11am–6pm. Late-night Thursdays until 9pm; closed Tuesdays.

Public Domain: Photography and the Preservation of Public Lands presents works drawn from the Asheville Art Museum’s Collection by artists looking both regionally and nationally at lands that are either state or federally managed or have become so. This exhibition will be on view in the Asheville Art Museum’s Van Winkle Law Firm Gallery May 19 through August 30, 2021. 

“The Asheville Art Museum’s growing collection of photography features a variety of artworks that consider humankind’s impact on our environment and world,” said Hilary Schroeder, assistant curator. “The imagery featured in Public Domain reminds us of the critical role that artists play in environmental activism and preservation, affecting change at a range of levels”. 

Through images capturing the beauty, changes, and even devastation to the American landscape, photographers have played a vital role in advocating for the preservation of nature via the establishment and maintenance of state parks, national parks and monuments, and other federally protected lands. From George Masa and Timothy McCoy’s photographs of Great Smoky Mountains National Park to a selection of works from Robert Glenn Ketchum’s Overlooked in America: The Success and Failure of Federal Land Management series, these artworks provoke contemplation of both nature’s beauty and a calling to protect it. This year marks the 75th anniversary of the Bureau of Land Management whose mission is to sustain the health, diversity, and productivity of the public lands for the use and enjoyment of present and future generations. 

Photographers include Robert Glenn Ketchum, George Masa, Timothy McCoy, Benjamin Porter, Sally Gall, and more. 

This exhibition is organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator. 

Joseph Pearson created this body of work to honor the women in his family–he states, “…women whose love, nurture and support made me who I am. These were women who worked hard at home and in the community.”

This desire was precipitated with the celebration of his last living aunt’s 97th birthday, which led him to consider doing something to honor her and the women of her generation, including his mother and her older sister. Through this body of work Pearson presents a few of the many professional women from the local community as examples for younger women and girls as they strive to reach their goals and potential. “It’s a way of giving back something of the nurture and encouragement I received from the women in my life.”

Learn more in this interview of Joseph by Blue Ridge Public Radio and in the Asheville Made article.

Small-group/in-person program
Second Saturday is back! Visit the galleries on a scavenger hunt for inspiration, then create your own expressive landscape or cityscape painting in the studio. This program is perfect for date-day, me time, or catching up with family and friends. All ages and abilities are welcome (children must be accompanied by an adult); no reservations are required. More info at ashevilleart.org/events.

The North Carolina Arboretum is going wild for art and nature in 2021 with Wild Art! On view April 1 through September 26, this outdoor sculpture exhibition features works by 17 local and national artists drawing inspiration from the natural environment. Situated throughout the Arboretum’s spacious, open-air gardens, the show offers guests a doorway into the wild world from the comfort and safety of cultivated landscapes transformed by art.

The 18 sculptures on display represent a variety of approaches to the theme of “wild art,” from the literal to the abstract, and are crafted from a diverse array of materials that will delight and inspire. Let your imagination take you on a wild journey into the world of plants and animals near and far with Wild Art at The North Carolina Arboretum.

The exhibit is available to all guests during normal Arboretum hours, and there is no admission cost to view the sculptures beyond our usual parking fee of $16 per personal vehicle.

Included with admission

A unique-to-Biltmore, large-scale outdoor sculpture will be crafted and installed in Antler Hill Village this spring by Patrick Dougherty. Over the last three decades, this internationally-acclaimed artist has combined his carpentry skills and love of nature to build over 300 of these wondrous works, captivating the hearts and imaginations of viewers worldwide.

Image: Close Ties (2006) Scottish Basketmakers Circle, Dingwall, Scotland. Photo: Fin Macrae
NOTE: This is an example of Patrick Dougherty’s work; the artist will create Biltmore’s unique structure in Antler Hill Village this spring.

Featuring more than 40 paintings and works on paper, Beauford Delaney’s Metamorphosis into Freedom examines the career evolution of modern painter Beauford Delaney (Knoxville, TN 1901–1979 Paris, France) within the context of his 38-year friendship with writer James Baldwin. The works in this exhibition bring into special focus Delaney’s intensified experiments with abstraction sparked by the artist’s 1955 move to the Paris suburb of Clamart, as well as the ways that the artist and Baldwin’s ongoing intellectual exchange shaped one another’s creative output and worldview from their first meeting in 1940 until Delaney’s death in 1979. This exhibition also calls attention to Baldwin’s role as “witness” to the painter’s evolution, which he deemed “one of the most extraordinary personal and artistic journeys of our time.”

The Asheville Art Museum announces Meeting the Moon, an exhibition featuring prints, photographs, ceramics, sculptures, and more from the Museum’s Collection. This exhibition will be on view in the Asheville Art Museum’s McClinton Gallery February 3 through July 26, 2021.

2021 marks the 60th anniversary of the beginning of the Apollo space program at NASA, but its inception was hardly the beginning of humankind’s fascination with Earth’s only moon. Before space travel existed, the moon—its shape, its mystery, and the face we see in it—inspired countless artists. Once astronauts landed on the moon and we saw our world from a new perspective, a surge of creativity flooded the American art scene, in paintings, prints, sculpture, music, crafts, film, and poetry.

This exhibition, whose title is taken from a 1913 Robert Frost poem, examines artwork in the Asheville Art Museum’s Collection of artists who were inspired by the unknown, then increasingly familiar moon. Meeting the Moon includes works by nationally renowned artists Newcomb Pottery, James Rosenquist, Maltby Sykes, Paul Soldner, John Lewis, Richard Ritter (Bakersville, NC), and Mark Peiser (Penland, NC). Western North Carolina artists include Jane Peiser (Penland, NC), Jak Brewer (Zionville, NC), Dirck Cruser (Asheville, NC), George Peterson (Lake Toxaway, NC), John B. Neff (NC), and Maud Gatewood (Yanceyville, NC).

“Meeting the Moon offers the opportunity to combine science and popular culture with works of art in the Museum’s Collection,” says Whitney Richardson, associate curator. “I think all visitors will find something that draws them into this exhibition, whether it’s the artwork, poetry, music, or science of space travel. It’s such an affirmation of humanity to find these mysteries, like the moon, which enchant us all.”

This exhibition is organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator. Visit ashevilleart.org for more information about this and other exhibitions.

We hope you’ll enjoy this lighthearted group exhibit that highlights objects and materials that are iconic to childhood and playtime—we feel this fun and nostalgic look back to simpler times is especially needed after a pandemic year. Delight in the works of artists Don Greeson, Jean Greeson, Janet Orselli and Janet Hickey.

Free and open to the public.

11am–6pm. Late-night Thursdays until 9pm; closed Tuesdays.

Public Domain: Photography and the Preservation of Public Lands presents works drawn from the Asheville Art Museum’s Collection by artists looking both regionally and nationally at lands that are either state or federally managed or have become so. This exhibition will be on view in the Asheville Art Museum’s Van Winkle Law Firm Gallery May 19 through August 30, 2021. 

“The Asheville Art Museum’s growing collection of photography features a variety of artworks that consider humankind’s impact on our environment and world,” said Hilary Schroeder, assistant curator. “The imagery featured in Public Domain reminds us of the critical role that artists play in environmental activism and preservation, affecting change at a range of levels”. 

Through images capturing the beauty, changes, and even devastation to the American landscape, photographers have played a vital role in advocating for the preservation of nature via the establishment and maintenance of state parks, national parks and monuments, and other federally protected lands. From George Masa and Timothy McCoy’s photographs of Great Smoky Mountains National Park to a selection of works from Robert Glenn Ketchum’s Overlooked in America: The Success and Failure of Federal Land Management series, these artworks provoke contemplation of both nature’s beauty and a calling to protect it. This year marks the 75th anniversary of the Bureau of Land Management whose mission is to sustain the health, diversity, and productivity of the public lands for the use and enjoyment of present and future generations. 

Photographers include Robert Glenn Ketchum, George Masa, Timothy McCoy, Benjamin Porter, Sally Gall, and more. 

This exhibition is organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator. 

The North Carolina Arboretum is going wild for art and nature in 2021 with Wild Art! On view April 1 through September 26, this outdoor sculpture exhibition features works by 17 local and national artists drawing inspiration from the natural environment. Situated throughout the Arboretum’s spacious, open-air gardens, the show offers guests a doorway into the wild world from the comfort and safety of cultivated landscapes transformed by art.

The 18 sculptures on display represent a variety of approaches to the theme of “wild art,” from the literal to the abstract, and are crafted from a diverse array of materials that will delight and inspire. Let your imagination take you on a wild journey into the world of plants and animals near and far with Wild Art at The North Carolina Arboretum.

The exhibit is available to all guests during normal Arboretum hours, and there is no admission cost to view the sculptures beyond our usual parking fee of $16 per personal vehicle.

Included with admission

A unique-to-Biltmore, large-scale outdoor sculpture will be crafted and installed in Antler Hill Village this spring by Patrick Dougherty. Over the last three decades, this internationally-acclaimed artist has combined his carpentry skills and love of nature to build over 300 of these wondrous works, captivating the hearts and imaginations of viewers worldwide.

Image: Close Ties (2006) Scottish Basketmakers Circle, Dingwall, Scotland. Photo: Fin Macrae
NOTE: This is an example of Patrick Dougherty’s work; the artist will create Biltmore’s unique structure in Antler Hill Village this spring.

Featuring more than 40 paintings and works on paper, Beauford Delaney’s Metamorphosis into Freedom examines the career evolution of modern painter Beauford Delaney (Knoxville, TN 1901–1979 Paris, France) within the context of his 38-year friendship with writer James Baldwin. The works in this exhibition bring into special focus Delaney’s intensified experiments with abstraction sparked by the artist’s 1955 move to the Paris suburb of Clamart, as well as the ways that the artist and Baldwin’s ongoing intellectual exchange shaped one another’s creative output and worldview from their first meeting in 1940 until Delaney’s death in 1979. This exhibition also calls attention to Baldwin’s role as “witness” to the painter’s evolution, which he deemed “one of the most extraordinary personal and artistic journeys of our time.”

The Asheville Art Museum announces Meeting the Moon, an exhibition featuring prints, photographs, ceramics, sculptures, and more from the Museum’s Collection. This exhibition will be on view in the Asheville Art Museum’s McClinton Gallery February 3 through July 26, 2021.

2021 marks the 60th anniversary of the beginning of the Apollo space program at NASA, but its inception was hardly the beginning of humankind’s fascination with Earth’s only moon. Before space travel existed, the moon—its shape, its mystery, and the face we see in it—inspired countless artists. Once astronauts landed on the moon and we saw our world from a new perspective, a surge of creativity flooded the American art scene, in paintings, prints, sculpture, music, crafts, film, and poetry.

This exhibition, whose title is taken from a 1913 Robert Frost poem, examines artwork in the Asheville Art Museum’s Collection of artists who were inspired by the unknown, then increasingly familiar moon. Meeting the Moon includes works by nationally renowned artists Newcomb Pottery, James Rosenquist, Maltby Sykes, Paul Soldner, John Lewis, Richard Ritter (Bakersville, NC), and Mark Peiser (Penland, NC). Western North Carolina artists include Jane Peiser (Penland, NC), Jak Brewer (Zionville, NC), Dirck Cruser (Asheville, NC), George Peterson (Lake Toxaway, NC), John B. Neff (NC), and Maud Gatewood (Yanceyville, NC).

“Meeting the Moon offers the opportunity to combine science and popular culture with works of art in the Museum’s Collection,” says Whitney Richardson, associate curator. “I think all visitors will find something that draws them into this exhibition, whether it’s the artwork, poetry, music, or science of space travel. It’s such an affirmation of humanity to find these mysteries, like the moon, which enchant us all.”

This exhibition is organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator. Visit ashevilleart.org for more information about this and other exhibitions.

11am–6pm. Late-night Thursdays until 9pm; closed Tuesdays.

Public Domain: Photography and the Preservation of Public Lands presents works drawn from the Asheville Art Museum’s Collection by artists looking both regionally and nationally at lands that are either state or federally managed or have become so. This exhibition will be on view in the Asheville Art Museum’s Van Winkle Law Firm Gallery May 19 through August 30, 2021. 

“The Asheville Art Museum’s growing collection of photography features a variety of artworks that consider humankind’s impact on our environment and world,” said Hilary Schroeder, assistant curator. “The imagery featured in Public Domain reminds us of the critical role that artists play in environmental activism and preservation, affecting change at a range of levels”. 

Through images capturing the beauty, changes, and even devastation to the American landscape, photographers have played a vital role in advocating for the preservation of nature via the establishment and maintenance of state parks, national parks and monuments, and other federally protected lands. From George Masa and Timothy McCoy’s photographs of Great Smoky Mountains National Park to a selection of works from Robert Glenn Ketchum’s Overlooked in America: The Success and Failure of Federal Land Management series, these artworks provoke contemplation of both nature’s beauty and a calling to protect it. This year marks the 75th anniversary of the Bureau of Land Management whose mission is to sustain the health, diversity, and productivity of the public lands for the use and enjoyment of present and future generations. 

Photographers include Robert Glenn Ketchum, George Masa, Timothy McCoy, Benjamin Porter, Sally Gall, and more. 

This exhibition is organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator.