Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
The “SAY THEIR NAMES” display at The Oak Street Gallery lists the names of more than 60 Black Americans killed by police officers and the circumstances surrounding their deaths.
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Artists Collective | Spartanburg 2020 Juried Exhibition4 state exhibit – SC, NC, TN, GA We have struggled with whether to cancel this exhibit or not. We know that artists need this type of exhibit more than ever so we are continuing as planned. The dates are Sept. 15 – Oct. 17. There will not be an awards reception this year, but we will make the awards announcements online at a given time. The exhibit can be viewed during normal business hours. Last year this was a very successful event and prizes totaled $4500. We plan the same this year. |
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Craft Your Commerce is a Mountain BizWorks entrepreneurial program designed to connect, elevate and advance creative and craft-centered companies through a series of business training workshops and classes designed by makers for makers. The program is offered in partnership with Center for Craft, UNC Asheville, and area creative entrepreneurs.
The 2020 Summer Workshop Series: Creative Shifts will focus on adapting your craft business to thrive in a drastically changed market.
We will start with a speaker panel of leading WNC based craft business entrepreneurs to hear how they’ve adjusted their business model and operations to meet the challenges of COVID-19. We will then learn from a Portland-based craft manufacturing entrepreneur about the innovative techniques and leadership strategies that have helped him to successfully scale his business and continue to weather these challenging market conditions. Finally, we will open a window into the realm of commercial projects and buyers, which is a customer and revenue segment that remains untapped for many craft entrepreneurs.
Throughout the series, an integrative cohort-based learning program will help weave together lessons from the workshops and guide entrepreneurs in developing their own goals and actionable plans.
As an advocate for the arts in our community, Haywood County Arts Council develops partnerships with schools, other nonprofits, county governments, schools, city revitalization boards, economic development councils, chambers of commerce, and tourism bureaus. These partnerships are often the catalyst for sustainable economic and community development using the arts and can lead to programs that connect diverse parts of the county through shared arts experiences.
With the assistance and support of the North Carolina Arts Council, the Haywood County Arts Council (HCAC) has an important role in sustaining, growing, and advocating for the arts in Haywood County. The HCAC is a Designated County Partner (DCP) for the North Carolina Arts Council, and administers the Grassroots Arts Program subgrant process as well as the Artist Support Grant for Buncombe, Haywood, Henderson, Polk, Rutherford, and Transylvania Counties.
The Battery Park end of the Grove Arcade is home to the Makers Market, an outdoor bazaar with a dozen stalls filled by artisans selling their craft directly to the public. The market is now accepting vendor applications for local artist to sell their wares, and the application fee is currently waived due to the COVID-19 pandemic.
Learn more about the process and vendor regulations, as well as how to apply, here.
This form has been a signature piece in Sarah’s body of work for years. The award winning Dancing Pitcher celebrates gracefulness, soft lines, and movement. The process making this unique form is inspiring and challenging.
This workshop is designed to push our limits as potters and push the limits of clay. We will cover many techniques. The goal is to stretch our thinking when making and designing pots. Creating designs where the flow of line and space are key. The making of this sectional graceful pot is perfect for discussion about design and training our eye to see.
We will cover:
- Throwing w/excellence
- Throwing in Sections
- Throwing with larger volumes of clay
- Darting
- Fluid Handles
- Pulling a large handle off the pot
- How to glaze this 24″ tall form and not ruin it
- Art that functions and why it matters
I will have several Pitchers in the different stages so we can all see this pot made to completion in the set 2 hours.
Hang on to you potters stool because you are in for a beautiful ride!
The video workshop is available for 30 days after purchase.
“As we continue to press into Hope, we continue to hear from supporters, and the message is loud and clear – they also feel the Hope connected to our mission, and want to keep supporting us.” Discovering new ways to sustain The Village Potters Clay Center during this season is the primary job now for the resident potters at TVPCC. As Sarah continues to apply for loans and grants, other potters are choosing hope each day by taking the torch from her to carry on the mission with a second “chapter” of Vessels of Hope.
The Village Potters are Sarah Wells Rolland, George Rolland, Judi Harwood, Lori Theriault, Julia Mann, Christine Henry, and Tori Motyl. They comprise an intentional Collective of potters who share a commitment to nurture creative exploration through education, experience, and community. The Village Potters includes a fine craft gallery, a Teaching Center offering ongoing classes in wheel and hand building for adults, an Advanced Ceramic Studies Program, and online demonstration and workshops. The Village Potters Clay Center is an educational member of The Craft Guild of the Southern Highlands, and is an official distributor for Laguna Clays.
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We’re excited to now offer curbside pickup on Monday and Saturday afternoons and Thursday mornings for your purchases from the Museum Store! Browse the selection of apparel, books, handcrafted jewelry and art, inspiring toys, and more online. Simply select “pickup” at checkout, and we’ll contact you to find a time that fits your schedule.
Craft Your Commerce is a Mountain BizWorks entrepreneurial program designed to connect, elevate and advance creative and craft-centered companies through a series of business training workshops and classes designed by makers for makers. The program is offered in partnership with Center for Craft, UNC Asheville, and area creative entrepreneurs.
The 2020 Summer Workshop Series: Creative Shifts will focus on adapting your craft business to thrive in a drastically changed market.
We will start with a speaker panel of leading WNC based craft business entrepreneurs to hear how they’ve adjusted their business model and operations to meet the challenges of COVID-19. We will then learn from a Portland-based craft manufacturing entrepreneur about the innovative techniques and leadership strategies that have helped him to successfully scale his business and continue to weather these challenging market conditions. Finally, we will open a window into the realm of commercial projects and buyers, which is a customer and revenue segment that remains untapped for many craft entrepreneurs.
Throughout the series, an integrative cohort-based learning program will help weave together lessons from the workshops and guide entrepreneurs in developing their own goals and actionable plans.
The Battery Park end of the Grove Arcade is home to the Makers Market, an outdoor bazaar with a dozen stalls filled by artisans selling their craft directly to the public. The market is now accepting vendor applications for local artist to sell their wares, and the application fee is currently waived due to the COVID-19 pandemic.
Learn more about the process and vendor regulations, as well as how to apply, here.
“As we continue to press into Hope, we continue to hear from supporters, and the message is loud and clear – they also feel the Hope connected to our mission, and want to keep supporting us.” Discovering new ways to sustain The Village Potters Clay Center during this season is the primary job now for the resident potters at TVPCC. As Sarah continues to apply for loans and grants, other potters are choosing hope each day by taking the torch from her to carry on the mission with a second “chapter” of Vessels of Hope.
The Village Potters are Sarah Wells Rolland, George Rolland, Judi Harwood, Lori Theriault, Julia Mann, Christine Henry, and Tori Motyl. They comprise an intentional Collective of potters who share a commitment to nurture creative exploration through education, experience, and community. The Village Potters includes a fine craft gallery, a Teaching Center offering ongoing classes in wheel and hand building for adults, an Advanced Ceramic Studies Program, and online demonstration and workshops. The Village Potters Clay Center is an educational member of The Craft Guild of the Southern Highlands, and is an official distributor for Laguna Clays.
When a friend gave Toland Sand a stained glass studio in 1977, he embarked upon a journey that would lead him to explore the myriad qualities that define glass as a medium. Sand’s 43 years as a sculptor has resulted in works of stained glass, blown glass, and every combination in between. A pioneer in utilizing the unique properties of dichroic glass, Sand begins his current sculpture with optical crystal and dichroic coated glass, hand worked by grinding in ever finer stages until a polish is achieved. Seeking balance, harmony, and symmetry, with an accent on deconstructed form, his work inhabits the symbolic, the cosmic, and the mystery. Sand is inspired by his peers as well as artists such as Isamu Noguchi, David Smith, Henry Moore, and Mark Rothko.
Sand’s work can be found numerous public and private collections including the Bergstrom-Mahler Museum of Glass, Neenah, WI, Hunter Museum of American Art, Chattanooga, TN, Imagine Museum, Sarasota, FL, and others.
Bender Gallery continues to be open and welcoming visitors into our gallery in limited numbers and with facemasks, of course. We remain dedicated to supporting our artists during these unprecedented times by making ourselves available almost anytime you wish to speak with us to answer questions and sharing their work online and through social media. We and our artists thank you for your support!
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The Battery Park end of the Grove Arcade is home to the Makers Market, an outdoor bazaar with a dozen stalls filled by artisans selling their craft directly to the public. The market is now accepting vendor applications for local artist to sell their wares, and the application fee is currently waived due to the COVID-19 pandemic.
Learn more about the process and vendor regulations, as well as how to apply, here.
“As we continue to press into Hope, we continue to hear from supporters, and the message is loud and clear – they also feel the Hope connected to our mission, and want to keep supporting us.” Discovering new ways to sustain The Village Potters Clay Center during this season is the primary job now for the resident potters at TVPCC. As Sarah continues to apply for loans and grants, other potters are choosing hope each day by taking the torch from her to carry on the mission with a second “chapter” of Vessels of Hope.
The Village Potters are Sarah Wells Rolland, George Rolland, Judi Harwood, Lori Theriault, Julia Mann, Christine Henry, and Tori Motyl. They comprise an intentional Collective of potters who share a commitment to nurture creative exploration through education, experience, and community. The Village Potters includes a fine craft gallery, a Teaching Center offering ongoing classes in wheel and hand building for adults, an Advanced Ceramic Studies Program, and online demonstration and workshops. The Village Potters Clay Center is an educational member of The Craft Guild of the Southern Highlands, and is an official distributor for Laguna Clays.
When a friend gave Toland Sand a stained glass studio in 1977, he embarked upon a journey that would lead him to explore the myriad qualities that define glass as a medium. Sand’s 43 years as a sculptor has resulted in works of stained glass, blown glass, and every combination in between. A pioneer in utilizing the unique properties of dichroic glass, Sand begins his current sculpture with optical crystal and dichroic coated glass, hand worked by grinding in ever finer stages until a polish is achieved. Seeking balance, harmony, and symmetry, with an accent on deconstructed form, his work inhabits the symbolic, the cosmic, and the mystery. Sand is inspired by his peers as well as artists such as Isamu Noguchi, David Smith, Henry Moore, and Mark Rothko.
Sand’s work can be found numerous public and private collections including the Bergstrom-Mahler Museum of Glass, Neenah, WI, Hunter Museum of American Art, Chattanooga, TN, Imagine Museum, Sarasota, FL, and others.
Bender Gallery continues to be open and welcoming visitors into our gallery in limited numbers and with facemasks, of course. We remain dedicated to supporting our artists during these unprecedented times by making ourselves available almost anytime you wish to speak with us to answer questions and sharing their work online and through social media. We and our artists thank you for your support!
Tuesdays 6:30 – 9pm
June 23rd – August 11th
Sign up now for a chance to fire your work in our brand-new salt kiln! This class will be dedicated to exploring dynamic surfaces at Cone 10. We will achieve intriguing surfaces by using reduction firing techniques and by utilizing a variety of slips and glazes. During class, we will focus on making more complex forms on the potter’s wheel by stacking pieces together to create taller, more intriguing pots.
Level: Intermediate and Advanced
Tuition: $310 + $65 lab fee
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As an advocate for the arts in our community, Haywood County Arts Council develops partnerships with schools, other nonprofits, county governments, schools, city revitalization boards, economic development councils, chambers of commerce, and tourism bureaus. These partnerships are often the catalyst for sustainable economic and community development using the arts and can lead to programs that connect diverse parts of the county through shared arts experiences.
With the assistance and support of the North Carolina Arts Council, the Haywood County Arts Council (HCAC) has an important role in sustaining, growing, and advocating for the arts in Haywood County. The HCAC is a Designated County Partner (DCP) for the North Carolina Arts Council, and administers the Grassroots Arts Program subgrant process as well as the Artist Support Grant for Buncombe, Haywood, Henderson, Polk, Rutherford, and Transylvania Counties.
The Battery Park end of the Grove Arcade is home to the Makers Market, an outdoor bazaar with a dozen stalls filled by artisans selling their craft directly to the public. The market is now accepting vendor applications for local artist to sell their wares, and the application fee is currently waived due to the COVID-19 pandemic.
Learn more about the process and vendor regulations, as well as how to apply, here.
“As we continue to press into Hope, we continue to hear from supporters, and the message is loud and clear – they also feel the Hope connected to our mission, and want to keep supporting us.” Discovering new ways to sustain The Village Potters Clay Center during this season is the primary job now for the resident potters at TVPCC. As Sarah continues to apply for loans and grants, other potters are choosing hope each day by taking the torch from her to carry on the mission with a second “chapter” of Vessels of Hope.
The Village Potters are Sarah Wells Rolland, George Rolland, Judi Harwood, Lori Theriault, Julia Mann, Christine Henry, and Tori Motyl. They comprise an intentional Collective of potters who share a commitment to nurture creative exploration through education, experience, and community. The Village Potters includes a fine craft gallery, a Teaching Center offering ongoing classes in wheel and hand building for adults, an Advanced Ceramic Studies Program, and online demonstration and workshops. The Village Potters Clay Center is an educational member of The Craft Guild of the Southern Highlands, and is an official distributor for Laguna Clays.
When a friend gave Toland Sand a stained glass studio in 1977, he embarked upon a journey that would lead him to explore the myriad qualities that define glass as a medium. Sand’s 43 years as a sculptor has resulted in works of stained glass, blown glass, and every combination in between. A pioneer in utilizing the unique properties of dichroic glass, Sand begins his current sculpture with optical crystal and dichroic coated glass, hand worked by grinding in ever finer stages until a polish is achieved. Seeking balance, harmony, and symmetry, with an accent on deconstructed form, his work inhabits the symbolic, the cosmic, and the mystery. Sand is inspired by his peers as well as artists such as Isamu Noguchi, David Smith, Henry Moore, and Mark Rothko.
Sand’s work can be found numerous public and private collections including the Bergstrom-Mahler Museum of Glass, Neenah, WI, Hunter Museum of American Art, Chattanooga, TN, Imagine Museum, Sarasota, FL, and others.
Bender Gallery continues to be open and welcoming visitors into our gallery in limited numbers and with facemasks, of course. We remain dedicated to supporting our artists during these unprecedented times by making ourselves available almost anytime you wish to speak with us to answer questions and sharing their work online and through social media. We and our artists thank you for your support!
Artists Steve Locke and Ben Hall will discuss Locke’s current work, Homage to the Auction Block, a series informed by Josef Albers’ Homage to the Square. Much of Locke’s earlier work deals with the human body and the grid. With his newest work he has moved from the anonymous, embattled body to the very specific body of the individual. In Homage to the Auction Block, Locke brings color theory to his ongoing dialogue on images of racial exploitation in American history including the conflicted past Locke explored in the Auction Block Hall Proposal and the Three Deliberate Grays for Freddie at the Isabella Stewart Gardner Museum.
Steve Locke was born in Cleveland, Ohio, and raised in Detroit, Michigan. He received his M.F.A. in 2001 from Massachusetts College of Art and Design and attended Skowhegan in 2002. He has had residencies with the City of Boston (2018), the Isabella Stewart Gardner Museum (2016), and The MacDowell Colony (2015). He has received grants from Pollock-Krasner Foundation, Louis Comfort Tiffany Foundation, and Art Matters Foundation. He has had solo exhibitions at the Institute of Contemporary Art, Boston, and the Museum of Contemporary Art Detroit.
Locke has done projects with ForFreedoms, Kickstarter, the Boston Public Library, the Gardner Museum, and P.S. Satellites/Prospect IV in New Orleans and has had gallery exhibitions with yours mine & ours, Samsøñ, Gallery Kayafas, and Mendes Wood. His work has been reviewed in ARTFORUM, Art in America, Art New England, JUXTAPOZ, The Boston Globe, and The New Yorker. Currently a Professor at Pratt Institute, Steve is a painter whose work lives at the intersections of portraiture, identity, and modernism. He uses painting’s ability to direct the gaze to help us look critically and unflinchingly at our shared history. His work can be seen at www.stevelocke.com
Ben Hall, Detroit-based artist and composer. He received his undergraduate degree from Bennington College where he focused on Quaker-based mediation and conflict resolution and studied drums with Milford Graves. Hall produces new American improvisation on his record labels brokenresearch and Ornette Coleman Fiend Club, including the last small group recordings of visionary trumpeter and composer Bill Dixon. His practice also includes curating Bap-tizum.com, the world’s largest online Black American spiritual collection.
Hall has written for The Wire and BOMB and was profiled in Fred Moten’s book Black and Blur (Consent not to be a single being). Hall contributed the essay “Face Changer” to BMCM+AC 2018 exhibition catalogue Between Form and Content: Perspectives on Jacob Lawrence and Black Mountain College. His upcoming exhibition 2021 exhibition at Essex Flowers is titled Jives n Gambles and focuses on the work of Philip Guston and William Faulkner as interlocutors of racism.
Virtually enjoy the process of marbling, the antique process of floating paint on a thickened water surface. Watch as Pam Granger Gale drops paint onto the surface and each drop expands. More and more paint drops push others around without mixing. Then combs and rakes are used to create both historical and freeform patterns. Paper is placed on the surface and captures this monoprint forever.
Wednesdays 6:30 – 9pm
June 24th – August 12th
Join Sara Ballek this session as she dives into the magical realm of red clay. We will be working with a red clay body fired at midrange temperatures to create rich, distinctive works of art. Sara will introduce surface design processes and finishing methods to refine each piece. Students interested in this course should have some knowledge on working with clay and understanding of a few basic construction techniques.
Level: Intermediate and Advanced
Tuition: $310 + $50 Lab Fee
When a friend gave Toland Sand a stained glass studio in 1977, he embarked upon a journey that would lead him to explore the myriad qualities that define glass as a medium. Sand’s 43 years as a sculptor has resulted in works of stained glass, blown glass, and every combination in between. A pioneer in utilizing the unique properties of dichroic glass, Sand begins his current sculpture with optical crystal and dichroic coated glass, hand worked by grinding in ever finer stages until a polish is achieved. Seeking balance, harmony, and symmetry, with an accent on deconstructed form, his work inhabits the symbolic, the cosmic, and the mystery. Sand is inspired by his peers as well as artists such as Isamu Noguchi, David Smith, Henry Moore, and Mark Rothko.
Sand’s work can be found numerous public and private collections including the Bergstrom-Mahler Museum of Glass, Neenah, WI, Hunter Museum of American Art, Chattanooga, TN, Imagine Museum, Sarasota, FL, and others.
Bender Gallery continues to be open and welcoming visitors into our gallery in limited numbers and with facemasks, of course. We remain dedicated to supporting our artists during these unprecedented times by making ourselves available almost anytime you wish to speak with us to answer questions and sharing their work online and through social media. We and our artists thank you for your support!
Thursdays 6:30 – 9pm
July 9th – August 13th
Come experience the love of clay! Join instructor Matt Wegleitner and learn the skills needed to create decorative, hand-built, and functional pottery. Demonstrations will include pinch, coil, and slab techniques with a focus on creating interesting surfaces and unique forms. We’ll also cover the basics of glazing and firing your work. All skill levels welcome.
Level: All levels
Tuition: $245 + $45 Lab Fee