One in five people in the Carolinas don’t have enough food to eat.  As we enter the holiday season, November is historically one of the hardest months for food banks across the country.  Many North and South Carolinians are either looking for ways to help those in need or looking for help themselves. The Blood Connection (TBC), the non-profit community blood center serving these two states, is dedicating the month of November to addressing the issue of food insecurity in the region by offering blood donors a way to help those in need.

In the month of November, TBC will partner with Feeding the Carolinas – a network of food banks across North and South Carolina that works to provide a healthy, adequate, and consistent food supply – to promote blood donation and food donation.  Each year, Feeding the Carolinas estimates they supply food to more than 2.3 million Carolinians facing hunger.  Feeding the Carolinas also supports the Augusta, Georgia region, which TBC has recently begun operations in.

TBC needs around 1,000 blood donations per day to supply blood to more than 100 hospitals across the Carolinas, and TBC must ensure the shelves are stocked with life-saving blood products when hospital partners call. TBC has set a goal of raising $5,000 for food banks in November, with the hopes of helping neighboring non-profits stock their shelves, as well. Like the need for blood, the need for charitable food does not go away: people in this community will always need food – especially now with inflation at never-before-seen levels.  With one blood donation, a donor can save three lives and help a family in their own community have enough food on the table for Thanksgiving.

Throughout the month of November, blood donors will have the option to donate their TBC reward points in
the TBC Store to Feeding the Carolinas. At TBC centers, food collection boxes will also be placed out for
donors to give non-perishable food items. TBC is also looking for organizations to host blood drives
benefiting Feeding the Carolinas. Blood drive hosts have the option to donate $10 or $20 per blood donor to
Feeding the Carolinas. For more information about hosting a blood drive in November, go to
thebloodconnection.org/host.

The WNC Farmers Market is the premier destination for buying and selling the region’s best agriculture products directly from farmers & food producers to household & wholesale customers in an environment that celebrates the region’s diverse culture, food & heritage.

House of Operation:

WNC Farmers Market: 24/7, 361 days a year market access for farmers
Office: Monday- Friday, 8am-5pm
Market Shops: 7 days a week, 8 am-5 pm
Wholesale and Truck Sheds: 7 days a week

• The Council on Aging of Buncombe County was formed in 1964 to address the needs of seniors in our community
• We provide essential support to people over 60 who need assistance with food, heat or a/c, and health care
• Our volunteers make this work possible– consider joining us today!

Our Mission Statement: Promote the Independence, dignity, and well-being of adults through service, education, and advocacy

We are looking for volunteers to work with low-income Medicare recipients as an unbiased, knowledgeable guide, providing education and assistance with navigating through the application process to help them receive much-needed assistance with the following programs:

• Medicare Part D Extra Help/Low-Income Subsidy (LIS)
• Medicare Savings Programs
• Medicaid
• Supplemental Nutrition Assistance Program (SNAP – formerly known as Food Stamps)
• Low-Income Home Energy Assistance Program (LIHEAP)
• Commodity Supplemental Food Program (CSFP)

The safety of our clients is our highest priority. Here’s what’s required for this role:

• Clear criminal background check and driving record.
• Minimum $100,000/300,000 in auto liability coverage.
• Orientation and training with the Council on Aging.
• A reliable vehicle that will pass NC safety inspection.

Additionally, we are very flexible and will work with your schedule.

Who would make a strong candidate for this volunteer role?

• You care about seniors and want to support those who need help most
• A resident of Buncombe County, NC, or a nearby town.
• Someone willing to learn basic education about the Benefits Enrollment Center (BEC) and what benefits are available for lower-income Seniors.
• Someone willing to receive education about outreach, what larger events entail, and how to assist with these events.
• Someone willing to travel around Buncombe County and set up a table at outreach events, educating the community on the services offered at Council on Aging and the Benefits Enrollment Center.
• Someone able to assist clients with benefits applications and maintain awareness of changes to income guidelines.

If you want to help make a difference in the lives of real people right here in western North Carolina, we would love to welcome you on board as a volunteer.

Old Kentucky Home -The Thomas Wolfe Memorial

American Novelist Thomas Wolfe (1900-1938)

Considered by many to be one of the giants of 20th-century American literature, Thomas Wolfe immortalized his childhood home in his epic autobiographical novel, Look Homeward, Angel. Wolfe’s colorful portrayal of his family, his hometown of “Altamont” Asheville, North Carolina, and “Dixieland” the Old Kentucky Home boardinghouse, earned the Victorian period house a place as one of American literature’s most famous landmarks.

House tours are offered daily at half past each hour. Last tour leaves at 4:30 pm.
Group tours by reservation.

Adult – $5.00
Student (ages 7-17) – $2.00
Adult Group (10+) – $2.50 each
Student Group – $2.00 each
6 & under – Free

Hours of Operation

IT’S BEGINNING TO LOOK A LOT LIKE CHRISTMAS HERE IN THE BEAUTIFUL WESTERN NORTH CAROLINA MOUNTAINS.

The Mast General Store welcomes Columbia Sportswear’s partnership for this year’s Share the Warmth campaign. During the month of November, Mast General Store is collecting gently used coats, jackets, sweaters, and blankets to share with our neighbors
who need them. Columbia will make their own donation of coats and jackets to be shared with
our community organizations.

YWCA of Asheville is a nonprofit organization working to bridge gaps in education, health, childcare, and earning power for women and families in the Asheville region. The mission of the YWCA of Asheville is to eliminate racism; empower women; and promote peace,  justice, freedom, and dignity for all.

The YWCA indoor pool hosts a comprehensive Aquatics Program with activities for all ages, abilities, and interests.

Volunteer Roles and Responsibilities 

• Join the fun in the pool as a swim assistant. Help children and adults learn the basics of floating, kicking, breathing, and diving.
• Support the Aquatics Program with behind-the-scenes administrative work or on-the-deck supervising

Time Commitment

• Flexible time commitment

Volunteer Requirements

• Background check

Limited Capacity: 12 Guests per Tour
A truly memorable experience featuring rare photo opportunities, this exclusive guided tour offers a behind-the-scenes look at the design and construction of Biltmore House in areas unavailable on the regular house visit. Imagine yourself a Vanderbilt (or cherished Vanderbilt guest) as you take in stunning views seen only from the house’s rooftop and balconies.

Advance reservation required. Tour includes 250 stairs with no elevator access. Wheelchairs, strollers, and baby backpacks are prohibited. Backpacks are not allowed on any guided tours. Guests are required to leave backpacks in a locker or in their vehicle. To participate in this tour, guest must have a daytime ticket, a Biltmore Annual Pass, or a stay at one of the estate’s splendid overnight properties.

The Fall Studio Tour Preview Exhibition opens in the Kokol Gallery, in Toe River Arts’ Spruce Pine location at 269 Oak Ave, October 29 and runs through the end December 2022.  This exhibition gives visitors an opportunity to have a glimpse into each studio and plan their route. It’s also a great place to begin the tour or take a break from a day of non-stop art and artists.

There’s something breathtaking and awe-inspiring about driving through the mountains of western North Carolina in the Fall.  The way the trees show off by turning vibrant shades of red, yellow, and orange before leaving bare branches to the crisp winds and snowy days of winter, reminds us that nature herself is the original artist.

For more than a quarter century, the Toe River Arts Studio Tour has intrigued those who make the journey to visit places of inspiration and creation. Situated between Roan Mountain which boasts the world’s largest rhododendron garden and Mt. Mitchell, the highest peak east of the Mississippi, the Toe River Arts Studio Tour is a free, self-guided journey of the arts. This arts adventure through Mitchell and Yancey Counties will take visitors along the meandering Toe River, across its many bridges, around barns, acres of fields and miles of forests all while visiting the 83 talented studio artists who often take inspiration from the mountains they call home and 8 galleries featuring local and international art.

It doesn’t matter if you live up the hill or across the state. The Studio Tour provides an adventure for the intrepid seeker of the art experience. Artist studios come in many iterations—the building off to the side of the house, or across the field or down the road or right off the main road or down a gravel one-lane. Two-stories with a gallery space or small and cozy with a table set up or cleared off for display. Still there are others that devote a corner to each artist sharing the space. Wherever and however they are set up, the studios are exciting places to visit because they demonstrate the dynamic process used to create a finished piece. Every artist has their own way of telling a story, inviting visitors to ask questions, hold their work, and share a moment.

The art is as diverse as the artists who create it and features the work of glassblowers, jewelers, printmakers, potters, fiber artists, ironworkers, painters, sculptors, and woodworkers.

Collage paintings, assemblages, textiles, & faux artifacts designed by Jean Hess to explore the 1920 WV mining labor dispute as metaphor for the human condition.

Three rooms are filled with an eclectic mix of collage paintings ranging in scale from 6×6” to 50×70”; 3-D assemblages and faux artifacts; hand-stitched textiles; documentation in the form of historic notes, catalog entries for a collection of ephemera, photographs.
Call 828-273-3332 for weekend hours or to make an appointment. Exhibits through November 30, 2022.
Flood Gallery Fine Art Center is a non-profit 501(c)3 organization, and educates, encourages, challenges and inspires the community through music, film, literary, and contemporary art.

“Matewan as Metaphor” is an experiment in artistic license. Mixed-media artist Jean Hess creates a personal story by combining real and imagined resources with the intention of healing her own memory and transcending limits on what is possible and allowed in creative and scholarly endeavors as well as in visual art. The 1920 mining labor dispute in Matewan, West Virginia, which involved her own family, stands for a full life and its adversities.

Matewan was, in 1920, the scene of an armed skirmish between coal miners, mining companies, local union officials and hired strike-breakers. Baldwin-Felts Detective Agency thugs hired by the coal operators traveled by train to cast striking miners and their families out of their homes. The local mayor and several Baldwin-Felts agents were killed. The chief of police, the Matewan mayor, and several other locals gathered at the train station to confront the hired guns about the unlawful evictions. The Baldwin-Felts agents refused to recognize the local authority, and a shootout ensued. The mayor, some miners, and several detectives were killed. This was one of many violent conflicts that took place in Southern WV between pro-union miners and men hired by coal companies to use force and intimidation to prevent miners from unionizing.

Jean Hess takes serious training in cultural anthropology and visual art to playful levels. Her mixed-media paintings and constructions come from personal memory and nostalgia, ancestral ties and historical fact. Mining illustrations and maps signify coal mining in early twentieth century Appalachia, as well as issues concerning extractive industries, population displacement, exploitative labor practices, suffering and loss. Using collage, paint, layered resins and found ephemera Hess experiments with myriad ways one can obfuscate, surprise and entice. Found imagery is from geography and history textbooks from the early 1900’s and before. Dimensional objects are from her family or found in junk shops over time. Much of her material may be deconstructed, obscured, scrambled or carefully embellished.
Jean Hess’ multi-variant creative output segues with an equally unpredictable life. She has lived in Washington, DC, Baltimore, Albuquerque, Santa Fe and Abiquiu, New Mexico as well as Atlanta, Dallas and now Knoxville, Tennessee. Her work-for-pay background includes stints as a computer programmer, Montessori teacher, museum registrar, writer and research consultant for government and private industry. With degrees [BA, MA] in cultural anthropology she tends to draw inspiration from wide-ranging interests, and not always according to established rules.

Hess is well-known for experimental mixed-media collage paintings and assemblages that combine the skillful use of layered paint and resins, light refraction and found materials such as antique ephemera and pressed plants. Because her palette, surface and touch are consistent, one can always tell a work of art is hers. And yet Hess likes surprises, plays with materials that are sometimes unfamiliar, operates in a controlled-experiment spirit and likes accidental detours that energize her work. While she took some undergraduate art courses she is largely self-taught.

Public collections include: Huntsville Museum of Art; Evansville Museum of Art, History and Science; Knoxville Museum of Art; University of Virginia; Farm Credit Administration; Knoxville Convention Center; City of Chattanooga; St. Mary’s Hospital Heart Institute [IN]; Canon USA.

Jean Hess is proud that much of her work is in private collections, cared for by sympathetic individuals.

Capacity is limited.
Tasting room by reservation only. Make reservations in-person on the day of your Winery visit.

To participate in this activity, guest must have a daytime ticket, a Biltmore Annual Pass, or a stay at one of the estate’s splendid overnight properties.

Reservations are required for all wine tastings and must be made on the day of your visit. Because our complimentary wine tastings fill up quickly, we recommend you reserve your tasting when you arrive for your visit.

Natural Collector is organized by the Asheville Art Museum. IMAGE: Christian Burchard, Untitled (nesting bowls), 1998, madrone burl, various from 6 × 6 × 6 to ⅜ × ⅜ × ⅜ inches. Gift of Fleur S. Bresler, 2021.76.01.

Natural Collector | Gifts of Fleur S. Bresler features around 15 artworks from the collection of Fleur S. Bresler, which include important examples of modern and contemporary American craft including wood and fiber art, as well as glass and ceramics. These works that were generously donated by contemporary craft collector Bresler to the Asheville Art Museum over the years reflect her strong interest in wood-based art and themes of nature. According to Associate Curator Whitney Richardson, “This exhibition highlights artworks that consider the natural element from which they were created or replicate known flora and fauna in unexpected materials. The selection of objects displayed illustrates how Bresler’s eye for collecting craft not only draws attention to nature and artists’ interest in it, but also accentuates her role as a natural collector with an intuitive ability to identify themes and ideas that speak to one another.” This exhibition presents work from the Collection representing the first generation of American wood turners like Rude Osolnik and Ed Moulthrop, as well as those that came after and learned from them, such as Philip Moulthrop, John Jordan, and local Western North Carolina (WNC) artist Stoney Lamar. Other WNC-based artists in Natural Collector include Anne Lemanski, whose paper sculpture of a snake captures the viewer’s imagination, and Michael Sherrill’s multimedia work that tricks the eye with its similarity to true-to-life berries. Also represented are beadwork and sculpture by Joyce J. Scott and Jack and Linda Fifield.

Wednesday through Monday from 11am to 6pm

Rebel/Re-Belle: Exploring Gender, Agency, and Identity | Selections from the Asheville Art Museum and Rubell Museum combines works, primarily created by women, from two significant collections of contemporary art to explore how artists have innovated, influenced, interrogated, and inspired visual culture in the past 100 years.

Asheville-born and Raleigh-Durham-based interdisciplinary artist Sherrill Roland’s socially driven practice draws upon his experience with wrongful incarceration for a crime he did not commit and seeks to open conversations about how we care for our communities and one another with compassion and understanding. Through sculpture, installation, and conceptual art, Roland engages visitors in dialogues around community, social contract, identity, biases, and other deeply human experiences. Comprised of artwork created from 2016 to the present, Sherrill Roland: Sugar, Water, Lemon Squeeze reflects on making something from nothing, lemonade from lemons, the best of a situation. A reference to a simple recipe from the artist’s childhood, the title also speaks to Roland’s employment of materials available to him while incarcerated, such as Kool-Aid and mail from family members. In the face of his personal experiences, he invites viewers to confront their own uncomfortable complicity in perpetuating injustice. Roland’s work humanizes these difficult topics and creates a space for communication and envisioning a better future. This exhibition is organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator, in collaboration with the Artist. This exhibition is funded, in part, by a grant from South Arts in partnership with the National Endowment for the Arts.

Hosted by: The Buddhist Studies Institute

FREE – ONLINE – 30 MINUTES – DAILY
🌺Guided meditation support and community🌺

🌸Stabilization and Liberation:
In order to liberate our minds– we need stable calm.

🌸Consistency & Commitment:
Stabilizing in calm clear presence takes consistent training.

🌸Support & Community:
Daily Meditation is a container and support for your meditation focus.

Expand your meditation circle- join us online any day or every day!

Formerly known as 100 Days of practice to support a Tibetan Yogis tradition to practice 100 days in the winter, this has now been expanded to continue daily. To learn more and register: https://buddhiststudiesinstitute.org/daily-meditation/

THE POLAR EXPRESS™ with the Great Smoky Mountains Railroad is back in 2022! The 1¼ hour round-trip passenger excursion comes to life as the train departs the Bryson City depot for a journey through the quiet wilderness for a special visit at the North Pole. Set to the sounds of the motion picture soundtrack, guests on board will enjoy warm cocoa and a treat while listening and reading along with the magical story. Children’s faces show the magic of the season when the train arrives at the North Pole to find Santa Claus waiting. Santa will board THE POLAR EXPRESS™, greeting each child and presenting them with a special gift as in the story, their own silver sleigh bell. Christmas carols will be sung as they return back to the Bryson City Depot.

Weather

We encourage guests to plan ahead and stay apprised of the latest weather developments. Cancellations of a POLAR EXPRESS departure because of inclement weather are very rare. If you’re staying in the Gatlinburg/Sevierville, Tennessee area, the Great Smoky Mountains National Park Service announces road closures and openings on Twitter, or call (865) 436-1200 extension 631 for a recorded message. In such case Highway 441 is closed through the Great Smoky Mountains National Park, Interstate 40 typically remains open. Use 45 Mitchell Street, Bryson City, North Carolina 28713 as your destination to find an alternate route.

lace and Wonder presents five American artists whose work considers what we know and cannot entirely know about locations – whether real spaces or mental ones-  through depictions and transcriptions of landscape, delight, humor, memory, and narrative.

If the lurid world known as ‘The Upside-Down’ from Netflix’s Stranger Things had contemporary art situated somewhere within it, New York artist Barbara Friedman’s mood-enhanced paintings of Pinocchio and Gumby as giants invading dystopian suburban spaces might be just the thing. With an oddly satisfying neon-to-smoky palette, Friedman conjures a hyperbolic gloaming with cinematic intensity. David Skinner’s paintings are similarly situated in an atmosphere of isolation and ambiguous states of being. He remixes references to folklore, frontiers, masculinity, longing, and technological evolution with collage-like fields of painterly color and intuitive scrawls intersecting with rendered figures and landscape elements.

Only recently painting in North Carolina after living and working in Michigan and Chicago, Selene Plum describes her elegant, reductive oil and encaustic paintings as “the bone structure of this landscape and everything beneath it.” Her ongoing series Moon Mudras considers the earth, stars, and moon painted responsively onto weathered wood substrates often salvaged from local tobacco barns. North Carolina artist Melanie Norris’ airy, light-filled paintings in water media evoke a heady, buzzing summertime. Enchanted with repetition of form and color found in the stripes of drive-by tent revivals on the side of the road or clothing swinging on a line to dry, Norris contemplates the inhabited spaces of her everyday life with a confident, joyful hand.

Brooklyn artist Barry Hazard’s self-titled ‘sculpture paintings’ feature spectacular vistas of glaciers, canyons, meadows and waterfalls scaled to hobby-size. Spilling out of their frames and projecting into three-dimensional space, Hazard’s playful, deceptively lighthearted, paint-encrusted scenes form a dioramic notational catalog of the natural world and humanity’s relationship to it. Suggested narratives touching on art history and our collective love of wide-open spaces compel the viewer into a childlike and wonder-filled state of seeing.

The heady present moments and hits of nostalgia laced throughout Place and Wonder invite an immersive state of abandon, like a series of bedtime stories and lullabies strung together and dreaming out loud.

Black Balsam Knob and Tennent Mountain feature expansive views of Shining Rock Wilderness. With sunset at 5:20p, we will begin the hike at 4p to reach the summit of Tennent Mountain in time to watch the sun dip below the horizon.
We will be doing this loop counterclockwise, which is the more challenging way. This is for safety – the latter portion of the hike will be in the dark, so going this direction means we will only have to navigate Ivestor Gap, an old Jeep road, after the sun goes down, rather than more technical trails.
This hike is 4.3 mi with just under 700 ft elevation gain. We will be doing most of the climbing in the first half. We will only have one hour to hike about 2 miles to Tennent Mountain summit. This is an easy pace on flat ground, but not with the elevation. If you are not accustomed to hiking like this, please join for a different hike (more will be planned).
I’m normally not a stickler for rules, but for this event, there are a few :-/

1. We will depart the trailhead at 4pm sharp. If you are not there, we will be leaving without you. I can’t guarantee phone service, so I may not see messages letting me know you’ll be late. And since the sunset is the goal, we don’t want the group to miss it by waiting for someone who is late. The trailhead is about an hour from Asheville, so please account for that, traffic, and time to find a parking spot. I’ll be there around 3:45.
2. Bring enough water for you (and your dog if you are bringing one).
3. Dogs are welcome if they are leashed (6 ft or shorter), well behaved, and socialized with other dogs and humans. I will be bringing my pup.
4. Bring a headlamp! We will be hiking in the dark.
5. Wear appropriate/supportive shoes – the trail is rocky.
6. Bring layers. It will be very windy at the summit, and up to 20 degrees colder than in Asheville.
7. Feel free to bring snacks. The goal is to chill and watch the sunset so we will have some time to rest.
8. You are responsible for you (and your dog, if applicable). I am not a trained guide and I am not trained in wilderness first aid. By RSVPing “yes” to this event, you are acknowledging that I will not be held responsible for any injuries you may sustain on this hike.

Okay, now that that unpleasant part is done, I’ve got some fun links below! I have not done this hike yet, but the links below are where I gathered my info! Please read :-)

Thanks! Can’t wait to see you there!

https://www.alltrails.com/trail/us/north-carolina/ivestor-gap-trail-to-tennent-mountain-and-black-balsam-knob-trail

Black Balsam Knob and Tennent Mountain Loop

During the first half of the 20th century, Carl Sandburg seemed to be everywhere and do everything: poet and political activist; investigative reporter, columnist, and film critic; lecturer, folk singer, and musicologist; Lincoln biographer and historian; children’s author; novelist; and media celebrity.  He was one of the most successful American writers of thnte twentieth century.  But as time went on, his fame began to fade, and by the twenty-first century, the public knew little, if anything, about his legacy.

This presentation will help participants discover or rediscover this American icon. It is based on Dr. Quinley’s recent publication, Discovering Carl Sandburg: The Eclectic Life of an American Icon.

This event will be held in person at the Reuter Center at UNC Asheville. It will also be livestreamed and recorded for those who cannot attend in person.