Calendar of Events

Natural Collector is organized by the Asheville Art Museum. IMAGE: Christian Burchard, Untitled (nesting bowls), 1998, madrone burl, various from 6 × 6 × 6 to ⅜ × ⅜ × ⅜ inches. Gift of Fleur S. Bresler, 2021.76.01.

Natural Collector | Gifts of Fleur S. Bresler features around 15 artworks from the collection of Fleur S. Bresler, which include important examples of modern and contemporary American craft including wood and fiber art, as well as glass and ceramics. These works that were generously donated by contemporary craft collector Bresler to the Asheville Art Museum over the years reflect her strong interest in wood-based art and themes of nature. According to Associate Curator Whitney Richardson, “This exhibition highlights artworks that consider the natural element from which they were created or replicate known flora and fauna in unexpected materials. The selection of objects displayed illustrates how Bresler’s eye for collecting craft not only draws attention to nature and artists’ interest in it, but also accentuates her role as a natural collector with an intuitive ability to identify themes and ideas that speak to one another.” This exhibition presents work from the Collection representing the first generation of American wood turners like Rude Osolnik and Ed Moulthrop, as well as those that came after and learned from them, such as Philip Moulthrop, John Jordan, and local Western North Carolina (WNC) artist Stoney Lamar. Other WNC-based artists in Natural Collector include Anne Lemanski, whose paper sculpture of a snake captures the viewer’s imagination, and Michael Sherrill’s multimedia work that tricks the eye with its similarity to true-to-life berries. Also represented are beadwork and sculpture by Joyce J. Scott and Jack and Linda Fifield.

Wednesday through Monday from 11am to 6pm

Rebel/Re-Belle: Exploring Gender, Agency, and Identity | Selections from the Asheville Art Museum and Rubell Museum combines works, primarily created by women, from two significant collections of contemporary art to explore how artists have innovated, influenced, interrogated, and inspired visual culture in the past 100 years.

Asheville-born and Raleigh-Durham-based interdisciplinary artist Sherrill Roland’s socially driven practice draws upon his experience with wrongful incarceration for a crime he did not commit and seeks to open conversations about how we care for our communities and one another with compassion and understanding. Through sculpture, installation, and conceptual art, Roland engages visitors in dialogues around community, social contract, identity, biases, and other deeply human experiences. Comprised of artwork created from 2016 to the present, Sherrill Roland: Sugar, Water, Lemon Squeeze reflects on making something from nothing, lemonade from lemons, the best of a situation. A reference to a simple recipe from the artist’s childhood, the title also speaks to Roland’s employment of materials available to him while incarcerated, such as Kool-Aid and mail from family members. In the face of his personal experiences, he invites viewers to confront their own uncomfortable complicity in perpetuating injustice. Roland’s work humanizes these difficult topics and creates a space for communication and envisioning a better future. This exhibition is organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator, in collaboration with the Artist. This exhibition is funded, in part, by a grant from South Arts in partnership with the National Endowment for the Arts.

Songs, stories & home movies of Earl Scruggs, celebrating the music of WNC and the 5-string banjo with Dr. Mark Morris, Dylan Morris, and George Buckner

Join us for Balkan Bump + Rohan Solo, Medisin, & ElectroChemical at Asheville Music Hall Friday January 6th!

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21+

Start 2023 with a clean slate! Haul out your half-done quilts and barely-started cross-stitch samplers. We’re swapping UFOs (Unfinished Objects) at the Weaverville Library this January. Bring unfinished craft projects or craft supplies to the Weaverville Library to trade or donate. Declutter or refresh your material stash with fellow crafters. The swap is free for everyone and available anytime during Library hours from Jan. 3-14.

TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community. The first weekly Coffee is Saturday, August 20 at 9 am. No RSVP needed, just drop by! Free parking available on Melrose Avenue, behind and alongside TFAC.

Natural Collector is organized by the Asheville Art Museum. IMAGE: Christian Burchard, Untitled (nesting bowls), 1998, madrone burl, various from 6 × 6 × 6 to ⅜ × ⅜ × ⅜ inches. Gift of Fleur S. Bresler, 2021.76.01.

Natural Collector | Gifts of Fleur S. Bresler features around 15 artworks from the collection of Fleur S. Bresler, which include important examples of modern and contemporary American craft including wood and fiber art, as well as glass and ceramics. These works that were generously donated by contemporary craft collector Bresler to the Asheville Art Museum over the years reflect her strong interest in wood-based art and themes of nature. According to Associate Curator Whitney Richardson, “This exhibition highlights artworks that consider the natural element from which they were created or replicate known flora and fauna in unexpected materials. The selection of objects displayed illustrates how Bresler’s eye for collecting craft not only draws attention to nature and artists’ interest in it, but also accentuates her role as a natural collector with an intuitive ability to identify themes and ideas that speak to one another.” This exhibition presents work from the Collection representing the first generation of American wood turners like Rude Osolnik and Ed Moulthrop, as well as those that came after and learned from them, such as Philip Moulthrop, John Jordan, and local Western North Carolina (WNC) artist Stoney Lamar. Other WNC-based artists in Natural Collector include Anne Lemanski, whose paper sculpture of a snake captures the viewer’s imagination, and Michael Sherrill’s multimedia work that tricks the eye with its similarity to true-to-life berries. Also represented are beadwork and sculpture by Joyce J. Scott and Jack and Linda Fifield.

Wednesday through Monday from 11am to 6pm

Rebel/Re-Belle: Exploring Gender, Agency, and Identity | Selections from the Asheville Art Museum and Rubell Museum combines works, primarily created by women, from two significant collections of contemporary art to explore how artists have innovated, influenced, interrogated, and inspired visual culture in the past 100 years.

Asheville-born and Raleigh-Durham-based interdisciplinary artist Sherrill Roland’s socially driven practice draws upon his experience with wrongful incarceration for a crime he did not commit and seeks to open conversations about how we care for our communities and one another with compassion and understanding. Through sculpture, installation, and conceptual art, Roland engages visitors in dialogues around community, social contract, identity, biases, and other deeply human experiences. Comprised of artwork created from 2016 to the present, Sherrill Roland: Sugar, Water, Lemon Squeeze reflects on making something from nothing, lemonade from lemons, the best of a situation. A reference to a simple recipe from the artist’s childhood, the title also speaks to Roland’s employment of materials available to him while incarcerated, such as Kool-Aid and mail from family members. In the face of his personal experiences, he invites viewers to confront their own uncomfortable complicity in perpetuating injustice. Roland’s work humanizes these difficult topics and creates a space for communication and envisioning a better future. This exhibition is organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator, in collaboration with the Artist. This exhibition is funded, in part, by a grant from South Arts in partnership with the National Endowment for the Arts.

Gelli printing is an easy, innovative way to create vibrant, one-of-a-kind monoprints. The results are striking, and all you need is a gelli plate, acrylic paint, and some kind of substrate (paper, canvas, etc.). In this fun, hands-on workshop, paper artist Kristen Grady will teach you everything you need to get started with this super versatile process.

Among other techniques, you’ll learn how to build multiple layers of design, create textures and an “old wall” look, and add stenciling and shimmer to your prints. Kristen will also teach you how to create two-sided prints, work with multiple prints at the same time, create a theme for your prints, use thick and thin paints in different ways, and find your color palette.

There will be plenty of time to practice each technique, and you’ll complete at least four, two-sided prints. You’ll also leave with plenty of ideas on how to use your finished prints, including incorporating them into junk journals, and how to care for and store your gelli plate, which will be yours to keep—a $25 value!

Nobody’s Darling String Band is here every Saturday from 4-6! Stop in for an afternoon libation and enjoy the ladies picking’ away on the stage!

– ALL AGES
– STANDING ROOM ONLY

THE GET RIGHT BAND

“The Get Right Band are the type of performers that you just know will break out. Their songs are infectious and take you immediately to a place. The lyrics are smart and bear weight.” -The Huffington Post

The Get Right Band is a psychedelic indie rock power trio from Asheville, NC. They are a band focused on following their muses to honest self-expression, to whatever excites them and pushes them into unexplored territory. The Get Right Band proudly carries the torch for a long line of genre-bending power trios from Cream to The Jimi Hendrix Experience to The Police to Violent Femmes to Primus to Green Day to Nirvana to Sublime. It’s the space between the notes, the rawness and the maneuverability, that makes a power trio, well, so damn powerful.

“An ass shaking good time.” -Relix Magazine

The Get Right Band’s career highlights include shows with Everclear, Rusted Root, Dr. Dog, Smash Mouth, Ozomatli, Dirty Dozen Brass Band, and Victor Wooten; appearances on NPR’s World Cafe and Nashville’s Music City Roots television show; and performances at major festivals and venues including FloydFest, StrangeCreek, Riverbend Fest, The Orange Peel, Brooklyn Bowl, and The Hamilton.

“I love this song!” -Marc Maron, of WTF podcast

The band is built on the musical brotherhood that guitarist/vocalist Silas Durocher and bassist Jesse Gentry have formed playing music together since middle school. Durocher, who is a trained composer and has been commissioned to write for symphonies and chamber groups, has guitar chops that can soothe or rage and a charismatic swagger as a frontman and a singer. “Durocher has an impressive range and rich clarity to his vocals—think a more soulful Dan Auerbach” (Connect Savannah). Gentry’s virtuosic bass playing “catapults from elastic to nasty” (The Mountain Xpress). With the addition of Jian-Claude Mears, a drummer with “precision, passion, and an inescapable momentum” (Live For Live Music), the group’s sound has become an unstoppable force. They have been wowing audiences around the country and the Caribbean since their inception in 2011 with an unparalleled live show and a relentless tour schedule.

“Tight and diverse jams and a distinctive, intellectual but accessible worldview.”  -Live For Live Music

RANDOM ANIMALS
Random Animals is an Asheville, North Carolina based Indie-Soul quintet formed in 2016.

All Ages – under 12 requires venue approval

Natural Collector is organized by the Asheville Art Museum. IMAGE: Christian Burchard, Untitled (nesting bowls), 1998, madrone burl, various from 6 × 6 × 6 to ⅜ × ⅜ × ⅜ inches. Gift of Fleur S. Bresler, 2021.76.01.

Natural Collector | Gifts of Fleur S. Bresler features around 15 artworks from the collection of Fleur S. Bresler, which include important examples of modern and contemporary American craft including wood and fiber art, as well as glass and ceramics. These works that were generously donated by contemporary craft collector Bresler to the Asheville Art Museum over the years reflect her strong interest in wood-based art and themes of nature. According to Associate Curator Whitney Richardson, “This exhibition highlights artworks that consider the natural element from which they were created or replicate known flora and fauna in unexpected materials. The selection of objects displayed illustrates how Bresler’s eye for collecting craft not only draws attention to nature and artists’ interest in it, but also accentuates her role as a natural collector with an intuitive ability to identify themes and ideas that speak to one another.” This exhibition presents work from the Collection representing the first generation of American wood turners like Rude Osolnik and Ed Moulthrop, as well as those that came after and learned from them, such as Philip Moulthrop, John Jordan, and local Western North Carolina (WNC) artist Stoney Lamar. Other WNC-based artists in Natural Collector include Anne Lemanski, whose paper sculpture of a snake captures the viewer’s imagination, and Michael Sherrill’s multimedia work that tricks the eye with its similarity to true-to-life berries. Also represented are beadwork and sculpture by Joyce J. Scott and Jack and Linda Fifield.

Wednesday through Monday from 11am to 6pm

Rebel/Re-Belle: Exploring Gender, Agency, and Identity | Selections from the Asheville Art Museum and Rubell Museum combines works, primarily created by women, from two significant collections of contemporary art to explore how artists have innovated, influenced, interrogated, and inspired visual culture in the past 100 years.

Asheville-born and Raleigh-Durham-based interdisciplinary artist Sherrill Roland’s socially driven practice draws upon his experience with wrongful incarceration for a crime he did not commit and seeks to open conversations about how we care for our communities and one another with compassion and understanding. Through sculpture, installation, and conceptual art, Roland engages visitors in dialogues around community, social contract, identity, biases, and other deeply human experiences. Comprised of artwork created from 2016 to the present, Sherrill Roland: Sugar, Water, Lemon Squeeze reflects on making something from nothing, lemonade from lemons, the best of a situation. A reference to a simple recipe from the artist’s childhood, the title also speaks to Roland’s employment of materials available to him while incarcerated, such as Kool-Aid and mail from family members. In the face of his personal experiences, he invites viewers to confront their own uncomfortable complicity in perpetuating injustice. Roland’s work humanizes these difficult topics and creates a space for communication and envisioning a better future. This exhibition is organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator, in collaboration with the Artist. This exhibition is funded, in part, by a grant from South Arts in partnership with the National Endowment for the Arts.

Steve Lapointe’s nine years of classical piano as a youth grounded him in music theory. Jazz studies while in Ithaca, NY, opened his ears to extemporaneous improvisation and the music of Keith Jarrett, Chick Corea, Bill Evans, Michel Petrucciani and the American songbook. Steve served as musical director of the Unitarian Universalist Fellowship of Vero Beach, Florida, and occasionally performed at the UU Asheville congregation.

Jack of the Wood : Sunday-Irish Session 

Sundays

1 till who knows when?

Traditional Irish music is kept alive at Jack of the Wood with our unplugged Sunday session.

Jack of the Wood

95 Patton ave

Asheville, NC 28801

(828) 252.5445

http://www.jackofthewood.com/

All Ages – under 12 requires venue approval