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Exhibition: Something earned, Something left behind
Aug 3 @ 10:00 am – 6:00 pm
Center for Craft
Photo credit:
J Diamond, “Pony II,” 2022. Courtesy of the Artist
Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.
Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.
Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.
Exhibition: Crafting Denim
Aug 3 @ 10:00 am – 6:00 pm
Center for Craft
Photo credit:
Photograph by Bowery Blue Makers
Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.
A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.
Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.
Black Mountain College and Mexico (BMC/MX): Exhibition
Aug 3 @ 11:00 am – 5:00 pm
Black Mountain College Museum + Arts Center
Black Mountain College and Mexico (BMC/MX): Exhibition, Publication, and Public Programming
Black Mountain College (1933–1957), a small but remarkably influential liberal arts school in rural North Carolina, had important links to Mexico that until now have been little investigated. A crucible of twentieth-century creativity, BMC galvanized and inspired artists and intellectuals from around the world, while Mexico’s innovations and age-old traditions—in fine and applied arts, architecture, poetry, music, performance, and more—dovetailed with, and indeed drove, global impulses toward modernism and beyond. Among the many key BMC figures whose lives were importantly touched by experiences in Mexico were Anni and Josef Albers, Ruth Asawa, John Cage, Jean Charlot, Elaine de Kooning, Buckminster Fuller, Carlos Mérida, Robert Motherwell, Charles Olson, Clara Porset, M.C. Richards, and Aaron Siskind. In turn, engagements with BMC and its legacy have played a significant role in shaping contemporary approaches to art in Mexico, evident in the works of Jorge Méndez Blake, Iñaki Bonillas, Abraham Cruzvillegas, Jose Dávila, Gerda Gruber, Lake Verea, Gabriel Orozco, and Damián Ortega, among others.
The exhibition BMC/MX features works by these and other prominent contemporary Mexican artists alongside a selection of historic works by BMC artists, highlighting the ways in which ideas and modalities are translated across materials, space, and time.
Related programming, planned in collaboration with Mexican artists, features a series of public events, including a performance by artist (and BMC/MX co-curator) David Miranda to take place at Different Wrld; an exhibition visit (in Spanish and English) with BMC/MX Project Director Eric Baden; and a series of experiential art events in the BMCM+AC library.
The exhibition is accompanied by the book Black Mountain College and Mexico (forthcoming late summer 2023), which investigates the people, ideas, and practices linking BMC and Mexico during the life of the school, as well as resonances between BMC and the work of contemporary Mexican artists. With contributions by BMC/MX’s curators, as well as by artist Abraham Cruzvillegas, design scholar Ana Elena Mallet, and author and activist Margaret Randall, this fully illustrated volume brings new light to this complex and underexplored subject.
BMC/MX is an investigation into modes of communication—the arenas in which new ideas and alliances may come to be—between Black Mountain College and Mexico, between past and present, between form and idea.
About the Curators
BMC/MX’s Project Director Eric Baden is a photographer and from 1994 to 2022 was professor of photography at Warren Wilson College in Swannanoa, North Carolina. He is the founding director of photo+, a multidisciplinary arts event held in Asheville, North Carolina.
Artist and educator David Miranda is curator at the Museo Experimental El Eco (Universidad Nacional Autónoma de México, UNAM), and teaches at the Escuela Nacional de Pintura, Escultura y Grabado “La Esmeralda” in Mexico City.
Diana Stoll is an editor, writer and curator who works with institutions such as The Museum of Modern Art and the J. Paul Getty Museum. She has served as an editor at Aperture and Artforum magazines, and contributes writings to prominent arts publications.
The Art of Food: From the Collections of Jordan D. Schnitzer and His Family Foundation
Aug 3 @ 11:00 am – 6:00 pm
Asheville Art Museum
The Art of Food features works from important postwar artists, like Robert Rauschenberg, Roy Lichtenstein, John Baldessari, Wayne Thiebaud, Ed Ruscha, Andy Warhol, David Hockney, and Jasper Johns, alongside the work of contemporary artists, like Alison Saar, Lorna Simpson, Enrique Chagoya, Rachel Whiteread, and Jenny Holzer, among others.
The Art of Food features more than 100 works in mediums that include drawings, paintings, photographs, prints, sculptures, and ceramics by 37 artists.
Each artist has a unique means of depicting food in their work that, when seen alongside others, creates a nuanced representation of the complex place food holds in everyday life. Cross-historical resonances between artists in the exhibition spark novel meditations on food and its discontents, while speaking to a broad range of audiences.
Western North Carolina Glass: Selections from the Collection
Aug 3 @ 11:00 am – 6:00 pm
Asheville Art Museum
Western North Carolina is important in the history of American glass art. Several artists of the Studio Glass Movement came to the region, including its founder Harvey K. Littleton. Begun in 1962 in Wisconsin, it was a student of Littleton’s that first came to the area in 1965 and set up a glass studio at the Penland School of Craft in Penland, North Carolina. By 1967, Mark Peiser was the first glass artist resident at the school and taught many notable artists, like Jak Brewer in 1968 and Richard Ritter who came to study in 1971. By 1977, Littleton retired from teaching and moved to nearby Spruce Pine, North Carolina and set up a glass studio at his home.
Since that time, glass artists like Ken Carder, Rick and Valerie Beck, Shane Fero, and Yaffa Sikorsky and Jeff Todd—to name only a few—have flocked to the area to reside, collaborate, and teach, making it a significant place for experimentation and education in glass. The next generation of artists like Hayden Wilson and Alex Bernstein continue to create here. The Museum is dedicated to collecting American studio glass and within that umbrella, explores the work of Artists connected to Western North Carolina. Exhibitions, including Intersections of American Art, explore glass art in the context of American Art of the 20th and 21st centuries. A variety of techniques and a willingness to push boundaries of the medium can be seen in this selection of works from the Museum’s Collection.
The Photographs of Anne Noggle
Aug 3 @ 12:00 pm
Tryon Fine Arts Center
On Exhibit
TFAC’s JP Gallery
June 22 – August 18
Anne Noggle’s work consistently challenged the stereotypes and standard mythologies of women. She herself began her artistic career at age forty-three, to complement her already-established
profession as a pilot.
The exhibit is a joint presentation between TFAC, and the Tryon Arts & Crafts School and both locations are curated by Martha Strawn, president of the
Anne Noggle Foundation and art historian Lili Corbus.
Open Studio at Different Wrld
Aug 3 @ 6:00 pm – 9:00 pm
Different Wrld
Come have a drink and experiment with art materials while connecting with your community! Asheville Art Museum will host Open Studio at Different Wrld on the the first Thursday evening of each month throughout the year.
This free drop-in program, which is facilitated by the Asheville Art Museum and hosted at Different Wrld, aims to expose and engage participants with the Museum’s Collection and changing exhibitions. Attendees must be 21 or older to participate. The Asheville Art Museum will provide all instruction, supplies, and materials.
Applications open: 2024 Asheville Fringe Arts Festival
Aug 4 all-day
online w/ Asheville Fringe Arts
APPLICATIONS OPEN NOW!
Do you have a boundary-pushing, innovative performance piece, short film or installation that you’re ready to share?
We will open applications for the film portion of the festival in fall 2023. Films must be submitted via FilmFreeway. Our application fee for films is $5.
NOW CONSIDERING WORKS OF ALL KINDS
We accept live performances from 5 to 60 minutes in length, plus installations and films. We’re open to other types of performance as well – let’s talk! Depending on its length, your piece may be grouped with another show, or scheduled as a Random Act of Fringe. RAFs are free and open to the public, and artists receive a stipend for their performance, rather than relying on door sales.
Typically each artist with a ticketed show gets 2 performances. But in 2024, we’re exploring the option of giving a few shows 3 performances, at select venues only. Our venues range from 20-80 person capacity.
1. FRINGE SHOT
A piece that is
5-15 minutes long
May be paired with another performance, or be selected as a free Random Act of Fringe.
2. SHORT FORM
A piece that is 20-40 minutes long
May be paired with another show.
3. FULL-LENGTH
A piece that is 45-60 minutes long
Ticketed theater-style show.
4. INSTALLATION
A piece that is Site-specific (any length)
May be in an unusual location, or repeated many times. May be seen by as few as one person at a time.
5. FILM
A piece that is Designed specifically for film.
May be of any genre & length. Could be combined with other films for a showcase or film night.
Submit on Film Freeway Fall 2023
3. THE ASHEVILLE FRINGE ARTS FESTIVAL IS A JURIED FESTIVAL.
We carefully review each and every submission. You’ll know by late October if your piece is selected. Should your piece get selected, there is a $35 participation fee.
Inqwiry: Outdoor Wire Sculptures by Josh Coté
Aug 4 all-day
Grovewood Village
Grovewood Gallery will present Inqwiry, an outdoor exhibition of wire animal sculptures by Bakersville, NC, artist Josh Coté. This event is open to the public and free to attend. Inqwiry will remain on view through August 13, 2023.
Summer Cycle Volunteer Opportunities
Aug 4 all-day
New Belgium Brewing Company
In partnership with Riding In Color WNC, who create intersectional affinity spaces for BIPOC of all genders, body sizes, and abilities to build skills and community within cycling in WNC, we’re co-hosting a BIPOC Affinity Summer Cycle experience as well as our traditional event in an effort to create a more inclusive space for people to enjoy riding in their community. Preview the schedule below because there are many moving parts to Summer Cycle ‘23.
Support the Summer Cycle experience by volunteering to support the AoB kiosk, host the bike park, pedal patrol the routes, and/or breakdown or set up.
Summer Cycle Schedule
Riding in Color: BIPOC Affinity Schedule
10:00 AM:
Summer Cycle Check In
10:30 AM:
Summer Cycle Begins
11:30 AM:
Summer Cycle Returns
11:00 AM – 12:30 PM:
Pop-Up Bike Park
Asheville on Bikes: Open Afternoon Schedule
2:00 PM – 7:00 PM:
Pop-Up Bicycle Park
3:00 PM:
Summer Cycle Check In
3:30 PM:
Summer Cycle Begins
4:30 PM – 7:00 PM:
Post Ride Silliness & Pop-Up Bicycle Park
*The morning affinity program is for individuals and families that identify as Black, Indigenous, or people of color.
Biltmore Estate: Ciao! From Italy Sculptural Postcard Display
Aug 4 @ 8:30 am
Biltmore Estate
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
Mount Mitchell Arts and Crafts Fair
Aug 4 @ 9:00 am – 6:00 pm
Burnsville’s Town Square
, Burnsville’s Town Square. About 250 artists, music, clogging on Friday, Parkway Playhouse children’s performance at noon Friday. Visit www.yanceychamber.com/crafts-fair
Mt. Mitchell Arts + Crafts Fair
Aug 4 @ 9:00 am
Burnsville Downtown
Considered the granddaddy of art shows in Western North Carolina, this juried event focuses on quality, handmade wares from local artists in the Toe River Valley and regional artisans across the southern Appalachians.
The fair, which began in 1956, retains its traditional Friday-Saturday format, with one small change. Friday will feature an extra hour, beginning and 9 a.m. and running through 6 p.m. Saturday’s hours remain 9 a.m. to 5 p.m.
A variety of bluegrass, country and gospel bands will perform on the main stage each day. Those acts include Asheville Junction Band, featuring an Americana/bluegrass sound; Tall Boys, a country/blues band from Asheville; Americana folk duo Admiral Radio of Columbia, S.C.; and the well-known gospel sounds of The Edwards Family of Burnsville.
Appalachian Performing Arts of Burnsville will provide a clogging demonstration Friday.
Returning for a second year is a children’s performance by the Parkway Playhouse at noon Friday on the main stage: “The Tale of the Pig.” It’s part of the Playhouse’s Reading is Alive program and all children present receive a free craft item from the Penland School of Craft.
Exhibition: NEO MINERALIA
Aug 4 @ 10:00 am – 6:00 pm
Center for Craft
Photo credit:
Sae Honda. Courtesy of the Artist.
NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.
NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.
The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.
Exhibition: Something earned, Something left behind
Aug 4 @ 10:00 am – 6:00 pm
Center for Craft
Photo credit:
J Diamond, “Pony II,” 2022. Courtesy of the Artist
Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.
Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.
Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.
Exhibition: Crafting Denim
Aug 4 @ 10:00 am – 6:00 pm
Center for Craft
Photo credit:
Photograph by Bowery Blue Makers
Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.
A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.
Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.
JudeFrances Jewelry Trunk Show at Acorns
Aug 4 @ 10:00 am – 5:00 pm
Acorns
Acorns’ Annual season of trunk shows highlights the talented creators of fine art, designer jewelry, and home goods.
Combining classic elegance with on trend shapes and styles, JudeFrances Jewelry offers something for women of all ages. The endless combinations of the JudeFrances categories including the signature earring hoop and charm concept, stackable gold bangles, layering chains and pendants, stylish cocktail rings and simple gold stackers, allow the JudeFrances collector to create a style distinct to her.
Black Mountain College and Mexico (BMC/MX): Exhibition
Aug 4 @ 11:00 am – 5:00 pm
Black Mountain College Museum + Arts Center
Black Mountain College and Mexico (BMC/MX): Exhibition, Publication, and Public Programming
Black Mountain College (1933–1957), a small but remarkably influential liberal arts school in rural North Carolina, had important links to Mexico that until now have been little investigated. A crucible of twentieth-century creativity, BMC galvanized and inspired artists and intellectuals from around the world, while Mexico’s innovations and age-old traditions—in fine and applied arts, architecture, poetry, music, performance, and more—dovetailed with, and indeed drove, global impulses toward modernism and beyond. Among the many key BMC figures whose lives were importantly touched by experiences in Mexico were Anni and Josef Albers, Ruth Asawa, John Cage, Jean Charlot, Elaine de Kooning, Buckminster Fuller, Carlos Mérida, Robert Motherwell, Charles Olson, Clara Porset, M.C. Richards, and Aaron Siskind. In turn, engagements with BMC and its legacy have played a significant role in shaping contemporary approaches to art in Mexico, evident in the works of Jorge Méndez Blake, Iñaki Bonillas, Abraham Cruzvillegas, Jose Dávila, Gerda Gruber, Lake Verea, Gabriel Orozco, and Damián Ortega, among others.
The exhibition BMC/MX features works by these and other prominent contemporary Mexican artists alongside a selection of historic works by BMC artists, highlighting the ways in which ideas and modalities are translated across materials, space, and time.
Related programming, planned in collaboration with Mexican artists, features a series of public events, including a performance by artist (and BMC/MX co-curator) David Miranda to take place at Different Wrld; an exhibition visit (in Spanish and English) with BMC/MX Project Director Eric Baden; and a series of experiential art events in the BMCM+AC library.
The exhibition is accompanied by the book Black Mountain College and Mexico (forthcoming late summer 2023), which investigates the people, ideas, and practices linking BMC and Mexico during the life of the school, as well as resonances between BMC and the work of contemporary Mexican artists. With contributions by BMC/MX’s curators, as well as by artist Abraham Cruzvillegas, design scholar Ana Elena Mallet, and author and activist Margaret Randall, this fully illustrated volume brings new light to this complex and underexplored subject.
BMC/MX is an investigation into modes of communication—the arenas in which new ideas and alliances may come to be—between Black Mountain College and Mexico, between past and present, between form and idea.
About the Curators
BMC/MX’s Project Director Eric Baden is a photographer and from 1994 to 2022 was professor of photography at Warren Wilson College in Swannanoa, North Carolina. He is the founding director of photo+, a multidisciplinary arts event held in Asheville, North Carolina.
Artist and educator David Miranda is curator at the Museo Experimental El Eco (Universidad Nacional Autónoma de México, UNAM), and teaches at the Escuela Nacional de Pintura, Escultura y Grabado “La Esmeralda” in Mexico City.
Diana Stoll is an editor, writer and curator who works with institutions such as The Museum of Modern Art and the J. Paul Getty Museum. She has served as an editor at Aperture and Artforum magazines, and contributes writings to prominent arts publications.
The Art of Food: From the Collections of Jordan D. Schnitzer and His Family Foundation
Aug 4 @ 11:00 am – 6:00 pm
Asheville Art Museum
The Art of Food features works from important postwar artists, like Robert Rauschenberg, Roy Lichtenstein, John Baldessari, Wayne Thiebaud, Ed Ruscha, Andy Warhol, David Hockney, and Jasper Johns, alongside the work of contemporary artists, like Alison Saar, Lorna Simpson, Enrique Chagoya, Rachel Whiteread, and Jenny Holzer, among others.
The Art of Food features more than 100 works in mediums that include drawings, paintings, photographs, prints, sculptures, and ceramics by 37 artists.
Each artist has a unique means of depicting food in their work that, when seen alongside others, creates a nuanced representation of the complex place food holds in everyday life. Cross-historical resonances between artists in the exhibition spark novel meditations on food and its discontents, while speaking to a broad range of audiences.
Western North Carolina Glass: Selections from the Collection
Aug 4 @ 11:00 am – 6:00 pm
Asheville Art Museum
Western North Carolina is important in the history of American glass art. Several artists of the Studio Glass Movement came to the region, including its founder Harvey K. Littleton. Begun in 1962 in Wisconsin, it was a student of Littleton’s that first came to the area in 1965 and set up a glass studio at the Penland School of Craft in Penland, North Carolina. By 1967, Mark Peiser was the first glass artist resident at the school and taught many notable artists, like Jak Brewer in 1968 and Richard Ritter who came to study in 1971. By 1977, Littleton retired from teaching and moved to nearby Spruce Pine, North Carolina and set up a glass studio at his home.
Since that time, glass artists like Ken Carder, Rick and Valerie Beck, Shane Fero, and Yaffa Sikorsky and Jeff Todd—to name only a few—have flocked to the area to reside, collaborate, and teach, making it a significant place for experimentation and education in glass. The next generation of artists like Hayden Wilson and Alex Bernstein continue to create here. The Museum is dedicated to collecting American studio glass and within that umbrella, explores the work of Artists connected to Western North Carolina. Exhibitions, including Intersections of American Art, explore glass art in the context of American Art of the 20th and 21st centuries. A variety of techniques and a willingness to push boundaries of the medium can be seen in this selection of works from the Museum’s Collection.
The Photographs of Anne Noggle
Aug 4 @ 12:00 pm
Tryon Fine Arts Center
On Exhibit
TFAC’s JP Gallery
June 22 – August 18
Anne Noggle’s work consistently challenged the stereotypes and standard mythologies of women. She herself began her artistic career at age forty-three, to complement her already-established
profession as a pilot.
The exhibit is a joint presentation between TFAC, and the Tryon Arts & Crafts School and both locations are curated by Martha Strawn, president of the
Anne Noggle Foundation and art historian Lili Corbus.
Art Open Reception
Aug 4 @ 5:00 pm
Asheville Gallery of Art
Asheville Gallery of Art invites you to Margie Kluska and Kathy Goodson’s Open Reception titled “In a Perfect World.” Everyone is welcome to view their masterful and magical artworks, Friday, August 4 from 5 to 8 pm where beverages and lite snacks will be served. Margie Kluska and Kathy Goodson’s works will be featured throughout the month of August at the Asheville Gallery of Art, 82 Patton Avenue in the heart of downtown Asheville.
First Friday: An Evening of Elegance on The Block
Aug 4 @ 6:00 pm – 9:00 pm
The Foundry Hotel
Join Noir Collective AVL for First Friday on the Block (S. Market St. Asheville)
Sala Menaya, a local, self-taught artist and designer, will host a night of Black Excellence to honor community leaders who have inspired her by showcasing her statement neckpieces using the community leaders as models for her art.
This will be the first fashion show for Sala Menaya.
Applications open: 2024 Asheville Fringe Arts Festival
Aug 5 all-day
online w/ Asheville Fringe Arts
APPLICATIONS OPEN NOW!
Do you have a boundary-pushing, innovative performance piece, short film or installation that you’re ready to share?
We will open applications for the film portion of the festival in fall 2023. Films must be submitted via FilmFreeway. Our application fee for films is $5.
NOW CONSIDERING WORKS OF ALL KINDS
We accept live performances from 5 to 60 minutes in length, plus installations and films. We’re open to other types of performance as well – let’s talk! Depending on its length, your piece may be grouped with another show, or scheduled as a Random Act of Fringe. RAFs are free and open to the public, and artists receive a stipend for their performance, rather than relying on door sales.
Typically each artist with a ticketed show gets 2 performances. But in 2024, we’re exploring the option of giving a few shows 3 performances, at select venues only. Our venues range from 20-80 person capacity.
1. FRINGE SHOT
A piece that is
5-15 minutes long
May be paired with another performance, or be selected as a free Random Act of Fringe.
2. SHORT FORM
A piece that is 20-40 minutes long
May be paired with another show.
3. FULL-LENGTH
A piece that is 45-60 minutes long
Ticketed theater-style show.
4. INSTALLATION
A piece that is Site-specific (any length)
May be in an unusual location, or repeated many times. May be seen by as few as one person at a time.
5. FILM
A piece that is Designed specifically for film.
May be of any genre & length. Could be combined with other films for a showcase or film night.
Submit on Film Freeway Fall 2023
3. THE ASHEVILLE FRINGE ARTS FESTIVAL IS A JURIED FESTIVAL.
We carefully review each and every submission. You’ll know by late October if your piece is selected. Should your piece get selected, there is a $35 participation fee.
Inqwiry: Outdoor Wire Sculptures by Josh Coté
Aug 5 all-day
Grovewood Village
Grovewood Gallery will present Inqwiry, an outdoor exhibition of wire animal sculptures by Bakersville, NC, artist Josh Coté. This event is open to the public and free to attend. Inqwiry will remain on view through August 13, 2023.
Summer Cycle Volunteer Opportunities
Aug 5 all-day
New Belgium Brewing Company
In partnership with Riding In Color WNC, who create intersectional affinity spaces for BIPOC of all genders, body sizes, and abilities to build skills and community within cycling in WNC, we’re co-hosting a BIPOC Affinity Summer Cycle experience as well as our traditional event in an effort to create a more inclusive space for people to enjoy riding in their community. Preview the schedule below because there are many moving parts to Summer Cycle ‘23.
Support the Summer Cycle experience by volunteering to support the AoB kiosk, host the bike park, pedal patrol the routes, and/or breakdown or set up.
Summer Cycle Schedule
Riding in Color: BIPOC Affinity Schedule
10:00 AM:
Summer Cycle Check In
10:30 AM:
Summer Cycle Begins
11:30 AM:
Summer Cycle Returns
11:00 AM – 12:30 PM:
Pop-Up Bike Park
Asheville on Bikes: Open Afternoon Schedule
2:00 PM – 7:00 PM:
Pop-Up Bicycle Park
3:00 PM:
Summer Cycle Check In
3:30 PM:
Summer Cycle Begins
4:30 PM – 7:00 PM:
Post Ride Silliness & Pop-Up Bicycle Park
*The morning affinity program is for individuals and families that identify as Black, Indigenous, or people of color.
Biltmore Estate: Ciao! From Italy Sculptural Postcard Display
Aug 5 @ 8:30 am
Biltmore Estate
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
Build Crew Work Days Hendersonville Theatre
Aug 5 @ 9:00 am – 12:00 pm
Hendersonville Theatre
We’re putting our build crew back together and we’d love to have you join us. Every 2 weeks, we’ll meet at 9 am for hands-on set construction! Whether your talents are building, painting, or you just want to learn, come out and join us every other Saturday for some creative fun. Tools and work gloves are helpful but not required
Mount Mitchell Arts and Crafts Fair
Aug 5 @ 9:00 am – 6:00 pm
Burnsville’s Town Square
, Burnsville’s Town Square. About 250 artists, music, clogging on Friday, Parkway Playhouse children’s performance at noon Friday. Visit www.yanceychamber.com/crafts-fair
Mt. Mitchell Arts + Crafts Fair
Aug 5 @ 9:00 am
Burnsville Downtown
Considered the granddaddy of art shows in Western North Carolina, this juried event focuses on quality, handmade wares from local artists in the Toe River Valley and regional artisans across the southern Appalachians.
The fair, which began in 1956, retains its traditional Friday-Saturday format, with one small change. Friday will feature an extra hour, beginning and 9 a.m. and running through 6 p.m. Saturday’s hours remain 9 a.m. to 5 p.m.
A variety of bluegrass, country and gospel bands will perform on the main stage each day. Those acts include Asheville Junction Band, featuring an Americana/bluegrass sound; Tall Boys, a country/blues band from Asheville; Americana folk duo Admiral Radio of Columbia, S.C.; and the well-known gospel sounds of The Edwards Family of Burnsville.
Appalachian Performing Arts of Burnsville will provide a clogging demonstration Friday.
Returning for a second year is a children’s performance by the Parkway Playhouse at noon Friday on the main stage: “The Tale of the Pig.” It’s part of the Playhouse’s Reading is Alive program and all children present receive a free craft item from the Penland School of Craft.
Exhibition: Crafting Denim
Black Mountain College and Mexico (BMC/MX): Exhibition
The Art of Food: From the Collections of Jordan D. Schnitzer and His Family Foundation
Western North Carolina Glass: Selections from the Collection
Open Studio at Different Wrld
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Exhibition: Something earned, Something left behind
