Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Friday, October
13, 2023
Biltmore Estate: Ciao! From Italy Sculptural Postcard Display
Art Exhibition: Eden Revisited
Exhibition: NEO MINERALIA
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Exhibition: Something earned, Something left behind
Exhibition: Crafting Denim
Textural Sunset Mosaic Workshop with Michelle Sider
Beyond the Lens: Photorealist Perspectives on Looking, Seeing, and Painting
Romare Bearden: Ways of Working Exhibition
The Art of Food: From the Collections of Jordan D. Schnitzer and His Family Foundation
Western North Carolina Glass: Selections from the Collection
Pack Square Artisan Market
Krafthouse 2023: Forest of the New Trees
Krafthouse 2023: Forest of the New Trees–immersive art installation
“Romeo + Juliet: In Memoriam
The Comedy Zone featuring Leonard Ouzts
“Ben + Angela” by David Brendan Hopes
A Case for the Existence of God
Death of a Salesman
By Arthur Miller
MacBeth
Montford Park Players: Wonderland Legacies: Alice’s Adventures in Murderland
THE SPLATTER PLAY
The Splatter Play
By Abby Auman
Wonderland Legacies: Alice’s Adventures in Murderland
Young Frankenstein
The Comedy Zone featuring Leonard Ouzts
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
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Photo credit:
Sae Honda. Courtesy of the Artist.
NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.
NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.
The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.
Photo credit:
J Diamond, “Pony II,” 2022. Courtesy of the Artist
Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.
Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.
Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.
Photo credit:
Photograph by Bowery Blue Makers
Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.
A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.
Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.
A new workshop titled “Textural Sunset Mosaic Workshop” – featuring sought-after Glass Mosaic Artist Michelle Sider – will take creative students to the next level in practices including color theory, creative glass placement and textural design. Over three days, Sider will guide students through the entire process of creating a 10” x 10” textural sunset mosaic, based on one of six stunning sunset images. Michelle Sider will present this experience through Linda Pannullo Mosaics in Asheville. This is the second time she has been welcomed as a visiting artist.
“I am thrilled to return to North Carolina to teach a brand-new method of textured mosaics that I have been developing,” said Sider. “Working with Linda Pannullo is a great fit for so many reasons. First of all, she is fun and we enjoy one another’s company. Second, we both love nature and this workshop focuses on textured sunsets. And third, we both are consistently looking for ways to expand the horizons of mosaics.
Sider is no stranger to the classroom. She has studied and taught art for more than 40 years. She combines practical knowledge, classroom experience and a true passion for art into rare workshop opportunities like this one.
Throughout the history of painting from the mid-19th century forward, artists have used an
endless variety of approaches to record their world. Beyond the Lens: Photorealist Perspectives on Looking, Seeing, and Painting continues this thread, offering an opportunity to explore a singular and still forceful aspect of American art. Photorealism shares many of the approaches of historical and modernist realism, with a twist. The use of the camera as a basic tool for organizing visual information in advance of painterly expression is now quite common, but Photorealists embraced the camera as the focal point in their creative process.
Beyond the Lens presents key works from the collection of Louis K. and Susan Pear Meisel,
bringing together paintings and works on paper dating from the 1970s to the present to focus on this profoundly influential art movement. The exhibition includes work by highly acclaimed formative artists of the movement such as Charles Bell, Robert Bechtle, Tom Blackwell, Richard Estes, Audrey Flack, and Ralph Goings as well as paintings by the successive generations of Photorealist artists Anthony Brunelli, Davis Cone, Bertrand Meniel, Rod Penner, and Raphaella Spence. Featured artworks in the exhibition include diverse subject matters, but the primary focus is on the common and every day: urban scenes, “portraits” of cars, trucks, and motorcycles, still life compositions using toys, food, candy wrappers, and salt and pepper shakers. All provide opportunities for virtuoso studies in how light, reflection, and the camera as intermediary shapes our perception of the material world.
This multigenerational survey demonstrates how the 35-mm camera, and later technological
advances in digital image-making, informed and impacted the painterly gesture. Taken together, the paintings and works on paper in Beyond the Lens show how simply spellbinding these virtuosic works of art can be.
“Beyond the Lens offers a fascinating look into the Photorealism movement and delves into the profound connection between the artists’ observation and creative process,” says Pamela L. Myers, Executive Director of Asheville Art Museum. “We are delighted to present this curated collection of artworks encapsulating the creative vision and technical precision that defines this artistic genre.”
Photorealism found its roots in the late 1960s in California and New York, coexisting with an explosion of new ideas in art-making that included Conceptual, Pop, Minimalism, Land and Performance Art. At first, representational realism coexisted with the thematic and conceptual explosion but was eventually relegated to the margins regarding critical and curatorial attention. Often misunderstood and sometimes negatively criticized or lampooned as a betrayal of modernism’s commitment to abstraction, the artists involved in Photorealism remained committed explorers of the trail they had blazed. In the decades of the late twentieth century and early twenty-first century, realistic and symbolic painting experienced a renaissance, as contemporary artists are increasingly drawn to narrative and storytelling. Concurrently, using a camera as a preparatory tool equally legitimate and valuable as pencils and pens has made the rubric of Photorealism increasingly relevant.
This exhibition is organized by the Asheville Art Museum and guest curated by Terrie Sultan.
This exhibition is sponsored in part by Jim and Julia Calkins Peterson.
Romare Bearden (Charlotte, NC 1911–1988 New York, NY), African American writer and artist, is renowned for his collages. He constantly experimented with various techniques to achieve his artistic goals throughout his career. This exhibition highlights works on paper and explores his most frequently used mediums, including screen-printing, lithography, hand-colored etching, collagraph, monotype, relief print, photomontage, and collage.
Bearden’s work reflects his improvisational approach to his practice. He considered his process akin to that of jazz and blues composers. Starting with an open mind, he would let an idea evolve spontaneously.
“Romare Bearden: Ways of Working highlights Bearden’s unique artistic practice and masterful storytelling through art,” says Pamela L. Myers, Executive Director of the Asheville Art Museum. “We are thrilled to collaborate with Jerald Melberg Gallery to present these extraordinary works on paper in conversation with Bearden’s collage Sunset Express, 1984 in the Museum Collection (on view in the Museum’s SECU Collection Hall). This exhibition will also provide a glimpse into the cultural histories and personal interests that influenced his art-making practice, and we hope it encourages introspection and dialogue with our visitors.”
Jerald Melberg states, “Romare Bearden’s groundbreaking artistic practice continues to captivate audiences worldwide. With an unparalleled legacy of creativity and innovation, Bearden’s contributions to art remain deeply influential years beyond his life.” We have enjoyed organizing this exhibition with the Asheville Art Museum to showcase his artistic genius and inspire visitors from the Western North Carolina region and beyond.”
This exhibition is made possible in part by the Judy Appleton Fund. Many thanks to the Jerald Melberg Gallery for the loan of these important artworks and to Mary and Jerald Melberg for their long-standing support of the arts, artists, and the Asheville Art Museum.
The Art of Food features works from important postwar artists, like Robert Rauschenberg, Roy Lichtenstein, John Baldessari, Wayne Thiebaud, Ed Ruscha, Andy Warhol, David Hockney, and Jasper Johns, alongside the work of contemporary artists, like Alison Saar, Lorna Simpson, Enrique Chagoya, Rachel Whiteread, and Jenny Holzer, among others.
The Art of Food features more than 100 works in mediums that include drawings, paintings, photographs, prints, sculptures, and ceramics by 37 artists.
Each artist has a unique means of depicting food in their work that, when seen alongside others, creates a nuanced representation of the complex place food holds in everyday life. Cross-historical resonances between artists in the exhibition spark novel meditations on food and its discontents, while speaking to a broad range of audiences.
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Western North Carolina is important in the history of American glass art. Several artists of the Studio Glass Movement came to the region, including its founder Harvey K. Littleton. Begun in 1962 in Wisconsin, it was a student of Littleton’s that first came to the area in 1965 and set up a glass studio at the Penland School of Craft in Penland, North Carolina. By 1967, Mark Peiser was the first glass artist resident at the school and taught many notable artists, like Jak Brewer in 1968 and Richard Ritter who came to study in 1971. By 1977, Littleton retired from teaching and moved to nearby Spruce Pine, North Carolina and set up a glass studio at his home. Since that time, glass artists like Ken Carder, Rick and Valerie Beck, Shane Fero, and Yaffa Sikorsky and Jeff Todd—to name only a few—have flocked to the area to reside, collaborate, and teach, making it a significant place for experimentation and education in glass. The next generation of artists like Hayden Wilson and Alex Bernstein continue to create here. The Museum is dedicated to collecting American studio glass and within that umbrella, explores the work of Artists connected to Western North Carolina. Exhibitions, including Intersections of American Art, explore glass art in the context of American Art of the 20th and 21st centuries. A variety of techniques and a willingness to push boundaries of the medium can be seen in this selection of works from the Museum’s Collection. |
Juried market features handmade goods from local and independent artists.
What will Appalachia be in a post-major event future?– The Center for Craft is thrilled to announce Krafthouse, a new immersive art installation, made for and by the community, that will evolve and change each year in their historic building at 67 Broadway in downtown Asheville.Local artist Jeannie Regan leads the inaugural year as Creative Director with the vision for Krafthouse 2023: Forest of the New Trees. Between September 28 and October 13, the curious will be rewarded with a ticketed installation that changes nightly, as artist and audience participation weave a story of radical collaboration in Appalachia in the aftermath of a mysterious, world-changing event.
In the spirit of immersive performances, events, and installations like Meow Wolf, Punchdrunk’s Sleep No More, and Burning Man, Krafthouse 2023: Forest of the New Trees invites self-guided exploration of a strange, new landscape and its imagined ecologies and societies, including cultures, customs, and micro currencies. Return visits will reward guests with new perspectives and illuminate new paths through the experience.
Selected local artists working with Center staff and Regan will each interpret the theme in their own way. The end result will be the creation of a small, self-sustaining community that has made itself anew. A night market atmosphere will welcome visitors, who will be able to make, gift, and trade goods with the artists and each other, with the opportunity to take home keepsakes – as well as leave their own imprint on the space.
The installation asks visitors to participate and collaborate to the extent they wish. Guests are invited to come in costume to share their own interpretation of the post-major event, and to bring any of their own offerings for the space. Costumes and materials will also be available onsite for people who would like to step into this new reality more fully when they arrive.
In her exploration of the theme, Regan researched the centuries-old craft traditions of Appalachia, including their relationship to Indigenous wisdom, hillfolks’ lore, and the ancient wildness of the Blue Ridge Mountains. An undercurrent of the installation is the generational resilience of local peoples facing their own “post-major events” and collaborating radically to survive – and thrive – in their aftermath.
The varied lived experiences of people during the early days of the Covid-19 pandemic, when a multitude of realities existed simultaneously, also informed the theme. “There was no united experience in that major event that happened, because we all experienced it very differently,” Regan shares. But it was also a world where, she notes, “multiple realities intersected and radical community collaboration was the only way to survive.”
She continues, “Craft plays into all of that, because what we make says so much about us as individuals. What we make says something about what we want the future to be.”
Krafthouse 2023: Forest of the New Trees
an immersive art installation made by Asheville
creative direction by Jeannie Regan
Visit the Center for Craft at 67 Broadway in downtown Asheville, North Carolina, to discover an imagined post-major event Appalachia. You will descend into the basement to enter a world imagined by artists where craft is the only way to survive and thrive.
Guests will abide by the rules of the forest – to learn to trade without currency – and see, hear, touch, and wear what artists have crafted as a way to ensure our collective future. Each experience is unrepeatable, creating an impulse to return to explore the world anew.
Special thanks to Jeannie Regan, Creative Director and Futures Bright, Graphic Design.
General admission tickets are $15 and provide guests with a self-guided tour of the immersive installation that runs for approximately 3 weeks between September 28 – October 13 on Thursdays and Fridays from 5 – 8 pm, and on Saturdays from 2 – 4 pm and 6 – 9 pm.
Ticketed tours depart every 10 minutes, and the experience takes approximately 30 minutes. After the experience, guests will be invited to mingle and grab a beverage or snack.
Reservation Start Time indicates the time your group will be escorted from the main level down to the Krafthouse installation experience.
Please plan to arrive at the Center for Craft main entrance at 67 Broadway Street at least 15 minutes prior to your reservation start time.
The premiere of “Romeo and Juliet: In Memoriam” is a celebration of youth, talent, and the enduring power of Shakespeare’s work. Audiences can expect a moving, mesmerizing performance paired with an original score that blends classic and contemporary elements. This adaptation is more than just a play – it’s a testament to the potential and creativity of the younger generation, with every aspect of the production in the hands of Asheville-area teens.
The nation’s largest comedy club network is back! After a popular run last season, this hilarious collective returns to bring top-notch comedians for four weekends of side-splitting laughter. Some of the hottest stand-up comedians of today — seen in specials on Comedy Central, HBO Comedy, Netflix, Hulu and more — deliver witty one-liners, preposterous punchlines and hysterical anecdotes that will keep you laughing all night long. Contains adult content.
Headliner Leonard Ouzts
At 26 years old, Leonard Ouzts is a distinct rising voice in the world of stand-up comedy. A native of Virginia, his southern upbringing shaped his down to earth, observational comedic style. Leonard can most recently be seen in a breakout role of the producer Lawrence in season two of the Netflix series MASTER OF NONE. He has performed stand-up on CONAN, ADAM DEVINE’S HOUSE PARTY, and AXS’ GOTHAM COMEDY LIVE. He can also be seen in multiple episodes of TruTV’s COMEDY KNOCKOUT, MTV’s JOKING OFF, upcoming episodes of the MTV series WILD N OUT. Leonard was selected as a NEW FACE at the prestigious Montreal Just For Laughs Festival and was most recently named by RollingStone.com as a Top Ten Comic To Watch. Leonard can currently be seen playing James on the NBC comedy Abby’s opposite Natalie Morales.
The Sublime Theater presents the world premiere of David Brendan Hopes’ “Ben & Angela,” starring Scott Fisher & Kirby Gibson, directed by Steven Samuels. “No matter how long people have been doing it, marriage remains a mystery. In “Ben & Angela,” a young couple follow the twisty, sometimes hilarious, road from first infatuation through the kinks and perils of living life together for the long haul. They each know the other’s weakness. They each know each other’s strength. They know what it will look like when it is perfect.”
Written by Samuel D. Hunter
Keith, a mortgage broker and Ryan, a yogurt plant worker, are two men who, at first glance, have nothing in common. Their meeting, in Keith’s cubicle, evolves from a business discussion to a thoughtful exploration of parenthood, financial insecurity, and empathy. Both intimate and expansive, Samuel D. Hunter’s heartbreaking new play argues for hope even in the face of extreme disappointment as two men with seemingly very different lives grow to care for one another.
Content advisory: strong language
By Arthur Miller
On the Steve Lloyd Stage
Directed by Doug Savitt
A small man can be just as exhausted as a great man.
Arthur Miller’s Pulitzer-Prize winning American classic is a poignant look at the life of everyman Willy Loman, complete with grand hopes and heartbreaking missteps. Willy is on a quest for the American Dream, and wants more than anything for his family to achieve it alongside him. But their own visions of that dream – and their perceptions of who Willy really is beyond his façade – don’t necessarily match up with his reality. Through a series of tragic soul-searching revelations of the life he has lived with his wife, his sons, and his business associates, we discover how his quest for the “American Dream” kept him blind to the people who truly loved him. A thrilling work of deep and revealing beauty that remains one of the most profound classic dramas of the American Theatre.
Suitable for all audiences. Contains heavy subject matter.
Our Black Box series continues as we welcome to the stage the magnificent work of William Shakespeare. Surrender to a haunting story of ambition and its dark consequences, as a military hero and his wife conspire to seize political power. A terrifyingly prophetic tale of revenge, murder, and madness, Macbeth lays bare the fallout when the darkest side of humanity cheats its way into a position of power. One of Shakespeare’s bloodiest, scariest, and yet, most popular tragedies.
Written by Will Storrs
Directed by Deanna Braine Smith
Just in time for Halloween, local playwright Will Storrs brings us this World Premiere reimagining Alice and the characters of Lewis Carroll’s story in a seasonally-appropriate way. Sure to be a horribly good time!
All shows will run Fridays through Sundays and all will be presented at 7:30pm and prime seats can be reserved.
Montford Park Players has been bringing some of theater’s greatest works to Western North Carolina for over 50 years. Montford Park Players continues its mission of bring free theater to the community. The summer season allows everyone to come spend an evening under the stars, seeing some of the best live performances presented in Asheville.
THE SPLATTER PLAY
By Abby Auman
Directed by Jessica Johnson
It’s the day of the open house for Tina’s childhood home, which also happens to be her deceased mother’s evil laboratory. Determined to turn the terrors of the lab into selling points, Tina and her optimistic realtor parade a cast of unsavory potential buyers through the home, tormented all the while by the resident creepies and crawlies who aren’t quite as ready to move on as Tina would hope. *Note: there will be blood, so much blood.
By Abby Auman
Directed by Jessica Johnson
It’s the day of the open house for Tina’s childhood home, which also happens to be her deceased mother’s evil laboratory. Determined to turn the terrors of the lab into selling points, Tina and her optimistic realtor parade a cast of unsavory potential buyers through the home, tormented all the while by the resident creepies and crawlies who aren’t quite as ready to move on as Tina would hope. *Note: this is an immersive experience and there will be blood, so much blood.
**Content notification: language; violence; blood; gore; strobe light effects; audience-immersive scenes that may include audience members being splattered with stage blood and gore.
Our Halloween Show!
a world premiere, written by Will Storrs
Directed by Deanna Braine Smith
Book by Mel Brooks
Music and Lyrics by Mel Brooks and Thomas Meehan
Original Direction & Choreography by Susan Stroman
Presented through special arrangement with Musical Theatre International (MTI).
All authorized performance materials are also supplied by MTI.
www.mtishows.com
Director: Elizabeth DeVault
Approximate Run Time: 2 hours, 30 minutes
Rating: PG-13 due to adult humor and content
It’s alive! The electrifying adaptation of Mel Brooks’ monstrously funny film will leave you in stitches. Grandson of the infamous Victor Frankenstein, Frederick Frankenstein (pronounced “Fronk-en-steen”) inherits his family’s estate in Transylvania. With the help of a hunchbacked sidekick, Igor (pronounced “Eye-gore”), and a leggy lab assistant, Inga (pronounced normally), Dr. Frankenstein aims to fulfill his grandfather’s legacy by bringing a corpse back to life. Eventually, of course, the monster escapes and hilarity continuously abounds. With such memorable tunes as “The Transylvania Mania,” “He Vas My Boyfriend” and “Puttin’ on the Ritz,” Young Frankenstein is scientifically proven, monstrously good entertainment.
The nation’s largest comedy club network is back! After a popular run last season, this hilarious collective returns to bring top-notch comedians for four weekends of side-splitting laughter. Some of the hottest stand-up comedians of today — seen in specials on Comedy Central, HBO Comedy, Netflix, Hulu and more — deliver witty one-liners, preposterous punchlines and hysterical anecdotes that will keep you laughing all night long. Contains adult content.
Headliner Leonard Ouzts
At 26 years old, Leonard Ouzts is a distinct rising voice in the world of stand-up comedy. A native of Virginia, his southern upbringing shaped his down to earth, observational comedic style. Leonard can most recently be seen in a breakout role of the producer Lawrence in season two of the Netflix series MASTER OF NONE. He has performed stand-up on CONAN, ADAM DEVINE’S HOUSE PARTY, and AXS’ GOTHAM COMEDY LIVE. He can also be seen in multiple episodes of TruTV’s COMEDY KNOCKOUT, MTV’s JOKING OFF, upcoming episodes of the MTV series WILD N OUT. Leonard was selected as a NEW FACE at the prestigious Montreal Just For Laughs Festival and was most recently named by RollingStone.com as a Top Ten Comic To Watch. Leonard can currently be seen playing James on the NBC comedy Abby’s opposite Natalie Morales.
Saturday, October
14, 2023
Buncombe County Special Collections call for proposals
Biltmore Estate: Ciao! From Italy Sculptural Postcard Display
Build Crew Work Days Hendersonville Theatre
Adult Audition Workshop
Art Exhibition: Eden Revisited
Buncombe County Special Collections is excited to announce a call for proposals for the third year of its creative residency program.
This is an annual opportunity for artists in Buncombe County to create new, research-driven creative work using BCSC’s historic resources as source material and/or inspiration, and to present their work in the Carolina Record Shop, a dedicated exhibition space in the BCSC reading room. Artists age 18 and up, based in Buncombe County, working in any creative discipline are invited to apply.
Buncombe County Special Collections is looking for projects that will:
- Offer new, diverse perspectives on our shared history
- Identify and address gaps and/or amplify narratives that are historically underrepresented in the collection
- Educate and inspire non-traditional users of archives and special collections to engage with the collection in new ways.
More information (including the PDF of the call for proposals) is available at here. The 2024 Creative Residency is made possible in part by the Trust Fund for Buncombe County Public Libraries.
You can also visit Buncombe County Special Collections in the lower level of Pack Memorial to view the current exhibition in the Carolina Record Shop, “Belonging & Non-Belonging: The History and Future of Zines in Western North Carolina,” curated by 2023 resident Miles Lamberson.
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
We’re putting our build crew back together and we’d love to have you join us. Every 2 weeks, we’ll meet at 9 am for hands-on set construction! Whether your talents are building, painting, or you just want to learn, come out and join us every other Saturday for some creative fun. Tools and work gloves are helpful but not required
Class cost: $50
Min students: 8
Max students: 20
Class Dates: Saturday, October 14th
Time: 10am-2pm
Location: Hendersonville Theatre Main Stage
Must be 18+ to attend. The last day to receive a full refund is September 28, 2023. After September 28, 2023, no refund will be issued.
Advance registration is required. Registration deadline is Wednesday, October 11th at 5 pm.
Due to the time of day, feel free to bring some non-disruptive snacks and a water bottle.
Need-based scholarships are available upon application.
Class Description:
Do you feel like auditions are scary or overwhelming? Have you gone to several, but never gotten cast in a show? SO MUCH goes into the decisions directors make in the casting room. Let us help you get a leg up.
In this workshop, you will learn how to put your best foot forward, be the most prepared one in the room, and make dynamic and interesting choices that will make a lasting impression. This class will be rooted in the fundamental teachings of Michael Shurtleff’s book, Audition. We will take his lessons and apply them to cold readings and monologues* during the workshop. By the end of our time, we hope that you will feel more confident, creative and assured when you walk into your next audition.
*If you have an audition monologue or have one you have been considering, please feel free to bring it, along with a copy for the instructor. We will talk about how to cut a monologue for time without losing the meat of the piece. We will also talk about pairing monologues with songs for auditions.
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