Excerpts from the new musical production of At the Café will be performed at the Weaverville Community Center prior to its grand premier at Asheville’s Diane Wortham Theater in August of this year. The script and lyrics were written by local playwright Marcy Gallagher and the music was written by Sarah Kors (who you might remember graced our stage in 2022 with Tumo Kors). Marcy Gallagher will be on stage to engage with the audience for a Q&A after the performance. Free admission. Curtain time is 7:00 PM for this 75 minute performance. For more information, contact [email protected].

– ALL AGES
– FULLY SEATED SHOW
– LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE

LOVE BUBBLE (RECORD RELEASE SHOW)

Asheville’s favorite harmony driven Bubblegum Pop trio is at it again with their sophomore record release “Dream Big.” Expect more love, more bubble, and genius lyrics written and co-written by Hank Bones, Paula Hanke and Peggy Ratusz; all veterans of the Asheville music scene for decades.  From storytelling to prose and poetry, each of the 14 tracks is rich in arrangement, instrumentation, melody, rhyme and rhythm.

With reviews like the one from Music Street Journal which harkens: “it’s like a long lost gem of times gone by” and calls it “dreamy & psychedelic, entertaining & poignant.” Rocktimes finds it “wonderfully beautiful and colorful with a cool & groovy hippie vibe.” Sea of Tranquility says “with a name like Love Bubble, it’s no wonder they’d release a record with the theme of love coursing through its grooves. Listening to this album is like taking a time warp into the 1960’s or turning on your local AM dial and letting the pop vibes wash over you. Sunshiny tracks bursting with optimism! Put on your tie-dye and dive in!” Rootstime says “it’s warm, carefree and uplifting with brilliant, impeccable harmonies that invite you to forget your troubles and concerns of the modern day.”

Grail Moviehouse in Asheville’s River Arts District continues its popular event series: Music Movie Mondays. Showcasing the best in new, classic and cult films about music, these special screenings feature an introduction by music journalist Bill Kopp (that’s me), followed by a screening of the film and then a moderated discussion about what we’ve just seen and heard.

The latest in the series is HEAD, The Monkee’s 1968 film made to deconstruct their cuddly TV image. Is it weird? Oh, yes indeed. Is it fun? Absolutely. And it’s rarely seen on the big screen. Details are in the attached press release; more info at http://musoscribe.com/movies

Named ‘Classical Woman of the Year’ by Performance Today, trailblazing pianist Lara Downes returns to Brevard to share music from her new album, Love at Last, a collection of solo piano works by composers who span generations, continents, and cultures. This music explores themes of love and loss, light and darkness, renewal and redemption, the possibility of peace and compassion, and the everlasting power of love.

PERFORMANCE & ARTIST DETAILS

Auditorium seating is reserved.

Andy Grammer will be performing LIVE on the Outdoor Stage at Salvage Station on Tuesday, July 11th, 2023 with Devon Cole opening the show! Doors open at 5:30 PM and the music starts at 6:30 PM. This is an all-ages event and free for children under thee age of 7.

PAID ON-SITE PARKING opens at 4:30 PM and our FREE shuttle service to our satellite lots will be available (see FAQ page for more details). Root Down will be serving their delicious twist on Southern Soul food PLUS we will have several food trucks and FULL bars open for you to enjoy!

– ALL AGES
– SEATED SHOW
– LIMIITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE

THE WILDMANS

The Wildmans come from the hills of Floyd, Virginia, in the heart of the Appalachian mountain music tradition. From campsite jamming at festivals and fiddler’s conventions and a college level music education comes the foundation for musical exploration that sets this group apart, taking the audience on a musical journey that reflects the growth and passion of these talented musicians.

The band features award winning players:

• Eli Wildman, first place winner in mandolin at the Galax Old Fiddler’s Convention, 2018 and 2019, first place winner at the Mount Airy Fiddler’s 2017, 2018, 2019
• Aila Wildman, first place winner in Old Time Fiddle and Best All Around Performer at the 83rd annual Galax Old Fiddlers convention in 2018
• Victor Furtado, winner of the 2019 Steve Martin Prize for Excellence in Banjo, and first place Old Time Banjo at Galax 2015, 2016 and 2019

The group has appeared on stages large and small, performing in festivals such as Red Wing Roots, Chantilly Farm’s Bluegrass and BBQ festival, Grey Fox Bluegrass, Floyd Fest, and The Steep Canyon Rangers’ Mountain Song Festival. They also regularly represent young talent along the Crooked Road in regional fiddler’s conventions.  Having shared the stage with talents such as Bela Fleck, The Steep Canyon Rangers, The Steel Wheels, Danny Knicely, Sammy Shelor, Sierra Hull, Billy Strings, and more., these young musicians are making their way in the American stringband scene.

SAD DADDY

ACT welcomes Buncombe Turnpike for two nights of songs and stories on the Mainstage. As part of the concert, Buncombe Turnpike will celebrate the release of their latest album, “Good Measure”.

Buncombe Turnpike was founded in 1997 and is known for playing traditional and contemporary bluegrass, gospel tunes, and original compositions across Western North Carolina. The band members include Don Lewis, David Hyatt, Korey Warren, Tom Godleski, and George Buckner.

ACT audiences will remember Godleski as the creator of “Snowbound” – the “mountain play with mountain music”, produced by ACT in 2016 and 2018.

The award-winning Jasper String Quartet returns to Parker Concert Hall in a program both intimate and profound, with music that gives voice to the presence of the sublime within the human experience. Golijov’s commemoration of three young Holocaust victims, Esmail’s meditation on Indian ragas, and Beethoven’s transcendent quartet take the audience on a journey in search of spiritual nourishment in our everyday lives.

PERFORMANCE & ARTIST DETAILS

Jasper String Quartet
J Freivogel and Karen Kim, violins
Andrew Gonzalez, viola
Rachel Henderson Freivogel, cello

OSVALDO GOLIJOV Yiddishbbuk
REENA ESMAIL Ragamala
LUDWIG VAN BEETHOVEN String Quartet in A minor, Op. 132

Auditorium seating is reserved.

The music of Andrew Wooten & Caroline’s Roost feels like a pine-covered moonshine still on a foggy mountainside somewhere in the Carolinas. Writing from the heart Andrew seamlessly blends ear-catching vocals and genuine lyrics into a song that will leave you wanting more. This last year has seen Andrew’s career kick into gear as he has signed with Roadside Music Management, was nominated for two Upstate Music Awards in South Carolina, and performed live on Charlotte Today.

The traditional music of the mountains of North Carolina traces its roots back to the Celtic music of Ireland and Scotland. Traditional Celtic music is still played on the porches and in the pubs of the Celtic lands… and also throughout the southern Appalachian mountains.

In true pub fashion, White Horse Black Mountain hosts a traditional Irish style session twice a month, on the second and fourth Wednesdays, starting at 7pm….

……..and there is NO COVER CHARGE.

Sessions are in many ways the heart and soul of Irish traditional music, a place for players to share tunes and socialize. It’s not a performance, but rather an informal situation in which listeners are welcome to participate, whether offering encouragement, singing along on a chorus, or asking questions about the music and instruments. White Horse sessions regularly draws players from as far away as Waynesville, Cullowhee, Rutherfordton and even Clayton, Georgia.

The sessions are hosted by Richard and Melinda Halford.

Drop by for a beer or a cup of tea and get uplifted by some great traditional tunes and a few new songs.

Come join us in a long musical tradition spanning hundreds of years.

The Jasper String Quartet collaborates with BMC Artist Faculty in a program of chamber music delights by composers who span two centuries of mastery. Jesse Mongomery’s playful Strum gives way to Florence Price’s epic string quartet. Mendelssohn’s youthful quintet illustrates the brilliance of the teenage phenom – only 17 years old when he started composing this gem

PERFORMANCE & ARTIST DETAILS

Jasper String Quartet
with BMC Artist Faculty

JESSIE MONTGOMERY Strum
FLORENCE PRICE String Quartet No. 2 in A minor
FELIX MENDELSSOHN Viola Quintet No. 1 in A major

Auditorium seating is reserved.

ACT welcomes Buncombe Turnpike for two nights of songs and stories on the Mainstage. As part of the concert, Buncombe Turnpike will celebrate the release of their latest album, “Good Measure”.

Buncombe Turnpike was founded in 1997 and is known for playing traditional and contemporary bluegrass, gospel tunes, and original compositions across Western North Carolina. The band members include Don Lewis, David Hyatt, Korey Warren, Tom Godleski, and George Buckner.

ACT audiences will remember Godleski as the creator of “Snowbound” – the “mountain play with mountain music”, produced by ACT in 2016 and 2018.

– ALL AGES
– LIMITED PATIO SEATING IS FIRST COME, FIRST SERVED

THE KRICKETS

• Live Music, 6:00 p.m. and $8 specialty martinis all day at Leo’s Italian Social

For this year’s Pritchard Park Songwriter Series, the Asheville Association is teaming up with Paloma Madre who are best known for bringing Asheville the wildly successful, international concept, Open Folk. Each week will feature two world class songwriters from our community playing introspective and honest tunes about life in the 21st century. Pritchard Park will once again be filled with the sweet sounding songs of heartbreak, true love, heavy loss, and lots and lots of goofin. It’s a guaranteed good time that won’t cost you a dime!!

Concert-goers are encouraged to bring their own lawn chairs or blankets to each show. The 2023 series is made possible by the following sponsors: Pisgah AVL, Mark Kleive DDS, Cup of Jomo, Dough House, LEAF Global Arts, Greybeard Realty, Four Sisters Bakery, Acoustic Corner, The Red Radish, and Sarah Sunshine Pottery.

Our jazz trio with Thommy Knoles on keys, Felix Pastorius on bass, and Paul Gladstone on drums will perform an opening set from about 7-8:15 pm.

An open jam session follows. Drop-ins are welcome and encouraged for a suggested donation of $10.

Jazz Jam will feature a diverse array of music from jazz’s rich history, ranging from 1940s bebop up to 1970s jazz fusion, as well as material from prominent present-day composers. Bring your instruments and jam with us, or just come and enjoy!

Making Music To Tell The Truth: Spencer is a folk/pop singer songwriter, and a vocal loop artist from Boston. They do music to return to their body as a queer person in recovery from American Christian evangelicalism. Their single, Plowshare Prayer, went viral among hurting and healing people worldwide. Delivering Broadway-esque melodies accompanied by a weathered dreadnought, their performances are equally confident quirk and elegant storytelling.

Tuxedo Junction has been entertaining a long list of grateful fans for
decades; showcasing soaring vocal harmonies, danceable tunes, and a wide variety of musical styles. Come and listen to pop
music styles from the 1930s into the ’90s! Please bring your own lawn chairs, blankets, and coolers. BaseCamp Grub food truck
will be there serving the best smash burger ever!

The “One Singular Sensation,” A Chorus Line, is coming to Flat Rock Playhouse for the first time and we are thrilled to share this award-winning musical with everyone! A Chorus Line is a celebration of those unsung heroes of the American Musical Theatre: the chorus dancers. The show follows 17 would-be dancers in their quest to make the cut for a new Broadway Musical. One by one, the dancers come forward to share the stories of their lives, giving it their all and putting themselves on the line to make the cut. Only eight will remain. Capturing the spirit, tension, and hope of an audition, A Chorus Line is the musical for everyone who’s ever had a dream and put it all out there to make it come true!

A Chorus Line once held the record as the longest running show on Broadway with over 6000 performances, and heralds nine Tony® Awards including Best Musical, Best Director and Best Choreographer, as well as the Pulitzer Prize for Drama. Conceived and Originally Directed and Choreographed by Michael Bennett. Book by James Kirkwood & Nicholas Dante, Music by Marvin Hamlisch, Lyrics by Edward Kleban. Co-Choreographed by Bob Avian. Original Broadway production produced by the New York Shakespeare Festival, Joseph Papp, Producer, in association with Plum Productions, Inc.

From Iceland to Italy, and all over the U.S., San Francisco based band Dirty Cello brings the world a high energy and unique spin on blues, rock, and Americana. Led by vivacious cross-over cellist, Rebecca Roudman, Dirty Cello is cello like you’ve never heard before. From down home blues and rock with a wailing cello to virtuosic stompin’ Americana, Dirty Cello is a band that gets your heart thumping and your toes tapping!

“Dirty Cello’s music is all over the map: funky, carnival, romantic, sexy, tangled, electric, fiercely rhythmic, and textured, and only occasionally classical.” Oakland Magazine

“The band plays every style imaginable, and does some fantastic covers. (Their rendition of “Purple Haze” is incredible.) But what is most spectacular about them is hearing the depth of soul in Roudman’s playing—it goes beyond what most people would expect from the instrument. She plays it with so much heart, you’ll wonder why more bands don’t have a cellist.” Good Times Santa Cruz​

“A five-piece string ensemble that truly pushes the envelope and breaks the barriers, they blend blues, bluegrass and world music sounds with roots in the world of European classical music in a style that is unique and refreshing.” Cloverdale Reveille

“The group seamlessly careens from blues to bluegrass and rock in a way that really shouldn’t make sense but somehow does.” LA Times

“The ensemble plays a range of eclectic tunes in ways you won’t hear anyone else dare to attempt.” – Argus Courier

“Anyone who’s been in an audience when the San Francisco Bay Area Dirty Cello takes the stage knows that something unique happens whenever cellist Rebecca Roudman and ensemble come face to face with living, breathing (and whooping and shouting) fans.”

– Strings Magazine

“Dirty Cello have been hard to describe, apart from saying that a cello (played in ways you won’t quite believe) is involved, and the range of music takes the word eclectic and supercharges it to meltdown levels of energy and invention.” – Argus Courier

CLICK HERE to visit the Dirty Cello website

Dirtycello.com

CLICK HERE for some amazing video footage of Rebecca Routman and DIRTY CELLO

– ALL AGES
– STANDING ROOM ONLY

CAITLIN ROSE
Nashville-based Caitlin Rose’s new album CAZIMI finds itself released into the world at the exact right time. We’re not quite post-pandemic but we’re certainly post-vibe shift. Things are falling apart, systems are failing in front of us; chaos and danger await us the moment we step out our front doors. The perpetual mood is that of a constant hum of anxiety as we try to cope, with varying degrees of success, with the collective trauma that has consumed us unrelentingly for the past few years.

THE KERNAL

It all started with a red polyester suit. The western-style outfit belonged to Joe Garner’s father Charlie, who played bass on the Grand Ole Opry for thirty years, famously backing ‘doodle-doo-doo’ star Del Reeves. After his dad passed, Joe went into the attic of his family home, looking for a keepsake. What he found was an alter ego and the beginning of a rich, cathartic ten-year musical journey that culminates with his latest release, Listen to the Blood.

“I thought, I’m going to put this old suit on and I’m going to be my own version of some of these country guys, like my dad and Del,” says Garner.  “That’s how the project began. I thought of the name The Kernal in terms of ‘kerning,’ as in getting the letters straight in a design. Aligning myself is kind of the idea behind the name. I obviously had the love of country music that I got from my dad. But there were definitely some loose ends in our relationship that weren’t tied before he died. That part of it drove me to put myself into this world and try to iron out some demons. Listen to the Blood is the last of a three-album arc, which has been about me trying to prove myself worthy in some ways in a game that my dad had ostensibly mastered.”

With a storyteller’s eye and sly sense of humor that echoes not only his “honorary uncle” Del Reeves, but Tom T. Hall and Roger Miller, Garner delves deep into everything from family dysfunction to road trips to matters of the heart. The music, which he describes with a laugh as “diet country,” embodies the spirit of that genre without any of the slavishness or self-seriousness of much modern Americana. Rolling Stone has called his style “sweetly subversive, intellectual and addictive,” while Lo-Down said “the songs have an air of nostalgia but they sound far from old – modern, yet timeless. ”

“I think a lot of people can probably relate to the ideas I’ve been exploring,” Garner says. “Even if you come from a good family, you inherit these negative qualities that your parents hand down to you And then they die, and here you are, left dealing with them. I’ve enjoyed The Kernal project, because it reminds me of the good things in my family and the ways that I’m able to conquer some of the negative aspects. That part is sometimes hard to communicate, and I’m not even sure people are interested in that. Otherwise, the album can be appreciated in a pretty straightforward way – let’s play some music and have a good time.”