Every Wednesday Trivia Night

– ALL AGES
– STANDING ROOM ONLY

SWEET PILL
Philadelphia’s Sweet Pill write eruptive emo songs that embrace the edges of pop and hardcore. The kind of band whose members are fully immersed in their local scene—through a handful of notable side projects and the show-promoting Philly staple 4333 Collective—the quintet’s sound takes wide-spectrum influence from its environment. The result is an amalgam of complex song structures and flourishes of technical acumen, wholly unconcerned with genre, yet evoking the specific styles of touchstones such as Paramore and Circa Survive.

On their debut longplayer Where the Heart Is, Sweet Pill’s unbound, raucous energy presents through ten autobiographical tracks that hinge on singer Zayna Youssef’s elastic, enrapturing voice—at times belting and controlled, at others textural and guttural. Supporting Youssef are guitarists Jayce Williams and Sean McCall, bassist Ryan Cullen, and drummer Chris Kearney. Their blistering lead single “Blood” sees Youssef exploring a deteriorated friendship over Williams and McCall’s trudging riffs and tactful counterpoint, with Cullen and Kearney rumbling nimbly in the song’s foundations.

Second single “High Hopes” counters with introspective, melodic punk that reshapes anxiety rather than succumb to it. But third single “Diamond Eyes” momentarily slows the pace, with McCall joining Youssef on vocals for a breakup lament laden with acoustic sentimentalism and an emotive flurry from guest flutist Jill Ryan. Such range is the central facet of Where the Heart Is, where Sweet Pill’s penchant for combining punkish tropes enlivened with the vibrance of math-rock and the aggression of post-hardcore sweetened with pop sensibility compound into something stylistically new yet still familiar.

Sweet Pill is Zayna, Jayce, Chris, Sean & Ryan

KEROSENE HEIGHTS
Kerosene heights is an emo band from Asheville North Carolina and make loud exciting emo punk that carries the torch of earlier emo bands. The energy of a sweaty basement show comes through even in their recordings with distorted twinkly riffs, yelled vocals, and raw production. Their debut LP comes out this summer on No Sleep Records.

Every Thursday Live Music with Aaron Lafalce at 131 Main Restaurant, 6:00 p.m.

Trivia, Singo, tailgate games, and more! Our games are sure to challenge you, but c’mon… it’s not rocket science!

LED BY ELLE BLACKBURN, O&G BAR MANAGER

Sure, we all want to feel like James Bond and order our martinis “shaken, not stirred,” but we aren’t teaching you how to shake your martinis in this class! Since February’s class sold out, we’re bringing Martinis back to our lesson plans. Stir your way to the perfect martini and join us on March 23rd as we explore gin, vermouth, bitters, and brine as they come together to create a beautiful, icy-cold, slow sipper. March 23rd’s Cocktail Class, “Stirred, Not Shaken” will focus on the art & science of creating this timeless stirred cocktail fit for an international secret agent.

Come find out what all goes into stirring up this first-class libation at March’s Cocktail Class: “Stirred, Not Shaken”. We’ll take a deep dive into classic stirred martinis: from the dry to the dirty (ain’t no Espresso Martinis in this class!) There are options for both paired and solo tickets, so if you’re coming with a friend, please make sure you purchase the correct ticket. One ticket per participant is required. Classes are capped at a maximum of 12 people per class.

Please direct any and all questions to [email protected] and we’ll be sure to get back to you as soon as possible!

WHAT YOU’LL NEED TO KNOW

All O&G Cocktail Classes are 21+. Photo IDs are required to participate in our Cocktail Classes so make sure you bring yours to each class. Don’t forget to arrive early to get settled in & sip on a cocktail before the class starts.

Please reach out to [email protected] about any allergies or accessibility accommodations when booking the event and we will do our best to accommodate.

Doors open at 6:30 pm before the start of the event and will start promptly at 7:00 pm. Classes are taught in pairs and make for the perfect night out for couples, besties, or families. Paired tickets are offered at a discounted price!

There are options for both paired and solo tickets, so if you’re coming with a friend, please make sure you purchase the correct ticket. One ticket per participant is required. Classes are capped at a maximum of 12 people per class.

Oak and Grist Distilling Co. reserves the right to refuse service to any guest who appears or acknowledges to be intoxicated.

All cocktail class students will receive a complimentary barware goodie, take-home recipes, a hand-crafted cocktail, & a 15% discount in our Bottle Shop so you can keep your home bar stocked!

– ALL AGES
– STANDING ROOM ONLY

AVEY TARE
You remember how it was, don’t you, back in the Spring of 2020? Knowing so little about what any of us should do, so many of us crawled inside our quarters to find new obsessions or indulge the familiar ones, unencumbered by anything else we could do. At home in the woods on the eastern edge of Asheville, N.C., Avey Tare took the latter path, sequestering himself in his small home studio to sort the songs he’d written and recorded with friends in the instantly distant before times — Animal Collective’s Time Skiffs, of course, their astonishing document of communal creativity a quarter-century into the enterprise. He often worked there for 12 hours a day, tweaking mixes alone, save the birds and bears and his girlfriend, Madelyn. By Fall, though, it was done, so what next? How else should Avey now occupy himself in his cozy little room? The answer became 7s, his fourth solo album (and first in four years), an enchanting romp through the playground of his head. He wasn’t, however, going to do it alone.

During the first week of January 2021, Avey began making regular drives to his friend Adam McDaniel’s Drop of Sun Studios to give guts and flesh and color to the skeletal demos he’d made at home. They turned first to “Hey Bog,” a tune Avey had been tinkering with since he wrote it to have new material for a rare live performance years earlier. The inquisitive electronic meditation — all tiny percussive pops and surrealist textures at first — slowly morphs into a gem about surrendering cynicism and accepting the world a bit more readily, the call buttressed by trunk-rattling bass and spectral guitar. It feels like a lifetime map for new possibilities, encapsulated in nine absorbing minutes. The plot for 7s, then, was set: trusting, intuitive, exploratory collaboration among friends, after a Winter without it. These songs are like overstuffed jelly jars, cracking so that the sweetness oozes out into unexpected shapes. Still, the sweetness — that is, Avey’s compulsory hooks — remains at the center, the joy inside these Rorschach blots.

If Animal Collective has forever been defined by its charming inscrutability, Avey surrenders to a new intimacy and candor with 7s. Take “The Musical,” a bouncing ball of rubbery synths and wah-wah guitars that contemplates what draws someone to sound and how turning that calling into a profession can alter the source. “I can hear the mountains singing,” he counters with an audible smile wiped across his face, painting a postcard of his home amid one of the United States’ folk hubs, “and I do believe they could do that forever.” Obligations aside, this is a self-renewing love, he realizes, the source as captivating as it was the first time. “Have you ever felt a thing and known that’s how you felt about it all along?” he ends this guileless love song for everything.

tickets: https://www.etix.com/ticket/p/7309877/moe-asheville-the-orange-peel?partner_id=240&_gl=1*19rwcag*_ga*NzEwNTk2MDczLjE2NTgzNDU0NDY.*_ga_YTKQGJMDFL*MTY3ODk3NzcxNi4xLjAuMTY3ODk3NzcxNi4wLjAuM

This five-course wine and food pairing dinner features chefs Andrew McLeod of Avenue M, Tandy Wilson of City House in Nashville, Tennessee, Ashleigh Shanti of Good Hot Fish and Bravo Top Chef Season 19, and Travis Milton of Nicewonder Farm and Vineyards in Bristol, Virginia. The evening includes a champagne/cocktail reception and VIP gift bags for guests. Proceeds benefit YMCA Mobile Markets and Youth Transformed For Life at Grace Covenant Church. A limited number of tickets are also available for a cocktail reception with the chefs on March 23.

We invite you to experience a dinner for good. It is more than the poetry of beautiful wine and noteworthy Chefs creating outstanding dishes. It is an experience with all those serving and creating an impact in our community.

The Good Epicurean Dinner will donate proceeds to the YMCA Mobile Markets and Youth Transformed For Life at Grace Covenant. This dinner will fund annual markets, help feed inner-city children, and fund after-school care.

This is a ticketed event. A limited number of tickets are available. Cost $300. Tickets can be purchased online at goodepicurean.com.

Good Epicurean Asheville Culinary Team

Host Chef Andrew McLeod of Avenue M, Asheville, NC
Chef Tandy Wilson of City House, Nashville, TN – James Beard Best Chef Southeast 2016
Chef Ashleigh Shanti of Good Hot Fish, Asheville, NC – Bravo Top Chef Season 19
Chef Travis Milton of Hickory, Nicewonder Farm and Vineyards, Bristol, VA

A limited number of tickets will be made available to meet the Chefs at a cocktail reception with the Chefs on Thursday, March 23, 2023. Tickets are available online at goodepicurean.com

Why Good Epicurean Chose Avenue M

Avenue M was an obvious choice for the inaugural Good Epicurean dinner. This neighborhood restaurant provides an experience to its guests.

First, the location gives us that “feel good, doing something” in our community sense.

Second, the team works together to make it unique. Chef McLeod is brilliant in his creations, yet it is more than food. The team integrates welcoming conversation and impeccable service. It is upscale dining with a down-home feel.

Third, their passion for helping others and doing good matches our Good Epicurean values.

Ralph Lonow, Avenue M Owner and Sommelier, “We are thrilled to be hosting this dinner. Being able to give back to our community has always been our number one goal.”

Good Epicurean Sponsors

The companies making a difference and helping create an event that will make an impact include: Omni Grove Park Inn, Tryon Distributing, D’Artagan Foods, Mountain Food Products, and Highland Brewing.

Asheville’s LARGEST vaudeville show featuring WNC’s best comedy, juggling, magic, burlesque, acrobatics, aerial arts, short plays, puppetry, sideshow, music and more!

>> More details soon

Support:
bLAck pARty

All Ages – under 12 requires venue approval

– ALL AGES
– FULLY SEATED SHOW
– LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE 

HARLEY, KIMBRO, LEWIS

Live Music at Hickory Tavern, 9:00 p.m. until 12:00 a.m.

TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community. The first weekly Coffee is Saturday, August 20 at 9 am. No RSVP needed, just drop by! Free parking available on Melrose Avenue, behind and alongside TFAC.

JOIN US FOR UNCORKED! THIS UNIQUE RAIL LINE AND WINE EXPERIENCE WILL FUSE THE ADVENTURE OF RAILROADING WITH THE LOVE OF GOOD WINE AND GOOD COMPANY.

• About This Trip
• Meal
• How To Purchase
• Where To Go
• Schedule
• Plan on being here by one hour before departure.

Wanna hear the best local music ​and​ drink the best local beers? Hop aboard LaZoom’s Purple Bus and rock out with a local band while we take you on a journey to Asheville’s premiere local breweries.

Check Your Head: A Beastie Boys Tribute

– ALL AGES
– SEATED SHOW
– LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE

JACKIE VENSON

Jackie Venson is a multi-instrumentalist, singer/songwriter known far and wide for her complexly beautiful music and blazing guitar skills. Born and raised in Austin, Texas, Jackie has traveled the world playing to massive crowds both as a headliner and as support for major acts such as Gary Clark Jr, Melissa Etheridge, Aloe Blacc, Citizen Cope to name a few. With the disruption of the COVID-19 pandemic, the cancellation of her entire tour schedule and the wave of social change sweeping across the country in 2020, Jackie committed herself to releasing more music than ever before, connecting with her fans directly and speaking up about the change she wanted to see in her city and country. Since then, Jackie has released 2 studio albums, 2 live albums under her name and several electronic albums under her side project titled jackie the robot. During the pandemic, Jackie Venson also made her National TV Performance Debut on Austin City Limits 46th season, a huge honor for the native Austinite. Venson’s most recent release, “Love Transcends”, Venson firmly established herself as a sonic force to be reckoned with out of Austin, Texas.

The Buddy K Band, formed in 1983, is comprised of talented musicians that love the big band sounds of Count Basie, Glenn Miller, Duke Ellington, Tommy Dorsey, and other classic big bands. The Buddy K Band has performed in many venues throughout the Southeast. The band plays such favorites as Moonlight Serenade, In The Mood, Moon River and Satin Doll, just to name a few.

Come to listen, come to dance.. come to enjoy !!!!

Figure Drawing Salon-
Live nude model, art instructor host, bring your own art supplies. We have a limited supply available. Some community supplies available for use. We ask for a $15 donation at the door to support the instructor and model.

Format may vary but usually consists of- 5-1 min
2- 5 min
1- 10 min
2- 20 min each pose different 10 min break in between
2- 20 minute poses same pose

Come learn and mingle with a fun and friendly community of artists! Normally hosted the last Sunday of every month.

– ALL AGES
– STANDING ROOM ONLY

BASS DRUM OF DEATH

The point of an odyssey is to return home changed—still the same person, but deepened somehow, wiser and better, wearing your traveling scars proudly. Bass Drum of Death’s new album Say I Won’t is the end result of a journey that took singer and bandleader John Barrett from a small town in Mississippi and sent him across the world and back home again. The music still rips, with blown-out guitars and drums that sound like bombs going off, and the melodies are catchier than ever, hollered in Barrett’s trademark yelp. But the music hits differently now, more at peace with itself, propelled by a new swagger. Say I Won’t is the record of a veteran band finding its stride and leaning into it, stripping back the excess and finding the raw core of their sound.

Say I Won’t, the band’s fifth record, comes at a time of massive change for Barrett, having relocated from New York to his hometown of Oxford, Mississippi during the pandemic. The record is also a homecoming of a different sort, with the band rejoining the ranks of Fat Possum, also in Oxford, the label that released their first record GB City in 2011.

Say I Won’t is the first Bass Drum of Death album written, demoed, and recorded with the touring band instead of Barrett doing everything on his own. He found a freedom in working with collaborators that wasn’t available to him before, opening different aspects of the songwriting. It was a process of live recording, layering on different parts and overdubs, and then stripping it all back to the bones of the song, keeping the raw wild heart of the music intact.

The result is a groove-oriented, 1970’s-indebted collection of rock songs, with tempos set for cruising and scuzzy guitars galore. There’s an energy and vitality to the music that feels in line with the best of the Bass Drum songs, but with an added boost that comes from new bandmates and a new perspective.

DEAD TOOTH
After an early stint drumming and singing in Haybaby (Tiny Engines), Zach James began writing and self-producing folk records in his bedroom, donning the name The Silver Spaceman. The project evolved into a post-punk band featuring Andrew Bailey (DIIV) on lead guitar. It snarled and simmered around darker textures, miles away from its early folk roots. James looked to his darkened smile and rechristened the project Dead Tooth. They gained momentum opening for bands like Hand Habits, The Space Lady and Current Joys.

TONGUES OF FIRE
Most bands fit cleanly within a genre, but Tongues of Fire don’t. At their heart, they are a punk band; their shows are unhinged; the music is straightforward and hard hitting; there is no trace of excessiveness, but they are accessible, and there is a well-crafted feel to what they do. The production is clean, and the instrumentals deceptively complex. There aren’t bands out there that are like Tongues of Fire. They are themselves and intent on moving the scene forward.

Every Tuesday 1/2 off bottles of wine at 131 Main Restaurant

tickets: Elderbrook: Little Love Tour Tickets | Asheville, NC | The Orange Peel (etix.com)

– ALL AGES
– FULLY SEATED SHOW
– LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE

SHAWN MULLINS
After a series of indie record releases, Shawn Mullins’ critical breakthrough came when 1998 Soul’s Core album shot him to fame on the strength of its Grammy-nominated No. 1 hit, “Lullaby” followed by AAA/Americana No. 1 “Beautiful Wreck” from 2006’s 9th Ward Pickin Parlor. His song, “Shimmer” was used in promotion of the 2000 Summer Olympics in Sydney and was included on the Dawson’s Creek soundtrack. He co-wrote “All in My Head” which was featured in episode one of the hit TV sitcom “Scrubs.” Mullins also co-wrote the Zac Brown Band’s No. 1 country tune “Toes.” In early 2002, he formed super group The Thorns with Matthew Sweet and Peter Droge. Mullins’ most recent album My Stupid Heart, was released in 2015, the theme of which, Mullins says, can be summed up most succinctly by the song title, “It All Comes Down To Love,” the guiding force behind just about every song on the album.

Mullins is currently embarking on a recording project in conjunction with the 20th anniversary of the release of his album Soul’s Core, which came out July 17, 1998. He always performs songs from Soul’s Core in his live sets including “Lullaby” (Rockabye), “Gulf of Mexico,” “Twin Rocks Oregon,” “Shimmer” and “Anchored in You”. The song arrangements have evolved through the years as he continues to perform them live and grow as an artist.

LARRY CAMPBELL AND TERESA WILLIAMS

Multi-instrumentalist-singer-songwriter Larry Campbell and singer-guitarist Teresa Williams’ acclaimed eponymous 2015 debut, released after seven years of playing in Levon Helm’s band – and frequent guesting with Phil Lesh, Little Feat, Jorma Kaukonen and Jack Casady, brought to the stage the crackling creative energy of a decades-long offstage union. A whirlwind of touring and promo followed, and when the dust cleared, the duo was ready to do it all again. Which brings us to Contraband Love, a riskier slice of Americana.

Larry, who produced Contraband Love, says, “I wanted this record to be a progression, bigger than the first one. That’s all I knew. I wanted the songwriting to be deeper, the arrangements more interesting, the performances more dynamic. Specifically how to get there, I didn’t know. I did know the songs were different. The subject matter was darker than anything else I’ve written.”

“More painful!” Teresa says, and laughs.

“Yeah,” Larry says with a smile. “I’m proud of our debut, but I felt like the songs were lighter than what I’m capable of doing. As a songwriter, I aspire to a sense of uniqueness: this is a great song and it could only have been written by me. I want to get there. It’s a journey, a goal, a pursuit. The mechanics of that pursuit are figuring out what you need to do to surpass your last body of work.”

EVERY WEDNESDAY AT 6:30 pm ~ FREE!

AGES 18+ ADULTS ONLY ~ NO KIDS ALLOWED

ON OUR HUGE SCREEN IN THEATER 2!

ENJOY DINNER & DRINKS (FULL BAR) WHILE PLAYING

There are 3 rounds with new winners each round so you can show up late, miss a round and still be a winner. Plus, we have mid-round prizes to create as many winners as possible.

The questions are presented by a hilarious host on our giant movie screen and includes fun videos in each round.  You haven’t played a trivia night like this one!

Beat the mid week grind with some fun trivia! Win a $25 gift card for our taproom along with a $25 gift card from our resident kitchen, Bears Smokehouse BBQ!

Every Wednesday Trivia Night

“John Ford taps the roots of blues, giving those fortunate enough to hear him, a lesson in Blues 101….. ”

— Andrew Benson – Depot BBQ, Cincinnati, Ohio

It’s pre war blues, old school country, southern gospel and the history behind the music. John Ford assimilates the blues of the 1920’s and 30’s, the blues of Robert Johnson and Son House, a bit of 1940’s country and a pinch of gospel rhythm, and comes up with his own brand of the roots experience.

Ford has been writing since his early teens, growing up in New Richmond, Ohio a small river town 20 miles east of Cincinnati. “Whether it be a new song I’ve written or an old song from the 1930’s, I play what I fall in love with.”

John’s most recent album “John Ford Live at Morehead State University” was released in early 2020. With some of the area’s finest musicians playing along, Ford performs some classic blues standards as well as his original tune ” Ma Sibbi’s Chicken and Dumplins” an ode to his grandmother.

In 2016, he released “The John Ford Blues Society”, his first full length album.

John recorded the 2014 EP “Songs From Room 414″ at The Gunter Hotel in San Antonio Texas – the hallowed ground where Robert Johnson recorded 16 out of his 27 songs in November of 1936.

His first EP, “Injection of the Blues” was released in 2011.

Over the past few years he has performed at venues through out the Midwest and South including” The Shack Up Inn” in Clarksdale Mississippi and BB’s Jazz, Blues & Soups in St. Louis, as well as opening for Cedric Burnside, Patrick Sweaney, Damon Fowler and Ruthie Foster.

• Click to Visit the John Ford Website
• Click To Listen to Sample Video

tickets: Dirtwire: Ghostcatcher Tour with Mystik Fool Tickets | Asheville, NC | The Orange Peel (etix.com)