Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Buncombe County Special Collections is excited to announce a call for proposals for the third year of its creative residency program.
This is an annual opportunity for artists in Buncombe County to create new, research-driven creative work using BCSC’s historic resources as source material and/or inspiration, and to present their work in the Carolina Record Shop, a dedicated exhibition space in the BCSC reading room. Artists age 18 and up, based in Buncombe County, working in any creative discipline are invited to apply.
Buncombe County Special Collections is looking for projects that will:
- Offer new, diverse perspectives on our shared history
- Identify and address gaps and/or amplify narratives that are historically underrepresented in the collection
- Educate and inspire non-traditional users of archives and special collections to engage with the collection in new ways.
More information (including the PDF of the call for proposals) is available at here. The 2024 Creative Residency is made possible in part by the Trust Fund for Buncombe County Public Libraries.
You can also visit Buncombe County Special Collections in the lower level of Pack Memorial to view the current exhibition in the Carolina Record Shop, “Belonging & Non-Belonging: The History and Future of Zines in Western North Carolina,” curated by 2023 resident Miles Lamberson.

What is a Youth Production?
An ACT Youth Production is an immersive performance workshop that is specially tailored for young artists who aspire to learn and grow in the performing arts. This hands-on experience offers a unique opportunity for students to undergo a comprehensive exploration of the theatrical process. Starting with auditions, they are taught how to prepare and present their best selves, and throughout the rehearsal process, students collaborate with the cast in a dynamic and supportive environment. A distinctive feature of this program is the inclusion of choreography and voice training sessions that enable students to discover and improve their vocal prowess and dancing abilities, thus turning them into well-rounded performers. Every aspect is designed to nurture creativity, foster teamwork, and instill a genuine love for theatre. All students are encouraged to participate, regardless of their previous experience or exposure to theatre.
Interested in Technical Theatre classes?
If you’re interested in getting hands-on experience with technical theatre, our Tech & Run Crew class is tailored just for you. Whether you’re a beginner with a budding interest or a seasoned tech enthusiast aiming to sharpen your skills, you will get the opportunity to work on real productions in an education environment.
2023-2024 SeasonThe Asheville Performing Arts Academy facilitates a life-long appreciation and advocacy of the arts by providing a loving community where students discover the tools needed to navigate life on and off the stage. MissionThe Asheville Performing Arts Academy is a school based on unlimited opportunities for students to explore their interests in music, dance, and drama. We foster a love and appreciation for the arts through student-teacher relationships, which encourage and help you to excel at your dream. We offer high quality instruction and educational experiences because we are committed to the art of teaching and the teaching of the arts. It is our hope to build art and awareness in the community and provide a home for families to pursue their dreams. With classes for students of all ages, the Asheville Performing Arts Academy is your place to discover the love of music, drama, and dance in your life. Asheville Performing Arts Academy… where the arts come alive! |
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February 2-4, 2024 Mean Girls, Jr.
February 9-11, 2024 Mean Girls HS Version
March/April 2024 A Midsummer Night’s Dream (Homeschool Academy) |
Buncombe County Special Collections is excited to announce a call for proposals for the third year of its creative residency program.
This is an annual opportunity for artists in Buncombe County to create new, research-driven creative work using BCSC’s historic resources as source material and/or inspiration, and to present their work in the Carolina Record Shop, a dedicated exhibition space in the BCSC reading room. Artists age 18 and up, based in Buncombe County, working in any creative discipline are invited to apply.
Buncombe County Special Collections is looking for projects that will:
- Offer new, diverse perspectives on our shared history
- Identify and address gaps and/or amplify narratives that are historically underrepresented in the collection
- Educate and inspire non-traditional users of archives and special collections to engage with the collection in new ways.
More information (including the PDF of the call for proposals) is available at here. The 2024 Creative Residency is made possible in part by the Trust Fund for Buncombe County Public Libraries.
You can also visit Buncombe County Special Collections in the lower level of Pack Memorial to view the current exhibition in the Carolina Record Shop, “Belonging & Non-Belonging: The History and Future of Zines in Western North Carolina,” curated by 2023 resident Miles Lamberson.
Flag Football, $15 per player
Registration ends August 30, games begin September 9
Teams divided by ages 6-8, 9-10, 11-12, and 14-16 practice drills for 30 minutes prior to weekly games with two 20 minute halves at Asheville Middle School on 211 South French Broad Avenue.
Softball Clinic, $10 per player
Registration ends September 3, clinics begin September 11
Instructional five-week clinic with divisions for 6-8, 9-10, and 11-12 year-olds teaches fundamentals through drills and scrimmages at Asheville Middle School on 211 South French Broad Avenue with the intent of building a youth softball program in the future.
Youth Archery Class, $25 per archer
Registration ends October 10, class held each Thursday from October 26-November 16
This introductory course teaches individuals 9-12 years-old range safety and proper shooting techniques.
Winter Basketball League, $35 per player
Registration ends October 31, evaluations begin November 6
Age divisions include 5-6 (instructional), 9-10, 11-12, and 13-15.
Fling the Fletch Junior Disc Golf Open, $5 for beginner and $20 for advanced competitive
A local pro teaches a clinic followed by a nine-hole family fun tournament for beginners ages 8-18 and an 18-hole competitive round for advanced players ages 12-16.
Turkey Tee Off Family Mini Golf Tournament, free
Registration ends November 10, tournament on November 18
Enjoy friendly competition with friends and family at Lakeview Putt and Play on 2245 Hendersonville Road.
Build your own scarecrow and set at up in Lake Julian Park. Scarecrows can be made of recycled materials, household items, traditional farm materials, repurposed wood, various items found in nature, etc. We just ask scarecrows are not made of any food items.
Registration is open now! Scarecrows can be set up in the park from October 14th-21st. On October 21st Lake Julian will hold its annual Fall-o-ween Festival where Scarecrows will be judged and awarded a 1st, 2nd or 3rd place trophy!
This is a fun family friendly activity for all ages! Great for families, couples, school groups, clubs, offices, teams, and more! We welcome all to celebrate the autumn season and get crafty with the agricultural tradition of making a unique personified sculpture!
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
Join us on a journey into the world of butterflies and plants, and see the complex relationship between monarchs and milkweed. “Monarchs and Milkweed” explores how very survival of these majestic creatures has been shaped over time by one another, traveling through the seasons of a calendar year and revealing how both insect and plant grow and interact, culminating in a massive migration that crosses a continent.
!Get ready for another season of excitement as our CORE Program gears up to provide exciting games and activities for toddlers, homeschoolers, and families throughout the community this Fall. This includes include strider bikes, yard games, kid-friendly music, puzzles, foam archery, chalk and more. While the games can be enjoyed by anyone regardless of age–with something available for anyone–the programming is aimed at those 1 to 15 years of age. Be sure to mark your calendars with the following CORE Program dates: Community Centers (10 a.m. to 1 p.m.)
Parks (10 a.m. to 1 p.m.)
For more information, call us at (828) 250-4260. |
STATIONARY FUN – Creekside play area has a treehouse and wee slide ➤ The Big Barn has our Sound Silo full of instruments to play on and make noise, trikes on the trike track around a REAL tractor and cornhole boards(ask the staff for bags) ➤ On the grassy slope behind the Big Barn we’ve got our famous and fast culvert tunnel slides for all ages, hammocks on the hill and tetherball!
Availability: All stationary fun is available every day during business hours of 10-5, starting September 2nd, through the rest of the season- tetherball will be back in action starting September 6th!
ANIMALS TO SEE – We will have a brooder house full of chicks in various ages and stages all season, there will typically be mama pigs and piglets in agritourism pens on the hill, more rarely there will be grazing cattle in a nearby field.
FOOD TRUCK SCHEDULE
9/2 Sat 11-4 Fern Leaf CCS Food Truck
9/16 Sat 11-4 Milk & Honey Food Truck – they will be serving HNG beef for their all-American burger!
9/24 Sun 11-4 *Big Barn Market* Root Down Farm Food Truck
9/30 Sat 11-4 Milk & Honey Food Truck
10/7 Sat 11-4 Fern Leaf CCS Food Truck
10/14 Sat 11-4 Milk & Honey Food Truck
10/15 Sun 11-4 El Bodegon Food Truck
10/22 Sun 11-4 El Bodegon Food Truck
10/29 Sun 11-4 *Big Barn Market* Grush’s Cajun Dino Grill Food Truck
11/4 Sat 11-4 Fern Leaf CCS Food Truck
FALL SEASONAL OFFERINGS
APPLES – Our partners in Edneyville, NC, Lyda Farms, bring some of the best in the region. Local and low spray, folks come every year to get the best of fall in NC by the bag to bake, stew, butter, sauce and of course, crunch into while sitting on the farm.
Availability: Apples will be available to buy starting September 9th, they will typically run out Mid to late October.
FRESH PRESSED CIDER – We press fresh apple cider every year, comprised of our historical orchard apples on the Old Sherrill’s Inn property and apples from our partner Lyda Farms. This is a raw, unpasteurized product – delicious and changeable as the season, no added sugar or seasonings.
Availability: 1st pressing September 13th, bottled cider will be in the store for purchase September 14th!
JACKOLANTERN PUMPKINS – We work with several WNC veggie farmers in the area, including Hawkins Farms. We’ll have pumpkins arranged all around the Farm Store to display their beauty AND make sure you get *just the right one*. The seeds are dynamite when roasted, too…
Availability: Coming Mid-September, they will typically run out by end of October so make sure you get yours!
EDIBLE SQUASH & DECORATIVE GOURDS – From Mr. Anthony Cole’s farms, we have some long-lasting festive gourds to decoarate for the season, and a broad variety of edible squashes and pumpkins perfect for pies, soups and pasta.
Availability: Coming Mid-September.
Photo credit:
Sae Honda. Courtesy of the Artist.
NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.
NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.
The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.
Photo credit:
J Diamond, “Pony II,” 2022. Courtesy of the Artist
Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.
Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.
Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.
Photo credit:
Photograph by Bowery Blue Makers
Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.
A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.
Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.
Throughout the history of painting from the mid-19th century forward, artists have used an
endless variety of approaches to record their world. Beyond the Lens: Photorealist Perspectives on Looking, Seeing, and Painting continues this thread, offering an opportunity to explore a singular and still forceful aspect of American art. Photorealism shares many of the approaches of historical and modernist realism, with a twist. The use of the camera as a basic tool for organizing visual information in advance of painterly expression is now quite common, but Photorealists embraced the camera as the focal point in their creative process.
Beyond the Lens presents key works from the collection of Louis K. and Susan Pear Meisel,
bringing together paintings and works on paper dating from the 1970s to the present to focus on this profoundly influential art movement. The exhibition includes work by highly acclaimed formative artists of the movement such as Charles Bell, Robert Bechtle, Tom Blackwell, Richard Estes, Audrey Flack, and Ralph Goings as well as paintings by the successive generations of Photorealist artists Anthony Brunelli, Davis Cone, Bertrand Meniel, Rod Penner, and Raphaella Spence. Featured artworks in the exhibition include diverse subject matters, but the primary focus is on the common and every day: urban scenes, “portraits” of cars, trucks, and motorcycles, still life compositions using toys, food, candy wrappers, and salt and pepper shakers. All provide opportunities for virtuoso studies in how light, reflection, and the camera as intermediary shapes our perception of the material world.
This multigenerational survey demonstrates how the 35-mm camera, and later technological
advances in digital image-making, informed and impacted the painterly gesture. Taken together, the paintings and works on paper in Beyond the Lens show how simply spellbinding these virtuosic works of art can be.
“Beyond the Lens offers a fascinating look into the Photorealism movement and delves into the profound connection between the artists’ observation and creative process,” says Pamela L. Myers, Executive Director of Asheville Art Museum. “We are delighted to present this curated collection of artworks encapsulating the creative vision and technical precision that defines this artistic genre.”
Photorealism found its roots in the late 1960s in California and New York, coexisting with an explosion of new ideas in art-making that included Conceptual, Pop, Minimalism, Land and Performance Art. At first, representational realism coexisted with the thematic and conceptual explosion but was eventually relegated to the margins regarding critical and curatorial attention. Often misunderstood and sometimes negatively criticized or lampooned as a betrayal of modernism’s commitment to abstraction, the artists involved in Photorealism remained committed explorers of the trail they had blazed. In the decades of the late twentieth century and early twenty-first century, realistic and symbolic painting experienced a renaissance, as contemporary artists are increasingly drawn to narrative and storytelling. Concurrently, using a camera as a preparatory tool equally legitimate and valuable as pencils and pens has made the rubric of Photorealism increasingly relevant.
This exhibition is organized by the Asheville Art Museum and guest curated by Terrie Sultan.
This exhibition is sponsored in part by Jim and Julia Calkins Peterson.
Kids Storytime at Barnes and Noble
Romare Bearden (Charlotte, NC 1911–1988 New York, NY), African American writer and artist, is renowned for his collages. He constantly experimented with various techniques to achieve his artistic goals throughout his career. This exhibition highlights works on paper and explores his most frequently used mediums, including screen-printing, lithography, hand-colored etching, collagraph, monotype, relief print, photomontage, and collage.
Bearden’s work reflects his improvisational approach to his practice. He considered his process akin to that of jazz and blues composers. Starting with an open mind, he would let an idea evolve spontaneously.
“Romare Bearden: Ways of Working highlights Bearden’s unique artistic practice and masterful storytelling through art,” says Pamela L. Myers, Executive Director of the Asheville Art Museum. “We are thrilled to collaborate with Jerald Melberg Gallery to present these extraordinary works on paper in conversation with Bearden’s collage Sunset Express, 1984 in the Museum Collection (on view in the Museum’s SECU Collection Hall). This exhibition will also provide a glimpse into the cultural histories and personal interests that influenced his art-making practice, and we hope it encourages introspection and dialogue with our visitors.”
Jerald Melberg states, “Romare Bearden’s groundbreaking artistic practice continues to captivate audiences worldwide. With an unparalleled legacy of creativity and innovation, Bearden’s contributions to art remain deeply influential years beyond his life.” We have enjoyed organizing this exhibition with the Asheville Art Museum to showcase his artistic genius and inspire visitors from the Western North Carolina region and beyond.”
This exhibition is made possible in part by the Judy Appleton Fund. Many thanks to the Jerald Melberg Gallery for the loan of these important artworks and to Mary and Jerald Melberg for their long-standing support of the arts, artists, and the Asheville Art Museum.
The Art of Food features works from important postwar artists, like Robert Rauschenberg, Roy Lichtenstein, John Baldessari, Wayne Thiebaud, Ed Ruscha, Andy Warhol, David Hockney, and Jasper Johns, alongside the work of contemporary artists, like Alison Saar, Lorna Simpson, Enrique Chagoya, Rachel Whiteread, and Jenny Holzer, among others.
The Art of Food features more than 100 works in mediums that include drawings, paintings, photographs, prints, sculptures, and ceramics by 37 artists.
Each artist has a unique means of depicting food in their work that, when seen alongside others, creates a nuanced representation of the complex place food holds in everyday life. Cross-historical resonances between artists in the exhibition spark novel meditations on food and its discontents, while speaking to a broad range of audiences.
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Western North Carolina is important in the history of American glass art. Several artists of the Studio Glass Movement came to the region, including its founder Harvey K. Littleton. Begun in 1962 in Wisconsin, it was a student of Littleton’s that first came to the area in 1965 and set up a glass studio at the Penland School of Craft in Penland, North Carolina. By 1967, Mark Peiser was the first glass artist resident at the school and taught many notable artists, like Jak Brewer in 1968 and Richard Ritter who came to study in 1971. By 1977, Littleton retired from teaching and moved to nearby Spruce Pine, North Carolina and set up a glass studio at his home. Since that time, glass artists like Ken Carder, Rick and Valerie Beck, Shane Fero, and Yaffa Sikorsky and Jeff Todd—to name only a few—have flocked to the area to reside, collaborate, and teach, making it a significant place for experimentation and education in glass. The next generation of artists like Hayden Wilson and Alex Bernstein continue to create here. The Museum is dedicated to collecting American studio glass and within that umbrella, explores the work of Artists connected to Western North Carolina. Exhibitions, including Intersections of American Art, explore glass art in the context of American Art of the 20th and 21st centuries. A variety of techniques and a willingness to push boundaries of the medium can be seen in this selection of works from the Museum’s Collection. |
November 3-11, 2023
Directed by Jenny Martin
Music Direction by Roberta Whiteside
Choreography by Melanie Veazey
2023-2024 SeasonThe Asheville Performing Arts Academy facilitates a life-long appreciation and advocacy of the arts by providing a loving community where students discover the tools needed to navigate life on and off the stage. MissionThe Asheville Performing Arts Academy is a school based on unlimited opportunities for students to explore their interests in music, dance, and drama. We foster a love and appreciation for the arts through student-teacher relationships, which encourage and help you to excel at your dream. We offer high quality instruction and educational experiences because we are committed to the art of teaching and the teaching of the arts. It is our hope to build art and awareness in the community and provide a home for families to pursue their dreams. With classes for students of all ages, the Asheville Performing Arts Academy is your place to discover the love of music, drama, and dance in your life. Asheville Performing Arts Academy… where the arts come alive! |
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February 2-4, 2024 Mean Girls, Jr.
February 9-11, 2024 Mean Girls HS Version
March/April 2024 A Midsummer Night’s Dream (Homeschool Academy) |
Buncombe County Special Collections is excited to announce a call for proposals for the third year of its creative residency program.
This is an annual opportunity for artists in Buncombe County to create new, research-driven creative work using BCSC’s historic resources as source material and/or inspiration, and to present their work in the Carolina Record Shop, a dedicated exhibition space in the BCSC reading room. Artists age 18 and up, based in Buncombe County, working in any creative discipline are invited to apply.
Buncombe County Special Collections is looking for projects that will:
- Offer new, diverse perspectives on our shared history
- Identify and address gaps and/or amplify narratives that are historically underrepresented in the collection
- Educate and inspire non-traditional users of archives and special collections to engage with the collection in new ways.
More information (including the PDF of the call for proposals) is available at here. The 2024 Creative Residency is made possible in part by the Trust Fund for Buncombe County Public Libraries.
You can also visit Buncombe County Special Collections in the lower level of Pack Memorial to view the current exhibition in the Carolina Record Shop, “Belonging & Non-Belonging: The History and Future of Zines in Western North Carolina,” curated by 2023 resident Miles Lamberson.
Flag Football, $15 per player
Registration ends August 30, games begin September 9
Teams divided by ages 6-8, 9-10, 11-12, and 14-16 practice drills for 30 minutes prior to weekly games with two 20 minute halves at Asheville Middle School on 211 South French Broad Avenue.
Softball Clinic, $10 per player
Registration ends September 3, clinics begin September 11
Instructional five-week clinic with divisions for 6-8, 9-10, and 11-12 year-olds teaches fundamentals through drills and scrimmages at Asheville Middle School on 211 South French Broad Avenue with the intent of building a youth softball program in the future.
Youth Archery Class, $25 per archer
Registration ends October 10, class held each Thursday from October 26-November 16
This introductory course teaches individuals 9-12 years-old range safety and proper shooting techniques.
Winter Basketball League, $35 per player
Registration ends October 31, evaluations begin November 6
Age divisions include 5-6 (instructional), 9-10, 11-12, and 13-15.
Fling the Fletch Junior Disc Golf Open, $5 for beginner and $20 for advanced competitive
A local pro teaches a clinic followed by a nine-hole family fun tournament for beginners ages 8-18 and an 18-hole competitive round for advanced players ages 12-16.
Turkey Tee Off Family Mini Golf Tournament, free
Registration ends November 10, tournament on November 18
Enjoy friendly competition with friends and family at Lakeview Putt and Play on 2245 Hendersonville Road.
Build your own scarecrow and set at up in Lake Julian Park. Scarecrows can be made of recycled materials, household items, traditional farm materials, repurposed wood, various items found in nature, etc. We just ask scarecrows are not made of any food items.
Registration is open now! Scarecrows can be set up in the park from October 14th-21st. On October 21st Lake Julian will hold its annual Fall-o-ween Festival where Scarecrows will be judged and awarded a 1st, 2nd or 3rd place trophy!
This is a fun family friendly activity for all ages! Great for families, couples, school groups, clubs, offices, teams, and more! We welcome all to celebrate the autumn season and get crafty with the agricultural tradition of making a unique personified sculpture!
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
Join us on a journey into the world of butterflies and plants, and see the complex relationship between monarchs and milkweed. “Monarchs and Milkweed” explores how very survival of these majestic creatures has been shaped over time by one another, traveling through the seasons of a calendar year and revealing how both insect and plant grow and interact, culminating in a massive migration that crosses a continent.
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STATIONARY FUN – Creekside play area has a treehouse and wee slide ➤ The Big Barn has our Sound Silo full of instruments to play on and make noise, trikes on the trike track around a REAL tractor and cornhole boards(ask the staff for bags) ➤ On the grassy slope behind the Big Barn we’ve got our famous and fast culvert tunnel slides for all ages, hammocks on the hill and tetherball!
Availability: All stationary fun is available every day during business hours of 10-5, starting September 2nd, through the rest of the season- tetherball will be back in action starting September 6th!
ANIMALS TO SEE – We will have a brooder house full of chicks in various ages and stages all season, there will typically be mama pigs and piglets in agritourism pens on the hill, more rarely there will be grazing cattle in a nearby field.
FOOD TRUCK SCHEDULE
9/2 Sat 11-4 Fern Leaf CCS Food Truck
9/16 Sat 11-4 Milk & Honey Food Truck – they will be serving HNG beef for their all-American burger!
9/24 Sun 11-4 *Big Barn Market* Root Down Farm Food Truck
9/30 Sat 11-4 Milk & Honey Food Truck
10/7 Sat 11-4 Fern Leaf CCS Food Truck
10/14 Sat 11-4 Milk & Honey Food Truck
10/15 Sun 11-4 El Bodegon Food Truck
10/22 Sun 11-4 El Bodegon Food Truck
10/29 Sun 11-4 *Big Barn Market* Grush’s Cajun Dino Grill Food Truck
11/4 Sat 11-4 Fern Leaf CCS Food Truck
FALL SEASONAL OFFERINGS
APPLES – Our partners in Edneyville, NC, Lyda Farms, bring some of the best in the region. Local and low spray, folks come every year to get the best of fall in NC by the bag to bake, stew, butter, sauce and of course, crunch into while sitting on the farm.
Availability: Apples will be available to buy starting September 9th, they will typically run out Mid to late October.
FRESH PRESSED CIDER – We press fresh apple cider every year, comprised of our historical orchard apples on the Old Sherrill’s Inn property and apples from our partner Lyda Farms. This is a raw, unpasteurized product – delicious and changeable as the season, no added sugar or seasonings.
Availability: 1st pressing September 13th, bottled cider will be in the store for purchase September 14th!
JACKOLANTERN PUMPKINS – We work with several WNC veggie farmers in the area, including Hawkins Farms. We’ll have pumpkins arranged all around the Farm Store to display their beauty AND make sure you get *just the right one*. The seeds are dynamite when roasted, too…
Availability: Coming Mid-September, they will typically run out by end of October so make sure you get yours!
EDIBLE SQUASH & DECORATIVE GOURDS – From Mr. Anthony Cole’s farms, we have some long-lasting festive gourds to decoarate for the season, and a broad variety of edible squashes and pumpkins perfect for pies, soups and pasta.
Availability: Coming Mid-September.
Photo credit:
Sae Honda. Courtesy of the Artist.
NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.
NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.
The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.
Photo credit:
J Diamond, “Pony II,” 2022. Courtesy of the Artist
Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.
Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.
Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.


