Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

Head on out to the ballgame at McCormick Field. Asheville is taking on Brooklyn. Game starts at 11:05am.

The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.

For millennia, humans and flowers have enjoyed a rich and intertwined history spanning time and cultures. Fossilized flowers have been found at early human burial sites and flora is used in medicines and remedies. Flowers have also evolved into symbols of love, purity, and rebirth, alongside their enduring role as objects of beauty and ornamentation. Flora Symbolica: The Art of Flowers explores the meanings and messages of flowers in American art of the 20th and 21st centuries, highlighting the timeless connections among art, nature, and human experience.

This exhibition explores how the land, the people, and the built environment of Asheville and its surrounding environs were interpreted through early 20th century vintage postcards. Some images show the sophisticated architecture of the region, including views of downtown Asheville, the Biltmore Estate, and Grove Park Inn. Other images show views of the scenic mountains and landscapes that first drew tourists and outdoor enthusiasts to the region.

The works in Identitas examine culture & heritage through personal narratives, reflecting each included artist’s distinctly unique perspective on self and experience. Paradoxically, the word “identity” comes from the Latin “identitas” meaning “sameness,” a profound reminder that at our core we are more similar than divergent.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

The Weaverville Tailgate Market located at 60 Lakeshore Drive, Weaverville, NC 28787 will again host Extension Master Gardener plant clinics on the first Wednesday of the month for the 2025 season!

At each Plant Clinic, Master Gardener volunteers will be available to answers all of your gardening questions and address your related concerns. Feel free to bring plant or insect samples for identification and/or problem resolution.

You can pick-up soil test kits and receive information about in-person programs and activities at The Learning Garden and the Gardening in the Mountains seminars. Please stop by to learn more!

“King” LeBron James’s years playing in Cleveland bring promise to a city in desperate need. His tenure also unites Shawn and Matt in an unlikely bond forged by fandom. Over twelve years the men navigate their turbulent friendship through their shared love of basketball—and the endless amiable arguments that erupt from that love.

Performances of King James will be held on the days and times listed below. The lobby and concessions area will open one hour prior to showtime. Concessions may be taken into the theatre during the performance.

April 24 – May 18, 2025

Wednesdays, Thursdays and Saturdays at 7:30

Sundays at 2pm

Friday 4/25 and 5/2 at 7:30pm

Friday 5/9 and 5/16 at 2pm

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.

For millennia, humans and flowers have enjoyed a rich and intertwined history spanning time and cultures. Fossilized flowers have been found at early human burial sites and flora is used in medicines and remedies. Flowers have also evolved into symbols of love, purity, and rebirth, alongside their enduring role as objects of beauty and ornamentation. Flora Symbolica: The Art of Flowers explores the meanings and messages of flowers in American art of the 20th and 21st centuries, highlighting the timeless connections among art, nature, and human experience.

This exhibition explores how the land, the people, and the built environment of Asheville and its surrounding environs were interpreted through early 20th century vintage postcards. Some images show the sophisticated architecture of the region, including views of downtown Asheville, the Biltmore Estate, and Grove Park Inn. Other images show views of the scenic mountains and landscapes that first drew tourists and outdoor enthusiasts to the region.

The works in Identitas examine culture & heritage through personal narratives, reflecting each included artist’s distinctly unique perspective on self and experience. Paradoxically, the word “identity” comes from the Latin “identitas” meaning “sameness,” a profound reminder that at our core we are more similar than divergent.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

Advance your marketing mind.

This is a group where marketers and entrepreneurs can share marketing insight without feeling like you’re in a work meeting.

Marketing is fun, so why do your friends’ eyes glaze over every time you start ranting about a marketing tactic? That doesn’t happen here. If you have any concerns, just ask the guy in this Meetup cover photo. We have 3.5 stars on Walmart.com – wow!

Share and gain perspectives, and resources to help your marketing.
Advance your career or business with a network of marketers.
Enjoy the fun parts of marketing, like creativity and new tools, and pretend you outsource all the boring tasks.

Located at Focus Coworking, 11 Richland St, Asheville

Head on out to the ballgame at McCormick Field. Asheville is taking on Brooklyn. Game starts at 6:35pm.

This month’s book is As I Lay Dying by William Faulkner.

Get swept up in the timeless allure of cabaret with singer Anaïs Reno and the Asheville Symphony. This ALT ASO program, which will also be part of Asheville Amadeus: The Art of Storytelling, will seamlessly blend classical masterpieces and timeless French standards.

Tickets are general admission and the show will be seated.

Different Strokes! Performing Arts Collective presents Juked – RESCHEDULED

“King” LeBron James’s years playing in Cleveland bring promise to a city in desperate need. His tenure also unites Shawn and Matt in an unlikely bond forged by fandom. Over twelve years the men navigate their turbulent friendship through their shared love of basketball—and the endless amiable arguments that erupt from that love.

Performances of King James will be held on the days and times listed below. The lobby and concessions area will open one hour prior to showtime. Concessions may be taken into the theatre during the performance.

April 24 – May 18, 2025

Wednesdays, Thursdays and Saturdays at 7:30

Sundays at 2pm

Friday 4/25 and 5/2 at 7:30pm

Friday 5/9 and 5/16 at 2pm

Challenges in life and love test the resilience of a mother-daughter relationship in Dan Gordon’s adaptation of Terms of Endearment, based on the book by Pulitzer Prize-winner Larry McMurtry and James L. Brooks’s screenplay of the Oscar-winning film. Though Emma is often exasperated by her highly-opinionated mother, Aurora, they talk daily about their problems, from Aurora finding unexpected love even as she becomes a reluctant grandmother to Emma’s struggle in her troubled marriage. But when they need one another most, will they be able to find courage in each other? This funny and touching story captures the delicate, sometimes fractured bonds between mothers and daughters, husbands and wives, and lovers, both old and new.

Thursday, 5/1 at 7:30 (pay what you can available on 4/17)
Fridays at 7:30
Saturdays at 3 pm
Sundays at 3 pm