Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Based out of Brevard, NC, the High Flying Criminals specialize in Funk, R&B, Soul and Groove. This dynamic group brings a high energy show, full of funky originals and a mix of some new and old-school covers. The band consists of Matt Gardner (Guitar & Lead Vocal), Jay Altemose (Bass & Vocal), Matthew Jennings (Keys), and Chris Alley (Drums). You can find their music on streaming platforms, as well as frequent spins on WNCW.
Blood Harmony. Whether it’s The Beach Boys, Bee Gees or First Aid Kit, that sibling vocal blend is the secret sauce in some of the most spine-tingling moments in popular music. The Cactus Blossoms – Minneapolis-based brothers Page Burkum and Jack Torrey – offer compelling evidence that this tradition is alive and well, with a deceptively unadorned musical approach that offers “creative turns of phrase, gorgeous harmonies, and an ageless sound” (NPR All Things Considered), not to mention spine tingles aplenty. Their 2016 debut You’re Dreaming, a stunning and transporting collection of original songs, earned high praise from Rolling Stone and Vice Noisey, tour stints with Kacey Musgraves and Lucius, and a perfectly cast performance on the third season of David Lynch’s Twin Peaks. Now their unlikely rise continues with new album Easy Way, to be released on their own label Walkie Talkie Records.
While many bands would have been content to stick with the winning formula of their debut, the Blossoms refused to repeat themselves. If You’re Dreaming celebrated their vintage country and rock influences, Easy Way reveals a songwriting style that has changed, evolved, and gotten more modern. Dan Auerbach, another artist who knows from bedrock influences, co-wrote two songs on the album. “Dan’s love for songwriting was inspiring, just the kick in the pants we needed to start writing again after being on the road,” says Page.
The brothers’ decision to produce the new album themselves no doubt led to the new sound. “We wanted the freedom to experiment with our own weird ideas,” says Jack, “We used to joke that the working title album should be Expensive Demos.” As they crisscrossed the nation on tour, the brothers would stop through Alex Hall’s Reliable Recorders studio in Chicago to chase the new sound they were after. The result joins together what would otherwise be distant corners of the American songbook. Both the traditional twang of Chicago pedal steel guitarist Joel Paterson (Devil in a Woodpile, The Western Elstons) and the primal wail of free jazz saxophonist Michael Lewis (Bon Iver, Andrew Bird) are at home on the album. Just as they did with their debut, the brothers found a voice all their own.
On her new album ‘Headwaters’…
Headwaters are the source of a river. The furthest point from where water merges with something else. They are not mighty. Just a network of small tributaries, like a creek, not necessarily picturesque, but they’re the most important part of the river. Water is fluid and inconsistent and sacred and indifferent. You can be miles down a river, but you’re still at the origin. And in that way, water feels like it has transcended time. That’s how these songs found me—the way memories find you, in that slivering, elusive water. As quickly as you come across them, you bend in another direction.
Headwaters is the sophomore album from Virginian indie folk singer Alexa Rose. A series of minutely-observed vignettes that feel intimate and expansive at the same time. It captures the sweetness of life without avoiding any of the pain, with songs about time and its constraints, peppered with precise details pulled from Rose’s own life that make universal themes seem personal, inviting the listener to make each song their own.
A series of rivers, Headwaters is centered on the fluidity of time. After a year where time has seemed to ebb and flow inconsistently and all routine has been dismantled, I found myself writing in the medium of water, says Rose. When I was sitting alone in my room in the southern summer heat, windows open, humidity fuming, a song called Human poured out of me. It was August, and all summer there had been such a tremendous sense of humanity, revolution, justice coming up against division, misinformation, fear. Like most regular, feeling people, I had such a strange mixture of emotions: grief, excitement; solidarity with the ways people across the world were showing up to love and support one another. I wanted so badly to run outside and be a part of it all, right then and there in that moment. But I was stuck at home. And in that strange swelling of simultaneous loss and the richness of witnessing so much kindness, I remember laying on the bed with the guitar, staring at the ceiling, and just singing “I wanna go downtown and look some stranger in the face.” I would be happy to see anyone. I just really want to hug someone. To jump into some icy swimming hole. To feel the surge of aliveness. And I felt so imperfect and raw, but I knew so did everyone else.
Recorded over five sessions in Memphis, Tennessee at Delta Sonic Studios, with Bruce Watson producing, with mixing by Matt Ross-Spang and Clay Jones. Rose would sometimes bring songs written the night before and record them the next day with an all-star band, including guitarist Will Sexton, bassist Mark Stuart, drummer George Sluppick, and Al Gamble on organ and piano. The immediacy of being in the studio with freshly-written songs and an excellent band allowed Rose to expand her music in new ways.
I feel like this record is the first time I’ve ever let my whole self into the room, says Rose. The parts of me that are angry and wanting to stand up and the parts that want to be quiet. The parts that remember being a kid. Letting myself release all of that in the studio and having all these people back me up and make it work was a tremendous gift.
When I turned 27 and felt the weight of a decade in a conversation, I envisioned my present and past self in the form of a frenetic, uneasy current slapping up against a steady boat. I imagined my great grandparents in their garden in the golden embers of some evening and the timeless sensation of change, the colorful sunsets I’ve seen through their own eyes, decades later.
And in the same way I found the songs, waves breaking against my own roughness, only visitors, I’m passing them on to you now. May all of your rivers come back headwaters.
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Farmer-to-Farmer Training
WNC Collaborative Regional Alliance for Farmer Training (CRAFT) is a farmer-led effort to bring established farmers, farm apprentices, and aspiring farmers together for year-long training in the art and science of sustainable agriculture, straight from the hearts, mouths, and fields of seasoned local farmers in Western North Carolina (WNC).
Why join CRAFT?
- Network with beginning and experienced farmers to exchange your ideas and knowledge and build community in the region.
- Expand your training opportunities beyond your farm to bolster the robustness of your apprenticeship offerings.
- Attract aspiring farmers to your apprenticeship positions to cultivate success and improve the future of our region’s agriculture.
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The S&W Market is hosting a weekly Brews & Blues series featuring Mr. Jimmy & Friends. From 1pm-4pm every Sunday, there will be beer and mimosa specials in Highland Brewing’s Downtown taproom and great live blues in the building. Also enjoy delicious brunch specials from all vendors!
Kudzu is everywhere, and it’s tasty. That’s why our partner, Kudzu Culture, wants to teach you to cook it. To get started, Kudzu Culture is hosting a kudzu-clearing workday on Reed Creek Greenway.
The workday will include:
Root crown ID and removal
Kudzu show & tell
Hands-on demonstrations
Kudzu tea and snacks
Please bring: gloves, hand pruners, mattocks, shovels
Contact: [email protected]
FULLY SEATED SHOW
Daniel Rossen knew there was a lot to learn if he was finally going to finish his debut solo album. For nearly two decades, Rossen had been a crucial component of Grizzly Bear, the era-epitomizing act whose shared harmonies and interlaced textures meant he was responsible for only part of a whole.
But Rossen left the close-knit nest of Brooklyn many years ago, first for an isolated patch of land in upstate New York and then for the high desert climes of Santa Fe. The whole, as it were, was now his. So Rossen bought an upright bass (one of his instruments as a kid) and played all the parts himself, along with the cello. Best known as a guitarist, he took up woodwinds, too, buying several cheap student models and learning just enough to understand the rudiments. And then, largely at home in Santa Fe, he slowly built the world that is You Belong There, a riveting 10-song reintroduction to a voice that sounds both entirely familiar and fully reenergized by the act of unfettered expression.
For all the benefits of being in a successful band, individuality is not always one of them. Impulses are subsumed by the organization; choices are bound in compromise. As formative as Rossen’s experiences in Grizzly Bear were, he recognized what was lost in that equation or even the contemporaneous and often-playful duo Department of Eagles. His 2012 EP, Silent Hour/Golden Mile, felt like pure energetic effusion, a welcome declaration of self soon after Rossen left the city. Like a slow-motion magpie, he gathered more ideas of his own there, sometimes living with and turning over a riff or a melody for years while embracing the routines of rural life and, eventually, the adventures of parenthood. Self-reliance became a way of life, a mode of mature expression.
That is the landscape surrounding You Belong There, Rossen’s sophisticated and visceral consideration of what comes after the restless enthusiasm and public fanfare of your 20s and early 30s. These songs explore the personally uncharted territory of adulthood, including the troubles left behind and the possibilities that wait ahead.
Rising from a solitary acoustic guitar into a tense orchestral tangle in miniature, “I’ll Wait for Your Visit” reckons with a family history of what he calls “unbridgeable distance,” of feeling perpetually out of place. Exquisite but urgent, “The Last One” turns to look back at the uneasiness of youth and then ahead to recognize that strength can be swapped for stability. The dashing “Unpeopled Space” reflects Rossen’s time in upstate New York, where he built a life amid wilderness that always tried to close in around him. However futile could feel, it was “our work for work’s sake,” as he sings over strings he mostly learned to play for the occasion and harmonies that shift like a series of interconnected see-saws. In their way, these are the true coming-of-age anthems, testaments to the
value of continuous growth.
Rossen long studied jazz and classical music, developing the sort of craftsperson’s skills that were so apparent in every intricate fold of his former projects. But there is an unfussy hardiness to You Belong There, plus a punchiness supplied by his newfound self-sovereignty. It’s there in the roiling piano and clattering drums (played by Chris Bear, one of very few guests here) and gnarled guitar of “Tangle,” a
broken waltz that arrives in multiple mighty waves. It’s there in the skittering rhythms and darting strings and winds of “Shadow in the Frame,” a tremendous and riveting contemplation of mortality amid the ancient and enchanting landscape of the American Southwest. It’s there in the deceptive simplicity and keyhole dynamics of opener “It’s a Passage,” a magnetic tune whose scenes of wintry idyll and existential confusion perfectly suit its velvet-gloved power. These songs balance finesse and force without compromising either — or anything at all, for that matter.
When Rossen talks about the music he has made, even that of You Belong There, he is appreciably modest, perhaps to the point of self-deprecation. But after a lifetime in the making, the 44 minutes of his debut LP crackle with the resolve and assuredness of a musician empowered by the act of sounding only like himself. There is turmoil, woe, anxiety, and frailty bound up in these songs, feelings we inevitably navigate as we age. But there is also the ineffable splendor of self-expression, a thrill reserved for those bold enough to pursue it. “Can you see me now?” Rossen sings slowly near the end of the title track, marveling at each syllable as though it were some previously unknown treasure.
At last, absolutely.
Suzanne Santo has never been afraid to blur the lines. A tireless creator, she’s built her sound in the grey area between Americana, Southern-gothic soul, and forward-thinking rock & roll. It’s a sound that nods to her past — a childhood spent in the Rust Belt; a decade logged as a member of the L.A.-based duo HoneyHoney; the acclaimed solo album, Ruby Red, that launched a new phase of her career in 2017; and the world tour that took her from Greece to Glastonbury as a member of Hozier’s band — while still exploring new territory. With Yard Sale, Santo boldly moves forward, staking her claim once again as an Americana innovator. It’s an album inspired by the past, written by an artist who’s only interested in the here-and-now. And for Suzanne Santo, the here-and-now sounds pretty good.
Yard Sale, her second release as a solo artist, finds Santo in transition. She began writing the album while touring the globe with Hozier — a gig that utilized her strengths not only as a vocalist and multi-instrumentalist, but as a road warrior, too. “We never stopped,” she says of the year-long trek, which often found her pulling double-duty as Hozier’s opening act and bandmate. “Looking back, I can recognize how much of a game-changer it was. It raised my musicianship to a new level. It truly reshaped my career.”
Songs like “Fall For That” were written between band rehearsals, with Santo holing herself up in a farmhouse on the rural Irish coast. Others were finished during bus rides, backstage writing sessions, and hotel stays. Grateful for the experience but eager to return to her solo career, she finished her run with Hozier, joining the band for one final gig — a milestone performance at Glastonbury, with 60,000 fans watching — before flying home to Los Angeles. Within three days, she was back in the studio, working with producer John Spiker on the most compelling album of her career.
Santo didn’t remain in Los Angeles for very long. Things had changed since she released 2017’s Ruby Red, an album produced by Butch Walker and hailed by Rolling Stone for its “expansion of her Americana roots.” She’d split up with her longtime partner. Her old band, HoneyHoney, was on hiatus. Feeling lonely in her own home, Santo infused songs like “Common Sense” and “Idiot” with achingly gorgeous melodies and woozy melancholia. She then got the hell out, moving to Austin — a city whose fingerprints are all over Yard Sale, thanks to appearances by hometown heroes like Shakey Graves and Gary Clark Jr. — and falling in love all over again. Throughout it all, Santo continued writing songs, filling Yard Sale with the ups and downs of a life largely spent on the run.
“I moved so much, both emotionally and physically, while making this record,” she says. “I dropped my band, joined a world tour, came back home, went through a heartbreak, moved across the country, and fell in love with someone else. I just kept marching forward. Throughout that experience, there was this emotional unpacking of sorts. A shedding of baggage. I’ve gotten good at knowing what I need to keep holding onto and what I don’t.”
If yard sales represent a homeowner’s purging of old possessions in order to clear up some much-needed room, then Yard Sale marks the moment where Suzanne Santo makes peace with her past and embraces a better, bolder present. Musically, she’s at the top of her game, writing her own string arrangements and singing each song an agile, acrobatic voice. On “Since I’ve Had Your Love,” she bridges the gap between indie-rock and neo-soul, punctuating the song’s middle stretch with a cinematic violin solo. She mixes gospel influences with a deconstructed R&B beat on “Over and Over Again,” recounts some hard-learned lessons with the folk-rock anthem “Mercy,” and drapes “Bad Beast” with layers of spacey, atmospheric electric guitar. Shakey Graves contributes to “Afraid of Heights,” a rainy-day ballad driven forward by a metronomic drum pattern, and Gary Clark Jr. punctuates the guitar-driven “Fall For That” with fiery fretwork.
“This is like one of those yard sales where there’s something for everybody,” Santo says. “You want a crockpot or a racquetball paddle? A duvet cover? I’ve got it.” On a more serious note, she adds, “But I’ve also gotten into the emotional concept of what a yard sale really is, too. This record is about the things I’ve left behind and the things I’ve holding onto. I was broken up with while writing the record. I fell in love again while writing the record. And I learned to fearlessly follow my gut, in all places of my life, while making this record.”
You can’t blame Suzanne Santo from looking back once in awhile. Raised in Parma, OH, she was scouted as a model and actress at 14 years old, spent her summer vacations working in locations like Tokyo, and later moved to New York City, where she attended the Professional Children’s School alongside classmates like Jack Antonoff and Scarlett Johansson. Moving to Los Angeles in her late teens, she formed HoneyHoney and released three albums with the duo, working with top-shelf Americana labels like Lost Highway and Rounder Records along the way. Working with Butch Walker on 2017’s Ruby Red resulted in an offer to join Walker’s touring band, followed one year later by a similar request from Hozier.
“It’s a rollercoaster, and I’ve been strapped in pretty good,” she says. “I’ve been riding it out.”
Asheville Humane Society’s 18th Dine To Be Kind is to be presented by Mix 96.5, Asheville’s Hit Music Station, on April 4th, 2023.
Get your stomach ready for a day of dining (and drinking) at some of Asheville’s greatest restaurants, breweries, and businesses to help ensure that local animals in need have access to lifesaving programs and a quality of life worth living.
“Mix 96.5 is thrilled to partner with Asheville Humane Society for this wonderful community event to help local pets in need,” says Steve Richards, Operations Director at AVL Radio Group.
Premier venues will donate 25% of all sales while participating venues will donate 15%. This event is sure to appease all appetites and be a day of full bellies and full hearts. These contributions will support the continuation and development of Asheville Humane Society’s ability to provide medical care, a strong community care program, and our thriving foster and adoption programs.
PREMIER RESTAURANTS – Donating 25% of Proceeds:
Banks Ave Bar
Biscuit Head Biltmore
Biscuit Head South
Biscuit Head West
Blue Dream Curry House
Bone & Broth
Bouchon
Carmel’s Kitchen & Bar
Chemist Spirits
Copper Crown
Mel-Mel’s Mama Food for Dogs
RendezVous
Smoky Mountain Dog Bakery
Sunny Point Café
The Blackbird
The Grey Eagle Taqueria
Whistle Hop Brewing Company
PARTICIPATING RESTAURANTS – Donating 15% of Proceeds:
12 Bones Smokehouse South
12 Bones Smokehouse River
828 Family Pizzeria
Aloft Asheville Downtown
Bhramari Brewing Company
Buxton Hall BBQ
Buxton Hall Chicken Palace
Cantina Louie
Chai Pani
Charlotte Street Grill & Pub
Chestnut
Corner Kitchen
Farm Burger Downtown
Farm Burger South
Fork Lore
Highland Brewing
Ivory Road Café & Kitchen
Jargon
Limones Resaurant
Mayfel’s
Nani’s Piri Piri Chicken
Nine Mile West
Riverside Rhapsody Beer Company
Strada Italiano
The Hop Ice Cream Café North
The Hop Ice Cream Café West
The Joint Next Door
The Local Joint
The Malvern
The Odditorium
Twisted Laurel Downtown
Can’t dine out on April 5th?
Please consider making a lifesaving donation today!
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Each year, Asheville GreenWorks plants more than 1,000 trees as part of our commitment to restore Asheville’s tree canopy. However, we can’t do it without the help of our volunteers. Each year hundreds of tree lovers dedicate a day (or more) to potting, planting, or caring for the saplings that will keep urban Asheville cool and green now and in the future.
You are welcome to schedule a specific workday for your group or to join one of our public workdays every Tuesday from April to July from 10am-12pm. |
The Garden Helpline is open March 2 through October 27 in 2022.
Extension Master GardenerSM volunteers will be staffing the Helpline as indicated in the schedule below. You may send an email or leave a voicemail at any time and an Extension Master Gardener volunteer will respond during Garden Helpline hours. When emailing, please include a photo if it helps describe your garden question. Soil test kits can be picked up at the Extension office, 24/7, located in a box outside the front door.
Two ways to contact the Garden Helpline
Call 828-255-5522
Email questions and photos to [email protected]
Garden Helpline Hours
March: Monday 12:00 – 2:00; Wednesday 10:00 – 12:00
April – September: Monday and Wednesday 10:00- 2:00; Tuesday 10:00-12:00;
Thursday 12:00-2:00
October: Tuesday 10:00-12:00; Thursday 12:00-2:00
We are here to help and support you! Please contact us; we look forward to answering your gardening questions.
Join us every Monday night for Singo (Musical Bingo)!
Singo will run from 7-8:15 pm.
No reservations needed, just get ready for a good time and a chance to win some Down Dog prizes!
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Each year, Asheville GreenWorks plants more than 1,000 trees as part of our commitment to restore Asheville’s tree canopy. However, we can’t do it without the help of our volunteers. Each year hundreds of tree lovers dedicate a day (or more) to potting, planting, or caring for the saplings that will keep urban Asheville cool and green now and in the future.
You are welcome to schedule a specific workday for your group or to join one of our public workdays every Tuesday from April to July from 10am-12pm. |
The Garden Helpline is open March 2 through October 27 in 2022.
Extension Master GardenerSM volunteers will be staffing the Helpline as indicated in the schedule below. You may send an email or leave a voicemail at any time and an Extension Master Gardener volunteer will respond during Garden Helpline hours. When emailing, please include a photo if it helps describe your garden question. Soil test kits can be picked up at the Extension office, 24/7, located in a box outside the front door.
Two ways to contact the Garden Helpline
Call 828-255-5522
Email questions and photos to [email protected]
Garden Helpline Hours
March: Monday 12:00 – 2:00; Wednesday 10:00 – 12:00
April – September: Monday and Wednesday 10:00- 2:00; Tuesday 10:00-12:00;
Thursday 12:00-2:00
October: Tuesday 10:00-12:00; Thursday 12:00-2:00
We are here to help and support you! Please contact us; we look forward to answering your gardening questions.
$5 Highland pints
$5 Kids taco with chips and salsa Peace Love Tacos
$5 Kids nuggets & fries Buxton Chicken Palace
$5 Grassfed all beef hot dog with chips Farm Dogs
$5 Chicken & rice with veggies Bun Intended
$3.50 for a kiddie scoop or under $5 for a single scoop from The Hop!
This event airs live via Zoom. We will have time for audience questions after the approximately 1-hour film.
Most of what we think we know about moonshining history is wrong. That’s one of the themes of the Center for Cultural Preservation’s new documentary film on regional moonshine history, The Spirits Still Move Them. David Weintraub, award-winning director/producer of forty history films interviews nearly three dozen moonshiners and their families in Western North Carolina, East Tennessee and the Dark Corner of South Carolina to tell a story about moonshine history that’s never been relayed before.
According to Weintraub, “The myth that all moonshiners are violent, lazy, drunk criminals hiding in the woods wearing long beards and longer arrest records has been recounted by the media for over 100 years. In reality, liquor production was hard, backbreaking work that only the most entrepreneurial farmers conducted which they did in order to survive difficult circumstances and put food on the table. It’s a fascinating story and far more interesting than the myths and distortions we’ve heard.”
The film digs deep into Southern Appalachian history exposing the stereotypes and fabrications about mountaineers that have been fodder for movies and cable television programs for generations from the Beverly Hillbillies to the Moonshiner Show. Says Cody Bradford, fifth generation moonshiner and owner of Howling Moon Distillery in Asheville, “People think all moonshiners were outlaws but it was the federal government that enacted an excise tax after the Civil War that poor farmers had to bear. It was either starve or make liquor and it’s not difficult to understand which one they chose.”
Cody and his family are chronicled in the film as are moonshiners from Yancey County to Spartanburg County. Most surprising to many is that many moonshiners were African-Americans, women and Native Americans. And that moonshine played a central role in medicine since the Civil War.
This film is made possible by Blue Ridge National Heritage Area Partnership, the Community Foundation of Henderson County and North Carolina Humanities. The Center for Cultural Preservation is a cultural nonprofit organization dedicated to working for mountain heritage continuity through oral history, documentary film, education and public programs. For more information about the Center contact them at (828) 692-8062 or www.saveculture.org
About the Presenter:
Award-winning film director David Weintraub has been an oral historian and filmmaker for over 20 years. His films have appeared on PBS stations around the country and at film festivals around the world. His credits include Guardians of Our Troubled Waters and Come Hell or High Water: Remembering the 1916 Flood.
No reservations needed, just get ready for a good time and a chance to win some Down Dog prizes!
Join us every Tuesday night for Trivia!
Trivia will run from 7-8:15 pm. We will be capping the teams at 20 and teams will not be able to join after 7 so make sure to arrive early to secure your spot!
No reservations needed, just grab your thinking caps and get ready for a good time and a chance to win a $10, $20, or $30 gift certificate to Down Dog!
Car Seat Headrest began as a solo project of Will Toledo in 2010. Recording in cars, bedrooms, and other solitary spaces, Toledo self-released 10 Car Seat Headrest records during his college years. In 2015, after signing with Matador Records, Car Seat Headrest expanded to include Andrew Katz on drums, Ethan Ives on guitar, and Seth Dalby on bass.
Now 10 years in, the four-piece is starting fresh with their 2020 release, Making A Door Less Open. The album, which features their first new music in 4 years, also marks a shift in sound towards the electronic and the eccentric, and introduces a mysterious character called “Trait”, Toledo’s new alternate persona
The Garden Helpline is open March 2 through October 27 in 2022.
Extension Master GardenerSM volunteers will be staffing the Helpline as indicated in the schedule below. You may send an email or leave a voicemail at any time and an Extension Master Gardener volunteer will respond during Garden Helpline hours. When emailing, please include a photo if it helps describe your garden question. Soil test kits can be picked up at the Extension office, 24/7, located in a box outside the front door.
Two ways to contact the Garden Helpline
Call 828-255-5522
Email questions and photos to [email protected]
Garden Helpline Hours
March: Monday 12:00 – 2:00; Wednesday 10:00 – 12:00
April – September: Monday and Wednesday 10:00- 2:00; Tuesday 10:00-12:00;
Thursday 12:00-2:00
October: Tuesday 10:00-12:00; Thursday 12:00-2:00
We are here to help and support you! Please contact us; we look forward to answering your gardening questions.
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The YMCA Mobile Market will be set up in the lower library parking lot (adjacent to the playground) from 10:30AM-11:30AM. Bring your grocery bags and get fresh food for your family. The market provides fresh produce paired with healthy recipes and a Community Engagement Table. While you’re here, stop in to get a library card if you don’t have one, pick up a cookbook or two to experiment with your bundle of groceries, or grab a DVD to watch while snacking. |
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You can also attend one of our weekly garden workday events:
Pearson Garden and Nursery Garden workdays Wednesdays from 3-5pm. Located at 408 Pearson Dr. in Montford. Please click this link to sign up. Contact [email protected] for more information.
Hall Fletcher Elementary School FEAST Garden Wednesdays 2:45-4:00pm, 60 Ridgelawn Rd. Please click this link to sign up. Contact [email protected] for more information.
Lucy Herring Elementary School Peace Garden (formerly Vance Elementary School) in West Asheville. Workdays Tuesdays 2:45-3:45. The garden will again be closed to the public from 8 AM- 2:30 pm so that classes can use the garden for outdoor learning. Please contact [email protected] for questions and to RSVP
**We give away free produce donated by Mother Earth Food every week at our Sharing Table Mondays after 3 pm
Enjoy a $6 glass of wine and 1/2 off bottles every Wednesday night!
Pollinators are responsible for one out of every three bites of food eaten, but they’re disappearing at an alarming rate. Planting a pollinator-friendly garden in your yard is one of the most effective ways to make sure our native pollinators have enough to eat.
Lisa will talk about how to make your garden inviting for pollinators, suggest specific plants, and discuss ways to support pollinators in your own garden and community.
It’s time again for EYLA to host our ever popular Game Night! We are proud and excited to have Hi-Wire Brewing RAD, in its newest location, to host our group.
Please bring your favorite games to share and your competitive spirit to make it a fun and exciting evening of game play.
Please be aware that this and all future Game Nights will be held at the River Arts District location. Please Venmo Norque Smith for fees (1.00) or pay in person Cash to the host.
On his sprawling new record, Tompkins Park, Jack Symes makes his case as one of folk music’s most compelling new artists. Born during a road trip out to his new home in Brooklyn and his unmoored first months there, the 12-songs confront the question, “Are you on your own or are you all alone?”. It’s less tethered to Earth than his previous excursions, instead drifting skyward, buoyed by wide-reaching arrangements and dense washes of reverb that curl off his voice like thick plumes of smoke.
Inspired by uncertainty and crystallized in isolation, Jack Symes sophomore album is a testament to spending time with yourself and making peace with the parts of you that have been neglected. Written while uprooting his life, and recorded in the blurry ebb of life under a pandemic, the deeply personal songs are at once wholly universal.
a musician&songwriter based in brooklyn, ny.
Comedy Open Mic at Asheville Music Hall in downtown Asheville. Every Weds. 8pm. Doors and comic sign up at 7pm. Free
Key Glock will be performing LIVE on the Indoor Stage at Salvage Station on Wednesday, April 6th! Doors open at 7PM and the music starts at 8PM. 18+ only (no exceptions)!
Root Down will be serving their delicious twist on Southern Soul food, PLUS we will have our FULL bar open for you to enjoy!
VIP PACKAGES INCLUDE:
-One general admission ticket
-Early entry into the venue
-Custom Key Glock mini basketball hoop + ball
-Limited edition Key Glock money clip
-Key Glock 4×6 lithograph
-Exclusive merchandise item
-Commemorative VIP laminate
*Limited availability