Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Saturday, June
10, 2023
Clay Day at the Folk Art Center
Eidolon art exhibition
Exhibition: NEO MINERALIA
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Exhibition: Something earned, Something left behind
Exhibition: Crafting Denim
Italian Renaissance Alive
Ooh La La Curiosity Market
Gatherings of Artists + Writers Coffee
Black Mountain College and Mexico (BMC/MX): Exhibition
Pulp Potential: Works in Handmade Paper
RIVER FAM JAM
ROCK STARS + DINERS SOLO ART EXHIBIT
Asheville Art Museum Free Community Day: Focus on Buckminster Fuller
Bizarre Sábado 2 – Chat w/ Curator Eric Baden / Charla con curador Eric Baden / ¡Hola! Asheville Festival
Cinderella: Enchanted
Summer Sounds in the Gorge
LAZOOM Tours: BAND AND BEER TOUR
The Julie McConnell Quartet
Cinderella: Enchanted
Thad D. Tinsley, Jr. On Solo Guitar
Exhibition dates: June 9 – July 23
Hours: Tuesday-Saturdays from 10-5 pm, Sundays 11-4 pm
Eidolon is an ancient term from Greek -oeidēs “form”. Early meanings included “mental image”, “appearance”, and “reflection” (as in a mirror or pool), and later, “apparition” or “imaginary entity”, among other things. Expanding beyond the definition pointing to a phantasm or specter, eidolon also sounds like some kind of astral or idyllic place in a novel or poem about an imaginary world. Eidolon features the work of Jacqueline Shatz and Margaret Thompson.
Jacqueline Shatz’s small sculptures of ambiguous and hybridized figures float, entwine, swim, commune with animals and collapse into abstract arabesques and gestures, hinting at mythology, in-between states, and the permeable nature of existence. Margaret Thompson’s paintings are inspired by elements of the symbolist movement and magical realism; she channels dreams and the associative powers of the imagination into her practice, painting subjects that live between our physical realm and spaces beyond the categories of known experience: they are unrestrained, undefined, and free.
Photo credit:
Sae Honda. Courtesy of the Artist.
NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.
NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.
The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.
Photo credit:
J Diamond, “Pony II,” 2022. Courtesy of the Artist
Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.
Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.
Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.
Photo credit:
Photograph by Bowery Blue Makers
Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.
A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.
Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.
Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.
PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences
PLUS: FREE next-day access to Biltmore’s Gardens and Grounds
This visit includes access to:
- Italian Renaissance Alive at Amherst at Deerpark®
- 8,000 Acres of Gardens and Grounds for two consecutive days
- Antler Hill Village & Winery
- Complimentary Wine Tastings at the Winery
- Tastings require a Day-of-Visit Reservation, which can be made by:
- Scanning the QR Code found in your Estate Guide
- Visiting any Guest Services location
- Complimentary parking
Art Exhibition: Italian Renaissance Alive
This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history
Ooh La La Curiosity Market is an artist’s market that takes place in Pritchard Park, located in the center of beautiful downtown Asheville and will showcase the work of more than a dozen local artists. Taking place on Saturdays throughout Summer and every Saturday in October. Ooh La La will feature works by local painters, leather smiths, jewelry makers, potters, up-cycled crafters, and other curious delights, all beneath the colored canopies of large market umbrellas. In addition to the artists, the market will also feature live local music with three musical acts performing each Saturday and will include everything from a solo saxophonist to folk, blues, acoustic and jazz acts.
TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community.
The first weekly Coffee is Saturday, August 20 at 9 am.
No RSVP needed, just drop by!
Free parking available on Melrose Avenue, behind and alongside TFAC.
Black Mountain College and Mexico (BMC/MX): Exhibition, Publication, and Public Programming
Black Mountain College (1933–1957), a small but remarkably influential liberal arts school in rural North Carolina, had important links to Mexico that until now have been little investigated. A crucible of twentieth-century creativity, BMC galvanized and inspired artists and intellectuals from around the world, while Mexico’s innovations and age-old traditions—in fine and applied arts, architecture, poetry, music, performance, and more—dovetailed with, and indeed drove, global impulses toward modernism and beyond. Among the many key BMC figures whose lives were importantly touched by experiences in Mexico were Anni and Josef Albers, Ruth Asawa, John Cage, Jean Charlot, Elaine de Kooning, Buckminster Fuller, Carlos Mérida, Robert Motherwell, Charles Olson, Clara Porset, M.C. Richards, and Aaron Siskind. In turn, engagements with BMC and its legacy have played a significant role in shaping contemporary approaches to art in Mexico, evident in the works of Jorge Méndez Blake, Iñaki Bonillas, Abraham Cruzvillegas, Jose Dávila, Gerda Gruber, Lake Verea, Gabriel Orozco, and Damián Ortega, among others.
The exhibition BMC/MX features works by these and other prominent contemporary Mexican artists alongside a selection of historic works by BMC artists, highlighting the ways in which ideas and modalities are translated across materials, space, and time.
Related programming, planned in collaboration with Mexican artists, features a series of public events, including a performance by artist (and BMC/MX co-curator) David Miranda to take place at Different Wrld; an exhibition visit (in Spanish and English) with BMC/MX Project Director Eric Baden; and a series of experiential art events in the BMCM+AC library.
The exhibition is accompanied by the book Black Mountain College and Mexico (forthcoming late summer 2023), which investigates the people, ideas, and practices linking BMC and Mexico during the life of the school, as well as resonances between BMC and the work of contemporary Mexican artists. With contributions by BMC/MX’s curators, as well as by artist Abraham Cruzvillegas, design scholar Ana Elena Mallet, and author and activist Margaret Randall, this fully illustrated volume brings new light to this complex and underexplored subject.
BMC/MX is an investigation into modes of communication—the arenas in which new ideas and alliances may come to be—between Black Mountain College and Mexico, between past and present, between form and idea.
About the Curators
BMC/MX’s Project Director Eric Baden is a photographer and from 1994 to 2022 was professor of photography at Warren Wilson College in Swannanoa, North Carolina. He is the founding director of photo+, a multidisciplinary arts event held in Asheville, North Carolina.
Artist and educator David Miranda is curator at the Museo Experimental El Eco (Universidad Nacional Autónoma de México, UNAM), and teaches at the Escuela Nacional de Pintura, Escultura y Grabado “La Esmeralda” in Mexico City.
Diana Stoll is an editor, writer and curator who works with institutions such as The Museum of Modern Art and the J. Paul Getty Museum. She has served as an editor at Aperture and Artforum magazines, and contributes writings to prominent arts publications.
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Paul Wong, Carbon, silver and gold, 2016, pigmented linen and cotton pulp, publisher: Dieu Donné, New York, edition 3/25, 18 × 11 inches. Gift of Dieu Donné, New York, 2022.27.06. © Paul Wong. |
On View March 8 through July 24, 2023
The Van Winkle Law Firm Gallery • Level 1
Paper is an essential part of the art-making process for many artists, serving as the base for drawing, painting, printmaking, and other forms of art. As a substrate, paper can vary in weight, absorbency, color, size, and other aspects. Since industrialization, paper has primarily been produced through mechanical means that allow for consistency and affordability.
What happens, then, when an artist chooses to return to the foundations of paper, wherein it is made by hand using pulps, fibers, and dyes that reflect the human element through variations, inconsistencies, flaws, and surprises? Certain artists have sought out these qualities and embraced them, making paper not just a support on which to work, but fully a medium in and of itself.
Pulp Potential: Works in Handmade Paper is organized by the Asheville Art Museum and curated by Hilary Schroeder, former assistant curator, with assistance from Alexis Meldrum, curatorial assistant. Special thanks to Dieu Donné, New York, NY.
We’re planning to kick off Summer with a bang! Come and enjoy live music, family-friendly activities, giveaways, adventure, and more right on the beautiful Nantahala River.
Event Highlights:
- Local Artisan Village featuring local craftspeople and artisans
- Community Partner booths
- Live Music Riverside 1 – 4 pm Jacob’s Well
- Live Music Riverside 5 – 8 pm Natti Love Joys
- Giveaways, contests, and prizes
This solo exhibition will feature artwork representing Peterson’s wide range of works, from illustrations to oil paintings. Designer of more than 150 concert posters for San Francisco’s legendary Fillmore and other concert venues, he’s illustrated concert posters for music legends Paul McCartney, Van Morrison, John Legend, Eric Clapton, James Taylor, and Bonnie Raitt to name a few. Now residing in Asheville, Peterson continues to do illustrations but primarily concentrates on painting “urban landscapes” using oil on canvas.
The exhibition will feature both illustrations and oil paintings, and many of his concert posters will be available for purchase as well. Using traditional skills of drawing and painting, Peterson observes and expresses the emotion of subjects seen and experienced in daily life, and makes scenes go from ordinary to the extraordinary.
Born and raised in New York City, Peterson, a product of the esteemed Art Institute of Boston and Art Center College of Design in Pasadena, California, for more than 40 years he has worked as a professional illustrator, designer, and fine artist. Rooted in the tradition of American painting, he draws inspiration from such masters as N.C. and Andrew Wyeth, Charles Sheeler, Edward Hopper, John Singer Sargent, and Winslow Homer.
To quote a recent article written about Christopher Peterson, “His journey as an artist exemplifies the transformative power of traditional techniques and a deep connection to the rich heritage of American painting.”
ARTIST WINE & CHEESERECEPTION JUNE 6 5-7PM
Mark your calendars for June 10 as our Learning & Engagement department welcomes our community into the Museum for free between noon–5pm. Celebrate our newest exhibition Altruistic Genius and featured programs centered on Buckminster Fuller including public tours, art activities, an interactive musical demonstration, and Fuller’s World Peace Game.
Altruistic Genius: Buckminster Fuller’s Plans to Save the Planet brings the inventions and designs of R. Buckminster Fuller to Western North Carolina and introduces visitors to Fuller’s strategies for the sustainability of humans and the planet relating to housing, transportation, mathematics, and engineering. This exhibition features two major suites of prints by Buckminster Fuller among other remarkable works from his multi-decade career and is presented in three sections: Inventions, Synergetics, and Black Mountain College and Lasting Influence.
Altruistic Genius add-on tickets on June 10 are $7 for Members and $10 for nonmembers. Free general admission on Community Day is made possible through support provided by our patrons.
Bizarre Sábado
During the course of the exhibition, BMCM+AC will host a series of experiential art events. These “Bizarre Sábado” happenings are inspired by Mexico City’s Bazaar Sábado, the innovative gathering place and crafts market first organized in 1960 by BMC alum Cynthia Sargent and her husband Wendell Riggs. The Bazaar Sábado continues to this day.
Bizarre Sábado 3: Saturday, June 17, 2023 – 1–5pm
Bizarre Sábado 4: Saturday, July 1, 2023 – 1–5pm
Bizarre Sábado 5: Saturday, July 15, 2023 – 1–5pm
Bizarre Sábado 6: Saturday, July 29, 2023 – 1–5pm
A series of performative and experiential actions featuring local artists @ Black Mountain College Museum + Arts Center Library {120 College Street, Asheville, NC}
Bizarre Sábado 7
Black Night/Noche Negra: Photographs of Mexico—Slideshow with BMC/MX Project Director Eric Baden
Wednesday, August 16, 2023 – 8pm
@ Black Mountain College Museum + Arts Center {120 College Street, Asheville, NC}
Bizarre Sábado 8
Zine Release Celebration and Presentation of selected works from the Abraham Cruzvillegas Call for Art
Saturday, September 2, 2023 – 1–8pm
@ Black Mountain College Museum + Arts Center {120 College Street, Asheville, NC}
and Lamplight AVL {821 Haywood Rd. Asheville, NC}
As part of the BMC/MX project, students and artists have been invited to engage creatively with visual prompts offered by Mexican artist Abraham Cruzvillegas. Images of the resulting artworks will be compiled into a zine (available at BMCM+AC in September 2023), and selected works will be on display at Lamplight AVL on September 2.
Black Mountain College and Mexico (BMC/MX): Exhibition, Publication, and Public Programming
Black Mountain College (1933–1957), a small but remarkably influential liberal arts school in rural North Carolina, had important links to Mexico that until now have been little investigated. A crucible of twentieth-century creativity, BMC galvanized and inspired artists and intellectuals from around the world, while Mexico’s innovations and age-old traditions—in fine and applied arts, architecture, poetry, music, performance, and more—dovetailed with, and indeed drove, global impulses toward modernism and beyond. Among the many key BMC figures whose lives were importantly touched by experiences in Mexico were Anni and Josef Albers, Ruth Asawa, John Cage, Jean Charlot, Elaine de Kooning, Buckminster Fuller, Carlos Mérida, Robert Motherwell, Charles Olson, Clara Porset, M.C. Richards, and Aaron Siskind. In turn, engagements with BMC and its legacy have played a significant role in shaping contemporary approaches to art in Mexico, evident in the works of Jorge Méndez Blake, Iñaki Bonillas, Abraham Cruzvillegas, Jose Dávila, Gerda Gruber, Lake Verea, Gabriel Orozco, and Damián Ortega, among others.
The exhibition BMC/MX features works by these and other prominent contemporary Mexican artists alongside a selection of historic works by BMC artists, highlighting the ways in which ideas and modalities are translated across materials, space, and time.
Related programming, planned in collaboration with Mexican artists, features a series of public events, including a performance by artist (and BMC/MX co-curator) David Miranda to take place at Different Wrld; an exhibition visit (in Spanish and English) with BMC/MX Project Director Eric Baden; and a series of experiential art events in the BMCM+AC library.
The exhibition is accompanied by the book Black Mountain College and Mexico (forthcoming late summer 2023), which investigates the people, ideas, and practices linking BMC and Mexico during the life of the school, as well as resonances between BMC and the work of contemporary Mexican artists. With contributions by BMC/MX’s curators, as well as by artist Abraham Cruzvillegas, design scholar Ana Elena Mallet, and author and activist Margaret Randall, this fully illustrated volume brings new light to this complex and underexplored subject.
BMC/MX is an investigation into modes of communication—the arenas in which new ideas and alliances may come to be—between Black Mountain College and Mexico, between past and present, between form and idea.
About the Curators
BMC/MX’s Project Director Eric Baden is a photographer and from 1994 to 2022 was professor of photography at Warren Wilson College in Swannanoa, North Carolina. He is the founding director of photo+, a multidisciplinary arts event held in Asheville, North Carolina.
Artist and educator David Miranda is curator at the Museo Experimental El Eco (Universidad Nacional Autónoma de México, UNAM), and teaches at the Escuela Nacional de Pintura, Escultura y Grabado “La Esmeralda” in Mexico City.
Diana Stoll is an editor, writer and curator who works with institutions such as The Museum of Modern Art and the J. Paul Getty Museum. She has served as an editor at Aperture and Artforum magazines, and contributes writings to prominent arts publications.
A fresh take on a timeless classic, perfect for the whole family. With great warmth and more than a touch of hilarity, the hearts of children and adults alike still soar when the slipper fits. Inspired by the acclaimed teleplay starring Whitney Houston and Brandy, this version of the magical fairy tale is reborn with the Rodgers & Hammerstein hallmarks of originality, charm and elegance.
From the local favorites to new regional acts, all live from the river banks of the Nantahala. Raft, dine, then jam with us with Live Music every Friday and Saturday from 5pm-8pm between Memorial Day and Labor Day!
May 27th 5pm-8pm – Mama and the Ruckus
May 28th 5pm-8pm – The Lefties
June 2nd 5pm-8pm – Christina Chandler Trio
June 3rd 5pm-8pm – Laura Thurston
June 9th 5pm-8pm – Eddie Clayton
June 10th 1pm-4pm – Jacobs Well
June 10th 5pm-8pm – Natti Love Joys
June 16th 5pm-8pm – Rae and the Ragdolls
June 17th 5pm-8pm – Beer and Loathing
June 23rd 5pm-8pm – TBA
June 24th 5pm-8pm – Terry Haughton Trio
June 30th 5pm-8pm – Blue
July 1st 5pm-8pm – Brown Mountain Lightning Bugs
July 7th 5pm-8pm – Bayou Diesel
July 8th 5pm-8pm – Pioneer Chicken Stand
July 14th 5pm-8pm – Wyatt Espalin
July 15th 5pm-8pm – Christina Chandler Duo
July 21st 5pm-8pm – Terry Haughton
July 22nd 5pm-8pm – TG and the Stoned Rangers
July 28th 5pm-8pm – Blue
July 29th 5pm-8pm – Somebody’s Child
August 4th 5pm-8pm – Trial by Fire
August 5th 5pm-8pm – Andy Johnson
August 11th 5pm-8pm – Eddie Clayton Solo
August 12th 5pm-8pm – Eddie Clayton Band
August 18th 5pm-8pm – Big Deal Band
August 19th 1pm-4pm – Mckinney
August 19th 5pm-8pm – Funk N’ Around
August 25th 5pm-8pm – Wyatt Espalin
August 26th 5pm-8pm – Somebody’s Child
September 1st 5pm-8pm – TBA
September 2nd 5pm-8pm – Regatta 69
Wanna hear the best local music and drink the best local beers? Hop aboard LaZoom’s Purple Bus and rock out with a local band while we take you on a journey to Asheville’s premiere local breweries.
The third installment of the 4-part concert series with The Julie McConnell Quartet returns to The DFR Lounge on Saturday, June 10th, 7-9:30pm! Enjoy the DFR’s upscale “listening-room” experience with a full bar…
Click here for ticket info: https://www.dfrlounge.com/event-details/the-julie-mcconnell-quartet-5
Featuring some interesting new tunes, as well as fan favorites, and 2 of the vocal songs from Bryan McConnell’s new album, “Too Mingus!!”
-Julie McConnell, vocals
-Michael Jefrey Stevens, piano
-Bryan McConnell, bass
-Bill Berg, drums
-doors open at 6:00pm
-music starts at 7:00pm
-total of 88 seats
*photo by Ken Voltz
A fresh take on a timeless classic, perfect for the whole family. With great warmth and more than a touch of hilarity, the hearts of children and adults alike still soar when the slipper fits. Inspired by the acclaimed teleplay starring Whitney Houston and Brandy, this version of the magical fairy tale is reborn with the Rodgers & Hammerstein hallmarks of originality, charm and elegance.
An intimate evening with the composer, orchestrator, and arranger. Thad D Tinsley jr on solo jazz guitar and vocals. Performing literature from his song book catalog. Up close and personal. Limited seating. “No sales on the day of performance” Advance Tickets Only.
Sunday, June
11, 2023
Biltmore Estate: Ciao! From Italy Sculptural Postcard Display
Bonsai as Fine Art
Italian Renaissance Alive
Eidolon art exhibition
Pulp Potential: Works in Handmade Paper
Cinderella: Enchanted
THE BIG SECRET FESTIVAL: THE SECRET AGENCY WITH YO MAMA’S BIG FAT BOOTY BAND + FIRE CRACKER JAZZ BAND
Jack of the Wood : Sunday-Irish Session
SUNDAYS ON THE RIVER: The Sea The Sea w/ REBECCA LOEBE
KEB’ MO’
Included with admission
Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.
Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.
Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!
- Vendor Area Open. Offering for sale bonsai, bonsai pots, tools and accessories.
- Bonsai Pottery Invitational Exhibition. Featuring works by well-known Bonsai Potters with a selection of works for sale.
- Bonsai Exhibit. Blue Ridge Bonsai Society. Showing a selection of potted trees trained by club members.
- Educational Videos. Featuring Arthur Joura, bonsai curator of The North Carolina Arboretum, and Bjorn Bjorholm, professional bonsai artist and educator.
Special Events at the Arboretum
Saturday, June 10, 11:00 am: “Transforming Plant Material into Fine Art.” Bonsai Styling Demonstration by bonsai artist Bjorn Bjorholm.
Saturday, June 10, 3:00 – 5:00 pm: Live and Silent Auction. Selected bonsai from the Arboretum’s collection will be auctioned. Proceeds support the Bonsai Program at The North Carolina Arboretum.
Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.
PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences
PLUS: FREE next-day access to Biltmore’s Gardens and Grounds
This visit includes access to:
- Italian Renaissance Alive at Amherst at Deerpark®
- 8,000 Acres of Gardens and Grounds for two consecutive days
- Antler Hill Village & Winery
- Complimentary Wine Tastings at the Winery
- Tastings require a Day-of-Visit Reservation, which can be made by:
- Scanning the QR Code found in your Estate Guide
- Visiting any Guest Services location
- Complimentary parking
Art Exhibition: Italian Renaissance Alive
This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history
Exhibition dates: June 9 – July 23
Hours: Tuesday-Saturdays from 10-5 pm, Sundays 11-4 pm
Eidolon is an ancient term from Greek -oeidēs “form”. Early meanings included “mental image”, “appearance”, and “reflection” (as in a mirror or pool), and later, “apparition” or “imaginary entity”, among other things. Expanding beyond the definition pointing to a phantasm or specter, eidolon also sounds like some kind of astral or idyllic place in a novel or poem about an imaginary world. Eidolon features the work of Jacqueline Shatz and Margaret Thompson.
Jacqueline Shatz’s small sculptures of ambiguous and hybridized figures float, entwine, swim, commune with animals and collapse into abstract arabesques and gestures, hinting at mythology, in-between states, and the permeable nature of existence. Margaret Thompson’s paintings are inspired by elements of the symbolist movement and magical realism; she channels dreams and the associative powers of the imagination into her practice, painting subjects that live between our physical realm and spaces beyond the categories of known experience: they are unrestrained, undefined, and free.
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|
Paul Wong, Carbon, silver and gold, 2016, pigmented linen and cotton pulp, publisher: Dieu Donné, New York, edition 3/25, 18 × 11 inches. Gift of Dieu Donné, New York, 2022.27.06. © Paul Wong. |
On View March 8 through July 24, 2023
The Van Winkle Law Firm Gallery • Level 1
Paper is an essential part of the art-making process for many artists, serving as the base for drawing, painting, printmaking, and other forms of art. As a substrate, paper can vary in weight, absorbency, color, size, and other aspects. Since industrialization, paper has primarily been produced through mechanical means that allow for consistency and affordability.
What happens, then, when an artist chooses to return to the foundations of paper, wherein it is made by hand using pulps, fibers, and dyes that reflect the human element through variations, inconsistencies, flaws, and surprises? Certain artists have sought out these qualities and embraced them, making paper not just a support on which to work, but fully a medium in and of itself.
Pulp Potential: Works in Handmade Paper is organized by the Asheville Art Museum and curated by Hilary Schroeder, former assistant curator, with assistance from Alexis Meldrum, curatorial assistant. Special thanks to Dieu Donné, New York, NY.
A fresh take on a timeless classic, perfect for the whole family. With great warmth and more than a touch of hilarity, the hearts of children and adults alike still soar when the slipper fits. Inspired by the acclaimed teleplay starring Whitney Houston and Brandy, this version of the magical fairy tale is reborn with the Rodgers & Hammerstein hallmarks of originality, charm and elegance.
THE SECRET IS OUT! Salvage Station is thrilled to host the second annual Big Secret Family Festival LIVE on the Outdoor Stage on Sunday, June 11th! All profits from this family-friendly MUSICAL EXTRAVAGANZA will go directly to BeLoved Asheville. This is gonna be a celebration of GIVING and GETTING DOWN and will feature performances from The Secret Agency (with Secret Agent 23 Skidoo), Yo Mama’s Big Fat Booty Band, and Firecracker Jazz Band.
We’ll have amazing food trucks and Root Down Kitchen open, so come hungry! Oh and did we mention that The Hop will be serving up their famous ice cream and there will also be lemonade and snow cones to enjoy!?
Tickets are now on sale ($23 General Admission)! FREE for kids under the age of 3! Doors open @ 2:30 PM. PAID ON-SITE PARKING STARTING AT 1:30 PM!
Jack of the Wood : Sunday-Irish Session
Sundays
1 till who knows when?
Traditional Irish music is kept alive at Jack of the Wood with our unplugged Sunday session.
Jack of the Wood
95 Patton ave
Asheville, NC 28801
(828) 252.5445
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With five GRAMMYs, 14 Blues Foundation Awards, and a groundbreaking career spanning nearly 50 years under his belt, Keb’ Mo’ stands as one of the most accomplished and respected artists working in contemporary roots music today.
Born and raised in Compton, California, Keb’ got his start working behind the scenes as a guitarist, songwriter, and arranger before breaking out internationally with the release of his 1994 self-titled debut, which earned widespread acclaim for its genre-bending take on old school sounds. In the decades that followed, Keb’ would go on to top the Billboard Blues Chart seven times; perform everywhere from Carnegie Hall to The White House; collaborate with luminaries like Taj Mahal, Vince Gill, Willie Nelson, Bonnie Raitt, The Chicks, and Lyle Lovett; have his compositions recorded and sampled by artists as diverse as B.B. King, Zac Brown, and BTS; release signature guitars with both Gibson and Martin; compose music for television series like Mike and Molly, Memphis Beat, B Positive, and Martha Stewart Living; appear as himself in Martin Scorcese’s The Blues, Aaron Sorkin’s The West Wing, and the iconic children’s series Sesame Street; and earn the Americana Music Association’s 2021 award for Lifetime Achievement in Performance.
Keb’s newest album, Good To Be, weaves together the sounds of his childhood in Compton with the influences of his adopted hometown of Nashville, drawing on country, soul, and blues to craft a heartwarming tapestry that transcends genre and geography as it celebrates the power of love and resilience, growth and gratitude, hope and memory.