Calendar of Events

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Join us on October 3, 2025, 6:00-8:30 pm, for an unforgettable outdoor experience on Tryon Arts & Crafts School’s (TACS) west campus, commemorating the anniversary of Hurricane Helene with a celebration of Appalachian tradition. Ticket sales to TACS’ Hearth & Anvil fundraiser will support the school, a 501(c)(3) nonprofit organization, allowing us to continue providing opportunities such as the Helene Relief Artist in Residency Program. While fortunate compared to some, TACS and neighboring Harmon Field were significantly impacted by the storm with property damage, temporary closure, and cancellation of key events and programs. Hearth & Anvil is an opportunity to reflect on the past year and support the school, while enjoying traditional open-flame cooking and interactive art demonstrations alongside our new Terra Flora sculpture. The sculpture was constructed using natural and found materials from the aftermath of the hurricane.

Asheville Plays is eeeek!cited to announce the 13th annual Haunted Trail; Asheville’s only family friendly haunt! This event is ideal for Halloween lovers of all ages, 3-12 being the suggested age range. The Adventure Center of Asheville is the host of this one of a kind live outdoor theatrical experience where guests are promised an entirely immersive and interactive spooky night out while also ensuring no contact. The show is loved by boils and ghouls from all over WNC and is proudly presented by our title sponsor Mellow Mushroom Asheville. The Treetop Adventure Park Aerial Glow Trail is available for purchase for guests 4 years or older to enjoy at this event! Climb on two aerial trails while they are illuminated with thousands of colorful twinkle and laser lights. If you want to enjoy both of these amazing activities, combo passes are available and WILL sell out, so make sure you reserve your tickets early!

*The Haunted Trail does not sell out, however the entrance closes at 9 pm. Join us in saying BOO! to hunger; Each Ticket purchased to this event raises 4 meals for MANNA foodbank. For younger guests who still aren’t sure about being scared, even for fun, a “Sweet Peek Tour’ is offered nightly at 6:45 pm. The trail is actor free at this time and allows any nervous little monsters to decide if they would like to re enter the line and receive the full show. Don’t miss PIRATES COVE! Featuring a 30 ft Pirate Ship Escape Room, Live Mermaid Encounter with photo opportunity, and free pirate themed activities. In addition to the Haunted & Aerial Glow Trails and Pirates Cove, there will be an entire festival with games, local vendors, food and brews, and new this year: a Cotton Candy Robot! Scare you there! Oct 3-4-10-11-17-18-19-23-24-25-26 6-9 PM

Blue Ridge Asheville Drag Bingo is back! The first ball drops at 7:00 p.m. on Friday, October 3rd at the Hilltop Event Center. Tickets start at $20, include bingo cards, and are available at https://BeardedLadyProductions.org. Ages 21+.

Category: Community | Bingo

Price:
General Admission: USD 20.00

Discover the Hendersonville Farmers Market, Locally Grown, Community Strong
A vibrant weekly gathering at the Historic Train Depot in downtown Hendersonville. Running every Saturday from May 3rd to October 25th, rain or shine, the market showcases over 30 local vendors within a 60-mile radius. From farm-fresh produce and meats to baked goods, crafts, and live entertainment, there’s something for everyone. Join us from 8:00 a.m. to 1:00 p.m. for a celebration of food, farms, and family in a lively community atmosphere.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

One year after being destroyed by Hurricane Helene in Black Mountain, the Flood Gallery Fine Art Center is reviving its visual art program! With the help of numerous volunteers, Flood Gallery was able to launch the new location by December of 2024, and quickly renewed the True Home Open Mic Thursdays, and then added Flooded Poetry Mondays, and Foreign Film Fridays. Salvaged art went up on the walls for a  “Flooded Art” Show. “RAW + unfiltered” kicks off an open, unjuried, exhibition series, that will be dynamic, current and communal. The first 25 artists to submit up to 2 pieces, inspired by the title’s theme, will be in the show, encompassing all perspectives, styles, & media of the local artist community. The art will be for sale, to help support the artists and continue Flood Gallery’s eclectic programs and events.

Like all events at the Flood Gallery, this exhibition is free and open to the public. Light refreshments and food will be available. Flood Gallery Fine Art Center is a non-profit 501(c)3 organization, and educates, encourages, challenges and inspires the community through music, film, literary, and contemporary art.

Located off I-240 Exit 8, River Ridge Business Center, Suite 1200, 802 Fairview Rd, Asheville 28803 (behind Hamrick’s and Sun Soo Martial Arts, next to Asheville Dance Theater)

Show runs Oct. 4 – Nov. 7

Flood Gallery plans to hold these open art call exhibitions every couple of months. The next submission drop-off date will be Nov. 8, and opening date will be Nov. 15.

Asheville Plays is eeeek!cited to announce the 13th annual Haunted Trail; Asheville’s only family friendly haunt! This event is ideal for Halloween lovers of all ages, 3-12 being the suggested age range. The Adventure Center of Asheville is the host of this one of a kind live outdoor theatrical experience where guests are promised an entirely immersive and interactive spooky night out while also ensuring no contact. The show is loved by boils and ghouls from all over WNC and is proudly presented by our title sponsor Mellow Mushroom Asheville. The Treetop Adventure Park Aerial Glow Trail is available for purchase for guests 4 years or older to enjoy at this event! Climb on two aerial trails while they are illuminated with thousands of colorful twinkle and laser lights. If you want to enjoy both of these amazing activities, combo passes are available and WILL sell out, so make sure you reserve your tickets early!

*The Haunted Trail does not sell out, however the entrance closes at 9 pm. Join us in saying BOO! to hunger; Each Ticket purchased to this event raises 4 meals for MANNA foodbank. For younger guests who still aren’t sure about being scared, even for fun, a “Sweet Peek Tour’ is offered nightly at 6:45 pm. The trail is actor free at this time and allows any nervous little monsters to decide if they would like to re enter the line and receive the full show. Don’t miss PIRATES COVE! Featuring a 30 ft Pirate Ship Escape Room, Live Mermaid Encounter with photo opportunity, and free pirate themed activities. In addition to the Haunted & Aerial Glow Trails and Pirates Cove, there will be an entire festival with games, local vendors, food and brews, and new this year: a Cotton Candy Robot! Scare you there! Oct 3-4-10-11-17-18-19-23-24-25-26 6-9 PM

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Blue Ridge Roller Derby is kicking off our Home Team Season with a TRIPLE HEADER you don’t want to miss! Join us for an action-packed afternoon of hard hits, fast skates, and friendly rivalry as our three home teams take the track:

🦇 Black Balsam Batties
🐝 The Swarm
🐍 Copperhead Outlaws

Each team will face off in a series of 30-minute mini-bouts (Bats vs. Bees, Bees vs. Snakes, Snakes vs. Bats), bringing you 90 minutes of wild, family-friendly roller derby fun!

Whether you’re a long-time fan or new to the sport, our Home Team Season is a great chance to see new skaters shine and seasoned skaters throw down in the name of bragging rights and team spirit.

💖 Giving Back: A portion of the proceeds will benefit Cornbread & Roses, a 2SLGBTQIA+-led nonprofit supporting rural Western NC through therapy services, a food pantry, and educational programs. Learn more: www.cbrcounseling.org

🎉 Expect halftime games, tasty eats from local vendors, and a fun-filled afternoon of roller derby just 30 minutes from Asheville!

Dark City LIT! A Literary Festival at the Black Mountain Public Library
105 N. Dougherty St. Black Mountain NC 28711

Saturday, November 8

Join us for the inaugural Dark City LIT! Literary Festival!

Write Local, Read Local Author Fair is back for its fourth year! 20 local authors will be handselling books from 9-11 a.m. and reading from their works from Noon to 1 p.m.

Free Workshops Follow:
1:30 – 2:30 p.m.
The Fun, Fascinating, and Fabulous World of Research with Dr. Susan Eischeid
In this engaging workshop, you’ll learn practical strategies for harnessing research—whether historical, personal, or primary sources—to elevate your fiction and non-fiction writing with vivid detail and universal resonance.

3:00 – 4:00 p.m.
Publishing as Collective Practice with Andrew Mack of Loblolly Press
Discover how vibrant communities and collaborative efforts—from writers’ groups to small presses—are reviving literature today and leave with your own personalized “community map” to sustain your creative journey.

Followed by An Evening with Tessa Fontaine!
5:00 – 6:30 p.m.
Author of The Electric Woman: A Memoir in Death-Defying Acts and The Red Grove, longlisted for the Center for Fiction’s First Novel Prize. Tessa will be reading from her work and signing copies of her books.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.

Tracey Morgan Gallery is pleased to present “Barriers & Boundaries,” a solo exhibition by Sharon Louden showcasing three interrelated bodies of work — paintings from The Barriers series (2023), selections from the Untitled series (2010), and a new wall installation featuring works on paper from Louden’s ongoing and current series, Barriers to Entry (2023–25). Together, these series trace Louden’s evolving vision, revealing a rich dialogue between past and present, painting and installation.

Louden’s work investigates limits—both actual and psychological—and the space in which constraint becomes possibility. The Barriers paintings evoke edges, thresholds, and the complex interplay between openness and division. The Untitled series explores fragile architectural form, color, and gentle quietness in the gestures themselves. The wall installation in Barriers to Entry transforms one of the gallery’s walls into a site of engagement, inviting viewers to navigate, literally reflect, and imagine themselves in a new environment.

The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.

Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.