Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.

Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.

Tuesday, August 16, 2022
The 11th Annual ReStore ReUse Contest
Aug 16 all-day
online

Reuse Contest 2022 1236x728 Web Page No Url

ReUse Contest Guidelines

WHEN
The contest begins on August 1, 2022 and ends on September 30, 2022. Winners will be announced in October.

WHO
Anyone! (Except employees of Asheville Area Habitat for Humanity)

WHAT
The Asheville Area Habitat for Humanity ReStore is hosting the 11th annual ReUse Contest to showcase innovative building projects constructed predominantly of used building materials.

Winners will be selected in the following categories:

  • Furniture: $200 ReStore gift card
  • Homesteading (i.e. chicken coop, raised bed): $200 ReStore gift card
  • Live and/or work space: $200 ReStore gift card
  • Art: $200 ReStore gift card
  • Home Decor: $200 ReStore gift card
  • Vans & Vehicles: $200 ReStore gift card
  • Best in Show: $500 ReStore gift card

Winners will be announced in a press release, on Asheville Habitat’s website and social media pages, and featured in the Asheville Habitat ReStore.

OTHER DETAILS

  • Entries must be submitted electronically using the form provided.
  • Projects should have been completed within the last 2 years.
  • You may submit up to three separate projects (individually).
  • Re-submission of a project submitted in previous years will not be accepted.
  • Incomplete entries will not be considered.
  • Questions? Email [email protected].

JUDGING
There will be 5 judges, assessing entries based on:

  • Quality of design and execution
  • Replicability of concept
  • Clarity of description
  • Quality of photos (if we can’t see it well, we can’t judge it fairly)
Art Exhibit: Aphantasia by Craig Denesha
Aug 16 @ 10:00 am – 4:00 pm
Artists Collective | Spartanburg

Spartanburg modern abstract artist Craig Denesha says his exhibition, “Aphantasia: Visual Imagery Reimagined” in Gallery III of the Artists Collective | Spartanburg Aug. 2 through 25, will show visitors that “abstract art is for everyone.

“If you don’t think so, come to my show and give it a chance,” says Denesha of the exhibit of his acrylic paintings and mixed media. “While I painted these, it is up to you, the viewer, to develop your own experience and make your own interpretation.

will show visitors that “abstract art is for everyone.

“If you don’t think so, come to my show and give it a chance,” says Denesha of the exhibit of his acrylic paintings and mixed media. “While I painted these, it is up to you, the viewer, to develop your own experience and make your own interpretation.

Earth’s Gifts | Focus Gallery Exhibition
Aug 16 @ 10:00 am – 5:00 pm
Folk Art Center

purple patchwork lap quilt

Featured Artists: Jude Stuecker (fiber) Erica Bailey (jewelry) Mary Dashiell (clay) Steve Miller (wood) Rex Redd (clay)

Haywood Community College’s Professional Crafts Program Graduate Exhibition
Aug 16 @ 10:00 am – 5:00 pm
Folk Art Center
Haywood Community College’s Professional Crafts Program Graduate Exhibition
Aug 16 @ 10:00 am – 5:00 pm
Folk Art Center
RAD Collabs
Aug 16 @ 10:00 am – 5:00 pm
North Carolina Glass Center

Image for RAD Collabs

Being an artist can be a lonely endeavor. RAD Collabs seeks to inspire artists to leave behind solitary work habits, encourage new friendships and inspire imaginative art.

We put the word out to Asheville-area artists earlier this year and had an overwhelming response from painters, potters, metalsmiths, woodworkers and others who expressed an interest in working with glassblowers.

The work exhibited in this show will shine the light on these new partnerships. Come see the show and watch glassblowers in action all at the same time!

Pictured is a collaboration between Joe Nicholson and Vanessa Tsumura.

Skateboard Re-Purposed Exhibit
Aug 16 @ 10:00 am – 4:00 pm
Tryon Fine Arts Center

The synergy of vibrant outsider art created locally and shared with Tryon Fine Arts has resulted
in a one-of-a-kind art exhibit opening June 1, 2022. The Skateboard: Re-purposed includes
works from North Carolina, Oregon, California, England and Germany. Seven artists are
featured, including Tryon’s own Jonathan Caple, Nicholas Harding (England), Matt Mercurio,
George Rocha, Michael Mauney, Paris Evans and Folk Dunker (Gemany).
Skateboarding has been popular for over a century and is now experiencing a resurgence in both

the sports arena and the art world—it became an Olympic sport in 2020 and was part of a
successful 2019 Sotheby’s auction, with boards by, among others, Damien Hirst and Marilyn
Minter.
Skateboards re-purposed as art will be on exhibit in TFAC’s Parker Gallery beginning June 1,
2022. The exhibit will feature skateboard art in many sizes and forms including graceful
sculptures, nature art, chairs, wall art, a crocheted piece, photographs, and more. Several of the
exhibit pieces will be for sale, supporting both the artists and TFAC as the exhibit sponsor.
The public is invited to attend the opening reception on June 9 from 5 – 7 PM, where they can
also meet local skateboard artist, Jonathan Caple. The exhibit will be on display through to the
end of July 2022.
To access the gallery, plan to enter through the Pavilion at the rear of Tryon Fine Arts Center.
Free parking is available behind TFAC and on surrounding side streets. For more information,
call 828-859-8322 or visit www.tryonarts.org.

“Life Art Life” William Bernstein 50 Year Art Retrospective
Aug 16 @ 10:30 am – 5:00 pm
Toe River Arts, Kokol Gallery

“LIFE ART LIFE William Bernstein 50 year retrospective” exhibition August 6-October 9, 2022 at the Toe River Arts’ Kokol Gallery, Spruce Pine, NC, features the paintings and glass of this artist who has been on the forefront of the studio glass movement.

Graduating 1968 from the Philadelphia College of Arts and just married, Bernstein moved to Penland School of Crafts to be their second glass resident artist from 1968-70. He was a co-founder of the Glass Arts Society (GAS) that formed to bring together the glass community so people could work together and learn from each other. Receiving numerous awards, fellowships and grants, he has exhibited internationally and has artwork in many private and public collections. Bernstein has lived most of his professional life in the rural Celo community of Yancey, North Carolina along with his family and artist wife, Katherine Bernstin. This retrospective provides a great opportunity for one to imagine a life surrounded by art.

This has been not only been a year-long process of curating pieces for an exhibit, but a lifetime of making art that connects with all things about one’s life. Bernstein’s work in glass and paint showcases just that: his family, his pets, friends, his environs, his moods and so much more. A life well-lived in creating art. More on Bernstein Glass www.bernsteinglass.com

William Warmus (A Fellow and former curator of Modern Glass at the Corning Museum), writes for the exhibition catalog, “Bernstein is a minimalist whose style is based upon the dedication to the concepts of honesty, modesty, and humility. It has a feel of its surroundings and of the people of the region.”

The Toe River Arts Kokol Gallery is located at 269 Oak Avenue, Spruce Pine, NC 28777. The exhibition dates: August 6 – October 9, 2022. Hours: Tuesdays-Saturdays from 10:30 – 5:00 pm. 828-765-0520, www.toeriverarts.org

Public receptions on Fridays: August 12 and October 7, both 5:00-7:00 PM. Artist gallery talk Friday, August 12, 4:00 pm. The exhibition travels to Cary Arts Center November 30 – January 21, 2023.

Coinciding with the United Nations’ Year 2022 as the Year of Glass and the 60th Anniversary of the Studio Glass Movement, this has been made possible by Toe River Arts, the North Carolina Arts Council, the Cary Art Center, Art Alliance for Contemporary Glass, the Blumenthal Foundation, and Mountain Electronics in Micaville, NC.

Auditions: Elf The Musical
Aug 16 @ 5:30 pm – 7:30 pm
Asheville Community Theatre

Elf The Musical

MUSICAL

Book by Thomas Meehan & Bob Martin; Music by Matthew Sklar; Lyrics by Chad Beguelin

Directed by: Jeff Catanese

AUDITION DATES: Monday, August 15 and Tuesday, August 16, 2022; 5:30-7:30 pm

PRODUCTION DATES: December 2-December 18, 2022; Performances: Fridays December 2, 9, 16 and Saturdays December 3, 10, and 17 at 7:30pm and Sundays December 4, 11, and 18 at 2:30pm. Extra Performance Added for Thursday, December 15 at 7:30pm. Student Matinee: Tuesday December 6th, 2022 at 10am
Cast must plan to arrive at least 1 hour prior to show time.

REHEARSALS: TBA. A printed rehearsal calendar will be available at auditions – you are able to list any conflicts you have with the rehearsal schedule at this time.

DIRECTOR SEEKS: TBA

Actors of all ages, gender identities, races, ethnicities, and disabilities will be considered for any desired role indicated on their audition sheet.

AUDITION MATERIAL: TBA

AUDITION FORM: Fill out this Audition Form here or at the audition.

Wednesday, August 17, 2022
Asheville Gallery of Art’s August Show, “Cherishing Mountain Moments”, Featuring Artist Robin Altman
Aug 17 all-day
Asheville Gallery of Art

Visitors to the Asheville Gallery of Art will be able to view Robin Altman’s show from August 1st through August 31st. They will be present for a special “Meet the Artist” event on First Friday, August 5th, from 5pm-8pm in the gallery at 82 Patton Avenue.

Robin Wethe Altman was raised in a family of artists and musicians, so luckily there was plenty of support for her artistic leanings. The artist colony of Laguna Beach, California was where she grew up and she participated in the town’s galleries as well as the Summer Art Festivals there. Winning an art scholarship from the Festival of Arts, Robin went on to study art at Principia College in Elsah, Illinois. She traveled abroad with college groups to study the art of the great masters as well
as to paint on location. Presently Altman licenses her artwork to several companies that produce her work as puzzles and paint by numbers and such. The artist’s move to Asheville four years ago has proved to be a great boost in inspiration for the artist in her search for diversity and adventure.

Altman’s style of painting is recognizable and bold. Professor James Green, who she studied with at Principia College, would admonish his students to avoid painting “wallpaper”. He said that paintings should be made to stand out from the walls and be seen. Strong contrast and color helps to create such a painting. A well thought-out design is requisite to capture the attention and soothe the viewer psychologically.

In the painting, “Jumping Fences”, Altman makes the point that, in the mountains, nature is pervasive as she climbs and grows around and over man made barriers such as fences. The painting beacons the viewer to see beyond limitations as well, to the ever expanding mountain vistas.

Besides the magnificent landscape of the Appalachian Mountains, there is the charm of its animal life. In her painting of the bear, Altman depicts the quietude of the lumbering creature as her outstretched neck invites us to smell the fragrant mountain air with her as she scopes out the morning view.

Winter need not be a depressing time. To the contrary, in Altman’s painting, “Birch Trees in Winter”, there is a transcendent glow that bathes the whole snowy scene with warmth. The painting illustrates the introspective mood that penetrates a winter’s day. The birds are evidence that life is continuing even in winter. The winter season provides a time of rest to both nature and people in which to reflect on life and what matters the most.

It’s no wonder that sages of all time would go to the mountains to find serenity. This exhibit is about the peace of mind and clarity that comes from an artist making her home in the mountains.

It’s inspiring to think about the first European settlers coming to the Appalachian Mountains. “In the painting titled, “The Highlander”, I endeavored to capture the confident spirit of the kind of men who first dared to make the New World their home.” The Scotsman’s eyes appear just over Grandfather Mountain and his shoulders align with the slope of the mountains. The colors in the man and his clothes are echoed in the mountain colors, as if mountain and man were one and the same. The rugged gentleman’s eyes look directly at the viewer and special emphasis is given to his hands.

Robin’s artwork can be found under “Robin Wethe Altman” on Etsy, Fine Art America and Facebook and her website is: www.robinwethealtman.com

Bearfootin’ Public Art Walk + Auction
Aug 17 all-day
Hendersonville nc

ince 2003, the Bearfootin’ Art Walk has helped raise funding for Downtown Hendersonville and a variety of local non-profits. In addition to raising funds, the bears offer a window into good work being done by community organizations in Henderson County.

The Bearfootin’ Bears arrive as blank slates before local artists transform each in a spectacular fashion, with creative themes ranging from Mona Lisa to Blue Ridge Mountain scenery. After the “Reveal” event in early May, the bears then take up residence in downtown Hendersonville for the duration of the summer and fall, up until auction. Participants bid during the auction to raise funds for local non-profits and Downtown Hendersonville. Winning bids up to $3,000 are split evenly between the downtown program and the nonprofit chosen by the sponsor, while bid amounts exceeding $3,000 are directed entirely to the non-profit. In 2021, the Bears raised more than $100,000, and in 2022 we hope to continue the tradition of giving.

 

Grassroots Arts Grant
Aug 17 all-day
online

Since 1977, the North Carolina Arts Council’s Grassroots Arts Program (GAP) has provided North Carolina citizens access to quality arts experiences. Using a per capita based formula, the program provides funding for the arts in all 100 counties of the state through partnerships with local arts councils. The Grassroots Grant Program is made possible by the Grassroots Arts Program of North Carolina Arts Council, a division of the Department of Natural & Cultural Resources, and Buncombe County Government.

The Grassroot Arts Program provides programmatic and operating support for nonprofit arts organizations in Buncombe County. Grants for FY23 will range from $2,500-7,500 dollars depending on the size of the organization. The deadline to apply is September 15, 2022.

Multicultural programs and organizations located outside of the City of Asheville will receive special consideration. To be considered a multicultural organization the mission of the organization must be focused on supporting African American, Asian American, Latino, or Native American cultures. For a program to be considered multicultural it must be conducted by artists, ensembles, or organizations of color.

Hello Death, Where Have You Been All My Life?
Aug 17 all-day
Center for Craft

Over the past two years, artist-researcher, community organizer, and Center for Craft grant recipient, Macon Reed has built Hello Death, Where Have You Been All My Life? an immersive installation that harnesses the social function of ritual space to reflect, process grief, heal, and envision alternative futures.

The 11th Annual ReStore ReUse Contest
Aug 17 all-day
online

Reuse Contest 2022 1236x728 Web Page No Url

ReUse Contest Guidelines

WHEN
The contest begins on August 1, 2022 and ends on September 30, 2022. Winners will be announced in October.

WHO
Anyone! (Except employees of Asheville Area Habitat for Humanity)

WHAT
The Asheville Area Habitat for Humanity ReStore is hosting the 11th annual ReUse Contest to showcase innovative building projects constructed predominantly of used building materials.

Winners will be selected in the following categories:

  • Furniture: $200 ReStore gift card
  • Homesteading (i.e. chicken coop, raised bed): $200 ReStore gift card
  • Live and/or work space: $200 ReStore gift card
  • Art: $200 ReStore gift card
  • Home Decor: $200 ReStore gift card
  • Vans & Vehicles: $200 ReStore gift card
  • Best in Show: $500 ReStore gift card

Winners will be announced in a press release, on Asheville Habitat’s website and social media pages, and featured in the Asheville Habitat ReStore.

OTHER DETAILS

  • Entries must be submitted electronically using the form provided.
  • Projects should have been completed within the last 2 years.
  • You may submit up to three separate projects (individually).
  • Re-submission of a project submitted in previous years will not be accepted.
  • Incomplete entries will not be considered.
  • Questions? Email [email protected].

JUDGING
There will be 5 judges, assessing entries based on:

  • Quality of design and execution
  • Replicability of concept
  • Clarity of description
  • Quality of photos (if we can’t see it well, we can’t judge it fairly)
Art Exhibit: Aphantasia by Craig Denesha
Aug 17 @ 10:00 am – 4:00 pm
Artists Collective | Spartanburg

Spartanburg modern abstract artist Craig Denesha says his exhibition, “Aphantasia: Visual Imagery Reimagined” in Gallery III of the Artists Collective | Spartanburg Aug. 2 through 25, will show visitors that “abstract art is for everyone.

“If you don’t think so, come to my show and give it a chance,” says Denesha of the exhibit of his acrylic paintings and mixed media. “While I painted these, it is up to you, the viewer, to develop your own experience and make your own interpretation.

will show visitors that “abstract art is for everyone.

“If you don’t think so, come to my show and give it a chance,” says Denesha of the exhibit of his acrylic paintings and mixed media. “While I painted these, it is up to you, the viewer, to develop your own experience and make your own interpretation.

Earth’s Gifts | Focus Gallery Exhibition
Aug 17 @ 10:00 am – 5:00 pm
Folk Art Center

purple patchwork lap quilt

Featured Artists: Jude Stuecker (fiber) Erica Bailey (jewelry) Mary Dashiell (clay) Steve Miller (wood) Rex Redd (clay)

Haywood Community College’s Professional Crafts Program Graduate Exhibition
Aug 17 @ 10:00 am – 5:00 pm
Folk Art Center
Haywood Community College’s Professional Crafts Program Graduate Exhibition
Aug 17 @ 10:00 am – 5:00 pm
Folk Art Center
RAD Collabs
Aug 17 @ 10:00 am – 5:00 pm
North Carolina Glass Center

Image for RAD Collabs

Being an artist can be a lonely endeavor. RAD Collabs seeks to inspire artists to leave behind solitary work habits, encourage new friendships and inspire imaginative art.

We put the word out to Asheville-area artists earlier this year and had an overwhelming response from painters, potters, metalsmiths, woodworkers and others who expressed an interest in working with glassblowers.

The work exhibited in this show will shine the light on these new partnerships. Come see the show and watch glassblowers in action all at the same time!

Pictured is a collaboration between Joe Nicholson and Vanessa Tsumura.

Skateboard Re-Purposed Exhibit
Aug 17 @ 10:00 am – 4:00 pm
Tryon Fine Arts Center

The synergy of vibrant outsider art created locally and shared with Tryon Fine Arts has resulted
in a one-of-a-kind art exhibit opening June 1, 2022. The Skateboard: Re-purposed includes
works from North Carolina, Oregon, California, England and Germany. Seven artists are
featured, including Tryon’s own Jonathan Caple, Nicholas Harding (England), Matt Mercurio,
George Rocha, Michael Mauney, Paris Evans and Folk Dunker (Gemany).
Skateboarding has been popular for over a century and is now experiencing a resurgence in both

the sports arena and the art world—it became an Olympic sport in 2020 and was part of a
successful 2019 Sotheby’s auction, with boards by, among others, Damien Hirst and Marilyn
Minter.
Skateboards re-purposed as art will be on exhibit in TFAC’s Parker Gallery beginning June 1,
2022. The exhibit will feature skateboard art in many sizes and forms including graceful
sculptures, nature art, chairs, wall art, a crocheted piece, photographs, and more. Several of the
exhibit pieces will be for sale, supporting both the artists and TFAC as the exhibit sponsor.
The public is invited to attend the opening reception on June 9 from 5 – 7 PM, where they can
also meet local skateboard artist, Jonathan Caple. The exhibit will be on display through to the
end of July 2022.
To access the gallery, plan to enter through the Pavilion at the rear of Tryon Fine Arts Center.
Free parking is available behind TFAC and on surrounding side streets. For more information,
call 828-859-8322 or visit www.tryonarts.org.

“Life Art Life” William Bernstein 50 Year Art Retrospective
Aug 17 @ 10:30 am – 5:00 pm
Toe River Arts, Kokol Gallery

“LIFE ART LIFE William Bernstein 50 year retrospective” exhibition August 6-October 9, 2022 at the Toe River Arts’ Kokol Gallery, Spruce Pine, NC, features the paintings and glass of this artist who has been on the forefront of the studio glass movement.

Graduating 1968 from the Philadelphia College of Arts and just married, Bernstein moved to Penland School of Crafts to be their second glass resident artist from 1968-70. He was a co-founder of the Glass Arts Society (GAS) that formed to bring together the glass community so people could work together and learn from each other. Receiving numerous awards, fellowships and grants, he has exhibited internationally and has artwork in many private and public collections. Bernstein has lived most of his professional life in the rural Celo community of Yancey, North Carolina along with his family and artist wife, Katherine Bernstin. This retrospective provides a great opportunity for one to imagine a life surrounded by art.

This has been not only been a year-long process of curating pieces for an exhibit, but a lifetime of making art that connects with all things about one’s life. Bernstein’s work in glass and paint showcases just that: his family, his pets, friends, his environs, his moods and so much more. A life well-lived in creating art. More on Bernstein Glass www.bernsteinglass.com

William Warmus (A Fellow and former curator of Modern Glass at the Corning Museum), writes for the exhibition catalog, “Bernstein is a minimalist whose style is based upon the dedication to the concepts of honesty, modesty, and humility. It has a feel of its surroundings and of the people of the region.”

The Toe River Arts Kokol Gallery is located at 269 Oak Avenue, Spruce Pine, NC 28777. The exhibition dates: August 6 – October 9, 2022. Hours: Tuesdays-Saturdays from 10:30 – 5:00 pm. 828-765-0520, www.toeriverarts.org

Public receptions on Fridays: August 12 and October 7, both 5:00-7:00 PM. Artist gallery talk Friday, August 12, 4:00 pm. The exhibition travels to Cary Arts Center November 30 – January 21, 2023.

Coinciding with the United Nations’ Year 2022 as the Year of Glass and the 60th Anniversary of the Studio Glass Movement, this has been made possible by Toe River Arts, the North Carolina Arts Council, the Cary Art Center, Art Alliance for Contemporary Glass, the Blumenthal Foundation, and Mountain Electronics in Micaville, NC.

American Perspectives: Stories from the American Folk Art Museum Collection
Aug 17 @ 11:00 am – 6:00 pm
Asheville Art Museum
 

Jessie B. Telfair, Freedom Quilt, 1983, cotton with pencil, 74 × 68 inches. Collection American Folk Art Museum, NY, gift of Judith Alexander in loving memory of her sister, Rebecca Alexander, 2004.9.1. © Estate of Jessie. B. Telfair, image Gavin Ashworth.
American Perspectives: Stories from the American Folk Art Museum Collection showcases over 80 stellar works of folk and self-taught art including assemblages, needlework, paintings, pottery, quilts, and sculpture. Organized by the American Folk Art Museum in New York, this exhibition will be on view in the Explore Asheville Exhibition Hall at the Asheville Art Museum from June 18 through September 5, 2022.

Everyone has stories to tell from both the private and mutual experiences encountered throughout their lifetime. American folk and self-taught artists capture these stories in powerful visual narratives that offer firsthand testimonies to chapters in the unfolding story of America from its inception to the present. Beautiful, diverse, and truthful; the art illuminates the thoughts and experiences of individuals with an immediacy that is palpable and unique to these expressions. These artworks held meaning in the makers’ worlds filtered through their own perceptions.

The artworks are organized into four sections—Founders, Travelers, Philosophers, and Seekers—that respond to such themes as nationhood, freedom, community, imagination, opportunity, and legacy. Evocative visual juxtapositions and accessible contextual information further reveal the vital role that folk art plays as a witness to history, carrier of cultural heritage, and a reflection of the world at large through the eyes, heart, and mind of the artist.

“While the Asheville Art Museum exhibits many folk and self-taught artists, most are local to the Southeast,” says Whitney Richardson, associate curator. “American Perspectives adds a national voice to the conversation by adding New England, Midwestern, Southwestern, and West Coast artworks that the Museum could never achieve alone. The amount of creative output from folk and self-taught artists was (and still is) on a national level and this exhibition helps to put that into a clear context. Traveling to Asheville from the collection of the American Folk Art Museum in New York, this exhibition will complement and expand the Museum’s ongoing conversations around American history and storytelling through works of art.”

This exhibition has been organized by the American Folk Art Museum, NY, with support provided by Art Bridges. Originally curated for installation at the American Folk Art Museum February 11, 2020–January 3, 2021 by Stacy C. Hollander, independent curator. Tour coordinated by Emelie Gevalt, Curator of Folk Art and Curatorial Chair for Collections, the American Folk Art Museum.

Border Cantos | Sonic Border Art Exhibition
Aug 17 @ 11:00 am – 6:00 pm
Asheville Art Museum
Richard Misrach, Wall, Jacumba, California, 2009, pigment print, 60 × 80 inches. Courtesy the Artist. © Richard Misrach, courtesy Fraenkel Gallery, San Francisco..
Border Cantos | Sonic Border, a unique collaboration between American photographer Richard Misrach and Mexican American sculptor and composer Guillermo Galindo, uses the power of art to explore and humanize the complex issues surrounding the Mexican-American border. Organized by Crystal Bridges Museum of American Art, the transformative and multi-sensory experience will be on view in the Asheville Art Museum’s Appleby Foundation Exhibition Hall from July 22 through October 24, 2022.

Misrach, who has photographed the border since 2004, beautifully captures landscapes and objects, including things left behind by migrants. His large-scale photographs, along with grids of smaller photos, highlight issues surrounding migration and its effect on regions and people, and also introduce a complicated look at policing the boundary.

Responding to these photographs, Galindo fashioned sound-generating sculptures from items Misrach collected along the border, such as water bottles, Border Patrol “drag tires,” spent shotgun shells, ladders, and sections of the border wall itself. The sounds they produce give voices to people through the personal belongings they have left behind. The composition embraces the Pre-Columbian belief that there was an intimate connection between an instrument and the material from which it was made, with no separation between spiritual and physical worlds. Based on the Mesoamerican Venus calendar, Sonic Border plays for a total of 260 minutes and is separated into 13 cycles of 20 minutes. Within these cycles, the instruments play in small groups of two or more, or all together as an orchestra.

Presented in English and Spanish, Border Cantos | Sonic Border offers perspective on the challenges of migration, inviting us to bridge boundaries. When experienced as a whole, the images, instruments, and emanating sounds create an immersive space in which to look, listen, and learn about the complicated issues surrounding the Mexican-American border. While the artists do not seek to provide solutions to these issues, they do provide insight into a place where most people have never ventured, creating a poignant connection that draws on our humanity.

Border Cantos | Sonic Border is organized by Crystal Bridges Museum of American Art, Bentonville, Arkansas. Support for the national tour of Border Cantos | Sonic Border is provided by Art Bridges.

Learn more at ashevilleart.org.

Draped and Veiled Art Exhibit
Aug 17 @ 11:00 am – 6:00 pm
Asheville Art Museum
Draped and Veiled: 20×24 Polaroid Photographs by Joyce Tenneson showcases Joyce Tenneson’s Transformations series, which she began in 1985 and engaged with through 2005. Transformations features partially or fully nude figures poetically presented; Tenneson’s photographs have always been interested in the magic of the human figure, contained within bodies of all ages and emotions in a broad range that are both vulnerable and bold. This exhibition features 12 large Polaroids from the poetic series. Draped and Veiled will be on view May 25–October 10, 2022.
Stained with Glass: Vitreograph Prints from the Studio of Harvey K. Littleton Exhibition
Aug 17 @ 11:00 am – 6:00 pm
Asheville Art Museum
 
Left: Thermon Statom, Frankincense, 1999, siligraphy from glass plate with digital transfer on BFK Rives paper, edition 50/50, 36 1/4 × 29 3/8 inches. Asheville Art Museum. © Thermon Statom. | Right: Dale Chihuly, Suite of Ten Prints: Chandelier, 1994, 4-color intaglio from glass plate on BRK Rives paper, edition 34/50, image: 29 ½ × 23 ½ inches, sheet: 36 × 29 ½ inches. Asheville Art Museum. © Dale Chihuly / Artists Rights Society (ARS), New York.
Asheville, N.C.—The selection of works from the Asheville Art Museum’s Collection presented in Stained with Glass: Vitreograph Prints from the Studio of Harvey K. Littleton features imagery that recreates the sensation and colors of stained glass. The exhibition showcases Littleton and the range of makers who worked with him, including Dale Chihuly, Cynthia Bringle, Thermon Statom, and more. This exhibition—organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator—will be on view in The Van Winkle Law Firm Gallery at the Museum from January 12 through May 23, 2022.

In 1974 Harvey K. Littleton (Corning, NY 1922–2013 Spruce Pine, NC) developed a process for using glass to create prints on paper. Littleton, who began as a ceramicist and became a leading figure in the American Studio Glass Movement, expanded his curiosity around the experimental potential of glass into innovations in the world of printmaking. A wide circle of artists in a variety of media—including glass, ceramics, and painting—were invited to Littleton’s studio in Spruce Pine, NC, to create prints using the vitreograph process developed by Littleton. Upending notions of both traditional glassmaking and printmaking, vitreographs innovatively combine the two into something new. The resulting prints created through a process of etched glass, ink, and paper create rich, colorful scenes reminiscent of luminous stained glass.

“Printmaking is a medium that many artists explore at some point in their career,” says Hilary Schroeder, assistant curator. “The process is often collaborative, as they may find themselves working with a print studio and highly skilled printmaker. The medium can also be quite experimental. Harvey Littleton’s contribution to the field is very much so in this spirit, as seen in his incorporation of glass and his invitation to artists who might otherwise not have explored works on paper. Through this exhibition, we are able to appreciate how the artists bring their work in clay, glass, or paint to ink and paper.” 

Useful and Beautiful: Silvercraft by William Waldo Dodge
Aug 17 @ 11:00 am – 6:00 pm
Asheville Art Museum
Left to right: William Waldo Dodge Jr., Teapot, 1928, hammered silver and ebony, 8 × 5 3/4 × 9 1/2 inches. Asheville Art Museum. © Estate of William Waldo Dodge Jr. | William Waldo Dodge Jr., Lidded vegetable bowl, 1932, hammered silver, 6 × 6 5/8 × 6 5/8 inches. Asheville Art Museum. © Estate of William Waldo Dodge Jr.

Useful and Beautiful: Silvercraft by William Waldo Dodge features a selection of functional silver works by Dodge drawn from the Museum’s Collection. Organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator, this exhibition will be on view in the Debra McClinton Gallery at the Museum from February 23 through October 17, 2022.

William Waldo Dodge Jr. (Washington, DC 1895–1971 Asheville, NC) moved to Asheville in 1924 as a trained architect and a newly skilled silversmith. When he opened for business promoting his handwrought silver tableware, including plates, candlesticks, flatware (spoons, forks, and knives), and serving dishes, he did so in a true Arts and Crafts tradition. The aesthetics of the style were dictated by its philosophy: an artist’s handmade creation should reflect their hard work and skill, and the resulting artwork should highlight the material from which it was made. Dodge’s silver often displayed his hammer marks and inventive techniques, revealing the beauty of these useful household goods.

The Arts and Crafts style of England became popular in the United States in the early 1900s. Asheville was an early adopter of the movement because of the popularity and abundance of Arts and Crafts architecture in neighborhoods like Biltmore Forest, Biltmore Village, and the area around The Grove Park Inn. The title of this exhibition was taken from the famous quotation by one of the founding members of the English Arts and Crafts Movement, William Morris, who said, “have nothing in your house that you do not know to be useful or believe to be beautiful.” Not only did Dodge follow this suggestion; he contributed to American Arts and Crafts silver’s relevancy persisting almost halfway into the 20th century.

“It has been over 15 years since the Museum exhibited its collection of William Waldo Dodge silver and I am looking forward to displaying it in the new space with some new acquisitions added,” said Whitney Richardson, associate curator. Learn more at ashevilleart.org.

Thursday, August 18, 2022
Asheville Gallery of Art’s August Show, “Cherishing Mountain Moments”, Featuring Artist Robin Altman
Aug 18 all-day
Asheville Gallery of Art

Visitors to the Asheville Gallery of Art will be able to view Robin Altman’s show from August 1st through August 31st. They will be present for a special “Meet the Artist” event on First Friday, August 5th, from 5pm-8pm in the gallery at 82 Patton Avenue.

Robin Wethe Altman was raised in a family of artists and musicians, so luckily there was plenty of support for her artistic leanings. The artist colony of Laguna Beach, California was where she grew up and she participated in the town’s galleries as well as the Summer Art Festivals there. Winning an art scholarship from the Festival of Arts, Robin went on to study art at Principia College in Elsah, Illinois. She traveled abroad with college groups to study the art of the great masters as well
as to paint on location. Presently Altman licenses her artwork to several companies that produce her work as puzzles and paint by numbers and such. The artist’s move to Asheville four years ago has proved to be a great boost in inspiration for the artist in her search for diversity and adventure.

Altman’s style of painting is recognizable and bold. Professor James Green, who she studied with at Principia College, would admonish his students to avoid painting “wallpaper”. He said that paintings should be made to stand out from the walls and be seen. Strong contrast and color helps to create such a painting. A well thought-out design is requisite to capture the attention and soothe the viewer psychologically.

In the painting, “Jumping Fences”, Altman makes the point that, in the mountains, nature is pervasive as she climbs and grows around and over man made barriers such as fences. The painting beacons the viewer to see beyond limitations as well, to the ever expanding mountain vistas.

Besides the magnificent landscape of the Appalachian Mountains, there is the charm of its animal life. In her painting of the bear, Altman depicts the quietude of the lumbering creature as her outstretched neck invites us to smell the fragrant mountain air with her as she scopes out the morning view.

Winter need not be a depressing time. To the contrary, in Altman’s painting, “Birch Trees in Winter”, there is a transcendent glow that bathes the whole snowy scene with warmth. The painting illustrates the introspective mood that penetrates a winter’s day. The birds are evidence that life is continuing even in winter. The winter season provides a time of rest to both nature and people in which to reflect on life and what matters the most.

It’s no wonder that sages of all time would go to the mountains to find serenity. This exhibit is about the peace of mind and clarity that comes from an artist making her home in the mountains.

It’s inspiring to think about the first European settlers coming to the Appalachian Mountains. “In the painting titled, “The Highlander”, I endeavored to capture the confident spirit of the kind of men who first dared to make the New World their home.” The Scotsman’s eyes appear just over Grandfather Mountain and his shoulders align with the slope of the mountains. The colors in the man and his clothes are echoed in the mountain colors, as if mountain and man were one and the same. The rugged gentleman’s eyes look directly at the viewer and special emphasis is given to his hands.

Robin’s artwork can be found under “Robin Wethe Altman” on Etsy, Fine Art America and Facebook and her website is: www.robinwethealtman.com

Bearfootin’ Public Art Walk + Auction
Aug 18 all-day
Hendersonville nc

ince 2003, the Bearfootin’ Art Walk has helped raise funding for Downtown Hendersonville and a variety of local non-profits. In addition to raising funds, the bears offer a window into good work being done by community organizations in Henderson County.

The Bearfootin’ Bears arrive as blank slates before local artists transform each in a spectacular fashion, with creative themes ranging from Mona Lisa to Blue Ridge Mountain scenery. After the “Reveal” event in early May, the bears then take up residence in downtown Hendersonville for the duration of the summer and fall, up until auction. Participants bid during the auction to raise funds for local non-profits and Downtown Hendersonville. Winning bids up to $3,000 are split evenly between the downtown program and the nonprofit chosen by the sponsor, while bid amounts exceeding $3,000 are directed entirely to the non-profit. In 2021, the Bears raised more than $100,000, and in 2022 we hope to continue the tradition of giving.

 

Grassroots Arts Grant
Aug 18 all-day
online

Since 1977, the North Carolina Arts Council’s Grassroots Arts Program (GAP) has provided North Carolina citizens access to quality arts experiences. Using a per capita based formula, the program provides funding for the arts in all 100 counties of the state through partnerships with local arts councils. The Grassroots Grant Program is made possible by the Grassroots Arts Program of North Carolina Arts Council, a division of the Department of Natural & Cultural Resources, and Buncombe County Government.

The Grassroot Arts Program provides programmatic and operating support for nonprofit arts organizations in Buncombe County. Grants for FY23 will range from $2,500-7,500 dollars depending on the size of the organization. The deadline to apply is September 15, 2022.

Multicultural programs and organizations located outside of the City of Asheville will receive special consideration. To be considered a multicultural organization the mission of the organization must be focused on supporting African American, Asian American, Latino, or Native American cultures. For a program to be considered multicultural it must be conducted by artists, ensembles, or organizations of color.

Hello Death, Where Have You Been All My Life?
Aug 18 all-day
Center for Craft

Over the past two years, artist-researcher, community organizer, and Center for Craft grant recipient, Macon Reed has built Hello Death, Where Have You Been All My Life? an immersive installation that harnesses the social function of ritual space to reflect, process grief, heal, and envision alternative futures.