Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Acorns’ Annual season of trunk shows highlights the talented creators of fine art, designer jewelry, and home goods.
As a child, Theresa Forman had a passion for art and the process of creating something beautiful. However, it was not until later in life that she was able to pursue fine art and painting. Theresa greatly enjoys drawing inspiration from life where she can observe both the colors and subtle nuances in the landscape or in a still life. Working primarily in oils, she uses the Plein Air studies and photographic references to produce studio pieces that reveal the harmony found in nature.
Walt Cottingham will be demonstrating the techniques he uses to create his birdhouse ornaments, employing both modern and more traditional tools in the process. Walt will be in the lobby of the Folk Art Center on the Blue Ridge Parkway.
TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community.
The first weekly Coffee is Saturday, August 20 at 9 am.
No RSVP needed, just drop by!
Free parking available on Melrose Avenue, behind and alongside TFAC.
Black Mountain College and Mexico (BMC/MX): Exhibition, Publication, and Public Programming
Black Mountain College (1933–1957), a small but remarkably influential liberal arts school in rural North Carolina, had important links to Mexico that until now have been little investigated. A crucible of twentieth-century creativity, BMC galvanized and inspired artists and intellectuals from around the world, while Mexico’s innovations and age-old traditions—in fine and applied arts, architecture, poetry, music, performance, and more—dovetailed with, and indeed drove, global impulses toward modernism and beyond. Among the many key BMC figures whose lives were importantly touched by experiences in Mexico were Anni and Josef Albers, Ruth Asawa, John Cage, Jean Charlot, Elaine de Kooning, Buckminster Fuller, Carlos Mérida, Robert Motherwell, Charles Olson, Clara Porset, M.C. Richards, and Aaron Siskind. In turn, engagements with BMC and its legacy have played a significant role in shaping contemporary approaches to art in Mexico, evident in the works of Jorge Méndez Blake, Iñaki Bonillas, Abraham Cruzvillegas, Jose Dávila, Gerda Gruber, Lake Verea, Gabriel Orozco, and Damián Ortega, among others.
The exhibition BMC/MX features works by these and other prominent contemporary Mexican artists alongside a selection of historic works by BMC artists, highlighting the ways in which ideas and modalities are translated across materials, space, and time.
Related programming, planned in collaboration with Mexican artists, features a series of public events, including a performance by artist (and BMC/MX co-curator) David Miranda to take place at Different Wrld; an exhibition visit (in Spanish and English) with BMC/MX Project Director Eric Baden; and a series of experiential art events in the BMCM+AC library.
The exhibition is accompanied by the book Black Mountain College and Mexico (forthcoming late summer 2023), which investigates the people, ideas, and practices linking BMC and Mexico during the life of the school, as well as resonances between BMC and the work of contemporary Mexican artists. With contributions by BMC/MX’s curators, as well as by artist Abraham Cruzvillegas, design scholar Ana Elena Mallet, and author and activist Margaret Randall, this fully illustrated volume brings new light to this complex and underexplored subject.
BMC/MX is an investigation into modes of communication—the arenas in which new ideas and alliances may come to be—between Black Mountain College and Mexico, between past and present, between form and idea.
About the Curators
BMC/MX’s Project Director Eric Baden is a photographer and from 1994 to 2022 was professor of photography at Warren Wilson College in Swannanoa, North Carolina. He is the founding director of photo+, a multidisciplinary arts event held in Asheville, North Carolina.
Artist and educator David Miranda is curator at the Museo Experimental El Eco (Universidad Nacional Autónoma de México, UNAM), and teaches at the Escuela Nacional de Pintura, Escultura y Grabado “La Esmeralda” in Mexico City.
Diana Stoll is an editor, writer and curator who works with institutions such as The Museum of Modern Art and the J. Paul Getty Museum. She has served as an editor at Aperture and Artforum magazines, and contributes writings to prominent arts publications.
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Paul Wong, Carbon, silver and gold, 2016, pigmented linen and cotton pulp, publisher: Dieu Donné, New York, edition 3/25, 18 × 11 inches. Gift of Dieu Donné, New York, 2022.27.06. © Paul Wong. |
On View March 8 through July 24, 2023
The Van Winkle Law Firm Gallery • Level 1
Paper is an essential part of the art-making process for many artists, serving as the base for drawing, painting, printmaking, and other forms of art. As a substrate, paper can vary in weight, absorbency, color, size, and other aspects. Since industrialization, paper has primarily been produced through mechanical means that allow for consistency and affordability.
What happens, then, when an artist chooses to return to the foundations of paper, wherein it is made by hand using pulps, fibers, and dyes that reflect the human element through variations, inconsistencies, flaws, and surprises? Certain artists have sought out these qualities and embraced them, making paper not just a support on which to work, but fully a medium in and of itself.
Pulp Potential: Works in Handmade Paper is organized by the Asheville Art Museum and curated by Hilary Schroeder, former assistant curator, with assistance from Alexis Meldrum, curatorial assistant. Special thanks to Dieu Donné, New York, NY.
The Art of Food features works from important postwar artists, like Robert Rauschenberg, Roy Lichtenstein, John Baldessari, Wayne Thiebaud, Ed Ruscha, Andy Warhol, David Hockney, and Jasper Johns, alongside the work of contemporary artists, like Alison Saar, Lorna Simpson, Enrique Chagoya, Rachel Whiteread, and Jenny Holzer, among others.
The Art of Food features more than 100 works in mediums that include drawings, paintings, photographs, prints, sculptures, and ceramics by 37 artists.
Each artist has a unique means of depicting food in their work that, when seen alongside others, creates a nuanced representation of the complex place food holds in everyday life. Cross-historical resonances between artists in the exhibition spark novel meditations on food and its discontents, while speaking to a broad range of audiences.
Toybox Theatre, in collaboration with The Magnetic Theatre, presents a new puppetry series for ALL AGES. This new series will feature original works by acclaimed award-winning puppeteer and clown Toybox, and will bring some of the best puppeteers in the nation as special guests!
Toybox Theatre has been entertaining audiences from coast to coast with their unique brand of humor and art for over 20 years! Garnishing many “fan favorite” and “funniest show” awards, Toybox has also received an UNIMA Citation for Excellence in the Art of Puppetry, and funding from The Jim Henson Foundation.
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Western North Carolina is important in the history of American glass art. Several artists of the Studio Glass Movement came to the region, including its founder Harvey K. Littleton. Begun in 1962 in Wisconsin, it was a student of Littleton’s that first came to the area in 1965 and set up a glass studio at the Penland School of Craft in Penland, North Carolina. By 1967, Mark Peiser was the first glass artist resident at the school and taught many notable artists, like Jak Brewer in 1968 and Richard Ritter who came to study in 1971. By 1977, Littleton retired from teaching and moved to nearby Spruce Pine, North Carolina and set up a glass studio at his home. Since that time, glass artists like Ken Carder, Rick and Valerie Beck, Shane Fero, and Yaffa Sikorsky and Jeff Todd—to name only a few—have flocked to the area to reside, collaborate, and teach, making it a significant place for experimentation and education in glass. The next generation of artists like Hayden Wilson and Alex Bernstein continue to create here. The Museum is dedicated to collecting American studio glass and within that umbrella, explores the work of Artists connected to Western North Carolina. Exhibitions, including Intersections of American Art, explore glass art in the context of American Art of the 20th and 21st centuries. A variety of techniques and a willingness to push boundaries of the medium can be seen in this selection of works from the Museum’s Collection. |
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Have you ever made your own paper? How about making your own paper with invasive plants? That’s what we will be doing for this workshop! Nica Rabinowitz, Founder of Fiberhouse Collective, will be showing us how to take from our environment in a way that gives back. Fiberhouse Collective is dedicated to closing the loop when it comes to all things fiber, so this workshop will begin with an information session before we get our hands dirty. Learn more about Fiberhouse Collective
Have you ever made your own paper? How about making your own paper with invasive plants? That’s what we will be doing for this workshop! Nica Rabinowitz, Founder of Fiberhouse Collective, will be showing us how to take from our environment in a way that gives back. Fiberhouse Collective is dedicated to closing the loop when it comes to all things fiber, so this workshop will begin with an information session before we get our hands dirty. Learn more about Fiberhouse Collective
The Big Crafty is a hand-to-heart celebration of creative exuberance at the heart of Asheville, NC. We believe in supporting creative venturers by crafting warm communities of creative practice.
We extend warm welcome to the rich pageant of basement and backyard artists, juried prize-winners, and those who delight in them. And we’re so grateful to have been voted Best Arts/Crafts Fair (Thx, Mountain Xpress!) every year since we began in 2008.
NEW PLAY DEVELOPMENT PROGRAM
STAGED READING
COMFORT SASQUATCH
By Richard Shirk
Directed by Jess Johnson
In this romp of a Christmas play, we meet Eric, a nearly seven-foot tall Sasquatch in the Pacific Northwest. He’s a music therapist at Vermillion Hills retirement home and just two classes shy of an RN certification. With his relationship on the rocks, a fresh connection to a long-lost dad, and some growing up to do, the last few weeks leading up to the annual Karaoke Christmas Eve party are proving to be tumultuous.
Comfort Sasquatch is a story of fresh starts, new beginnings, and the way that relationships and people fail, stumble, and get up again.
July 8, 2023 at 7:30pm
Edge, the newest exhibit showing in the airport art gallery, is open to the public now through July 21, 2022. The local art is unique, bold and is sure to capture the imaginations of its viewers.
The local artists’ work featured in this exhibit consist of many different mediums. Diane Bronstein creates complex and mesmerizing pieces with photographs, embroidery floss and other materials. Susan Devitt uses bold colors and vivid details to capture the beauty and possibilities of nature with her acrylic paintings. Jen Pacicci crafts peaceful and majestic collages of landscapes using watercolor and torn paper. Kurt Ross designs clay vessels of varying materials and glazes that are each unique in their thoughtful and clean design. Paul Silverman presents ceramic figures of various tools and vintage items that trick the eye in their realistic appearance and awe with their attention to detail.
“The Edge exhibit welcomes travelers and residents to Asheville with a vibrant and unique display this spring at AVL,” said Alexandra Ingle, Brand and Experience Designer at AVL and curator of the gallery. “We are excited at each gallery opening to bring a fresh taste of our talented WNC art community into the airport.”
Artwork can be purchased from the gallery by emailing [email protected]. Details about the program and how to apply can be found on the airport’s website at flyavl.com.
The Caldwell Arts Council announces a call for sculptors to participate in its 37th Annual Sculpture Celebration scheduled from 9am-4pm on Saturday, September 9, 2023 at the Broyhill Walking Park in Lenoir, North Carolina.
Sculptors are invited to enter up to 3 works in the competition that will be judged by renowned sculptor Kyle Van Lusk of Brevard, NC and offers $11,000 in cash awards. Sales and commissions are allowed with 100% of proceeds going to the sculptors. All sizes of works in all materials are welcome. In addition, large-scale outdoor works can be entered for a second exhibition and sales opportunity at the Western NC Sculpture Center.
Registration includes FREE help in unloading, installation, and removal of work; admission to the Friday night Sculptor’s Reception & Dinner; and a continental breakfast on Saturday. Local lodging options are available, as well as free camping at the Western NC Sculpture Center.
Held rain or shine, this annual family-friendly event attracts sculptors and buyers from all over the eastern United States, with attendance as high as 4,000 people. It is funded in part by generous sponsors, the North Carolina Arts Council, a division of the Department of Natural and Cultural Resource, and the National Endowment for the Arts.
Early registration discounts are available and special rates are provided for students. For complete details, visit www.caldwellarts.com, or contact the Caldwell Arts Council at 828-754-2486 or [email protected].
he Center for Craft is excited to announce an innovative partnership with the University of North Carolina Asheville’s UNC Gillings Master of Public Health (MPH) program, to explore the community vitality impacts of engaging with craft. Six awarded artists, artist collectives, or art organizations will be selected for $2,200 grants to use craft to engage with regional communities in Western North Carolina.
Center for Craft Executive Director Stephanie Moore conveys “Craft contributes significantly to the vitality of community by fostering creativity, preserving cultural heritage, and promoting social connections.” Through the practice of traditional and contemporary crafts individuals develop skills, express their artistic abilities, and find a sense of purpose and fulfillment. Craft also plays a crucial role in preserving cultural traditions and strengthening identity, passing down knowledge from one generation to the next. Craft activities bring people together for social interactions and collaboration that create a sense of belonging. This collaboration is an opportunity to better understand the ways in which craft acts as an indicator of and pathway to a healthy, resilient future.
Proposals from artists, collectives, and organizations in Western North Carolina are encouraged to submit a letter of interest to be selected for the pilot program. Proposed projects should take place between September – November 2023, and engage the community with craft in some way. Each selected project will be paired with a UNC Asheville MPH student who will use methods they are learning in their coursework, taught by UNC Asheville faculty member and MPH co-director Dr. Ameena Batada, to explore and measure impacts of each project.
https://www.centerforcraft.org/event/2023-craft-and-community-vitality-virtual-information-session
virtual session July 7, 3-4pm
Grovewood Gallery will present Inqwiry, an outdoor exhibition of wire animal sculptures by Bakersville, NC, artist Josh Coté. This event is open to the public and free to attend. Inqwiry will remain on view through August 13, 2023.
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
Also festival foods and Paper Moon Puppet Theatre at 1:30 p.m. Free admission but donations appreciated.
Peter Werner will be demonstrating traditional Appalachian broom-tying techniques in the lobby of the Folk Art Center on the Blue Ridge Parkway.
Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.
PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences
PLUS: FREE next-day access to Biltmore’s Gardens and Grounds
This visit includes access to:
- Italian Renaissance Alive at Amherst at Deerpark®
- 8,000 Acres of Gardens and Grounds for two consecutive days
- Antler Hill Village & Winery
- Complimentary Wine Tastings at the Winery
- Tastings require a Day-of-Visit Reservation, which can be made by:
- Scanning the QR Code found in your Estate Guide
- Visiting any Guest Services location
- Complimentary parking
Art Exhibition: Italian Renaissance Alive
This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history
Walt Cottingham will be demonstrating the techniques he uses to create his birdhouse ornaments, employing both modern and more traditional tools in the process. Walt will be in the lobby of the Folk Art Center on the Blue Ridge Parkway.
Exhibition dates: June 9 – July 23
Hours: Tuesday-Saturdays from 10-5 pm, Sundays 11-4 pm
Eidolon is an ancient term from Greek -oeidēs “form”. Early meanings included “mental image”, “appearance”, and “reflection” (as in a mirror or pool), and later, “apparition” or “imaginary entity”, among other things. Expanding beyond the definition pointing to a phantasm or specter, eidolon also sounds like some kind of astral or idyllic place in a novel or poem about an imaginary world. Eidolon features the work of Jacqueline Shatz and Margaret Thompson.
Jacqueline Shatz’s small sculptures of ambiguous and hybridized figures float, entwine, swim, commune with animals and collapse into abstract arabesques and gestures, hinting at mythology, in-between states, and the permeable nature of existence. Margaret Thompson’s paintings are inspired by elements of the symbolist movement and magical realism; she channels dreams and the associative powers of the imagination into her practice, painting subjects that live between our physical realm and spaces beyond the categories of known experience: they are unrestrained, undefined, and free.
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Paul Wong, Carbon, silver and gold, 2016, pigmented linen and cotton pulp, publisher: Dieu Donné, New York, edition 3/25, 18 × 11 inches. Gift of Dieu Donné, New York, 2022.27.06. © Paul Wong. |
On View March 8 through July 24, 2023
The Van Winkle Law Firm Gallery • Level 1
Paper is an essential part of the art-making process for many artists, serving as the base for drawing, painting, printmaking, and other forms of art. As a substrate, paper can vary in weight, absorbency, color, size, and other aspects. Since industrialization, paper has primarily been produced through mechanical means that allow for consistency and affordability.
What happens, then, when an artist chooses to return to the foundations of paper, wherein it is made by hand using pulps, fibers, and dyes that reflect the human element through variations, inconsistencies, flaws, and surprises? Certain artists have sought out these qualities and embraced them, making paper not just a support on which to work, but fully a medium in and of itself.
Pulp Potential: Works in Handmade Paper is organized by the Asheville Art Museum and curated by Hilary Schroeder, former assistant curator, with assistance from Alexis Meldrum, curatorial assistant. Special thanks to Dieu Donné, New York, NY.
The Art of Food features works from important postwar artists, like Robert Rauschenberg, Roy Lichtenstein, John Baldessari, Wayne Thiebaud, Ed Ruscha, Andy Warhol, David Hockney, and Jasper Johns, alongside the work of contemporary artists, like Alison Saar, Lorna Simpson, Enrique Chagoya, Rachel Whiteread, and Jenny Holzer, among others.
The Art of Food features more than 100 works in mediums that include drawings, paintings, photographs, prints, sculptures, and ceramics by 37 artists.
Each artist has a unique means of depicting food in their work that, when seen alongside others, creates a nuanced representation of the complex place food holds in everyday life. Cross-historical resonances between artists in the exhibition spark novel meditations on food and its discontents, while speaking to a broad range of audiences.
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Western North Carolina is important in the history of American glass art. Several artists of the Studio Glass Movement came to the region, including its founder Harvey K. Littleton. Begun in 1962 in Wisconsin, it was a student of Littleton’s that first came to the area in 1965 and set up a glass studio at the Penland School of Craft in Penland, North Carolina. By 1967, Mark Peiser was the first glass artist resident at the school and taught many notable artists, like Jak Brewer in 1968 and Richard Ritter who came to study in 1971. By 1977, Littleton retired from teaching and moved to nearby Spruce Pine, North Carolina and set up a glass studio at his home. Since that time, glass artists like Ken Carder, Rick and Valerie Beck, Shane Fero, and Yaffa Sikorsky and Jeff Todd—to name only a few—have flocked to the area to reside, collaborate, and teach, making it a significant place for experimentation and education in glass. The next generation of artists like Hayden Wilson and Alex Bernstein continue to create here. The Museum is dedicated to collecting American studio glass and within that umbrella, explores the work of Artists connected to Western North Carolina. Exhibitions, including Intersections of American Art, explore glass art in the context of American Art of the 20th and 21st centuries. A variety of techniques and a willingness to push boundaries of the medium can be seen in this selection of works from the Museum’s Collection. |
The Big Crafty is a hand-to-heart celebration of creative exuberance at the heart of Asheville, NC. We believe in supporting creative venturers by crafting warm communities of creative practice.
We extend warm welcome to the rich pageant of basement and backyard artists, juried prize-winners, and those who delight in them. And we’re so grateful to have been voted Best Arts/Crafts Fair (Thx, Mountain Xpress!) every year since we began in 2008.
Join Us This Sunday for a Traditional Game Day. Sunday Funday the Old-Fashioned Way!
The Perspective Café is kicking off 2023 with a classic bang! Grab your friends and join us each Sunday from 2pm to 5pm in the Perspective Café to play an assortment of board and card games. You can even bring your own favorite games from home to share with new friends.
The Perspective Cafe will be offering special snacks and cocktails including $6 local beers and ciders, and freshly popped old-fashioned popcorn to enjoy while you play and enjoy a memorable afternoon! Enjoy the galleries and then head up to the rooftop.