the river or enjoy sightseeing!

Itinerary

30m before departure Boarding begins at Bryson City Depot
See schedule for departure time Depart Bryson City, NC
1h 45m Reach top of the line
2h 00m Begin return
2h 30m—3h 30m Layover
3h 30m Depart Layover
4h 30m Arrive at Bryson City Depot
Time from Departure Activity
Black Mountain College and Mexico (BMC/MX): Exhibition
Jul 31 @ 11:00 am – 5:00 pm
Black Mountain College Museum + Arts Center

Black Mountain College and Mexico (BMC/MX): Exhibition, Publication, and Public Programming

Black Mountain College (1933–1957), a small but remarkably influential liberal arts school in rural North Carolina, had important links to Mexico that until now have been little investigated. A crucible of twentieth-century creativity, BMC galvanized and inspired artists and intellectuals from around the world, while Mexico’s innovations and age-old traditions—in fine and applied arts, architecture, poetry, music, performance, and more—dovetailed with, and indeed drove, global impulses toward modernism and beyond. Among the many key BMC figures whose lives were importantly touched by experiences in Mexico were Anni and Josef Albers, Ruth Asawa, John Cage, Jean Charlot, Elaine de Kooning, Buckminster Fuller, Carlos Mérida, Robert Motherwell, Charles Olson, Clara Porset, M.C. Richards, and Aaron Siskind. In turn, engagements with BMC and its legacy have played a significant role in shaping contemporary approaches to art in Mexico, evident in the works of Jorge Méndez Blake, Iñaki Bonillas, Abraham Cruzvillegas, Jose Dávila, Gerda Gruber, Lake Verea, Gabriel Orozco, and Damián Ortega, among others.

The exhibition BMC/MX features works by these and other prominent contemporary Mexican artists alongside a selection of historic works by BMC artists, highlighting the ways in which ideas and modalities are translated across materials, space, and time.

Related programming, planned in collaboration with Mexican artists, features a series of public events, including a performance by artist (and BMC/MX co-curator) David Miranda to take place at Different Wrld; an exhibition visit (in Spanish and English) with BMC/MX Project Director Eric Baden; and a series of experiential art events in the BMCM+AC library.

The exhibition is accompanied by the book Black Mountain College and Mexico (forthcoming late summer 2023), which investigates the people, ideas, and practices linking BMC and Mexico during the life of the school, as well as resonances between BMC and the work of contemporary Mexican artists. With contributions by BMC/MX’s curators, as well as by artist Abraham Cruzvillegas, design scholar Ana Elena Mallet, and author and activist Margaret Randall, this fully illustrated volume brings new light to this complex and underexplored subject.

BMC/MX is an investigation into modes of communication—the arenas in which new ideas and alliances may come to be—between Black Mountain College and Mexico, between past and present, between form and idea.

About the Curators

BMC/MX’s Project Director Eric Baden is a photographer and from 1994 to 2022 was professor of photography at Warren Wilson College in Swannanoa, North Carolina. He is the founding director of photo+, a multidisciplinary arts event held in Asheville, North Carolina.

Artist and educator David Miranda is curator at the Museo Experimental El Eco (Universidad Nacional Autónoma de México, UNAM), and teaches at the Escuela Nacional de Pintura, Escultura y Grabado “La Esmeralda” in Mexico City.

Diana Stoll is an editor, writer and curator who works with institutions such as The Museum of Modern Art and the J. Paul Getty Museum. She has served as an editor at Aperture and Artforum magazines, and contributes writings to prominent arts publications.

The Art of Food: From the Collections of Jordan D. Schnitzer and His Family Foundation
Jul 31 @ 11:00 am – 6:00 pm
Asheville Art Museum

The Art of Food features works from important postwar artists, like Robert Rauschenberg, Roy Lichtenstein, John Baldessari, Wayne Thiebaud, Ed Ruscha, Andy Warhol, David Hockney, and Jasper Johns, alongside the work of contemporary artists, like Alison Saar, Lorna Simpson, Enrique Chagoya, Rachel Whiteread, and Jenny Holzer, among others.

The Art of Food features more than 100 works in mediums that include drawings, paintings, photographs, prints, sculptures, and ceramics by 37 artists.

Each artist has a unique means of depicting food in their work that, when seen alongside others, creates a nuanced representation of the complex place food holds in everyday life. Cross-historical resonances between artists in the exhibition spark novel meditations on food and its discontents, while speaking to a broad range of audiences.

Western North Carolina Glass: Selections from the Collection
Jul 31 @ 11:00 am – 6:00 pm
Asheville Art Museum

Western North Carolina is important in the history of American glass art. Several artists of the Studio Glass Movement came to the region, including its founder Harvey K. Littleton. Begun in 1962 in Wisconsin, it was a student of Littleton’s that first came to the area in 1965 and set up a glass studio at the Penland School of Craft in Penland, North Carolina. By 1967, Mark Peiser was the first glass artist resident at the school and taught many notable artists, like Jak Brewer in 1968 and Richard Ritter who came to study in 1971. By 1977, Littleton retired from teaching and moved to nearby Spruce Pine, North Carolina and set up a glass studio at his home.

Since that time, glass artists like Ken Carder, Rick and Valerie Beck, Shane Fero, and Yaffa Sikorsky and Jeff Todd—to name only a few—have flocked to the area to reside, collaborate, and teach, making it a significant place for experimentation and education in glass. The next generation of artists like Hayden Wilson and Alex Bernstein continue to create here. The Museum is dedicated to collecting American studio glass and within that umbrella, explores the work of Artists connected to Western North Carolina. Exhibitions, including Intersections of American Art, explore glass art in the context of American Art of the 20th and 21st centuries. A variety of techniques and a willingness to push boundaries of the medium can be seen in this selection of works from the Museum’s Collection.

Tuesday, August 1, 2023
Applications open: 2024 Asheville Fringe Arts Festival
Aug 1 all-day
online w/ Asheville Fringe Arts

APPLICATIONS OPEN NOW!

Do you have a boundary-pushing, innovative performance piece, short film or installation that you’re ready to share?

We will open applications for the film portion of the festival in fall 2023. Films must be submitted via FilmFreeway. Our application fee for films is $5.


NOW CONSIDERING WORKS OF ALL KINDS

We accept live performances from 5 to 60 minutes in length, plus installations and films. We’re open to other types of performance as well – let’s talk! Depending on its length, your piece may be grouped with another show, or scheduled as a Random Act of Fringe. RAFs are free and open to the public, and artists receive a stipend for their performance, rather than relying on door sales.

Typically each artist with a ticketed show gets 2 performances. But in 2024, we’re exploring the option of giving a few shows 3 performances, at select venues only. Our venues range from 20-80 person capacity.

1. FRINGE SHOT

A piece that is
5-15 minutes long

May be paired with another performance, or be selected as a free Random Act of Fringe.

2. SHORT FORM

A piece that is
20-40 minutes long

May be paired with another show.

3. FULL-LENGTH

A piece that is
45-60 minutes long

Ticketed theater-style show.

4. INSTALLATION

A piece that is
Site-specific (any length)

May be in an unusual location, or repeated many times. May be seen by as few as one person at a time.

5. FILM

A piece that is
Designed specifically for film.

May be of any genre & length. Could be combined with other films for a showcase or film night.
Submit on Film Freeway Fall 2023

3. THE ASHEVILLE FRINGE ARTS FESTIVAL IS A JURIED FESTIVAL.

We carefully review each and every submission. You’ll know by late October if your piece is selected. Should your piece get selected, there is a $35 participation fee.

Arts for Schools Grant
Aug 1 all-day
online

Budget cuts, increased testing requirements, and narrowing of curricula have significantly impacted school districts’ ability to provide inclusive, high-quality visual and performing arts experiences. And, while some families are able to subsidize children’s exposure to performing, visual, and fine arts experiences, students living in poverty face numerous systemic barriers which make such access nearly, if not entirely, impossible.

The Arts for Schools grant helps nonprofit arts organizations and qualified teaching artists in Buncombe County provide arts focused performances, workshops, residencies, and field trips for students attending K-12 public schools in Buncombe County. Priority is given to proposals benefiting economically disadvantaged schools and/or underserved communities, ensuring that students from all demographics receive the benefits of these programs. Multicultural programs will also receive priority. Grants range from $500-$1,000.

Sponsored by

Interested in supporting these amazing programs? Click here to learn more.

Call for Sculptors – 37th Annual Sculpture Celebration
Aug 1 all-day
online w/ Caldwell Arts Council

The Caldwell Arts Council announces a call for sculptors to participate in its 37th Annual Sculpture Celebration scheduled from 9am-4pm on Saturday, September 9, 2023 at the Broyhill Walking Park in Lenoir, North Carolina.

 

Sculptors are invited to enter up to 3 works in the competition that will be judged by renowned sculptor Kyle Van Lusk of Brevard, NC and offers $11,000 in cash awards. Sales and commissions are allowed with 100% of proceeds going to the sculptors. All sizes of works in all materials are welcome. In addition, large-scale outdoor works can be entered for a second exhibition and sales opportunity at the Western NC Sculpture Center.

 

Registration includes FREE help in unloading, installation, and removal of work; admission to the Friday night Sculptor’s Reception & Dinner; and a continental breakfast on Saturday. Local lodging options are available, as well as free camping at the Western NC Sculpture Center.

 

Held rain or shine, this annual family-friendly event attracts sculptors and buyers from all over the eastern United States, with attendance as high as 4,000 people. It is funded in part by generous sponsors, the North Carolina Arts Council, a division of the Department of Natural and Cultural Resource, and the National Endowment for the Arts.

 

Early registration discounts are available and special rates are provided for students. For complete details, visit www.caldwellarts.com, or contact the Caldwell Arts Council at 828-754-2486 or [email protected].

 

Inqwiry: Outdoor Wire Sculptures by Josh Coté
Aug 1 all-day
Grovewood Village

Grovewood Gallery will present Inqwiry, an outdoor exhibition of wire animal sculptures by Bakersville, NC, artist Josh Coté. This event is open to the public and free to attend. Inqwiry will remain on view through August 13, 2023.

Biltmore Estate: Ciao! From Italy Sculptural Postcard Display
Aug 1 @ 8:30 am
Biltmore Estate

Included with admission

Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.

Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.

Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!

Exhibition: NEO MINERALIA
Aug 1 @ 10:00 am – 6:00 pm
Center for Craft

Photo credit:

Sae Honda. Courtesy of the Artist.

NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.

NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.

The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.

Exhibition: Something earned, Something left behind
Aug 1 @ 10:00 am – 6:00 pm
Center for Craft

Photo credit:

J Diamond, “Pony II,” 2022. Courtesy of the Artist

Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.

Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.

Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.

Exhibition: Crafting Denim
Aug 1 @ 10:00 am – 6:00 pm
Center for Craft

Photo credit:

Photograph by Bowery Blue Makers

Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.

A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.

Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.

Carolina Shine Moonshine Experience
Aug 1 @ 10:30 am – 3:00 pm
Great Smoky Mountain Railroad

“Shine and Dine” on the railway! We cordially invite you to hop on board The Carolina Shine, GSMR’s All-Adult First Class Moonshine Car! We will be proudly serving hand crafted, triple-distilled, craft moonshine. Some of the smoothest tasting moonshine in the Carolinas! Offered on the Nantahala Gorge excursion, this shine and dine experience begins in a renovated First Class train fleet car, The Carolina Shine. The interior features copper lined walls filled with the history of moonshining in North Carolina. Learn about the proud tradition that the Appalachians established when bootlegging was an acceptable way of life and local home brews were the best in town. Read about Swain County’s very own Major Redmond, the most famous mountain moonshine outlaw of the 19th century. Once your appetite for knowledge is satisfied, enjoy sample tastings of flavors like Apple Pie, Blackberry, Blueberry, Cherry, Peach, and Strawberry moonshine. If the samples are not enough, there will be plenty of Moonshine infused cocktails like Copper Cola or Moonshiner’s Mimosa available for purchase. GSMR is excited to feature multiple craft NC based distilleries to serve our guests only the best! Each jar is handcrafted and authentically infused with real fruit, the way moonshine was meant to be made. Passengers will also enjoy a full service All-Adult First Class ride with an attendant and our popular Cajun seasoned Pulled Pork BBQ with Sweet Baby Ray’s sauce cooked in our special spices and slow roasted to perfection! During the month of October, 9am departures will feature the option of a delicious Cheesy Shrimp & Grits or Cheesy Ham Hash Brown Casserole while 2pm departures will be served the popular BBQ meal.

Nantahala Gorge Excursion
Aug 1 @ 10:30 am – 3:00 pm
Great Smoky Mountain Railroad

TAKE A TRAIN RIDE ALONG SIDE THE BEAUTIFUL NANTAHALA RIVER ON OUR NANTAHALA GORGE EXCURSION! DEPARTING FROM BRYSON CITY, THIS 4½ HOUR ROUNDTRIP EXCURSION CARRIES YOU 44 MILES TO THE NANTAHALA GORGE AND BACK AGAIN ARRIVING AT OUR BRYSON CITY DEPOT.

Enjoy the sights and sounds of the Great Smoky Mountains while traveling along the Tennessee and Nantahala (nan-tuh-HAY-luh) River. The historic trellis bridge Fontana Trestle takes you across Fontana Lake and into the beautiful Nantahala Gorge. Onboard dining is available in First Class Seating and selecting from our  First Class Dinning menu options OR you can pre-purchase a box lunch option to make this an amazing unique moving dining experience. Arrive at our layover destination in the heart of the Nantahala Gorge for a one-hour layover where you can relax by the river or enjoy sightseeing!

Itinerary

30m before departure Boarding begins at Bryson City Depot
See schedule for departure time Depart Bryson City, NC
1h 45m Reach top of the line
2h 00m Begin return
2h 30m—3h 30m Layover
3h 30m Depart Layover
4h 30m Arrive at Bryson City Depot
Time from Departure Activity
Rock Crawlers: outdoor educational program for ages 4-7
Aug 1 @ 10:30 am – 12:00 pm
Pisgah Visitor Center

 

DATES

These programs will be offered on the first Tuesday and last Tuesday of each month (with the exception of July).

Tuesday, May 2, 2023
Tuesday, May 30, 2023
Tuesday, June 6, 2023
Tuesday, June 27, 2023
Tuesday, July 11, 2023
Tuesday, July 25, 2023
Tuesday, August 1, 2023
Tuesday, August 29, 2023

 

COST

Complimentary

TICKETS →

Rock Crawlers is an outdoor educational program offered through the Pisgah Visitor Center for ages 4-7.

Event Details

Rock Crawlers is an outdoor educational program offered through the Pisgah Visitor Center for ages 4-7. Programs are 1.5 hours long and begin with the reading of a forest-themed story and include fun activities, games, and a craft. Beginning on May 2nd through August 29 from 10:30 till 12:00. These programs will be offered on the first Tuesday and last Tuesday of each month. Perfect for families looking to expand their children’s knowledge of the forest and all the treasures that are hidden within.

Email: [email protected] to reserve your space!

SCHEDULE

10:30 am-12:00 pm

WHAT TO BRING

This program will utilize both indoor and outdoor spaces. Assure that your child is wearing the proper clothing for getting dirty.

Camera
Water Bottle
Comfortable Shoes for walking and getting wet!

 

Black Mountain College and Mexico (BMC/MX): Exhibition
Aug 1 @ 11:00 am – 5:00 pm
Black Mountain College Museum + Arts Center

Black Mountain College and Mexico (BMC/MX): Exhibition, Publication, and Public Programming

Black Mountain College (1933–1957), a small but remarkably influential liberal arts school in rural North Carolina, had important links to Mexico that until now have been little investigated. A crucible of twentieth-century creativity, BMC galvanized and inspired artists and intellectuals from around the world, while Mexico’s innovations and age-old traditions—in fine and applied arts, architecture, poetry, music, performance, and more—dovetailed with, and indeed drove, global impulses toward modernism and beyond. Among the many key BMC figures whose lives were importantly touched by experiences in Mexico were Anni and Josef Albers, Ruth Asawa, John Cage, Jean Charlot, Elaine de Kooning, Buckminster Fuller, Carlos Mérida, Robert Motherwell, Charles Olson, Clara Porset, M.C. Richards, and Aaron Siskind. In turn, engagements with BMC and its legacy have played a significant role in shaping contemporary approaches to art in Mexico, evident in the works of Jorge Méndez Blake, Iñaki Bonillas, Abraham Cruzvillegas, Jose Dávila, Gerda Gruber, Lake Verea, Gabriel Orozco, and Damián Ortega, among others.

The exhibition BMC/MX features works by these and other prominent contemporary Mexican artists alongside a selection of historic works by BMC artists, highlighting the ways in which ideas and modalities are translated across materials, space, and time.

Related programming, planned in collaboration with Mexican artists, features a series of public events, including a performance by artist (and BMC/MX co-curator) David Miranda to take place at Different Wrld; an exhibition visit (in Spanish and English) with BMC/MX Project Director Eric Baden; and a series of experiential art events in the BMCM+AC library.

The exhibition is accompanied by the book Black Mountain College and Mexico (forthcoming late summer 2023), which investigates the people, ideas, and practices linking BMC and Mexico during the life of the school, as well as resonances between BMC and the work of contemporary Mexican artists. With contributions by BMC/MX’s curators, as well as by artist Abraham Cruzvillegas, design scholar Ana Elena Mallet, and author and activist Margaret Randall, this fully illustrated volume brings new light to this complex and underexplored subject.

BMC/MX is an investigation into modes of communication—the arenas in which new ideas and alliances may come to be—between Black Mountain College and Mexico, between past and present, between form and idea.

About the Curators

BMC/MX’s Project Director Eric Baden is a photographer and from 1994 to 2022 was professor of photography at Warren Wilson College in Swannanoa, North Carolina. He is the founding director of photo+, a multidisciplinary arts event held in Asheville, North Carolina.

Artist and educator David Miranda is curator at the Museo Experimental El Eco (Universidad Nacional Autónoma de México, UNAM), and teaches at the Escuela Nacional de Pintura, Escultura y Grabado “La Esmeralda” in Mexico City.

Diana Stoll is an editor, writer and curator who works with institutions such as The Museum of Modern Art and the J. Paul Getty Museum. She has served as an editor at Aperture and Artforum magazines, and contributes writings to prominent arts publications.

The Photographs of Anne Noggle
Aug 1 @ 12:00 pm
Tryon Fine Arts Center
On Exhibit
TFAC’s JP Gallery
June 22 – August 18
Anne Noggle’s work consistently challenged the stereotypes and standard mythologies of women. She herself began her artistic career at age forty-three, to complement her already-established
profession as a pilot.
The exhibit is a joint presentation between TFAC, and the Tryon Arts & Crafts School and both locations are curated by Martha Strawn, president of the
Anne Noggle Foundation and art historian Lili Corbus.
Intro to Watercolor: Learn to Paint a Landscape
Aug 1 @ 2:00 pm – 3:30 pm
Weaverville Public Library
  Learn basic watercolor techniques and paint a landscape with local artist and instructor, Kelly Reese. This workshop is designed for teens and adults (ages 12 and up).  No experience needed but space is limited and pre-registration is necessary. Call the Weaverville Library at 250-6482 to register
LEGO Builders Club
Aug 1 @ 3:30 pm – 4:30 pm
Pack Memorial Library

Come down the Pack Memorial Library and play with LEGOs!
Show off your building skills and make new friends with other LEGO maniacs.

Please leave your personal LEGOs at home, because we’ve got plenty.

School Age – (grades K-5)
Dark City Poet’s Society
Aug 1 @ 6:00 pm – 7:30 pm
Black Mountain Library

Great news for poets and poetry lovers: Dark City Poet’s Society is returning to the Black Mountain Library. DCPS is a completely free poetry group that is open to poets of all ages and experience levels. Join us at the Black Mountain Library from 6-7:30 p.m. on the first Tuesday of every month for our (respectful) critique group. DCPS will meet at BAD Craft from 6-7 p.m. on the third Tuesday for our monthly open mic Poetry Night. Find out more on Instagram @darkcitypoetssociety or contact the Black Mountain Library.

Wednesday, August 2, 2023
Applications open: 2024 Asheville Fringe Arts Festival
Aug 2 all-day
online w/ Asheville Fringe Arts

APPLICATIONS OPEN NOW!

Do you have a boundary-pushing, innovative performance piece, short film or installation that you’re ready to share?

We will open applications for the film portion of the festival in fall 2023. Films must be submitted via FilmFreeway. Our application fee for films is $5.


NOW CONSIDERING WORKS OF ALL KINDS

We accept live performances from 5 to 60 minutes in length, plus installations and films. We’re open to other types of performance as well – let’s talk! Depending on its length, your piece may be grouped with another show, or scheduled as a Random Act of Fringe. RAFs are free and open to the public, and artists receive a stipend for their performance, rather than relying on door sales.

Typically each artist with a ticketed show gets 2 performances. But in 2024, we’re exploring the option of giving a few shows 3 performances, at select venues only. Our venues range from 20-80 person capacity.

1. FRINGE SHOT

A piece that is
5-15 minutes long

May be paired with another performance, or be selected as a free Random Act of Fringe.

2. SHORT FORM

A piece that is
20-40 minutes long

May be paired with another show.

3. FULL-LENGTH

A piece that is
45-60 minutes long

Ticketed theater-style show.

4. INSTALLATION

A piece that is
Site-specific (any length)

May be in an unusual location, or repeated many times. May be seen by as few as one person at a time.

5. FILM

A piece that is
Designed specifically for film.

May be of any genre & length. Could be combined with other films for a showcase or film night.
Submit on Film Freeway Fall 2023

3. THE ASHEVILLE FRINGE ARTS FESTIVAL IS A JURIED FESTIVAL.

We carefully review each and every submission. You’ll know by late October if your piece is selected. Should your piece get selected, there is a $35 participation fee.