Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.

PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences

PLUS: FREE next-day access to Biltmore’s Gardens and Grounds

This visit includes access to:

• Italian Renaissance Alive at Amherst at Deerpark®
• 8,000 Acres of Gardens and Grounds for two consecutive days
• Antler Hill Village & Winery
• Complimentary Wine Tastings at the Winery
• Tastings require a Day-of-Visit Reservation, which can be made by:
  • Scanning the QR Code found in your Estate Guide
  • Visiting any Guest Services location
• Complimentary parking

Art Exhibition: Italian Renaissance Alive

This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history

An enrolled member of the Eastern Band of Cherokee Indians, Luzene Hill advocates for Indigenous sovereignty—linguistically, culturally, and individually. Revelate builds upon Hill’s investigation of pre-contact cultures. This has led Hill to incorporate the idea of Ollin, the Nahuatl word for the natural rhythms of the universe, in Aztec cosmology in her work. Before Europeans arrived in North America, Indigenous societies were predominantly matrilineal. Women were considered sacred, involved in the decision-making process, and thrived within communities holding a worldview based on equilibrium.

Ollin emphasizes that we are in constant state of motion and discovery. Adopted as an educational framework, particularly in social justice and ethnic studies, Ollin guides individuals through a process of reflection, action, reconciliation, and transformation. This exhibition combines Hill’s use of mylar safety blankets alongside recent drawings. Capes constructed of mylar burst with energy and rustle with subtle sound, the shining material a signifier of care, awareness, displacement, and presence. Though Hill works primarily in sculpture, drawing has increasingly become an essential part of her practice as she seeks to communicate themes of feminine and Indigenous power across her entire body of work. The energy within her drawings extends to the bursts of light reflecting from her capes or the accumulation of materials in other installation works.

Luzene Hill was born in Atlanta, GA, in 1946. She received her bachelor of fine art and master of fine art from Western Carolina University. She lives and works on the Qualla Boundary, Cherokee, NC.

Paul Wong, Carbon, silver and gold, 2016, pigmented linen and cotton pulp, publisher: Dieu Donné, New York, edition 3/25, 18 × 11 inches. Gift of Dieu Donné, New York, 2022.27.06. © Paul Wong.

On View March 8 through July 24, 2023
The Van Winkle Law Firm Gallery • Level 1

Paper is an essential part of the art-making process for many artists, serving as the base for drawing, painting, printmaking, and other forms of art. As a substrate, paper can vary in weight, absorbency, color, size, and other aspects. Since industrialization, paper has primarily been produced through mechanical means that allow for consistency and affordability.

What happens, then, when an artist chooses to return to the foundations of paper, wherein it is made by hand using pulps, fibers, and dyes that reflect the human element through variations, inconsistencies, flaws, and surprises? Certain artists have sought out these qualities and embraced them, making paper not just a support on which to work, but fully a medium in and of itself.

Pulp Potential: Works in Handmade Paper is organized by the Asheville Art Museum and curated by Hilary Schroeder, former assistant curator, with assistance from Alexis Meldrum, curatorial assistant. Special thanks to Dieu Donné, New York, NY.

In the past 50 years in the United States and beyond, artists have sought to break down social and political hierarchies that include issues of identity, gender, power, race, authority, and authenticity. Unsurprisingly, these decades generated a reconsideration of the idea of pattern and decoration as a third option to figuration and abstraction in art. From 1972 to 1985, artists in the Pattern and Decoration movement worked to expand the visual vocabulary of contemporary art to include ethnically and culturally diverse options that eradicated the barriers between fine art and craft and questioned the dominant minimalist aesthetic. These artists did so by incorporating opulence and bold intricacies garnered from such wide-ranging inspirations as United States quilt-making and Islamic architecture. Too Much Is Just Right: The Legacy of Pattern and Decoration features more than 70 artworks in an array of media from both the original time frame of the Pattern and Decoration movement, as well as contemporary artworks created between 1985 and the present. The artworks in this exhibition demonstrate the vibrant and varied approaches to pattern and decoration in art. Artworks from the 21st century elucidate contemporary perspectives on the employment of pattern to inform visual vocabularies and investigations of diverse themes in the present day. Artworks drawn from the Asheville Art Museum’s Collection join select major loans and feature Pattern and Decoration artists Valerie Jaudon, Joyce Kozloff, Robert Kushner, and Miriam Schapiro, as well as Anni Albers, Elizabeth Alexander, Sanford Biggers, Tawny Chatmon, Margaret Curtis, Mary Engel, Cathy Fussell, Samantha Hennekke, John Himmelfarb, Anne Lemanski, Rashaad Newsome, Peter Olson, Don Reitz, Sarah Sense, Billie Ruth Sudduth, Mickalene Thomas, Shoku Teruyama, Anna Valdez, Kehinde Wiley, and more. This exhibition is organized by the Asheville Art Museum and guest curated by Marilyn Laufer & Tom Butler.

From the songbook of Johnny Cash comes this unique musical about love and faith, struggle and success, rowdiness and redemption, and the healing power of home and family. More than two dozen classic hits including “I Walk The Line,” “A Boy Named Sue,” “Folsom Prison Blues,” and, of course, “Ring of Fire.” Performed by a multi-talented cast, Ring of Fire paints a musical portrait of ‘The Man in Black’ that promises to be a foot-stompin’, crowd-pleasin’ salute to a unique musical legend!

From the songbook of Johnny Cash comes this unique musical about love and faith, struggle and success, rowdiness and redemption, and the healing power of home and family. More than two dozen classic hits including “I Walk the Line,” “A Boy Named Sue,” “Folsom Prison Blues,” and, of course, “Ring of Fire.” Performed by a multi-talented cast.

Director Ben Hope adds “Having spent many years working on various productions of Ring of Fire (this production will be my personal 10th!), The most extraordinary thing I keep finding about Mr. Cash is how unanimously loved he is, even now, 20 years since his death. No other project seems to attract such a varied and enthusiastic crowd as the music of Johnny Cash. I think it’s because he wrote for the ordinary. His words and music are authentic and simple, and he speaks plainly about things we all connect with. He was fallible, with personal demons and shortcomings. He makes us feel like our own imperfections are normal and mundane, and he teaches us that there’s beauty and hope, even in despair. I love Johnny Cash, and I know Flat Rock audiences are going to love Ring of Fire’.”

Don’t miss this inspiring story, all the great music, and an evening of iconic Johnny Cash!

Ring of Fire is presented by WHKP and Carolina Ace Hardware. Flat Rock Playhouse’s 2023 Season is supported by Charlotte & Bob Otto, Optimum, WHKP, and WTZQ as well as the North Carolina Arts Council, a division of the Department of Natural and Cultural Resources. www.NCArts.org

For a complete lineup with show descriptions and to purchase tickets, visit www.flatrockplayhouse.org.

Edvard Tchivzhel, conductor
Greenville Chorale
Bingham Vick, music director
Christina Major, soprano
Stacey Rishoi, mezzo soprano
MAHLER Symphony No. 2 (“Resurrection”)

Christina Major, Soprano, has delighted opera and concert audiences since 1998. Recently, she made her international debut with Teatro Colón in Buenos Aires in the role of Norma as well as repeat Carnegie Performances in concert.  She is most noted for her performances in the Verdi, Puccini and Mozart repertoire and has performed across the United States and abroad.  She has performed with Fort Worth Opera, Dallas Symphony Chorus on tour in South America, Greenville Symphony, Santa Fe Opera, and Florida Bach Festival among others.  She is also a previous winner in the Dallas Opera Competition, the Licia Albanese Competition, and the Gerda Lissner Foundation. She will return to the Greenville Symphony for Mahler No. 2 Symphony in 2023 as well as Brahms Requiem with the University of North Texas Symphony and Chorale in 2022.  Future operatic performances will include her return to the role of Leonora in Il Trovatore in New York City in May 2022.

Jack of the Wood : Sunday-Irish Session 

Sundays

1 till who knows when?

Traditional Irish music is kept alive at Jack of the Wood with our unplugged Sunday session.

Jack of the Wood

95 Patton ave

Asheville, NC 28801

(828) 252.5445

http://www.jackofthewood.com/

Figure Drawing Salon-
Live nude model, art instructor host, bring your own art supplies. We have a limited supply available. Some community supplies available for use. We ask for a $15 donation at the door to support the instructor and model.

Format may vary but usually consists of- 5-1 min
2- 5 min
1- 10 min
2- 20 min each pose different 10 min break in between
2- 20 minute poses same pose

Come learn and mingle with a fun and friendly community of artists! Normally hosted the last Sunday of every month.

We have three opportunities for you to help Connect Beyond AND see some music! We need volunteers to assist with wristbands for three shows this summer at Harrah’s Cherokee Center – Asheville in Downtown Asheville, N.C. Shifts are roughly (3) hours and all participating volunteers will also receive (1) free ticket to stay after and watch the show. The following dates and shows are available: May 7th: Gojira and Mastodon June 13th: boygenius August 12th: Motionless in White

– ALL AGES
– FULLY SEATED SHOW
– LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLE

DEB TALAN

Deb Talan has been writing songs since she was 14 years old. Granted, her style has changed a bit since writing the forever-unknown smash-hit “Through the Window” about feeling numb, like life was going on somewhere out there but not accessible to her (at 14. so jaded.) She played clarinet, wrote songs on piano, later taught herself to play guitar in college, got obsessed with Shawn Colvin, was a vegetarian for 4 years, ended that with a hotdog and a swim in lake Michigan, started a band in Portland, OR with her friend Mark, named it Hummingfish, wrote a lot of fun songs that people danced to ‘til they were all sweaty in that hipster/grungy/geeky Northwest kind of way, moved back to the east coast 6 years and a divorce later and began playing solo in Boston coffee houses (read: 4 different Starbucks that she also poured espresso at) opened shows for Catie Curtis (a songwriter hero of hers) met up with Steve Tannen and formed The Weepies, played shows all over the country and the world, toured in a real tourbus! moved to LA, got married to Steve, made 5 records and 3 amazing boy-children together with him, had songs placed in loads of movies and tv shows, moved to Iowa, got breast cancer, got chemotherapy and relied heavily on marijuana for pain and nausea relief(Legalize, for gods’ sakes, can we grow up as a country, please?) recovered from breast cancer, made a solo album, struggled with mental health issues (Childhood Incest Survivor, lucky to be alive, music has helped, and so have many blessed healers) and relationship issues for 6 years, got divorced from Steve. She has a lot she could say these days. She prefers to listen. But playing songs for people is a close second. Music heals. Songs can be prayers.

Deb Talan is some lovely damn proof of that.

Included with admission

Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.

Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.

Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!

Andrea Rich’s intricately designed, carved, and printed woodcuts draw viewers in for an up-close look.

Some of the artist’s earliest memories are of drawing animals. Childhood encounters with pets, livestock, and wildlife, including birds, deer, and toads, created a lasting connection to the natural world. Through encounters with creatures both tame and wild, Rich developed a fascination and a compassion for animals integral to her art.

“My prints are a visual record of the intriguing creatures that have enriched my life. The woodcut process challenges me to focus on the essence of my subjects. At the same time, I am drawn to the smell of the wood, its texture and grain, and the pleasure I experience while carving. I begin working on a block of wood and realize later that hours have passed without notice.”

Rich uses a centuries-old medium that requires one carved wood panel for each color – varying from one to sixteen – necessary to develop the composition. These panels are painstakingly aligned one atop another sequentially and pulled through a printing press to create the final woodcut.

The subjects of Rich’s woodcuts range from the wilderness of the Australian outback and the lush tropical Amazon forests to the roaring rivers of Yellowstone Park. Rich has traveled worldwide to study wildlife habitats and these varied firsthand experiences are reflected in her work.

Among Rich’s many achievements are international recognition for her woodcut prints, including a 2009 Award of Excellence from the Society of Animal Artists and a 2009 Medal of Excellence from the Artists for Conservation Foundation. She was named Master Artist by the Leigh Yawkey Woodson Art Museum in 2006. In 2010 her work was featured in a solo exhibition at the Mass Audubon Visual Arts Center, Canton, Massachusetts. Rich is a member of the California Society of Printmakers, Artists for Nature Foundation, the Society of Animal Artists, and Society of Wildlife Artists.

In 2000 Rich designated the Woodson Art Museum as the repository for her artistic oeuvre. An Abundance of Riches is drawn from these holdings, which include an example of each of her woodcuts created since the mid-1980s.

Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.

PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences

PLUS: FREE next-day access to Biltmore’s Gardens and Grounds

This visit includes access to:

• Italian Renaissance Alive at Amherst at Deerpark®
• 8,000 Acres of Gardens and Grounds for two consecutive days
• Antler Hill Village & Winery
• Complimentary Wine Tastings at the Winery
• Tastings require a Day-of-Visit Reservation, which can be made by:
  • Scanning the QR Code found in your Estate Guide
  • Visiting any Guest Services location
• Complimentary parking

Art Exhibition: Italian Renaissance Alive

This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history

Asheville Gallery of Art’s May show, “Flower Power,” introduces three new Gallery members: Nick Colquitt, Jean-Pierre Dubreuil, and Yvonne McCabe. This delightful exhibition takes its audience on a journey through the mountains of North Carolina, showcasing the mysterious beauty they display within their natural terrain. The show runs May 1-31 during Gallery hours, 11am-6pm daily.

An enrolled member of the Eastern Band of Cherokee Indians, Luzene Hill advocates for Indigenous sovereignty—linguistically, culturally, and individually. Revelate builds upon Hill’s investigation of pre-contact cultures. This has led Hill to incorporate the idea of Ollin, the Nahuatl word for the natural rhythms of the universe, in Aztec cosmology in her work. Before Europeans arrived in North America, Indigenous societies were predominantly matrilineal. Women were considered sacred, involved in the decision-making process, and thrived within communities holding a worldview based on equilibrium.

Ollin emphasizes that we are in constant state of motion and discovery. Adopted as an educational framework, particularly in social justice and ethnic studies, Ollin guides individuals through a process of reflection, action, reconciliation, and transformation. This exhibition combines Hill’s use of mylar safety blankets alongside recent drawings. Capes constructed of mylar burst with energy and rustle with subtle sound, the shining material a signifier of care, awareness, displacement, and presence. Though Hill works primarily in sculpture, drawing has increasingly become an essential part of her practice as she seeks to communicate themes of feminine and Indigenous power across her entire body of work. The energy within her drawings extends to the bursts of light reflecting from her capes or the accumulation of materials in other installation works.

Luzene Hill was born in Atlanta, GA, in 1946. She received her bachelor of fine art and master of fine art from Western Carolina University. She lives and works on the Qualla Boundary, Cherokee, NC.