Calendar of Events

The works in Identitas examine culture & heritage through personal narratives, reflecting each included artist’s distinctly unique perspective on self and experience. Paradoxically, the word “identity” comes from the Latin “identitas” meaning “sameness,” a profound reminder that at our core we are more similar than divergent.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

Mark your calendars for Bullington Gardens’ Annual Spring Plant Sale, a must-visit event for gardening enthusiasts! Discover a unique selection of perennials, annuals, trees, shrubs, veggies, and tomatoes, all carefully curated to inspire your garden. This year, we’re also highlighting a variety of pollinator-friendly plants to support local ecosystems and bring life to your outdoor spaces. Whether you’re a seasoned gardener or just starting out, our sale offers something for everyone, with expert advice on hand to help you make the most of your selections. Don’t miss this opportunity to cultivate beauty and sustainability in your garden!

This is an in-person program, held at The Learning Garden

Program: Growing Vegetables in Containers

Presenter: Barb Harrison, Extension Master GardenerSM volunteers

Program Description: So, you don’t have a lot of space to grow fresh vegetables. Growing vegetables in containers is an easy way to have fresh vegetables all through the summer. If you only have a small space to work with such as a patio, balcony, alleyway, sidewalk or even a rooftop, you can still grow a bountiful garden choosing the right variety of vegetable plants.

We will cover types of containers that work best for vegetables, sun requirements which impacts what vegetables you can grow, growing media, watering, the best vegetables to grow in containers, and the benefits of mulch and a fertilization plan.

After a brief presentation we will then visit the Vegetable Garden and plant some vegetables in containers while reviewing the basic principles.

Portions of this program may be held outside; please dress appropriately for the weather. The classroom size is limited so register to reserve your seat!

The talk is free, but seating is limited and registration using Eventbrite is required.

If you have questions, contact the Buncombe County Extension office at 828-255-5522.

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

The Asheville Art Museum is proud to present Asheville Strong: Celebrating Art and Community After Hurricane Helene, a poignant and inspiring exhibition on view February 13–May 5, 2025, in the Appleby Foundation Exhibition Hall. This non-juried exhibition
showcases the works of artists from the Helene-affected Appalachia region, celebrating their
resilience, creativity, and strength while highlighting the power of art to inspire and bring communities
together.

The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.

This exhibition explores how the land, the people, and the built environment of Asheville and its surrounding environs were interpreted through early 20th century vintage postcards. Some images show the sophisticated architecture of the region, including views of downtown Asheville, the Biltmore Estate, and Grove Park Inn. Other images show views of the scenic mountains and landscapes that first drew tourists and outdoor enthusiasts to the region.

The works in Identitas examine culture & heritage through personal narratives, reflecting each included artist’s distinctly unique perspective on self and experience. Paradoxically, the word “identity” comes from the Latin “identitas” meaning “sameness,” a profound reminder that at our core we are more similar than divergent.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

iNaturalist: An Amazing Tool for Identification in Your Pocket with Lauren Lampley.

Thursday, April 24  |  2:30 – 4 pm

BRN + BREG – Elective

Learn how a smartphone app, iNaturalist, can both be a very useful identification tool and a way to participate in Community Science! Submitting observations to iNaturalist helps scientists learn more about species by crowd-sourcing information from users all over the world. During this class we will look at the different versions of the app and website as well as take some time outside to practice submitting your own using your own smartphone. The City Nature Challenge will take place from April 25-28 and is a great way to submit iNaturalist observations in a global effort as well as earn a Bioblitz patch from Science Across North Carolina! https://scienceacrossnc.org/

This program takes place in the classroom and outdoors. Please come prepared to walk on gentle, yet uneven terrain, and dress appropriately for the weather.

Guests are invited to step into CYCLE 3 of The Radical’s ongoing, quarterly art series. This exhibit “It Was All a Dream” is a collective of local artists including Kevin Andrew, Colton Dion, Rebecca Harnish, and Stacy Kraft. Located at The Radical Gallery, attendees can connect with the artists and enjoy a complimentary beverage as they step into the new exhibit. The exhibit is free and open to the public, and the gallery is located directly outside Golden Hour, convenient for dinner after the event.

Mark your calendars for Bullington Gardens’ Annual Spring Plant Sale, a must-visit event for gardening enthusiasts! Discover a unique selection of perennials, annuals, trees, shrubs, veggies, and tomatoes, all carefully curated to inspire your garden. This year, we’re also highlighting a variety of pollinator-friendly plants to support local ecosystems and bring life to your outdoor spaces. Whether you’re a seasoned gardener or just starting out, our sale offers something for everyone, with expert advice on hand to help you make the most of your selections. Don’t miss this opportunity to cultivate beauty and sustainability in your garden!

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

The Asheville Art Museum is proud to present Asheville Strong: Celebrating Art and Community After Hurricane Helene, a poignant and inspiring exhibition on view February 13–May 5, 2025, in the Appleby Foundation Exhibition Hall. This non-juried exhibition
showcases the works of artists from the Helene-affected Appalachia region, celebrating their
resilience, creativity, and strength while highlighting the power of art to inspire and bring communities
together.

The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.

This exhibition explores how the land, the people, and the built environment of Asheville and its surrounding environs were interpreted through early 20th century vintage postcards. Some images show the sophisticated architecture of the region, including views of downtown Asheville, the Biltmore Estate, and Grove Park Inn. Other images show views of the scenic mountains and landscapes that first drew tourists and outdoor enthusiasts to the region.

The works in Identitas examine culture & heritage through personal narratives, reflecting each included artist’s distinctly unique perspective on self and experience. Paradoxically, the word “identity” comes from the Latin “identitas” meaning “sameness,” a profound reminder that at our core we are more similar than divergent.

viewshed illuminates the enduring impact of Black Mountain College as a crucible of artistic experimentation and exchange, tracing the transmission of ideas across generations and exploring how BMC’s radical pedagogical approaches continue to shape contemporary artistic practice. The exhibition stages a dynamic dialogue between past and present, featuring contemporary artists Richard Garet, Jennie MaryTai Liu, Deanna Sirlin, and Susie Taylor alongside seminal BMC figures such as Dorothea Rockburne, Sewell (Si) Sillman, and Jacob Lawrence. By engaging with transparency, structure, color, collaboration, and expanded forms, viewshed brings into focus the porous boundaries between disciplines, unfolding as a sensorial and conceptual investigation into the shifting terrain of artistic influence. The exhibition highlights works that span painting, textile, sound, and performance, inviting viewers to consider the ways in which artistic methodologies evolve and reverberate across time. At its core, viewshed underscores the ways in which BMC’s experimental ethos continues to inspire artists to challenge, reinterpret, and expand the possibilities of creative expression.

Mark your calendars for Bullington Gardens’ Annual Spring Plant Sale, a must-visit event for gardening enthusiasts! Discover a unique selection of perennials, annuals, trees, shrubs, veggies, and tomatoes, all carefully curated to inspire your garden. This year, we’re also highlighting a variety of pollinator-friendly plants to support local ecosystems and bring life to your outdoor spaces. Whether you’re a seasoned gardener or just starting out, our sale offers something for everyone, with expert advice on hand to help you make the most of your selections. Don’t miss this opportunity to cultivate beauty and sustainability in your garden!

This class covers a variety of topics like DIY garden structures like trellises and rainwater collection, bed-building techniques, and edible spring weeds with management tips. Discussions will also include pest control, soil testing, cover cropping, NPK basics, common garden challenges, and strategies to maximize growing space.

Native Azalea Day

April 26, 2025

Visit the gardens this spring for Native Azalea Day, an invitation to celebrate and experience azaleas through the eyes of plant enthusiasts, botanists, and artists. In partnership with the Mountain Science Exposition, Native Azalea Day plans to bring even more excitement in its third year! For one day only, visitors can observe as plein air artists capture the scene in paint and pen, learn about the garden and its collection on a walking tour, and participate in hands-on activities for children and adults.

A shuttle to the Collection will be available between 10:00 a.m. and 3:00 p.m., departing to and from the Baker Visitor Center throughout the event. Visitors are also welcome to walk to the Native Azalea Collection from the Gatehouse Parking Lot using Old Mill Road to Bent Creek Road, or can park at the Baker Visitor Center and walk down Running Cedar Road to Bent Creek Road. Walkers should be prepared to travel one mile over unpaved roads and paths.

Schedule

10:00 a.m. – 3:00 p.m.: Shuttles running continuously between Baker and Azalea Collection for public

8:30 a.m. – 9:30 a.m.: Pre-registered bird netting activity with Wild Bird Research Group meets

10:00 a.m.: Event begins with ongoing walk-up features: tabling, activity booklet, scavenger hunt, and cyanotype activity

10:30 a.m. – 11:15 a.m.: Pre-registered walking tour with curator (45 minute)

11:30 p.m. – 12:00 p.m.: Pre-registered walking tour with volunteer docent (30 minute)

12:30 p.m. – 1:00 p.m.: Cyanotype demonstration with Calissa Lawn

1:30 p.m. – 2:00 p.m.: Pre-registered walking tour with volunteer docent (30 minute)

2:30 p.m. – 3:00 p.m.: Pre-registered walking tour with volunteer docent (30 minute)

3:00 p.m.: Event ends, last shuttle

Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.

Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.

This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.

The Asheville Art Museum is proud to present Asheville Strong: Celebrating Art and Community After Hurricane Helene, a poignant and inspiring exhibition on view February 13–May 5, 2025, in the Appleby Foundation Exhibition Hall. This non-juried exhibition
showcases the works of artists from the Helene-affected Appalachia region, celebrating their
resilience, creativity, and strength while highlighting the power of art to inspire and bring communities
together.

The mirror has been a powerful symbol invoked in the arts across centuries and cultures. Mirrors double reality, question the veracity of your perception, open portals to other dimensions, and act as objects of magic and divination. In the series Black Mirror/Espejo Negro (2007, ongoing), Pedro Lasch employs the mirror as an emblem that interrogates the tension between presence and absence, colonial histories, and the politics of visibility. The selections from the series displayed in this installation conceptually bring together canonical works of art from early modern Europe and prominent pre-Columbian sculptural figures, whose superimposed images emerge specter-like through darkened glass. Each work includes an accompanying text the artist produced for that pairing.

This exhibition explores how the land, the people, and the built environment of Asheville and its surrounding environs were interpreted through early 20th century vintage postcards. Some images show the sophisticated architecture of the region, including views of downtown Asheville, the Biltmore Estate, and Grove Park Inn. Other images show views of the scenic mountains and landscapes that first drew tourists and outdoor enthusiasts to the region.