Calendar of Events

Nancy Graves, Parable of Nostalgia from the Tango portfolio, 1991, intaglio on cotton rag paper, edition 12/26, publisher: Iris Editions, New York, image: 26 × 17 5/8 inches, sheet: 35 3/4 × 26 inches. Asheville Art Museum. © Nancy Graves Foundation, Inc. / Licensed by VAGA at Artists Rights Society (ARS), NY.

A Dance of Images and Words: The Nancy Graves/Pedro Cuperman Tango Portfolio features a series of eight intaglio prints that depict plants and animals alongside eleven sheets of prose that explore the steps of the Argentinian dance, the tango. Organized by the Asheville Art Museum from the Museum’s Collection and curated by Hilary Schroeder, assistant curator, this exhibition will be on view in The Van Winkle Law Firm Gallery at the Museum from September 29, 2021 through January 10, 2022.

The common idiom “it takes two to tango” is immediately called into question in both the imagery and words of the Tango portfolio. The portfolio is an expression of artist Nancy Graves (Pittsfield, MA 1939–1995 New York, NY) writer Pedro Cuperman’s (1936–2016 Buenos Aires, Argentina) meditations on the dance. Their imagery and words become paired in an illustrated book though their explorations take different formats and directions. Both Graves and Cuperman look towards humankind and nature as a place where beings come together in the experience of living. This exhibition presents Graves’s eight prints alongside the portfolio frontispiece and a page of Cuperman’s text to immerse visitors in the collaborative dance of the tango.

Rhiannon Skye Tafoya (Eastern Band of Cherokee Indians), Ul’nigid’, 2020, letterpress (photopolymer and Bembo & Cherokee Syllabary metal type) printed on handmade & color plan paper with paperweaving, closed: 11 × 11 ¼ inches, assembled: 23 ½ × 11 ¼ × 5 ⁵⁄₈ inches. Courtesy the Artist. © Rhiannon Skye Tafoya, image Rhiannon Skye Tafoya.

Living Language: Cherokee Syllabary and Contemporary Art features over 50 works of art in a variety of media by 30+ Eastern Band of Cherokee Indians (EBCI) and Cherokee Nation artists. The exhibition highlights the use of the written Cherokee language, a syllabary developed by Cherokee innovator Sequoyah (circa 1776–1843). Cherokee syllabary is frequently found in the work of Cherokee artists as a compositional element or the subject matter of the work itself. The exhibition will be on view at the Museum of the Cherokee Indian in Cherokee, NC from June 12, 2021 to October 31, 2021, and in the Asheville Art Museum’s Appleby Foundation Exhibition Hall from November 19, 2021 to March 14, 2022. The Cherokee Syllabary is a system of writing developed by Sequoyah in the early 1800s prior to the Removal period. Through Sequoyah’s innovative work, Cherokee people embraced the writing system as an expedient form of communication and documentation. During the Removal period, the syllabary was used as a tactic to combat land dispossession. Cherokee people continue to use the syllabary as a form of cultural expression and pride, which is showcased in the contemporary artwork of the Cherokee Citizens in this exhibition. “We’re pleased to host this gathering of works from contemporary Cherokee artists, who perfectly illustrate how our language is a living and evolving part of who we are. It’s moving to see how each artist finds inspiration in their own way from this language that connects us as Cherokee people,” said Shana Bushyhead Condill, executive director of the Museum of the Cherokee Indian. “The Asheville Art Museum and the Museum of the Cherokee Indian have been long-term collaborators, and we are delighted to further our partnership by working together to manage an open call to Cherokee artists and subsequently curate this exciting exhibition of contemporary works that take inspiration from, celebrate, preserve and interpret the syllabary,” said Pamela L. Myers, executive director of the Asheville Art Museum. “On view at both museums, we hope the exhibition engages a wide and diverse audience in dialogue with these extraordinary works.” A Living Language: Cherokee Syllabary and Contemporary Art is organized by the Asheville Art Museum and Museum of the Cherokee Indian, and curated by Hilary Schroeder, assistant curator at the Asheville Art Museum, with assistance from curatorial consultant Joshua Adams (Eastern Band of Cherokee Indians). Special thanks to S. Dakota Brown, education director at the Museum of the Cherokee Indian, and Alexis Meldrum, curatorial assistant at the Asheville Art Museum, for their support in the planning of this exhibition. This project is made possible in part by a grant from the Blue Ridge National Heritage Area Partnership, and sponsored in part by the Cherokee Preservation Foundation and Kevin Click & April Liou in memory of Myron E. Click. Eastern Band of Cherokee Indians artists include Joshua Adams, Jody Lipscomb Bradley, Nathan Bush, Kane Crowe, John Henry Gloyne, Shan Goshorn, Luzene Hill, Christy Long, Louise Bigmeat Maney, Christopher McCoy, Tara McCoy, Joel Queen, Sean Ross, Jakeli Swimmer, Rhiannon Skye Tafoya, Mary Thompson, Stan Tooni Jr.,  Alica Wildcatt, and Fred Wilnoty. Cherokee Nation artists include Roy Boney Jr., Jeff Edwards, Joseph Erb, Raychel Foster, Kenny Glass, Camilla McGinty, Jessica Mehta, America Meredith, Jane Osti, Lisa Rutherford, Janet L. Smith, Jennifer Thiessen, and Jennie Wilson. About the Museum of the Cherokee Indian Established in 1948, the Museum of the Cherokee Indian is one of the longest operating tribal museums. Recognized for its innovative storytelling, the Museum features exhibits, artwork, and hands-on technology that brings over 15,000 years of Cherokee history to life. Located in Cherokee, NC, the Museum is open daily except Thanksgiving, Christmas, and New Year’s Day. Learn more by visiting mci.org.

Robert Rauschenberg, John from the Ruminations series, 1999, photogravure on paper, edition 3/46, publisher: Universal Limited Art Editions, Bay Shore, NY, 29 ½ × 38 7/8 inches. Asheville Art Museum. © Robert Rauschenberg Foundation / VAGA at Artists Rights Society (ARS), New York.

Ruminations on Memory contends with the act of remembrance and reflection, featuring a rare presentation of all nine prints from Robert Rauschenberg’s Ruminations portfolio, Judy Chicago’s Retrospective in a Box portfolio, and selections from the Museum’s Collection. Organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator, this exhibition will be on view in Appleby Foundation Exhibition Hall at the Museum from November 19, 2021 through March 14, 2022 in conjunction with A Living Language: Cherokee Syllabary and Contemporary Art. 

Artworks are vessels for processing, recalling, and reflecting on the past. Artists often draw upon materials from their own pasts and grasp at fleeting moments in time in the creation of an object. For the viewer, observation of an artwork can draw out personal memories.

Artworks in a variety of media explore various ways of remembering, including individual memories that focus on the moments from an artist’s past; generational memory that looks back to one’s ancestors, whether recent or long past; and collective memory, wherein in an image might evoke bygone times that balance between constructed and real. Through these artworks that ruminate upon the past, viewers may discover the stirrings of their own thoughts and recollections prompted by the works before them.

Ruminations on Memory offers a unique opportunity to experience the entirety of a major print portfolio by American painter Robert Rauschenberg (Port Arthur, TX 1925–2008 Captiva, FL). Rauschenberg was a student at Black Mountain College in NC for the 1948–1949 and 1951–1952 academic sessions and for the 1951 and 1952 summers. His Ruminations series consists of nine color photogravures which were printed in 1999 and reflect on Rauschenberg’s early life, his friends and family, and the memories he held dear. The series represents especially significant mature work by Rauschenberg that looks back to his most formative moments as an artist including his time at Black Mountain College and the friendships and ideas formed there.

Also presented in the exhibition is an important series of prints by Judy Chicago (born Chicago, IL 1939). Five decades into her career, Chicago stands as one of the foremost artists of the 20th and 21st centuries, having committed to socially minded work, uplifting in particular experiences salient to her feminine and Jewish identities. Retrospective in a Box consists of seven prints and a portfolio created in collaboration with the master printers at Landfall Press, and provides an overview of her major motifs and ideas, including the print Spring the Dinner, a nod to her seminal 1979 work The Dinner Party.

In addition to the artworks from the Museum’s Collection, visitors will be able to experience Felix Gonzales-Torres’s “Untitled” (L.A.), on loan from the Art Bridges collection. “Untitled” (L.A.) is one of the artist’s iconic interactive candy installations where memories are engaged not only through sight but through sound, touch, taste, and smell as well.

Learn more about Ruminations on Memory and A Living Language: Cherokee Syllabary and Contemporary Art at ashevilleart.org.

Artist Walter B. Stephen (Clinton, IA 1875–1961 Asheville, NC) contributed to Western North Carolina’s identity as a flourishing site for pottery production and craftsmanship in the early 20th century. Walter B. Stephen Pottery: Cameo to Crystalline features art pottery and functional vessels from each stage of Stephen’s career, from his origins discovering the medium alongside his mother Nellie C. Randall Stephen in Shelby County, TN from 1901 through 1910 to his multi-decade production just outside of Asheville. This exhibition will be on view in the Asheville Art Museum’s Debra McClinton Gallery July 28, 2021 through January 17, 2022.

In 1926, Stephen founded his third and last pottery studio, Pisgah Forest, in Arden, NC, which he operated until his death in 1961. It was at this studio that the artist perfected the “cameo” decoration technique for which he became best known. His hand-painted images, achieved with layers of white translucent clay, often feature American folk imagery, from covered wagons and livestock to cabins and spinning wheels. A selection of works from the Museum’s Collection showcase his innovation in form and in decorative surface details, including experimentation with crystalline glazing.

Join us for Animoday! Every Monday all day. Listen to anime music, play anime games, watch anime, and talk anime!

The award-winning Celtic duo of harpist Sue Richards and guitarist Robin Bullock, in partnership with White Horse Black Mountain, are proud to present CAROLINA CELTIC, a monthly concert series in Black Mountain, North Carolina. Carolina Celtic showcases Irish and Scottish musical traditions and explores their commonality with the Appalachian ballads and stories of the Carolina mountains.

The concerts take place at White Horse Black Mountain (details and contact info below) the second Monday of every month at 7:30 pm ET. Every month Sue and Robin collaborate with a different guest artist, ensuring that no two Carolina Celtic concerts are the same. The inaugural season’s lineup of world-class musical guests is nothing short of extraordinary.

This edition is a special CELTIC CHRISTMAS CELEBRATION with RONN McFARLANE AND CAROLYN SURRICK, Grammy-nominated lutenist and viola da gambist from the Baltimore Consort and Ensemble Galilei.

Host duo Sue Richards and Robin Bullock, both proud transplants to the North Carolina mountains, blend the ancient and magical tones of the Celtic harp with the powerful resonance of the steel-string guitar, cittern and mandolin to create music that’s beautiful and timeless, yet fresh and current. Their individual achievements speak for themselves, with (among many other accomplishments) Sue Richards being a four-time National Scottish Harp Champion and Robin Bullock being ranked among the “100 Greatest Acoustic Guitarists” by DigitalDreamDoor.com and a longtime touring sideman with Lifetime Achievement Grammy Award winner Tom Paxton. The magic of their combined artistic excellence and mastery of Celtic traditions is captured on their brilliant 2018 duo CD Highland Ramble, and they eagerly look forward to the many collaborations to come as part of the Carolina Celtic series.

The 29th Annual National Gingerbread House Competition™ – the largest in the world – will be held at the resort on Monday, November 22, 2021. This year, the Competition will be a combination of aspects from The 2020 National Gingerbread House Competition™, while bringing back the in-person events that make this experience so special to the competitors, Gingerbread enthusiasts, and the hotel. It is our mission to ensure that the Competition’s legacy built on design, innovation and tradition continues for future generations.

Like last year, the Competition will conduct the first round of judging virtually. This will enable documentation of the creation process, enhance the first round of the judging experience, and ensure the competition will continue safely, even if unforeseen circumstances were to arise. The first round is meant to give the judges a visual idea of the creation by showcasing a framework and different portions of the piece that highlight the story behind it- even if your final product is not yet completed. More details on this below.

The second round of judging will be done in-person at the hotel in the Grand Ballroom as in years past. The Omni Grove Park Inn is thrilled to once again display all Gingerbread entries at the Resort for public viewing to celebrate the hard work and dedication that goes into these edible works of art. All Gingerbread entries will be reviewed in-person during the second round to ensure the integrity of the Gingerbread creation physically meets the criteria.

For those who may not travel this season, the hotel will continue, “The 12 Days of Gingerbread” by releasing one of the Top 12 finalists, per day, on the hotel’s Facebook (@omnigroveparkinn) and Instagram (@omnigrovepark) channels from December 1 – 12, 2021 to spark Ginger-love for all during the happiest season of the year! This provides an in-person and virtual way for all to enjoy.

The winning creations will be on display Sunday, November 28, 2021 – Sunday, January 2, 2022. The Omni Grove Park Inn invites guests not staying at the Resort to view the display after 3:00 p.m. on Sundays or anytime Monday through Thursday, based on parking availability and excluding holidays and the following dates: December 23, 24, 25, 29, 30, 31 and January 1. Public viewing on December 26 and January 2 will reopen after 3:00 p.m. Please note that only Registered Resort Pets will be permitted. No outside pets will be allowed.

Artist Michael Fowler creates evocative abstract landscape paintings by incorporating vibrant colors with subtle, complex details. His semi-large-scale approach invites viewers to step into his work and build a sense of wonder and contemplation surrounding the natural world. Fowler’s artistic response in contemplating nature is to capture something of a landscape’s pleasantness, which is often unexpected harmonies of color and shape. In his latest exhibit, Arbor Huescapes, Fowler highlights the distinctive vegetation – primarily trees – and topography of North and South Carolina’s midlands and piedmont regions.

Fowler received his Bachelor of Arts from Harding University in Searcy, Arkansas with a focus in Advertising Design. He then attended the University of Nebraska where he received a Master’s degree in Fine Arts in Painting and Drawing with a minor in Art History. From there, he attended the University of Memphis where he earned a Doctorate in Higher Education. Based in North Augusta, South Carolina, Fowler is currently an associate professor of design and computer graphics and serves as the Mary Durban Toole Chair of Art at the University of South Carolina in Aiken. His paintings are in a number of public and private collections nationally, and he actively exhibits in regional and national shows.

Please note: Arbor Huescapes has been rescheduled due to the COVID-19 crisis and will now open in fall 2021. The exhibit is on display daily September 18, 2021 – January 9, 2022, from 9 a.m. to 5 p.m. inside the Baker Exhibit Center. All works are available for purchase and a portion of sales will be donated to The North Carolina Arboretum Society.

Get into the holiday spirit with Bach’s Lunch! Around the world, the longing for hope and peace in this season will be ablaze in every heart. Music will once again express those deep longings, perhaps nowhere more beautifully than in homes, churches, and concert halls across the globe. Christmas from Around the World will celebrate the world’s unique holiday traditions which have given us so many cherished holiday sights and sounds. All concerts take place in the First Baptist Church of Asheville Sanctuary and are free and open to the public. Bach’s Lunch is Asheville’s premiere organ concert series featuring Tate Addis on organ. Proudly sponsored by Academy for the Arts. Visit academyforthearts.org/bachs-lunch to learn more.

Donations are appreciated.

This two man adaptation is a fast-paced and imaginative production that combines Dickens’ brilliant original text with both traditional and unexpected Christmas music, along with  old-fashioned foley-style sound effects. These dynamic performers beautifully impart this epic, timeless story of discovery of the heart, appealing to both adults and children in a fresh way.

$25.00 Virtual Tickets at See Upcoming Dates for Zoom – A Christmas Carol at North Carolina (thundertix.com)

George Frideric Handel’s “Messiah” is the most performed and perhaps most beloved of all the great musical masterworks.  “Messiah” thrills audiences every time it’s performed, especially the exhilarating “Hallelujah Chorus.”  The Chorale Orchestra and professional soloists will join the Chorale for a celebration of the Christmas message and spirit.

Dressed to the nines and soaked in bourbon, The Asheville Waits Band is a musical and theatrical tribute to the strange, drunken brilliance of legendary performer Tom Waits. Currently celebrating their 12th year in Asheville, AWB performs material from across the entirety of Waits’ ongoing 45-year career with a surprising mix of lounge, blues, rock, humor, and “pirate adventure songs”. Each show pulls from different theatrical themes, creating a truly personal and unique experience with every new performance. The Asheville Waits Band are local musicians Christian Ferri (upright bass), Eric Ciborski (keyboard, accordion), Greg Norris (saxophones, vocals), Mark Conti (guitar, vocals), and Edwin Mericle (drums, percussion).

Meet & Greet Experience Package includes: 

• One (1) Event Ticket
• One (1) Meet & Greet and Photo Opportunity with Pink Sweat$
• One (1) Merch Pack Designed Exclusively for VIP Purchasers
• Venue First Entry (Where Applicable)