Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community.
The first weekly Coffee is Saturday, August 20 at 9 am.
No RSVP needed, just drop by!
Free parking available on Melrose Avenue, behind and alongside TFAC.
Join us for our monthly poetry reading series coordinated by Mildred Barya. This month, we welcome Jenny Bates, David Dixon, Kathy Cantley Ackerman, and Thomas Alan Holmes
This is a hybrid event with limited in-store seating and the option to attend online. The event is free but registration is required for both in-person and virtual attendance.
Please click here to register for the VIRTUAL event. The link required to attend will be emailed to registrants prior to the event.
Please click here to register for the IN-PERSON event. Note the important event details on the RSVP form.
All featured books will be available for purchase at the event. This event also includes a book signing.
If you would like a signed book but can’t attend in person, you may order a signed copy online below. To order Kathy Cantley Ackerman’s Repeat After Me, please call the store at (828) 254-6734.
If you would like to have your book personalized, please order online or call the store at least two hours before the start of the event. When ordering online, use the comments field to provide a name for personalization, e.g. “To Paul.” NOTE: We do our best to get books personalized when requested but personalization is not guaranteed.
If you decide to attend and to purchase books, we ask that you purchase from Malaprop’s. When you do this you make it possible for us to continue hosting author events and you keep more dollars in our community. You may also support our work by purchasing a gift card or making a donation of any amount below. Thank you!
Jenny Bates is a member of Winston-Salem Writers, NC Poetry Society, and NC Writers Network. Where the Deer Sleep is Bates’ third book with Hermit Feathers Press following Slip (2020) and Visitations (2019). She’s published in numerous journals including Pinesong, Flying South, Wild Goose Poetry Review, and Old Mountain Press. Born and raised in Michigan, she now resides in the foothills of North Carolina.
Where the Deer Sleep is an inspiring call to reverence and wonder. To a place where “directions are not geographical.” To a time life can “go back to being a good dog.” To the church of cats and crows, stars and thunder, patience and grace – where the ordinary is divine. And miracle. I believe Jenny when she tells us she sits with toads – and listens. These poems make no pretense of being the High-Priestess of anything. Instead, they stand quietly by the entrance, bulletin in hand – inviting us in. You will be glad you did.
—
David Dixon is a physician, poet, and musician who lives and practices in Mount Airy. He is the medical director of Surry Medical Ministries, a free clinic in the area. He has played in several regional bands and remains active in local music. His written work has appeared in Rock & Sling, The Northern Virginia Review, Connecticut River Review, FlyingSouth, The Greensboro Review, and elsewhere. He is the author of The Scattering of Saints (Hermit Feathers Press, 2022).
David Dixon whirls readers through languages of faith, illness, love, loss; lives of apostles, pets, poets, and trees. These poems are a search for what remains and what illuminates when all the lights go out and we’re left to find our way home in the dark, hoping there is a home. Dixon troubles us with all the pesky questions: how to die? how to live? How to bind? Every poem a sign. Each line a constellation.
—
Kathy Cantley Ackerman was born in coal country West Virginia, grew up in Ohio, and has lived in the Carolinas nearly 40 years. She has published three poetry chapbooks and three full-length collections, most recently Repeat after Me. Her 2019 collection, A Quarrel of Atoms, received the Lena Shull Book Award from the North Carolina Poetry Society. Ackerman serves as Dean of Arts and Sciences at Isothermal Community College in Spindale and lives on a loblolly farm in Polk County.
How hard it is to keep what lives alive. Kathy Ackerman brings it all to life: love, loss and the fear of loss, revelations about what’s become essential and what no longer is. These poems are ordinary days like the ones we all must hack a path through, but when we look back and consider the way we’ve come an unexpected clarity fills us. Everything ordinary is extraordinary. Repeat after me: so it is with love that lasts, tender and perennial / tender and vulnerable.
—
Thomas Alan Holmes, a member of the East Tennessee State University faculty, teaches American literature with specialties in Appalachian and Black American literature. His creative and scholarly work has appeared in such journals as Valparaiso Poetry Review, Appalachian Journal, The North American Review, and Still: The Journal. Iris Press published In the Backhoe’s Shadow, Holmes’ first poetry collection, in 2022.
In the Backhoe’s Shadow celebrates the bonds of family in a time of rapid change. The poems display extraordinarily precise, photographic details of work and memory, childhood games and pets, sad country songs. Some are poems of dailiness and humor, and the legacy of a certain time and place. Holmes is a gifted storyteller of the struggle with contemporary uncertainties, of deep kinship, of love.
—
Mildred Kiconco Barya is a writer and poet. She has written short-stories and essays for various publications, features and travel articles for newspapers. Her first collection of poetry titled: Men Love Chocolates But They Don’t Say won the National Award for poetry publication 2002. She is also the author of the poetry collections The Price of Memory and Give Me Room to Move My Feet. Barya is Assistant professor of Creative Writing and World Literature at University of North Carolina-Asheville. Learn more at http://mildredbarya.com/.
Great news for poets and poetry lovers: Dark City Poet’s Society is returning to the Black Mountain Library. DCPS is a completely free poetry group that is open to poets of all ages and experience levels. Join us at the Black Mountain Library from 6-7:30 p.m. on the first Tuesday of every month for our (respectful) critique group. DCPS will meet at BAD Craft from 6-7 p.m. on the third Tuesday for our monthly open mic Poetry Night. Find out more on Instagram @darkcitypoetssociety or contact the Black Mountain Library.
Poetry Open Mic Hendo is the all-new sister event of Poetry Open Mic Asheville, the
longest-running open mic in Western North Carolina, this weekly event welcomes all people and all forms of creative expression at
Hendersonville’s only Kava lounge.
TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community.
The first weekly Coffee is Saturday, August 20 at 9 am.
No RSVP needed, just drop by!
Free parking available on Melrose Avenue, behind and alongside TFAC.
Great news for poets and poetry lovers: Dark City Poet’s Society is returning to the Black Mountain Library. DCPS is a completely free poetry group that is open to poets of all ages and experience levels. Join us at the Black Mountain Library from 6-7:30 p.m. on the first Tuesday of every month for our (respectful) critique group. DCPS will meet at BAD Craft from 6-7 p.m. on the third Tuesday for our monthly open mic Poetry Night. Find out more on Instagram @darkcitypoetssociety or contact the Black Mountain Library.
Poetry Open Mic Hendo is the all-new sister event of Poetry Open Mic Asheville, the
longest-running open mic in Western North Carolina, this weekly event welcomes all people and all forms of creative expression at
Hendersonville’s only Kava lounge.
TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community.
The first weekly Coffee is Saturday, August 20 at 9 am.
No RSVP needed, just drop by!
Free parking available on Melrose Avenue, behind and alongside TFAC.
The last of our 3 Fringe Summer Nights will have pop up performances, Asheville Fringe announcements, cold beverages and weirdo camaraderie. Join us!
Featuring:
Strange Daughters Butoh
The Accidentals
Justin Evans
Donations go to artists. Donate to Asheville Fringe at https://app.arts-people.com/index.php?donation=afs
Great news for poets and poetry lovers: Dark City Poet’s Society is returning to the Black Mountain Library. DCPS is a completely free poetry group that is open to poets of all ages and experience levels. Join us at the Black Mountain Library from 6-7:30 p.m. on the first Tuesday of every month for our (respectful) critique group. DCPS will meet at BAD Craft from 6-7 p.m. on the third Tuesday for our monthly open mic Poetry Night. Find out more on Instagram @darkcitypoetssociety or contact the Black Mountain Library.
Poetry Open Mic Hendo is the all-new sister event of Poetry Open Mic Asheville, the
longest-running open mic in Western North Carolina, this weekly event welcomes all people and all forms of creative expression at
Hendersonville’s only Kava lounge.
TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community.
The first weekly Coffee is Saturday, August 20 at 9 am.
No RSVP needed, just drop by!
Free parking available on Melrose Avenue, behind and alongside TFAC.
Great news for poets and poetry lovers: Dark City Poet’s Society is returning to the Black Mountain Library. DCPS is a completely free poetry group that is open to poets of all ages and experience levels. Join us at the Black Mountain Library from 6-7:30 p.m. on the first Tuesday of every month for our (respectful) critique group. DCPS will meet at BAD Craft from 6-7 p.m. on the third Tuesday for our monthly open mic Poetry Night. Find out more on Instagram @darkcitypoetssociety or contact the Black Mountain Library.
Poetry Open Mic Hendo is the all-new sister event of Poetry Open Mic Asheville, the
longest-running open mic in Western North Carolina, this weekly event welcomes all people and all forms of creative expression at
Hendersonville’s only Kava lounge.
TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community.
The first weekly Coffee is Saturday, August 20 at 9 am.
No RSVP needed, just drop by!
Free parking available on Melrose Avenue, behind and alongside TFAC.
Great news for poets and poetry lovers: Dark City Poet’s Society is returning to the Black Mountain Library. DCPS is a completely free poetry group that is open to poets of all ages and experience levels. Join us at the Black Mountain Library from 6-7:30 p.m. on the first Tuesday of every month for our (respectful) critique group. DCPS will meet at BAD Craft from 6-7 p.m. on the third Tuesday for our monthly open mic Poetry Night. Find out more on Instagram @darkcitypoetssociety or contact the Black Mountain Library.
Our mission is to bring together, in small, intimate settings, authors, readers of all ages, novice writers, listeners, and learners. We are a festival of readers who appreciate discussing the ideas in literature.
We do not see ourselves as an academic festival, thou
Telling Our Own Story: Cherokee Self-Representation in Contemporary Media
Historically in film, literature, galleries, and textbooks, Native stories have been told by non-Native voices. In this panel, we’ll hear from citizens of the Eastern Band of Cherokee Indians (EBCI), North Carolina’s only federally recognized tribe, who are contributing to the international movement for Indigenous self-representation in media through writing, podcasting, visual art, and cultural perpetuation.
Annette Saunooke Clapsaddle (Eastern Band Cherokee)
Award-winning Author of Even as We Breathe
Annette Saunooke Clapsaddle (Eastern Band Cherokee) lives in Qualla, NC and is the author of Even As We Breathe. She sits on the Board of Directors for the Museum of the Cherokee Indian and is President of the North Carolina Writers Network. She is also an Appalachian Futures Series editor for the University Press of Kentucky.
Shana Bushyhead Condill (Eastern Band of Cherokee Indians)
Museum of the Cherokee Indian Executive Director
Shana Bushyhead Condill (Eastern Band of Cherokee) has worked in the museum and cultural field for over twenty years. As Executive Director of the Museum of the Cherokee Indian, Condill furthers a career-spanning commitment to cultivating Native representation and self-representation in public spaces, advocating for the intentional combining of mainstream best practices with Native best practices in cultural preservation.
Nola Pina (Eastern Band of Cherokee Indians)
Museum of the Cherokee Indian Lead Cultural Specialist
Nola Pina (Eastern Band Cherokee) grew up and still currently resides in the on the Qualla Boundary. As a Lead Cultural Specialist at the Museum of the Cherokee Indian, Nola enjoys demonstrating and teaching finger-weaving (she is a first-generation finger weaver herself), as well as storytelling and leading tours through the permanent exhibit.
Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo)
Visual artist
Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo) employs printmaking, digital design, and basketry techniques in creating her artist’s books, prints, and paper weavings. Both of her Tribal heritages, cultures, and lineages are manifested in her two- and three-dimensional artworks that range in size from a few inches to a few feet.
Sheyahshe Littledave (Eastern Band Cherokee)
Writer/podcaster
Sheyahshe Littledave (Eastern Band Cherokee) is passionate about storytelling and writing to highlight the Indigenous experience. Her work includes publication in National Geographic, NPR, and writing children’s books. In 2021, she became the co-host of “We are Resilient: An MMIW True Crime Podcast,” dedicated to telling the untold stories of Missing & Murdered Indigenous Women.gh we seek to advance authors of literary quality. Nor are we a book fair in which the primary objective is to sell books.
One of our goals is to raise awareness of works of literary significance from smaller presses. We do focus on regional writers, though not exclusively. But overall, our aspiration is to create a little literary community which is in dialog with readers, aspiring writers, and established authors about craft and ideas of sustaining merit.
Another goal is to make sure our authors are having good time. In the best scenario, authors leave the festival feeling renewed and rededicated to their work. So frequently when an author writes in isolation, it is hard to believe that his/her work is making an impact on people and society. But situating authors and readers together in close quarters, as our festival does, it is possible for authors to hear stories of how their work has influenced people. It’s not just signing a book, it’s making a human connection.
We hope the Carolina Mountains Literary Festival inspires people to read more, write more, and contribute positively to society through the literary arts.
Our Pecularities
No outside vendors have booths at our festival. In fact, we don’t even sell any litfest paraphernalia. In an attempt to support our quaint downtown, attendees are encouraged to buy souvenirs at the many local shops that host readings. Authors are not tied down to a table all day, but are free to roam the town, attend other sessions, or gab with other authors in more sequestered areas. Some authors spend a full two days attending others’ readings. As festival planners, we thoroughly enjoy this contribution. However, some chose to leave after their sessions, which is equally acceptable.
Our events are spread all over our small town— in galleries, small stores, the Town Center, library, nearby churches, and other various venues. Only a few used primarily for workshops are not within walking distance.
Events are scheduled simultaneously. As many as five different events may be occurring at any one time. (We know that it can be difficult to choose, but we make every attempt to have each author present at least twice during the weekend.) We have a festival bookseller (Malaprop’s) who sells all festival author books – authors do not sell their books on their own. (Therefore, if book sales are high on your list of priorities or you enjoy pitching your books, you may not find this event to your liking—and vice versa.)
Authors gather for morning and afternoon-session book-signings as a group. No individual authors will have their own signings. Author presentations are limited to two consecutive years. Exceptions may be made if an author has a new, significant work. At the same time, we welcome past participants as attendees, or to assist us as session moderators or introducers if they wish.
FOR WORKSHOPS: 2023 Schedule – cmlitfest.org
Poetry Open Mic Hendo is the all-new sister event of Poetry Open Mic Asheville, the
longest-running open mic in Western North Carolina, this weekly event welcomes all people and all forms of creative expression at
Hendersonville’s only Kava lounge.
Our mission is to bring together, in small, intimate settings, authors, readers of all ages, novice writers, listeners, and learners. We are a festival of readers who appreciate discussing the ideas in literature.
We do not see ourselves as an academic festival, thou
Telling Our Own Story: Cherokee Self-Representation in Contemporary Media
Historically in film, literature, galleries, and textbooks, Native stories have been told by non-Native voices. In this panel, we’ll hear from citizens of the Eastern Band of Cherokee Indians (EBCI), North Carolina’s only federally recognized tribe, who are contributing to the international movement for Indigenous self-representation in media through writing, podcasting, visual art, and cultural perpetuation.
Annette Saunooke Clapsaddle (Eastern Band Cherokee)
Award-winning Author of Even as We Breathe
Annette Saunooke Clapsaddle (Eastern Band Cherokee) lives in Qualla, NC and is the author of Even As We Breathe. She sits on the Board of Directors for the Museum of the Cherokee Indian and is President of the North Carolina Writers Network. She is also an Appalachian Futures Series editor for the University Press of Kentucky.
Shana Bushyhead Condill (Eastern Band of Cherokee Indians)
Museum of the Cherokee Indian Executive Director
Shana Bushyhead Condill (Eastern Band of Cherokee) has worked in the museum and cultural field for over twenty years. As Executive Director of the Museum of the Cherokee Indian, Condill furthers a career-spanning commitment to cultivating Native representation and self-representation in public spaces, advocating for the intentional combining of mainstream best practices with Native best practices in cultural preservation.
Nola Pina (Eastern Band of Cherokee Indians)
Museum of the Cherokee Indian Lead Cultural Specialist
Nola Pina (Eastern Band Cherokee) grew up and still currently resides in the on the Qualla Boundary. As a Lead Cultural Specialist at the Museum of the Cherokee Indian, Nola enjoys demonstrating and teaching finger-weaving (she is a first-generation finger weaver herself), as well as storytelling and leading tours through the permanent exhibit.
Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo)
Visual artist
Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo) employs printmaking, digital design, and basketry techniques in creating her artist’s books, prints, and paper weavings. Both of her Tribal heritages, cultures, and lineages are manifested in her two- and three-dimensional artworks that range in size from a few inches to a few feet.
Sheyahshe Littledave (Eastern Band Cherokee)
Writer/podcaster
Sheyahshe Littledave (Eastern Band Cherokee) is passionate about storytelling and writing to highlight the Indigenous experience. Her work includes publication in National Geographic, NPR, and writing children’s books. In 2021, she became the co-host of “We are Resilient: An MMIW True Crime Podcast,” dedicated to telling the untold stories of Missing & Murdered Indigenous Women.gh we seek to advance authors of literary quality. Nor are we a book fair in which the primary objective is to sell books.
One of our goals is to raise awareness of works of literary significance from smaller presses. We do focus on regional writers, though not exclusively. But overall, our aspiration is to create a little literary community which is in dialog with readers, aspiring writers, and established authors about craft and ideas of sustaining merit.
Another goal is to make sure our authors are having good time. In the best scenario, authors leave the festival feeling renewed and rededicated to their work. So frequently when an author writes in isolation, it is hard to believe that his/her work is making an impact on people and society. But situating authors and readers together in close quarters, as our festival does, it is possible for authors to hear stories of how their work has influenced people. It’s not just signing a book, it’s making a human connection.
We hope the Carolina Mountains Literary Festival inspires people to read more, write more, and contribute positively to society through the literary arts.
Our Pecularities
No outside vendors have booths at our festival. In fact, we don’t even sell any litfest paraphernalia. In an attempt to support our quaint downtown, attendees are encouraged to buy souvenirs at the many local shops that host readings. Authors are not tied down to a table all day, but are free to roam the town, attend other sessions, or gab with other authors in more sequestered areas. Some authors spend a full two days attending others’ readings. As festival planners, we thoroughly enjoy this contribution. However, some chose to leave after their sessions, which is equally acceptable.
Our events are spread all over our small town— in galleries, small stores, the Town Center, library, nearby churches, and other various venues. Only a few used primarily for workshops are not within walking distance.
Events are scheduled simultaneously. As many as five different events may be occurring at any one time. (We know that it can be difficult to choose, but we make every attempt to have each author present at least twice during the weekend.) We have a festival bookseller (Malaprop’s) who sells all festival author books – authors do not sell their books on their own. (Therefore, if book sales are high on your list of priorities or you enjoy pitching your books, you may not find this event to your liking—and vice versa.)
Authors gather for morning and afternoon-session book-signings as a group. No individual authors will have their own signings. Author presentations are limited to two consecutive years. Exceptions may be made if an author has a new, significant work. At the same time, we welcome past participants as attendees, or to assist us as session moderators or introducers if they wish.
FOR WORKSHOPS: 2023 Schedule – cmlitfest.org
Our mission is to bring together, in small, intimate settings, authors, readers of all ages, novice writers, listeners, and learners. We are a festival of readers who appreciate discussing the ideas in literature.
We do not see ourselves as an academic festival, thou
Telling Our Own Story: Cherokee Self-Representation in Contemporary Media
Historically in film, literature, galleries, and textbooks, Native stories have been told by non-Native voices. In this panel, we’ll hear from citizens of the Eastern Band of Cherokee Indians (EBCI), North Carolina’s only federally recognized tribe, who are contributing to the international movement for Indigenous self-representation in media through writing, podcasting, visual art, and cultural perpetuation.
Annette Saunooke Clapsaddle (Eastern Band Cherokee)
Award-winning Author of Even as We Breathe
Annette Saunooke Clapsaddle (Eastern Band Cherokee) lives in Qualla, NC and is the author of Even As We Breathe. She sits on the Board of Directors for the Museum of the Cherokee Indian and is President of the North Carolina Writers Network. She is also an Appalachian Futures Series editor for the University Press of Kentucky.
Shana Bushyhead Condill (Eastern Band of Cherokee Indians)
Museum of the Cherokee Indian Executive Director
Shana Bushyhead Condill (Eastern Band of Cherokee) has worked in the museum and cultural field for over twenty years. As Executive Director of the Museum of the Cherokee Indian, Condill furthers a career-spanning commitment to cultivating Native representation and self-representation in public spaces, advocating for the intentional combining of mainstream best practices with Native best practices in cultural preservation.
Nola Pina (Eastern Band of Cherokee Indians)
Museum of the Cherokee Indian Lead Cultural Specialist
Nola Pina (Eastern Band Cherokee) grew up and still currently resides in the on the Qualla Boundary. As a Lead Cultural Specialist at the Museum of the Cherokee Indian, Nola enjoys demonstrating and teaching finger-weaving (she is a first-generation finger weaver herself), as well as storytelling and leading tours through the permanent exhibit.
Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo)
Visual artist
Rhiannon ‘Skye’ Tafoya (Eastern Band Cherokee and Santa Clara Pueblo) employs printmaking, digital design, and basketry techniques in creating her artist’s books, prints, and paper weavings. Both of her Tribal heritages, cultures, and lineages are manifested in her two- and three-dimensional artworks that range in size from a few inches to a few feet.
Sheyahshe Littledave (Eastern Band Cherokee)
Writer/podcaster
Sheyahshe Littledave (Eastern Band Cherokee) is passionate about storytelling and writing to highlight the Indigenous experience. Her work includes publication in National Geographic, NPR, and writing children’s books. In 2021, she became the co-host of “We are Resilient: An MMIW True Crime Podcast,” dedicated to telling the untold stories of Missing & Murdered Indigenous Women.gh we seek to advance authors of literary quality. Nor are we a book fair in which the primary objective is to sell books.
One of our goals is to raise awareness of works of literary significance from smaller presses. We do focus on regional writers, though not exclusively. But overall, our aspiration is to create a little literary community which is in dialog with readers, aspiring writers, and established authors about craft and ideas of sustaining merit.
Another goal is to make sure our authors are having good time. In the best scenario, authors leave the festival feeling renewed and rededicated to their work. So frequently when an author writes in isolation, it is hard to believe that his/her work is making an impact on people and society. But situating authors and readers together in close quarters, as our festival does, it is possible for authors to hear stories of how their work has influenced people. It’s not just signing a book, it’s making a human connection.
We hope the Carolina Mountains Literary Festival inspires people to read more, write more, and contribute positively to society through the literary arts.
Our Pecularities
No outside vendors have booths at our festival. In fact, we don’t even sell any litfest paraphernalia. In an attempt to support our quaint downtown, attendees are encouraged to buy souvenirs at the many local shops that host readings. Authors are not tied down to a table all day, but are free to roam the town, attend other sessions, or gab with other authors in more sequestered areas. Some authors spend a full two days attending others’ readings. As festival planners, we thoroughly enjoy this contribution. However, some chose to leave after their sessions, which is equally acceptable.
Our events are spread all over our small town— in galleries, small stores, the Town Center, library, nearby churches, and other various venues. Only a few used primarily for workshops are not within walking distance.
Events are scheduled simultaneously. As many as five different events may be occurring at any one time. (We know that it can be difficult to choose, but we make every attempt to have each author present at least twice during the weekend.) We have a festival bookseller (Malaprop’s) who sells all festival author books – authors do not sell their books on their own. (Therefore, if book sales are high on your list of priorities or you enjoy pitching your books, you may not find this event to your liking—and vice versa.)
Authors gather for morning and afternoon-session book-signings as a group. No individual authors will have their own signings. Author presentations are limited to two consecutive years. Exceptions may be made if an author has a new, significant work. At the same time, we welcome past participants as attendees, or to assist us as session moderators or introducers if they wish.
FOR WORKSHOPS: 2023 Schedule – cmlitfest.org
TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community.
The first weekly Coffee is Saturday, August 20 at 9 am.
No RSVP needed, just drop by!
Free parking available on Melrose Avenue, behind and alongside TFAC.
Great news for poets and poetry lovers: Dark City Poet’s Society is returning to the Black Mountain Library. DCPS is a completely free poetry group that is open to poets of all ages and experience levels. Join us at the Black Mountain Library from 6-7:30 p.m. on the first Tuesday of every month for our (respectful) critique group. DCPS will meet at BAD Craft from 6-7 p.m. on the third Tuesday for our monthly open mic Poetry Night. Find out more on Instagram @darkcitypoetssociety or contact the Black Mountain Library.
The oldest and most common advice poets hear is “show don’t tell.” But what does that mean, exactly? What is the difference between showing and telling? Why is “showing” better? Most of us write poems to tell readers something, to share our ideas. Many poets—from as far back as John Donne to as recent as Stephen Dunn–do a lot of telling in their poems. So why are we always advised not to tell? In this workshop we will discuss these questions. In the process, we will look at a few well-known poems to see how–or if—they show rather than tell, and we will do some writing exercises that may help us arrive at some conclusions about this persistent advice.
This workshop is open to writers of all skill levels and is a fun way to find inspiration from a new prompt or revise current work. It is hosted by the Friends of Carl Sandburg at Connemara and will use Microsoft Teams for the virtual connection. Sign up to attend the workshop at workshop link
Eric Nelson’s most recent poetry collection, Horse Not Zebra, won both a Da Vinci Eye Award for cover art and an Honorable Mention in Poetry from the 2023 Eric Hoffer Book Awarda. His poems have appeared in many journals, including Poetry, The Sun, The Oxford American, and The Missouri Review. Among his awards are the 2014 Gival Press Poetry Book Award for Some Wonder; the 2004 X.J. Kennedy Poetry Award for Terrestrials, chosen by Maxine Kumin; the Arkansas Poetry Award for The Interpretation of Waking Life (1991); the Split Oak Press Chapbook Award for The Twins (2009); the Georgia Author of the Year Award (2005), and fellowships to the Hambidge Center for the Arts and the Virginia Center for Creative Arts. He taught writing and literature courses at Georgia Southern University for twenty-six years before retiring in 2015 and moving to Asheville, where he lives with his wife, Stephanie Tames, and teaches in the Great Smokies Writing Program. www.ericnelsonpoet.com.
Poet Donika Kelly and memoirist Melissa Febos will present a reading at 7 p.m. on Thursday, Sept. 14 in UNC Asheville’s Highsmith Union, Blue Ridge Room.
Donika Kelly is the author of “The Renunciations,” winner of the Anisfield-Wolf book award in poetry, and Bestiary, the winner of the 2015 Cave Canem Poetry Prize, a Hurston/Wright Legacy Award, and a Kate Tufts Discovery Award. A recipient of a fellowship from the National Endowment for the Arts, she is a Cave Canem graduate fellow and founding member of the collective Poets at the End of the World. Her poems have been published in The New Yorker, The Atlantic, The Paris Review, and elsewhere. She is an assistant professor in the English Department at the University of Iowa, where she teaches creative writing.
Melissa Febos is the bestselling author of four books, including “Girlhood,” which won the National Book Critics Circle Award in Criticism and has been translated into seven languages; and “Body Work: The Radical Power of Personal Narrative.” Her fifth book, “The Dry Season,” is forthcoming from Alfred A. Knopf. Her work has recently appeared in The Paris Review, The New Yorker, The Sun, The New York Times Magazine, The Best American Essays, Vogue, and New York Review of Books. Febos is a professor at the University of Iowa.
Poetry Open Mic Hendo is the all-new sister event of Poetry Open Mic Asheville, the
longest-running open mic in Western North Carolina, this weekly event welcomes all people and all forms of creative expression at
Hendersonville’s only Kava lounge.
TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community.
The first weekly Coffee is Saturday, August 20 at 9 am.
No RSVP needed, just drop by!
Free parking available on Melrose Avenue, behind and alongside TFAC.
Great news for poets and poetry lovers: Dark City Poet’s Society is returning to the Black Mountain Library. DCPS is a completely free poetry group that is open to poets of all ages and experience levels. Join us at the Black Mountain Library from 6-7:30 p.m. on the first Tuesday of every month for our (respectful) critique group. DCPS will meet at BAD Craft from 6-7 p.m. on the third Tuesday for our monthly open mic Poetry Night. Find out more on Instagram @darkcitypoetssociety or contact the Black Mountain Library.
Poetry Open Mic Hendo is the all-new sister event of Poetry Open Mic Asheville, the
longest-running open mic in Western North Carolina, this weekly event welcomes all people and all forms of creative expression at
Hendersonville’s only Kava lounge.
TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community.
The first weekly Coffee is Saturday, August 20 at 9 am.
No RSVP needed, just drop by!
Free parking available on Melrose Avenue, behind and alongside TFAC.
Great news for poets and poetry lovers: Dark City Poet’s Society is returning to the Black Mountain Library. DCPS is a completely free poetry group that is open to poets of all ages and experience levels. Join us at the Black Mountain Library from 6-7:30 p.m. on the first Tuesday of every month for our (respectful) critique group. DCPS will meet at BAD Craft from 6-7 p.m. on the third Tuesday for our monthly open mic Poetry Night. Find out more on Instagram @darkcitypoetssociety or contact the Black Mountain Library.