Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
The man in the tree has a guitar, he’s gonna sing. But the sun shining through the branches— are those rays yellow or hazy gray? What day is today? When are you not going to feel this way again?
“Hello, Hi”: welcome in to a new room to play the styles and feels that lie under Ty Segall’s fingers, easing fresh air into acoustic space with an assortment of love songs flowering in righteous unconsciousness. Plaintive and wistful, but unafraid. Like rain washing away yesterday, “Hello, Hi” pushes open the door, inviting the new to pass through all the old shades and degrees of hot and cold. Dark paths turn off abruptly into absurd darkness, then wind back through the broken rocks, ecstatic again. Absurdity again. It happens everyday.
“Hello, Hi” is expansively rendered by Ty, mostly by himself, at home. The isolation suits the songs: you’re only ever as “at home” as you are with yourself in the mirror. Ty’s acoustic and electric guitars and vocal harmonies layer self upon self, forming a spiny backbone for the album. Textures at once gentle and dissonant root the songs as they make their move: melodic arcs convulsing in doubt and bliss and rage. Busting out of the endless gridlock into open space, these spirits pass on through.
“Hello, Hi”’s flickering awakening to this trip: the opening three tracks’ train of sweet and salty reflections, before the abrupt crunch of the title track electrifies the senses. Good morning’s turned to good mourning in nothing flat, but there’s still a way up from the doldrums, to try again. Why can’t it be just as simple as “Hello, Hi”? What to do with yourself when love triggers loathing? How many more times do you have to go back there again? Pulling at the scratchy wool threads of an old sweater favored for warmth, comfort, protection, rejection, denial, blindness etc, Ty Segall dives from a clear, open sky, down through the marine layer and the shimmering waves of all the years.
Radiating from the same mind fields as Goodbye Bread and Sleeper, mixed with shard edges of contrast and contradiction from things like Freedom’s Goblin, Manipulator, and First Taste, “Hello, Hi” is Ty’s most relaxed and complete production to date, an ebb-and flow fusion of words and music offering abstraction and acceptance as it wrestles itself through a fucked-up time. Your life and what you make of it — throughout “Hello, Hi,” Ty Segall charts a passage through its enduring tangles honestly, with clarity and confusion.
Charles Moothart is an American multi-instrumentalist, singer and songwriter. He is best known for his collaborations with the garage rock musicians Ty Segall and Mikal Cronin. Moothart is the drummer for Segall’s current backing band, The Freedom Band. He was previously the guitarist for Segall’s backing band, the Ty Segall Band, and is the guitarist and vocalist in the pair’s hard rock project, Fuzz. Additionally, he is a member of Segall’s collaborative project with Ex-Cult’s Chris Shaw, GØGGS.
All-County Honor Chorus, 2-4pm, Come out to enjoy auditioned Henderson County middle and high school students led by
professional conductors for the edification of the students and the enjoyment by parents, grandparents, friends and community,
Tickets $10, produced by the Carolina Concert Choir.
Tony®-winning director Bartlett Sher and the team behind South Pacific and The King and I bring a fresh and authentic vision to this beloved theatrical masterpiece from Tony-winner Joseph Stein and Pulitzer Prize winners Jerry Bock and Sheldon Harnick.
The original production won ten Tony Awards, including a special Tony for becoming the longest-running Broadway musical of all time. You’ll be there when the sun rises on this new production, with stunning movement and dance from acclaimed Israeli choreographer Hofesh Shechter, based on the original staging by Jerome Robbins. A wonderful cast and a lavish orchestra tell this heartwarming story of fathers and daughters, husbands and wives, and the timeless traditions that define faith and family.
Featuring the Broadway classics “Tradition,” “If I Were a Rich Man,” “Sunrise, Sunset,” “Matchmaker, Matchmaker” and “To Life,” FIDDLER ON THE ROOF will introduce a new generation to this uplifting celebration that raises its cup to joy! To love! To life!
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Join us for some Dungeons & Dragons at Pack Memorial Library! All players aged 13-17 are eligible |
Womansong celebrates the unity, diversity and empowerment of women through musical expression, as we sing for joy, social justice and community. Our concerts help fund the operation of our nonprofit organization including the choir’s New Start Program which provides scholarships and emergency funds to local women in need.
Womansong concerts are accessible to the hearing impaired through music sign language interpretation by Shiner Antiorio.
Kevin Dolan is a singer-songwriter and multi-instrumentalist. After several years as a touring professional musician and session work, he moved into releasing his own original songs and directing other musical groups. Today you will find Kevin busy recording, engineering, and producing at Shake Rag Recording for musicians of all genres.
Paul Koptak has always loved the sound of slide guitar. He brings the singular sound of the dobro to all kinds of music, including bluegrass, blues, and Hawaiian styles.
Kevin and Paul perform original songs along with covers of Tom Petty, Chris Stapleton, Avett Brothers, and Jason Isbell.
Tickets are $10 for music only; $15 for music + BBQ dinner.
Call 828-926-1717 for tickets!
Cocktails, Canapes, Dinner & Dancing
music by Quentin Baxter Quintet. Live sketch by artist, Marsha Hamme
The music of Dallas Ugly is anything but what the name implies. Libby Weitnauer, Eli Broxham, and Owen Burton’s fusion of pop country and indie-folk rock is heartfelt and intimate. Dallas Ugly’s work incorporates Burton’s unique rolling electric guitar style, Weitnauer’s expert fiddle playing, and the songwriting of all three members. Plain-faced and striking vocals reflect their collective influences of old time, country, and bluegrass music, while their arrangements and songwriting point away to other genres. Dallas Ugly recorded their full length debut album in April of 2021 and is making plans for a release.
Come enjoy an evening of live music, food and drinks in the Isis Music Hall Lounge. Reservations are highly recommended.
This intimate concert showcasing 4 local, gifted songwriters taking turns telling the stories behind their songs and then performing them for the audience. This one-of-a-kind gathering will benefit Hendersonville Theatre’s projector fund to raise money to bring film to downtown Hendersonville. Featuring area songwriters: David Childers, Carson Sloan, Josh Dunkin, and Steve Durose.
The intimate gathering will feature local singers/songwriters David Childers, Carson Sloan, Josh Dunkin and Steve DuRose as they share their stories and songs through their music. The songwriters will take turns telling the stories behind their songs and then performing them for the audience.
As part of the event, Hendersonville Theatre and B2 Realty sponsored the Future Master Songwriters Competition for young aspiring songwriters in Henderson County 18-years-old and under. The winner of the competition is Emma Grace Haag of Hendersonville. Haag is the daughter of Katie Camenzind and Ian Haag, and a 3rd grader at Glenn C. Marlow Elementary. She will perform her song during the Master Songwriters in Concert accompanied by Childers, Sloan, Dunkin and DuRose.
Singer-songwriter David Childers is from Mount Holly, NC. Childers fell in love with folk music as a teen, and his tastes run from jazz and opera. Before becoming a professional musician, he was a lawyer. Childers’ album, Run Skeleton Run, has made him a favorite of fans and fellow musicians, including the Avett Brothers. Childers has played the syndicated World Café and Mountain Stage radio shows, Merlefest’s mainstage, and toured in Europe.
(Judie) Carson Sloan is part of the contemporary folk trio “Rosabelle” and is a regular at open microphone nights in Hendersonville. Her song “Real Live Winner” was included on The Pearls’ first album in 1994. Carson writes honest, sometimes irreverent songs from a woman’s point of view without much sentimentality.
Josh Dunkin started writing songs, poems, and plays in high school. In college, Dunkin won several playwriting awards and started working with his writing partner, Mike Barton. After college, the duo formed a successful sketch comedy show and group called Nashville: The Band. They founded Laughingstock: The Chicago Comedy Music Festival and worked hard to widen the appeal of comedy music. Over the years, Dunkin’s songs kept a comedic sensibility but focused more on the stories. Since moving to Hendersonville in 2015, Dunkin has expanded his subject matter to include love songs about family and coffee, murder ballads about O.J. Simpson and JonBenet Ramsey, and many other subjects.
Steve DuRose is an American songwriter living in Hendersonville. He is often compared to songwriters such as John Prine and Townes Van Zandt due to his poetic and often melancholy lyrics and traditionally inspired melodies. While mainly known for his lyric writing, he has also composed instrumental works which are incorporated into art installations in museums in both California and New Mexico
The Main Stage Theatre at HART
Directed by Shelia Sumpter with Kids at HART
Our story begins in a faraway kingdom long ago. A cursed, unhappy King and a terror of a Queen rule the kingdom. In an attempt to keep their young Prince Dauntless single, Queen Aggeravain has decreed that only the princess that can pass her test may marry her son. Further, no one else in the kingdom may marry until Prince Dauntless does. Luckily, Sir Harry is able to find an amazing princess, Winnifred the Woebegone who instantly catches the attention of Prince Dauntless. She must endure Queen Aggeravain’s impossible tests as well as her scorn to win the Prince and save the kingdom. Mary Rodger’s classic Once Upon A Mattress is a delightful musical that is sure to become a fan favorite with the HART audience!
BIG BAND / SWING MUSIC AT IT’S FINEST
Dedicated to advancing and preserving the big band jazz tradition, the 17-piece Asheville Jazz Orchestra is western North Carolina’s premier big band. Whether they are playing a swing dance, club date, or formal concert, the AJO is the hardest swinging band in Asheville.
Since its founding the Asheville Jazz Orchestra has been directed by Dr. David Wilken. In addition to directing the AJO, he also plays trombone and also composes much of their material. He can also be heard playing traditional New Orleans jazz with the Low-Down Sires and conducting the Land of the Sky Symphonic Band.
Darko Butorac, conductor
Cecilia Violetta López, soprano
Ben Gulley, tenor
Jeff Mattsey, baritone
Asheville Symphony Chorus
“The language of music is understood by everybody,” according to Rossini, “since it is understood with the heart.” We bring that notion to life with this program filled with operatic classics. A curated selection of operatic works (including beloved masterpieces by Italian masters Puccini and Verdi) explore the experiences and emotions that all of humankind shares through the combined power of the stage, voice, and orchestra. Featuring three fantastic guest vocal soloists and the voices of the Asheville Symphony Chorus.
Tony®-winning director Bartlett Sher and the team behind South Pacific and The King and I bring a fresh and authentic vision to this beloved theatrical masterpiece from Tony-winner Joseph Stein and Pulitzer Prize winners Jerry Bock and Sheldon Harnick.
The original production won ten Tony Awards, including a special Tony for becoming the longest-running Broadway musical of all time. You’ll be there when the sun rises on this new production, with stunning movement and dance from acclaimed Israeli choreographer Hofesh Shechter, based on the original staging by Jerome Robbins. A wonderful cast and a lavish orchestra tell this heartwarming story of fathers and daughters, husbands and wives, and the timeless traditions that define faith and family.
Featuring the Broadway classics “Tradition,” “If I Were a Rich Man,” “Sunrise, Sunset,” “Matchmaker, Matchmaker” and “To Life,” FIDDLER ON THE ROOF will introduce a new generation to this uplifting celebration that raises its cup to joy! To love! To life!
“Everything has to be said.” This is the conviction guiding Indigo De Souza’s sophomore album, Any Shape You Take. This dynamic record successfully creates a container for the full spectrum—pushing through and against every emotion: “I wanted this album to give a feeling of shifting with and embracing change. These songs came from a turbulent time when I was coming to self-love through many existential crises and shifts in perspective.”
Faithful to its name, Any Shape You Take changes form to match the tenor of each story it tells. “The album title is a nod to the many shapes I take musically. I don’t feel that I fully embody any particular genre—all of the music just comes from the universe that is my ever-shifting brain/heart/world,” says Indigo. This sonic range is unified by Indigo’s strikingly confessional and effortless approach to songwriting, a signature first introduced in her debut, self-released LP, I Love My Mom. Written in quick succession, Indigo sees these two records as companion pieces, both distinct but in communion with each other: “Many of the songs on these two records came from the same season in my life and a certain version of myself which I feel much further from now.”
Throughout Any Shape You Take, Indigo reflects on her relationships as she reckons with a deeper need to redefine how to fully inhabit spaces of love and connection. “It feels so important for me to see people through change. To accept people for the many shapes they take, whether those shapes fit into your life or not. This album is a reflection of that. I have undergone so much change in my life and I am so deeply grateful to the people who have seen me through it without judgment and without attachment to skins I’m shifting out of.”
Lead single “Kill Me,” written during the climax of a dysfunctional relationship, opens with the lines “Kill me slowly/ Take me with you.” This powerful plea, that begins within the quiet strum of a single electric guitar, is diffused by Indigo’s ironic apathy—a slacker rock nonchalance that refuses to take itself seriously: “I was really tired and fucked up from this relationship and simultaneously so deeply in love with that person in a special way that felt very vast and more real than anything I’d ever experienced.”
Across the table from that irreverence sits the sincerity of the single “Hold U,” a more energized, neo soul-inspired love song that substitutes apathy for a genuine expression of care. “I wrote ‘Hold U’ after I left that heavy season of my life and was learning how to love more simply and functionally. I wanted to write a love song that was painfully simple.”
Growing up in a conservative small town in the mountains of North Carolina, Indigo started playing guitar when she was nine years old. “Music was a natural occurrence in my life. My dad is a bossa nova guitarist and singer from Brazil and so I think I just had it in my blood from birth.” It wasn’t until moving to Asheville, NC that Indigo began to move into her current sound, developing a writing practice that feeds from the currents that surround her: “Sometimes it feels like I am soaking up the energies of people around me and making art from a space that is more a collective body than just my own.”
“Real Pain,” one of the most experimental tracks on the record, is Indigo’s attempt to make that phenomena more intentionally collaborative. Starting soft before dropping down into a cavernous pit of layered screams and cries, “Real Pain” collages the voices of strangers—audio bites Indigo received after posting online asking for “screams, yells and anything else.” “Hearing these voices join together and move with my own was really powerful. The whole record was a release for me. And I hope it can be that for others.”
At the forefront of all De Souza’s projects is her magnetism—her unique quality of spirit that is both buoyant and wise. While her backing band has undergone shifts between releases, her sound has stayed tethered to her vision. Any Shape You Take is the first full-length album that Indigo produced herself. Teaming up with executive producer Brad Cook (Bon Iver, Waxahatchee, The War on Drugs) and engineers/producers Alex Farrar and Adam McDaniel, Indigo recorded the album at Betty’s, Sylvan Esso’s studio in Chapel Hill, NC and finished it with additional production and mixing at Drop of Sun Studios in Asheville. Moving past the limitations of a home studio, Indigo could finally embody the full reach of her sound: “It felt really exciting to lean into my pop tendencies more than I have in the past and to trust my intuition to take the songs where I felt they should go. I had the tools to do it and collaborators who were willing to
go there with me.”
“I feel very much like a shape-shifter with my music, I’m always trying to embody a balance between the existential weight and the overflowing sense of love I feel in the world.” It is exactly this balance that Indigo strikes in her Saddle Creek debut, Any Shape You Take. A listening experience that gives back, as you shed and shape-shift along with her.
Time Sawyer is interested in “real people and real songs” and that’s just what the listener finds in their music – a sense of realness. Time Sawyer blends a grassroots feel with heart-felt lyrics to put on an entertaining show. From introspective ballads to high-energy crowd-pleasers, Time Sawyer’s songs land in that rootsy sweet spot where folk, alt-country, and rock gather for a good time.
The Folk-Rock band’s name reflects the pull between the past and the future. The character Tom Sawyer evokes the rural background and love of home that the band shares. Time is a muse for songwriting; it’s the thread that runs through life, bringing new experiences and giving us a sense of urgency, while still connecting us with our past.
Time Sawyer has performed on the stages of some of the Southeast’s most iconic festivals, including Merlefest, Floydfest, Bristol Rhythm and Roots Reunion, Albino Skunk Music Festival, Carolina in the Fall and IBMA’s Bluegrass First Class. They’ve shared bills with Langhorne Slim, Eric Krasno, John Moreland, Steep Canyon Rangers, The Wood Brothers, Susto, and many more.
The memorable lyrics and strong melodies result in songs that will stay in your head long after the music stops. Time Sawyer continues to develop a loyal and growing fan base. Whether they’re playing in an intimate listening room or a large outdoor festival, their goal is to forge a face-to-face connection with the audience so that they become friends who happen to be fans.
Born in Asheville, North Carolina, Zachary Warren Briggs, at his core, is a songwriter. As a teen, he began remedially filling journals and finding melodies to match.
Growing up in a home with close quarters, his music naturally settled into a place of gentleness: light finger-picking and hushed singing, so as not to disturb his sleeping family. His style began taking shape during nightly front-porch listening sessions, where he learned the power of dynamics from Sam Cooke and the almost-hypnotic effect of clever storytelling from Tom T. Hall. Eventually, he came across songwriters like Townes Van Zandt, Blaze Foley, and Karen Dalton who taught living intentionally for song’s sake and poets like William Carlos Williams, who emphasized a grounded perception of the local.
Emerging from necessity, centered by family, propelled by restlessness, Zachary hopes his songs encapsulate sincere, relatable narratives.
Reserved Seat Tickets are available with Dinner reservations – You must call the venue at 828-575-2737 to make dinner reservations and secure those tickets.
General Admission Tickets are available for the main stage balcony only. Seating in the balcony is first come, first serve. Dinner service is NOT currently being offered for general admission tickets.; drink service is available at the downstairs bar on the main floor.
Currently, Only General Admission Tickets are available on line
You must call the venue at 828-575-2737 for Reserve Seat Tickets and to make dinner reservations.
– ALL AGES
– STANDING ROOM ONLY
SLO is a 4-piece anti-pop/not rock (but also isn’t not rock) band born and raised in Charleston, SC.
Little Bird, is composed of musicians Jay Hurtt (vocals), Noah Jones (piano), Oleg Terentiev (drums), Ben Mossman (bass), and Jim Rubush (guitar). Their musical endeavors as this incarnation of the group commenced in 2017, laying the groundwork for their genre-bending, signature sound with the 2018 record, Familiar, produced by Shane Woods and Jeff Lucci of Mo Lowda. In 2021 Little Bird released their first full-length album. Inspired by their favorite modern and vintage artists, Hiatus Kaiyote, Nick Hakim, D’Angelo and Stevie Wonder, the 23-track odyssey is entitled, ‘PROXIMA’ (latin for ‘nearest’ or ‘next’) and is currently being released in 3 separate EPs; Alpha, Beta, and Gamma. Proxima:
“It’s extremely likely you’ll fall headfirst for Little Bird, mere moments after hearing the band’s 2018 release Familiar. The heady mix of ambient soul, R&B, and trippy jazz puts them in the kindred spirit category to everyone from D’Angelo and Erykah Badu to Australian jam band Hiatus Kaiyote. And their unique sound is showcased by musicianship of the highest order.”
.::Randy Shulman.::.Metro Weekly Magazine
Tony®-winning director Bartlett Sher and the team behind South Pacific and The King and I bring a fresh and authentic vision to this beloved theatrical masterpiece from Tony-winner Joseph Stein and Pulitzer Prize winners Jerry Bock and Sheldon Harnick.
The original production won ten Tony Awards, including a special Tony for becoming the longest-running Broadway musical of all time. You’ll be there when the sun rises on this new production, with stunning movement and dance from acclaimed Israeli choreographer Hofesh Shechter, based on the original staging by Jerome Robbins. A wonderful cast and a lavish orchestra tell this heartwarming story of fathers and daughters, husbands and wives, and the timeless traditions that define faith and family.
Featuring the Broadway classics “Tradition,” “If I Were a Rich Man,” “Sunrise, Sunset,” “Matchmaker, Matchmaker” and “To Life,” FIDDLER ON THE ROOF will introduce a new generation to this uplifting celebration that raises its cup to joy! To love! To life!
Jazz Brunch with live music
Tryon Fine Arts Center Pavilion
Sunday, November 20 at 1 PM
Join us for a jazz brunch with live jazz music by TFAC’s Jazz ’22 All-Stars.
Jazz Sunday at One World Brewing West is a modern jazz jam held every Sunday afternoon from 1-4pm. Previously known as Jazz Monday, the jam has been running non stop since July, 2018 at the West Asheville brewery and is hosted weekly by The Fully Vaccinated Jazz Trio, consisting of Ray Ring on guitar, Jason DeCristofaro on drums, piano and vibraphone, and Connor Law on bass. Jazz Sunday typically features a guest artist for a short set and then welcomes jazz musicians of all levels to sit in for the remainder of the afternoon on One World’s spacious outdoor stage.
The orchestra, composed of professional and amateur musicians from this area, will perform the perennial family favorite “Peter and the Wolf” by Prokofiev, “The Swan of Tuonela” by Sibelius, “Romance” by Amy Beach, arranged for cello and orchestra, and “The Swan” from “Carnival of the Animals” by Saint-Saens. Christine Lance Lee, cellist is the featured soloist.
The Four Seasons Chamber Orchestra presents its fall concert, “Mes Amis, Les Animaux” with a program that includes the perennial family-favorites Peter and the Wolf by Sergei Prokofiev, The Swan of Tuonela by Jean Sibelius, Romance by Amy Beach, and The Swan from Carnival of the Animals by
Camille Saint-Saens.
The Main Stage Theatre at HART
Directed by Shelia Sumpter with Kids at HART
Our story begins in a faraway kingdom long ago. A cursed, unhappy King and a terror of a Queen rule the kingdom. In an attempt to keep their young Prince Dauntless single, Queen Aggeravain has decreed that only the princess that can pass her test may marry her son. Further, no one else in the kingdom may marry until Prince Dauntless does. Luckily, Sir Harry is able to find an amazing princess, Winnifred the Woebegone who instantly catches the attention of Prince Dauntless. She must endure Queen Aggeravain’s impossible tests as well as her scorn to win the Prince and save the kingdom. Mary Rodger’s classic Once Upon A Mattress is a delightful musical that is sure to become a fan favorite with the HART audience!
Jack of the Wood : Sunday-Irish Session
Sundays
1 till who knows when?
Traditional Irish music is kept alive at Jack of the Wood with our unplugged Sunday session.
Jack of the Wood
95 Patton ave
Asheville, NC 28801
(828) 252.5445
Join us for an afternoon of live classical and contemporary chamber music! Light refreshments will be provided.
Seating is limited, so please call ahead for tickets!
King Margo is Lucciana Costa and Rachel Coats, who grew up 40 minutes apart but didn’t meet until many years later in the middle of a Kentucky field.
Lucciana grew up in Ann Arbor, Michigan. She discovered the dobro at 12 years old, aer she heard “Give It Up Or Let Me Go” by the Dixie Chicks on country radio. She became instantly enamored with the instrument, which led to her playing in several local bands throughout her teens.
Rachel also cut her teeth on the local gig scene in Toledo, Ohio with her musically inclined family. An upright bass player since middle school, Rachel continued on to play in several orchestras and earned a Music Education degree from Bowling Green State University.
Both women spent their twenties building a steady rotation of live shows, studio work and a gun-for-hire reputation as multi-instrumentalists. Rachel was selected to play with several international touring artists in the folk-pop realm on bass and vocals. Lucciana focused on songwriting and composition, spending half a decade in Los Angeles honing her cra and scoring documentaries and commercials. Eventually Lucciana and Rachel found themselves in Nashville, both hired for the same touring band where they met for the first time. They connected instantly, both musically and personally, and the seeds for what would eventually become King Margo were planted.
King Margo hit the road almost immediately, thanks to the girls’ love of travel and their inclination to book shows across the country to hang out with friends and family (and to fund several snowboarding trips). Scrappy gigs and long hours in a van helped solidify the humor and tone of their first album, Barely Gettin By, which was self-recorded and successfully crowdfunded by fans they’d picked up along their travels. Their first album was pure fun, capturing the sarcasm and liveliness honed by playing in rowdy bars deep into the night.
For their second record, King Margo has matured into a more evolved sound. The songs are more personal. The arrangements are more intricate, featuring soaring harmonies that have captured listeners across the country. “She never boarded up the windows/Grandma likes to say/She rode out every storm/Frying chicken just the same,”opens the song “Monsters,” inspired by a conversation overheard in a New Orleans coffee shop. There are songs of hurricanes, apocalyptic house parties, murderous beauties, love and heartbreak.
King Margo is ready for a beer in your town. If they’re not making music, they are rock climbing or snowboarding. They are disciples of living the good life, taking care of the people around you and being nicer to the planet. They want to see you somewhere out there soon.
Come enjoy an evening of live music, food and drinks at Isis Music Hall. Advanced Reservations are highly recommended.
Tony®-winning director Bartlett Sher and the team behind South Pacific and The King and I bring a fresh and authentic vision to this beloved theatrical masterpiece from Tony-winner Joseph Stein and Pulitzer Prize winners Jerry Bock and Sheldon Harnick.
The original production won ten Tony Awards, including a special Tony for becoming the longest-running Broadway musical of all time. You’ll be there when the sun rises on this new production, with stunning movement and dance from acclaimed Israeli choreographer Hofesh Shechter, based on the original staging by Jerome Robbins. A wonderful cast and a lavish orchestra tell this heartwarming story of fathers and daughters, husbands and wives, and the timeless traditions that define faith and family.
Featuring the Broadway classics “Tradition,” “If I Were a Rich Man,” “Sunrise, Sunset,” “Matchmaker, Matchmaker” and “To Life,” FIDDLER ON THE ROOF will introduce a new generation to this uplifting celebration that raises its cup to joy! To love! To life!