Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Wanna hear the best local music and drink the best local beers? Hop aboard LaZoom’s Purple Bus and rock out with a local band while we take you on a journey to Asheville’s premiere local breweries.
Join Executive Chef Craig Richards of Atlanta’s Lyla Lila—a Southern European restaurant whose menu reflects the season’s availability. Get ready for a Springtime feast incorporating Easter traditions from Italy, accompanied by live music in the rustic ambiance of The Farm at Old Edwards.
tickets: North Mississippi Allstars Tickets | Asheville, NC | The Orange Peel (etix.com)
Nothing runs deeper than family ties. Brothers, sisters, fathers, mothers, sons, and daughters understand one another at the purest level. When families rally around music, they speak this oft-unspoken bond aloud and into existence. After 25 years, twelve albums, four GRAMMY® Award nominations, and sold out shows everywhere, North Mississippi Allstars open up their world once again on their thirteenth album, Set Sail [New West Records], welcoming other family (by blood and by the road) into the fold. As legend has it, Luther and Cody Dickinson started the band in 1996 as a loose collective of like-minded second-generation musicians who shared a local repertoire and regional style. Over the years, the lineup shifted by design, and each subsequent record offered up a different combination of collaborators. This time around, they mined the talents of Jesse Williams on bass and Lamar Williams, JR. on vocals. During the Allman Betts Band Family Revival, the Dickinsons first linked up with Lamar, son of the Allman Brothers bassist Lamar Williams, Sr., becoming fast friends and collaborators and eventually paving the way for Set Sail.
“The chemistry we have with this lineup is powerful,” observes Luther. “We are all second-generation musicians and share a telepathic, relaxed ease about creating and performing. I believe music is a form of communion with our loved ones and conjuring this vibe with members of musical families can be inspirational. Lamar and I are like-minded. I’ve never had the pleasure of working with a singing partner like Lamar. He has a true-blue quality in his musicality that will pull you in and break your heart. At the same time, Jesse grew up playing music with his brothers and his father—as did we. He plays like a sibling. We recorded the album fresh off the road and captured the energy we had worked up with him. I’m drawn to musical families, regardless of style. Playing with second- or third-generation players allows us an easy unspoken musical dialog. It’s not a big thing; it’s just what we do. We never had to figure out what it means and takes to be a musician. We all inherently know.”
They picked up this wisdom by osmosis. As sons of legendary producer and musician Jim Dickinson, Luther and Cody have been producing records themselves since they were teenagers. Separately, the brothers have produced albums by Samantha Fish, R.L. Boyce, Lucero, Amy Lavere, the Birds of Chicago, Ian Segal, and more. Luther produced two records from Otha Turner, including Everybody Hollerin’ Goat, which was named one of the ten most important blues albums of the nineties. Luther and Cody co-produce North Mississippi Allstars records as the “Dickinson Brothers.”
“We learned an enormous amount from our father,” Luther says, “Cody and I made mistakes, but we’ve always believed in ourselves, and we had to learn for ourselves. Rock ‘n’ roll is self-taught. Each generation has to reinvent itself and shed the skin of the elders. On Set Sail, we feel as if we’ve once again ‘broken the code,’ and know what we want and how to get it.”
Following 2019’s Up and Rolling, which received a GRAMMY® Award nod in the category of “Best Contemporary Blues Album,” Set Sail continues the band’s tradition of creating roots music that displays remarkable variety. Luther and Cody Dickinson dig in with the production and different guitar tones; the record sizzles with hard yet understated groove, grown folk music. Luther’s wide-ranging guitar style features jazz riffs, psychedelic sounds, and soulful slide. Drummer and multi-instrumentalist Cody draws on roots music, rock, jazz, rap, and other styles to create rhythms that propel the band’s sounds and move it forward. Their two aesthetics combine to create the band’s unique style, “Primitive Modernism,” melding the new and the old, traditional, and futuristic, crafted lyrics and improvisational music. Speaking of, the first single and title track “Set Sail Part I” [feat. Lamar Williams, JR.] rides a riff right out of the Southern Delta into the embrace of a horn section as the vocal interplay simmers on the line, “The water may rise again, but we shall set sail.”
“‘Set Sail’ really set the tone,” Cody goes on. “It could be taken literally or figuratively. Philosophically, it’s about the way the waters literally do rise. We’re talking about climate change in a literal sense, but it’s also symbolic in a social sense. It won’t be the first time.”
“See The Moon” [feat. Lamar Williams, Jr. & Sharisse Norman] hinges on a head-nodding bass line as Sharisse’s harmonies uplift a downright spellbinding performance from Lamar underlined by Luther’s unpredictable guitar phrasing. The most familial moments on the record happen when Luther’s daughters Lucia and Isla sing together on “Authentic” and “Didn’t We Have A Time,” marking a full circle moment in poetic fashion. Delicate instrumentation wraps around plaintive and powerful lyrics laced with nostalgia on the lullaby-style chorus. “It’s one of my favorite songs,” smiles Cody, who has recently become a father himself. “Hearing my nieces on it was a high point. It was really meaningful, deep, and beautifully sad, but also hopeful.”
Strings and horns give way to the smoky blues of “Never Want To Be Kissed” [feat. William Bell], illuminating yet another side of the sound. Luther notes, “Most of these songs have been floating around in my lyric books, waiting for their time to come. ‘Rabbit Foot’ and ‘Outside’ were inspired by conversations I remember having with Otha Turner and R.L. Burnside. We leaned into our other greatest influences: folk, soul, and psychedelic rock, but everything we play feels like North Mississippi. The recording also benefited from a new creative process I learned from a book, Q on Producing, that Cody sent me. I read about Quincy Jones’s philosophy of never recording a vocalist reading a lyric sheet. Up and Rolling was recorded with the band in the room. The genesis of Set Sail was the nylon string guitar and the vocals, and letting the memorized lyrics shape the song structure or lack thereof. This led to a whole new phonetics-based editing process that I’d never used before. Some of the lyrics were improvised and created on the mic, capturing the moment of creation.”
Building the songs from the guitar and BPM on Set Sail enabled Luther and Cody to experiment with their drum and guitar sounds in a leisurely way they hadn’t afforded themselves since their debut album, Shake Hands with Shorty (1999). In the studio, Cody mixed the songs again and again, working tirelessly but never losing perspective. Cody’s grooves and Luther’s songwriting furnish the album’s foundations.
Luther admits, “Recently, I had my mind blown by Rick Rubin saying that fitting lyrics into the puzzle of structure can compromise the message. Indeed, rules are made to be broken. I’m glad these songs came to fruition at this time because I was able to express my stance on life and love. The fear of having my children grown up and asking me why I didn’t speak up for what I believed in has driven me and helped mature my songwriting and solidify my stance. Having kids made me get my story straight.”
The Dickinson brothers have recorded and toured with Mavis Staples, Charlie Musslewhite, John Hiatt, Robert Plant and Patty Griffin, G Love, Jon Spencer, the Tedeschi Trucks Band, Los Lobos, and the Black Crowes. Meanwhile, their seminal debut, Shake hands with Shorty (2000), earned the band the first of four GRAMMY® nominations, and changed the Dickinson brothers’ lives forever.
Luther adds, “Quincy says, ‘Music gives back what you put into it.’ We have dedicated our lives to music, and it’s given us a fantastic journey that’s still only beginning.
In 1997, R.L. Burnside hired me and took me on the road. R.L., Kenny Brown, and Cedric Burnside taught me how to tour nationally after years of touring locally. The Shake Hands with Shorty tour in 2000 took Cody and I around the world and changed our lives. We never really slowed down.”
They forge ahead always as a family, first and foremost. “North Mississippi Allstars means family,” Cody concludes. “I get the joy of working with my brother. Our families keep growing too. There’s a sense of history. The older I get, the more I realize how important it is to record this music, so younger kids can hear it. I just want to make sure we pass it on. It’s a huge honor to be a part of this tradition.”
– ALL AGES
– STANDING ROOM ONLY
How do you make something solid, beautiful, and built to last in a time of cultural chaos and personal doubt? With Mystic Familiar, Dan Deacon gives us the stunning result of years of obsessive work, play, and self-discovery. It’s at once his most emotionally open record and his most transcendent, 11 kaleidoscopic tracks of majestic synth-pop that exponentially expand his sound with unfettered imagination and newfound vulnerability.
Since 2015’s Gliss Riffer, Deacon has branched out from his core body of work as a popular recording artist into a dizzying array of collaborative projects: scoring eight films, including the feature documentaries Rat Film and Time Trial (both released as LPs on Domino Soundtracks) and HBO’s Well Groomed; collaborating with the New York City Ballet’s resident choreographer Justin Peck on the dance piece The Times Are Racing; performing expanded arrangements of his music with the Baltimore Symphony Orchestra; and for the first time producing and co-writing an album by another artist, Ed Schrader’s Music Beat’s alt-rock dynamo Riddles.
But as varied and fulfilling as these projects were, they all lacked one thing: Deacon’s voice. And in the midst of that whirlwind of activity, he returned whenever he could to a personal oasis — the songs that would become Mystic Familiar, informed by all these collaborations but built from within. Propelled by the unprecedented response to Gliss Riffer highlight “When I Was Done Dying” and the exquisite-corpse animated video that vividly amplified that song’s narrative odyssey of multiverse-traveling post-life energy, Deacon’s writing took an exploratory new direction. He further developed this new material with daily prompts from Brian Eno’s deck of Oblique Strategies and the use of meditation to access that inner well of creativity David Lynch describes in Catching the Big Fish. These techniques, in tandem with his newly adopted therapeutic practices of self-compassion and mindfulness, produced Dan Deacon songs that go places far beyond those his music has traveled before — songs that wield the profundity of a philosopher and the absurdity of a court jester as they paint life as a psychedelic journey brimming with bliss and disruption, darkness and light.
Mystic Familiar’s opening track “Become a Mountain” immediately announces itself as something new, for the first time ever on record presenting Dan’s natural singing voice, unprocessed and with only minimal accompaniment. When Deacon proclaims “I rose up” here, it is Dan Deacon singing in the first person as Dan Deacon — a startlingly vulnerable shift in a songbook abundant with characters, metaphors, and distorted vocals. As other ornate voices answer this unadorned I, we’re introduced to the album’s central concept and titular character: the Mystic Familiar, that supernatural other being that we carry with us everywhere in our head, which only we can hear and with whom we live our lives in eternal conversation. “Hypnagogic” takes us deeper into Deacon’s mind, a synth swirl similar to those which have begun his recent performances, absorbing the pulse of the room and extending that abstract moment in which a journey begins.
Stay at Half-Mile Farm for a grown-up Easter weekend featuring Executive Chef Craig Richards of Lyla Lila in Atlanta! Easter is the perfect time to leave routine behind and celebrate Spring in the splendor of Mother Nature surrounded by the pastoral grounds of Half-Mile Farm.
Guests are welcome to enjoy the grounds and trails before or after the
meal. Kanuga’s 21 miles of hiking trails will be open, as well as Daisy’s Lake Trail, which is an easy walk encircling Kanuga Lake. In
addition, Kanuga Lake’s waterfront will be open for swimming and boating from 11 a.m.-3 p.m., with canoes and kayaks available
(weather permitting). Kanuga chefs have prepared a wonderful brunch menu and we invite everyone to bring family and friends to
break bread together. The brunch buffet features rosemary beef tenderloin, brown sugar and maple ham, spring frittata, fresh fruit,
asparagus, salad bar, and more, topped off with homemade lemon bars and iced blueberry biscuits. Mimosas and Bloody Marys will
be available as well. Guests may enjoy the meal in the dining room, at outside tables, or on the Rocking Chair Porch.
Come hang with our favorite mother daughter Duo is back to perform all your favorites. Enjoy great music, great wine and food, with great friends!
Phuncle Sam is Asheville’s own Dead-Centric “jam band”. Since their formation in 2004, Phuncle Sam has been firmly rooted in musical exploration. The band serves up inventive interpretations of Jerry Garcia, Grateful Dead, and many others. They have built up a faithful following by using an approach that respects the improvisational traditions of The Grateful Dead, while exploring what can happen when individual band members bring their unique influences and interpretations into the mix.
|
Come down the Pack Memorial Library and play with LEGOs! Please leave your personal LEGOs at home, because we’ve got plenty.
|
Every Tuesday 1/2 off bottles of wine at 131 Main Restaurant
EVERY WEDNESDAY AT 6:30 pm ~ FREE!
AGES 18+ ADULTS ONLY ~ NO KIDS ALLOWED
ON OUR HUGE SCREEN IN THEATER 2!
ENJOY DINNER & DRINKS (FULL BAR) WHILE PLAYING
There are 3 rounds with new winners each round so you can show up late, miss a round and still be a winner. Plus, we have mid-round prizes to create as many winners as possible.
The questions are presented by a hilarious host on our giant movie screen and includes fun videos in each round. You haven’t played a trivia night like this one!
Beat the mid week grind with some fun trivia! Win a $25 gift card for our taproom along with a $25 gift card from our resident kitchen, Bears Smokehouse BBQ!
Every Wednesday
Trivia Night
– ALL AGES
– STANDING ROOM ONLY
Vancouver Sleep Clinic is the lustful, ambient guise of 26-year-old singer-songwriter and producer Tim Bettinson. Across his catalogue, elements of anthemic indie rock, intimate R&B, and sophisticated folk provide a sweeping film soundtrack for Bettinson’s gentle vocal and expansive storytelling. Emerging from his native Brisbane, Australia on the strength of a series of singles including “Someone To Stay,” “Middle of Nowhere,” “The Wire,” and the bedroom-produced viral cover of “As It Was,” Vancouver Sleep Clinic is poised to shift from under the radar success story to 2023 global headline mainstay.
GHOSTLY KISSES
Music has always been around Margaux Sauvé, born in Quebec to a family of musicians; she picked up the violin at the tender age of five. Moving on to the Conservatoire in Quebec, she quit due to“missing the fun part of it” but still loved music so started to play violin in local bands. Singing came a bit later as she thought that “to be a singer you had to have a powerful voice and be loud”, something that doesn’t come naturally to her as a quiet, thoughtful person. Alongside this, the pop music on the radio whilst growing up in Quebec wasn’t connecting with her, so it wasn’t until she started to write music whilst studying psychology at University that the creativity and desire to express revealed itself: “it just opened a completely new path for me”.
Writing music as Ghostly Kisses arrived at a moment where Margaux was in “a living situation I was not able to get out of. A toxic relationship where I had a hard time understanding what was happening.” With this knowledge, it is understandable that most of her early music has a sorrowful but exploratory mood; knowing there were things she needed to express, but not understanding quite how instinctively she was writing until years later it became apparent what she was singing about.
And now, with ‘Heaven, Wait’, her mesmeric debut album ready for release, her songwriting has developed to the point that this is the first time she has written and felt like she was part of the conversation. Able to view herself with an external eye, the album reflects transitions and rebirth – still talking about difficult situations, but with the ability to cast someone else in the lead role, giving the music a deeply personal yet starkly universal appeal. One which Margaux feels has come from “a more mature, adult way of looking at it.”
Identifying key themes of the album, Margaux frames the album artwork within the context of the songs as being “from water towards the air, there’s a lot of dark around me and I’m just going through to the light.” And that feels like the crux of the album, that nothing is perfect – there are always difficult situations, but it is about trusting the process and working hard towards something positive.
– ALL AGES
– LIMITED PATIO SEATING IN FIRST COME FIRST SERVE
GRIEFCAT
Griefcat is an all-women musical comedy duo hailed as “local favorites” by Washington City Paper in their hometown of DC. Often referred to as “Tenacious Double D’s” due to their musicality and hilarious lyrics, their sequin studded shows have been referred to by attendees as “the most fun [we’ve] had since Lizzo.” They recently finished recording their 2nd studio album, “late stage capitalism,” with singles expected in Spring of 2023. A live clip of one of their upcoming singles, “Revolution (Poop at Work), ” recently garnered over 1M views on Instagram and counting.
BRITTANY ANN TRANBAUGH
Brittany Ann Tranbaugh is a singer songwriter hailing from Philadelphia. Her queer country song “Kiss You” won Song of the Year in the 2021 John Lennon Songwriting Contest, and she regularly tours with Carsie Blanton. In October, she recorded a 5 song EP in LA with Grammy-nominated producer Tyler Chester, and will be releasing a single every 6 weeks beginning in March.
Every Thursday
- Live Music with Aaron Lafalce at 131 Main Restaurant, 6:00 p.m.
Trivia, Singo, tailgate games, and more! Our games are sure to challenge you, but c’mon… it’s not rocket science!
– ALL AGES
– STANDING ROOM ONLY
DEXTER AND THE MOONROCKS
Hailing from Abilene, Texas, Dexter & The Moonrocks deliver a unique Southern Alternative fusion lovingly dubbed “Western Space Grunge” by their fans. The band released their first single “Couch” in August of 2021, taking the internet by storm. After massive success with the hit single, the band released their self-titled EP featuring a number of hits like “Where I Steer” or “Behave” and receiving overwhelmingly positive responses. Lead vocalist/rhythm guitarist James Tuffs, lead guitarist/vocal harmonizer Ryan Anderson, bassist Ty Anderson, and drummer/vocal harmonizer Fox, draw on their favorite elements of bands like Nirvana, Austin Meade, Rainbow Kitten Surprise, and Whiskey Myers in order to create the unique sound that can only be described as “Western Space Grunge.”
Mother Earth Food:
Local & sustainable food delivered to your door!
Ever wish your favorite items from your local farmers market could be delivered to your door? Mother Earth Food makes that possible!
Mother Earth Food is a family-owned, grocery home delivery service featuring local organic food from farmers and food artisans from Asheville and across Western North Carolina. Mother Earth Food delivers organic and sustainably raised vegetables, meats, eggs, dairy, baked goods, prepared meals, wellness items, and pantry items to those living in Western NC.
“We believe that supporting locally raised and produced food is how we can best change our food system and help our community move towards a healthier and more sustainable future. By partnering with Mother Earth Food, you dramatically lessen the miles that your food travels to get to your plate. It is estimated that meals in the U.S. travel about 1,500 miles to get from farm to plate, while local meals travel an average of 50 miles. The environmental and economic ripple effect from what we do is not only changing our community… it’s changing the world! We’re lessening our carbon footprint by bringing the Farmer’s Market to your door!” – MEF Team.
Use the coupon code “OGS25” to get $25 off your first order.
– LIMITED PATIO SEATING IS FIRST COME, FIRST SERVED
LIZ HOPKINS (of DELTA RAE)
When Liz is not on the road or in the studio with Delta Rae, she is singing in professional musical theater productions, leading shows of her own around North Carolina, and practicing piano, teaching kids and adults to sing and now finally starting to write her own songs and put together plans for an album of her own. We’ve only just begun…
Wanna hear the best local music and drink the best local beers? Hop aboard LaZoom’s Purple Bus and rock out with a local band while we take you on a journey to Asheville’s premiere local breweries.
Our very own Keri Ann has connected with the African Christian Fellowship to embark on a Mission trip this July to Malawi, Africa.
$10 cover charge, a raffle and an opportunity to donate!
To support this wonderful cause, Saint Paul Mountain Vineyard and Appalachian Ridge will kick off Spring with a 4 week Friday Night Jam’s Fundraiser at Appalachian Ridge from 6-9pm. �We will have live Music each Friday from 6-8:30pm. There will be a $10 cover charge, a raffle and an opportunity to donate. All of these proceeds go straight to the ACFUSA to provide and support primary health care needs to 6 villages in Malawi.
Friday Night Jam’s Malawi Fundraiser will take place every other Friday; Friday, April 14th- Live Music with Collin Cheek Friday, April 28th- Live Music with Hunnilicious Friday, May 12th- TBD Friday, May 26th- TBD
https://on.soundcloud.com/5nZvbWkijEmQ2uJc7
https://soundcloud.com/bunsenburn3r
www.soundcloud.com/natblackmusic
– ALL AGES
– PARTIALLY SEATED SHOW
– SEATED AND STANDING ROOM ONLY TICKETS AVAILABLE
LORETTA LYNN BIRTHDAY TRIBUTE (HOSTED BY CYNDI LOU & THE WANT TO)
CyndiLou & the Want To hosts our 4th annual birthday tribute to the legendary Loretta Lynn, and this year it’s bittersweet. Loretta left us last October at the age of 90. She also left a beloved catalog of songs that span a glorious and groundbreaking career. Come help us celebrate Loretta’s legacy with some of the region’s finest purveyors of country music.
- Live Music at Hickory Tavern, 9:00 p.m. until 12:00 a.m.
This ain’t no disco
It ain’t no country club either…
Giddy up girls, for THE DOLLY PARTY
The Dolly Parton Inspired Country Western Diva Dance Party! This is for the 9 to 5 workin’ girls with a calling from another era who just want something a little classic. Join us in Rainbowland where you’ll dance with somebody, hand in hand to the music of Dolly Parton, Tina Turner, Carrie Underwood, Reba McEntire, The Chicks, Loretta Lynn, Shania Twain, Whitney Houston, Kacey Musgraves, Donna Summer and more. So wrangle your country-diva dancing queens and come party!
Ages 18+
This ain’t no disco
It ain’t no country club either…
Giddy up girls, for THE DOLLY PARTY
The Dolly Parton Inspired Country Western Diva Dance Party! This is for the 9 to 5 workin’ girls with a calling from another era who just want something a little classic. Join us in Rainbowland where you’ll dance with somebody, hand in hand to the music of Dolly Parton, Tina Turner, Carrie Underwood, Reba McEntire, The Chicks, Loretta Lynn, Shania Twain, Whitney Houston, Kacey Musgraves, Donna Summer and more. So wrangle your country-diva dancing queens and come party!
Mother Earth Food:
Local & sustainable food delivered to your door!
Ever wish your favorite items from your local farmers market could be delivered to your door? Mother Earth Food makes that possible!
Mother Earth Food is a family-owned, grocery home delivery service featuring local organic food from farmers and food artisans from Asheville and across Western North Carolina. Mother Earth Food delivers organic and sustainably raised vegetables, meats, eggs, dairy, baked goods, prepared meals, wellness items, and pantry items to those living in Western NC.
“We believe that supporting locally raised and produced food is how we can best change our food system and help our community move towards a healthier and more sustainable future. By partnering with Mother Earth Food, you dramatically lessen the miles that your food travels to get to your plate. It is estimated that meals in the U.S. travel about 1,500 miles to get from farm to plate, while local meals travel an average of 50 miles. The environmental and economic ripple effect from what we do is not only changing our community… it’s changing the world! We’re lessening our carbon footprint by bringing the Farmer’s Market to your door!” – MEF Team.
Use the coupon code “OGS25” to get $25 off your first order.