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Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
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Photo credit:
Sae Honda. Courtesy of the Artist.
NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.
NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.
The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.
Photo credit:
J Diamond, “Pony II,” 2022. Courtesy of the Artist
Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.
Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.
Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.
Photo credit:
Photograph by Bowery Blue Makers
Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.
A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.
Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.
The City of Asheville, in partnership with Buncombe County and the Natural Resources Defense Council, is offering a FREE Food Scrap Drop-Off program in
two locations for all Buncombe County residents. This organic matter will be collected and turned into good clean compost, keeping it OUT of our landfill and reducing greenhouse gas emissions.
Register for Food Scraps Drop Off
Need a handy kitchen countertop food scrap bin? Let us know on the registration form! We’ll be having bin giveaways at city and county facilities and would love to give you one.
Locations
West Asheville Library – “Food Scrap Bin Shelters” on the south side of the building
942 Haywood Road, Asheville
Library open hours
Stephens-Lee Recreation Center “Food Scrap Shed” next to the Community Garden on the North side of the parking lot
30 Washington Carver Avenue, Asheville
Murphy Oakley Community Center and Library – “Food Scrap Bin Shelters” on the east side of the parking lot
749 Fairview Road, Asheville
Buncombe County Landfill – Convenience Center85 Panther Branch Road, Alexander
Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.
PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences
PLUS: FREE next-day access to Biltmore’s Gardens and Grounds
This visit includes access to:
Art Exhibition: Italian Renaissance Alive
This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history
Learn Asheville’s history, discover hidden gems, and laugh at LaZoom’s quirky sense of adventure.
Robert Rauschenberg, Autobiography, 1968
In the late 70s, Bradley Jeffries had a chance meeting with Robert Rauschenberg outside his home on Captiva Island, and they bonded immediately. Bradley was hired to be the artist’s business and life manager. Her employment with him for over 30 years, until his death in 2008, involved many roles on the Board of Directors of Change, Inc and The Rauschenberg Foundation. Bradley’s travels with Rauschenberg took her on incredible adventures all over the world and exposed her to extraordinary opportunities. Throughout their friendship and work together, Rauschenberg gifted Bradley with many of his original artworks.
The family and friends of Bradley Jeffries will use her expansive and never previously exhibited Rauschenberg collection as a means of memorializing Bradley through this traveling exhibition. “Rauschenberg: A Gift in Your Pocket” opens on April 25, 2022 at the Bob Rauschenberg Gallery at Florida Southwestern State College in Ft. Myers for display throughout the summer. After which her collection will travel to The University of Kentucky Art Museum followed by its culminating exhibition at BMCM+AC.
Once her collection of Rauschenberg’s artwork completes its planned memorial exhibitions, pieces will be donated to each of the involved institutions in an ongoing memorial to Bradley and her legacy of promoting the arts and artists.
Curated by Jade Dellinger, Director of the Bob Rauschenberg Gallery at Florida Southwestern State College.
Asheville Gallery of Art’s March show, “Awakenings” features work by three new Gallery members: Jon Sebastian, Sara Bell, Andrea Stutesman. The show runs daily March 1 through March 31st, 2023 during gallery hours, 11am-6pm. An opening reception will be held March 3, 5-8pm; everyone is welcome.
The three artists will showcase their passion through three mediums, respectively. Not unlike the delicate and elusive trillium of the North Carolina mountain beds, these artists spring forward in the presentation of “Awakenings.” As featured artists of the month, Andrea Stutesman, Sara Bell, and Jon Sebastian join forces in presenting this amazing show by rendering their art using pastels, watercolors, and oil paints. Mesmerizing spring colors will grace the windows and walls of the gallery, rendering imagery of flowers, exotic and endangered animals, and vibrant landscapes. “Awakenings” is the second of three group shows featuring new artists to the gallery.
Andrea Stutesman
Andrea’s early art explorations began with pastels under the guidance of her mother, an accomplished painter. Her work is from the heart, inspired by her interactions with people and places or by the stories brought to her with requests for commissions. She strives to transform a sense of calm and connection that she experiences when painting that will invite viewers to slow down and enjoy the beauty of life.
Jon Sebastian
Art and painting in particular is, for artist Jon Sebastian, the selective recreation of reality according to his own principles and what he deems interesting and just in this world we share. Jon cannot remember a time when he did not paint. At Asheville Gallery of Art, Jon is now moving forward with confidence that others will find his works a compelling addition to their own collections. Jon paints immersive works filled with color, light and shadow. His subjects are of nature and of the peace and spirituality in which they envelope us.
Sara Bell
Sara Bell has always loved drawing. It’s a form of meditation for her and has now become a way for her to find peace and sanity when her world gets too overwhelming, which, as a single mom with a neuro-divergent teen, happens quite often. When it does, Sara follows John Muir’s quote, “Off into the woods I go to lose my mind and find my soul.” The results of these adventures are delightful sketches and photography of the forests. Sara then works from her photos to create her watercolors and intaglio prints.
Come visit this engaging and thoughtful exhibition at 82 Patton Avenue in downtown Asheville. For further information about this show, contact the Asheville Gallery of Art at (828) 251-5796, visit the Gallery’s website at ashevillegallery-of-art.com, or go to the Gallery’s Facebook page.
Every Wednesday
- Kids Storytime at Barnes and Noble, 11:00 a.m.
An enrolled member of the Eastern Band of Cherokee Indians, Luzene Hill advocates for Indigenous sovereignty—linguistically, culturally, and individually. Revelate builds upon Hill’s investigation of pre-contact cultures. This has led Hill to incorporate the idea of Ollin, the Nahuatl word for the natural rhythms of the universe, in Aztec cosmology in her work. Before Europeans arrived in North America, Indigenous societies were predominantly matrilineal. Women were considered sacred, involved in the decision-making process, and thrived within communities holding a worldview based on equilibrium.
Ollin emphasizes that we are in constant state of motion and discovery. Adopted as an educational framework, particularly in social justice and ethnic studies, Ollin guides individuals through a process of reflection, action, reconciliation, and transformation. This exhibition combines Hill’s use of mylar safety blankets alongside recent drawings. Capes constructed of mylar burst with energy and rustle with subtle sound, the shining material a signifier of care, awareness, displacement, and presence. Though Hill works primarily in sculpture, drawing has increasingly become an essential part of her practice as she seeks to communicate themes of feminine and Indigenous power across her entire body of work. The energy within her drawings extends to the bursts of light reflecting from her capes or the accumulation of materials in other installation works.
Luzene Hill was born in Atlanta, GA, in 1946. She received her bachelor of fine art and master of fine art from Western Carolina University. She lives and works on the Qualla Boundary, Cherokee, NC.
Natural Collector is organized by the Asheville Art Museum. IMAGE: Christian Burchard, Untitled (nesting bowls), 1998, madrone burl, various from 6 × 6 × 6 to ⅜ × ⅜ × ⅜ inches. Gift of Fleur S. Bresler, 2021.76.01.
Natural Collector | Gifts of Fleur S. Bresler features around 15 artworks from the collection of Fleur S. Bresler, which include important examples of modern and contemporary American craft including wood and fiber art, as well as glass and ceramics. These works that were generously donated by contemporary craft collector Bresler to the Asheville Art Museum over the years reflect her strong interest in wood-based art and themes of nature. According to Associate Curator Whitney Richardson, “This exhibition highlights artworks that consider the natural element from which they were created or replicate known flora and fauna in unexpected materials. The selection of objects displayed illustrates how Bresler’s eye for collecting craft not only draws attention to nature and artists’ interest in it, but also accentuates her role as a natural collector with an intuitive ability to identify themes and ideas that speak to one another.”
This exhibition presents work from the Collection representing the first generation of American wood turners like Rude Osolnik and Ed Moulthrop, as well as those that came after and learned from them, such as Philip Moulthrop, John Jordan, and local Western North Carolina (WNC) artist Stoney Lamar. Other WNC-based artists in Natural Collector include Anne Lemanski, whose paper sculpture of a snake captures the viewer’s imagination, and Michael Sherrill’s multimedia work that tricks the eye with its similarity to true-to-life berries. Also represented are beadwork and sculpture by Joyce J. Scott and Jack and Linda Fifield.
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Paul Wong, Carbon, silver and gold, 2016, pigmented linen and cotton pulp, publisher: Dieu Donné, New York, edition 3/25, 18 × 11 inches. Gift of Dieu Donné, New York, 2022.27.06. © Paul Wong. |
On View March 8 through July 24, 2023
The Van Winkle Law Firm Gallery • Level 1
Paper is an essential part of the art-making process for many artists, serving as the base for drawing, painting, printmaking, and other forms of art. As a substrate, paper can vary in weight, absorbency, color, size, and other aspects. Since industrialization, paper has primarily been produced through mechanical means that allow for consistency and affordability.
What happens, then, when an artist chooses to return to the foundations of paper, wherein it is made by hand using pulps, fibers, and dyes that reflect the human element through variations, inconsistencies, flaws, and surprises? Certain artists have sought out these qualities and embraced them, making paper not just a support on which to work, but fully a medium in and of itself.
Pulp Potential: Works in Handmade Paper is organized by the Asheville Art Museum and curated by Hilary Schroeder, former assistant curator, with assistance from Alexis Meldrum, curatorial assistant. Special thanks to Dieu Donné, New York, NY.
Join us for our Winter 2023 Racial Justice Community Workshops. Our virtual 3-Part or in-person 2-part Racial Justice Training explores anti-Black racism, overlapping systems of oppression, and racial equity in Asheville and Buncombe County. Register here or contact us by email to schedule a Racial Justice Workshop specifically for your organization.
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Included with admission
Back by popular demand, The Vanderbilts at Home and Abroad exhibition offers guests:
Access to exhibitions at The Biltmore Legacy is included with Biltmore daytime admission.
In the past 50 years in the United States and beyond, artists have sought to break down social and political hierarchies that include issues of identity, gender, power, race, authority, and authenticity. Unsurprisingly, these decades generated a reconsideration of the idea of pattern and decoration as a third option to figuration and abstraction in art. From 1972 to 1985, artists in the Pattern and Decoration movement worked to expand the visual vocabulary of contemporary art to include ethnically and culturally diverse options that eradicated the barriers between fine art and craft and questioned the dominant minimalist aesthetic. These artists did so by incorporating opulence and bold intricacies garnered from such wide-ranging inspirations as United States quilt-making and Islamic architecture.
Too Much Is Just Right: The Legacy of Pattern and Decoration features more than 70 artworks in an array of media from both the original time frame of the Pattern and Decoration movement, as well as contemporary artworks created between 1985 and the present. The artworks in this exhibition demonstrate the vibrant and varied approaches to pattern and decoration in art. Artworks from the 21st century elucidate contemporary perspectives on the employment of pattern to inform visual vocabularies and investigations of diverse themes in the present day.
Artworks drawn from the Asheville Art Museum’s Collection join select major loans and feature Pattern and Decoration artists Valerie Jaudon, Joyce Kozloff, Robert Kushner, and Miriam Schapiro, as well as Anni Albers, Elizabeth Alexander, Sanford Biggers, Tawny Chatmon, Margaret Curtis, Mary Engel, Cathy Fussell, Samantha Hennekke, John Himmelfarb, Anne Lemanski, Rashaad Newsome, Peter Olson, Don Reitz, Sarah Sense, Billie Ruth Sudduth, Mickalene Thomas, Shoku Teruyama, Anna Valdez, Kehinde Wiley, and more.
This exhibition is organized by the Asheville Art Museum and guest curated by Marilyn Laufer & Tom Butler.
New and gently used dresses, shoes, and accessories will be available for free to anyone planning to attend a prom, military ball or other formal event. We’ll be entering every shopper into a drawing for fun giveaways like a makeover, dinner out, a manicure and more! Clean, gently used formal clothing and accessories are accepted at to our office at 50 Westgate Parkway, Asheville
We collect new and gently used formal dresses, shoes, and accessories so that anyone who wants to attend a prom or formal event can do so regardless of their financial situation.
You can donate your new/gently used formal dresses, suits and accessories – or donate services like limo rides, dinners and other items to help a young person have a magical evening.
Contact Kathy to learn more about how you can receive a dress or donate items!
Please join the Chamber to celebrate the Grand Opening of Emergency Tech Repair!
Emergency Tech Repair is full service tech repair shop for phones, laptops, computers and more! They offer gaming commuter support and building as well as tech accessorys. The shop is located in the center of the Asheville Mall (near Victorias Secret)
Join us for some small bites and a free screen protector!
EVERY WEDNESDAY AT 6:30 pm ~ FREE!
AGES 18+ ADULTS ONLY ~ NO KIDS ALLOWED
ON OUR HUGE SCREEN IN THEATER 2!
ENJOY DINNER & DRINKS (FULL BAR) WHILE PLAYING
There are 3 rounds with new winners each round so you can show up late, miss a round and still be a winner. Plus, we have mid-round prizes to create as many winners as possible.
The questions are presented by a hilarious host on our giant movie screen and includes fun videos in each round. You haven’t played a trivia night like this one!
Beat the mid week grind with some fun trivia! Win a $25 gift card for our taproom along with a $25 gift card from our resident kitchen, Bears Smokehouse BBQ!
A book club for home cooks, foodies, industry folks, and anyone in-between. We will be focusing on all sorts of food writing. Somethemes will be (but not limited to): food critics, chef memoirs, wine, food history, and food politics.
The Foodie group meets virtually on the last Wednesday of every month at 7 p.m. (EST), beginning in June 2022. Please email [email protected] for the Zoom meeting info.
Grab a local beer, crucifix and a rubber chicken* —You might survive this hour long hilarious haunted ghost tour of Asheville.
*Legal Note: Crucifix not required to board the bus; we do not condone exorcisms, chickens, rubber, or any combination of the three.
Every Wednesday
Trivia Night
Iron & Wine is the musical project of singer-songwriter Sam Beam. Born and raised in South Carolina, Beam was teaching film when his home recorded debut, The Creek Drank the Cradle, was released on Sub Pop records in 2002. Garnering both critical and popular acclaim, Beam was vaulted into the spotlight of the burgeoning indie-folk and Americana scenes. Now entering its 20th year, Iron & Wine have released seven full length recordings, numerous EPs/singles, and collaborations with Calexico, Ben Bridwell (Band of Horses) and Jesca Hoop all on their way to becoming a four-time GRAMMY nominee. Iron & Wine’s music has captured the emotion and imagination of listeners with their distinctly cinematic songs; in particular they’ve become synonymous with the movies Twilight and Garden State and continue to find a home in your favorite film, TV show or streaming playlist. As the world continues to spin — so do Iron & Wine continue on their path of releasing new music and touring.
“John Ford taps the roots of blues, giving those fortunate enough to hear him, a lesson in Blues 101….. ”
— Andrew Benson – Depot BBQ, Cincinnati, Ohio
It’s pre war blues, old school country, southern gospel and the history behind the music. John Ford assimilates the blues of the 1920’s and 30’s, the blues of Robert Johnson and Son House, a bit of 1940’s country and a pinch of gospel rhythm, and comes up with his own brand of the roots experience.
Ford has been writing since his early teens, growing up in New Richmond, Ohio a small river town 20 miles east of Cincinnati. “Whether it be a new song I’ve written or an old song from the 1930’s, I play what I fall in love with.”
John’s most recent album “John Ford Live at Morehead State University” was released in early 2020. With some of the area’s finest musicians playing along, Ford performs some classic blues standards as well as his original tune ” Ma Sibbi’s Chicken and Dumplins” an ode to his grandmother.
In 2016, he released “The John Ford Blues Society”, his first full length album.
John recorded the 2014 EP “Songs From Room 414″ at The Gunter Hotel in San Antonio Texas – the hallowed ground where Robert Johnson recorded 16 out of his 27 songs in November of 1936.
His first EP, “Injection of the Blues” was released in 2011.
Over the past few years he has performed at venues through out the Midwest and South including” The Shack Up Inn” in Clarksdale Mississippi and BB’s Jazz, Blues & Soups in St. Louis, as well as opening for Cedric Burnside, Patrick Sweaney, Damon Fowler and Ruthie Foster.
Winner of the 2013 Tony Award for Best Play.
Middle-aged siblings Vanya and Sonia share a home in Bucks County, PA, where they bicker and complain about the circumstances of their lives. Suddenly, their movie-star sister, Masha, swoops in with her new boy toy, Spike. Old resentments flare up, eventually leading to threats to sell the house. Also on the scene are sassy maid Cassandra, who can predict the future, and a lovely young aspiring actress named Nina, whose prettiness somewhat worries the imperious Masha.
Discretionary Content: Adult themes and Language
Last Wednesday of every month is the Queer Comedy Party at Different Wrld in West Asheville!!! Modelface Comedy brings you the best queer comedians from all over the South followed by one of the wildest drag shows in town! This month all funds from the drag show will go to the ACLU in TN to fight idiots.
Comedy from Hayley Ellman, Kevin Delgado and Katy Hudson
Drag TBA
Hayley Ellman is a queer improviser, sketch and stand-up comedian out of Atlanta, GA.
The Atlanta Journal Constitution referred to her comedy as “cerebral and sardonic.” She charms audiences with her balance of sincere, satirical, and silly jokes and stories.
She’s 2022 Queer of the Year at the P3 Comedy Fest, performed in The Red Clay Comedy Festival, The West End Comedy Fest, The SF Punch Line, Epic Comedy Hour as well as regularly performing at The Laughing Skull. She’s performed internationally in London and Toronto. She’s opened for Rory Scovel, Alex Hooper, Daniel Van-Kirk and Jenny Zigrino. She is a Guinness World Record Holder for being part of the longest comedy show. If you haven’t seen her perform around the Southeast US then you’re most likely to have seen her on BounceTv or TruTv: being pranked by a magician on the Carbonaro Effect as, embarrassingly, her episode is one of their favorite reruns.
Ages 21+
Doors at 7
Comedy at 8pm
Drag at 10pm
Tickets for both shows $15, Drag $7
Hosted by The Heart of the Healer Foundation (THOTH)
Join us on the THOTH Facebook Page and contribute to a concentrated global intention for the healing of Pachamama as well as the collective psyche. This is a wonderful opportunity to energetically connect in soul presence with the circle of Pachakuti Mesa Practitioners worldwide, strengthening the Great Work of our shamanic planetary tribe. The power that is being harnessed and transmitted is deep and sentient nourishment for the Earth.
Learn more about the Pachakuti Mesa Tradition Link-Up HERE.
NOTE: If you cannot attend this ceremony live, the video recording will be posted on THOTH’s Facebook and Instagram pages.
FB Livestream link to join: www.facebook.com/theheartofthehealer
Ceremonialist: PMT Sanctioned Teachers
