Included with admission

Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.

Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.

Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!

The Knitters and Stitchers are back!  Join us for a morning of crafting and conversation.  This is not an instructional group, but newcomers are most welcome.  Pre-registration is not required.  Come ready to meet fun people!

Black Mountain College and Mexico (BMC/MX): Exhibition, Publication, and Public Programming

Black Mountain College (1933–1957), a small but remarkably influential liberal arts school in rural North Carolina, had important links to Mexico that until now have been little investigated. A crucible of twentieth-century creativity, BMC galvanized and inspired artists and intellectuals from around the world, while Mexico’s innovations and age-old traditions—in fine and applied arts, architecture, poetry, music, performance, and more—dovetailed with, and indeed drove, global impulses toward modernism and beyond. Among the many key BMC figures whose lives were importantly touched by experiences in Mexico were Anni and Josef Albers, Ruth Asawa, John Cage, Jean Charlot, Elaine de Kooning, Buckminster Fuller, Carlos Mérida, Robert Motherwell, Charles Olson, Clara Porset, M.C. Richards, and Aaron Siskind. In turn, engagements with BMC and its legacy have played a significant role in shaping contemporary approaches to art in Mexico, evident in the works of Jorge Méndez Blake, Iñaki Bonillas, Abraham Cruzvillegas, Jose Dávila, Gerda Gruber, Lake Verea, Gabriel Orozco, and Damián Ortega, among others.

The exhibition BMC/MX features works by these and other prominent contemporary Mexican artists alongside a selection of historic works by BMC artists, highlighting the ways in which ideas and modalities are translated across materials, space, and time.

Related programming, planned in collaboration with Mexican artists, features a series of public events, including a performance by artist (and BMC/MX co-curator) David Miranda to take place at Different Wrld; an exhibition visit (in Spanish and English) with BMC/MX Project Director Eric Baden; and a series of experiential art events in the BMCM+AC library.

The exhibition is accompanied by the book Black Mountain College and Mexico (forthcoming late summer 2023), which investigates the people, ideas, and practices linking BMC and Mexico during the life of the school, as well as resonances between BMC and the work of contemporary Mexican artists. With contributions by BMC/MX’s curators, as well as by artist Abraham Cruzvillegas, design scholar Ana Elena Mallet, and author and activist Margaret Randall, this fully illustrated volume brings new light to this complex and underexplored subject.

BMC/MX is an investigation into modes of communication—the arenas in which new ideas and alliances may come to be—between Black Mountain College and Mexico, between past and present, between form and idea.

About the Curators

BMC/MX’s Project Director Eric Baden is a photographer and from 1994 to 2022 was professor of photography at Warren Wilson College in Swannanoa, North Carolina. He is the founding director of photo+, a multidisciplinary arts event held in Asheville, North Carolina.

Artist and educator David Miranda is curator at the Museo Experimental El Eco (Universidad Nacional Autónoma de México, UNAM), and teaches at the Escuela Nacional de Pintura, Escultura y Grabado “La Esmeralda” in Mexico City.

Diana Stoll is an editor, writer and curator who works with institutions such as The Museum of Modern Art and the J. Paul Getty Museum. She has served as an editor at Aperture and Artforum magazines, and contributes writings to prominent arts publications.

LEAF isn’t just for kids! Join us in the Mezzanine while you wait for your youth to finish their class or just to hang out!

Great news for poets and poetry lovers: Dark City Poet’s Society is returning to the Black Mountain Library. DCPS is a completely free poetry group that is open to poets of all ages and experience levels. Join us at the Black Mountain Library from 6-7:30 p.m. on the first Tuesday of every month for our (respectful) critique group. DCPS will meet at BAD Craft from 6-7 p.m. on the third Tuesday for our monthly open mic Poetry Night. Find out more on Instagram @darkcitypoetssociety or contact the Black Mountain Library.

We view our Open Mic as a service to the community, providing performance opportunities for musicians who rarely get to play on a nice stage. We like to provide opportunities for community members to come enjoy live music for FREE at least once a week, and sometimes more than once a week.

You’ll hear a variety of wonderfully talented folks on their way up. You never know what you’ll hear… original songs, covers, guitar, piano….. and often something quite surprising.

Each performer gets 15 minutes or three songs.

Our Open Mic has been so popular that we typically have more folks wanting to perform than we’ve had room for. After consulting with some of our regular attendees and participants we want to make sure that everyone has a fair chance to perform on stage.

So we are trying out a new process and it seems to be very popular.

We’ve expanded the number of available performance slots to 10 per night.

• Note: There are actually 12 spots on the list each night. . The host of Open Mic is spot 1, and the owner of White Horse (Bob Hinkle) is spot 3. That leaves 10 available spots to be drawn from the hat.

In place having folks lineup in advance for the signup list, we now pull names out of a hat.

We suggest that those desiring to perform on stage arrive prior to 6:30pm.

When you arrive, check in with the bartender and they will give you a piece of paper where you will write your name and drop it into “the hat”

Sometime between 6:30 and 6:45, the bartender will announce that the names are being drawn.  You must be present when the names are drawn to confirm your participation. Participants will be added to the nights performer list in the order in which they are drawn.

Any names left in the hat that do not make the performer list for the night , are automatically put first on the list for the following week. PLUS…. they get a free bottle of beer or soft drink “on the house” as a thank you for their patience and support of fellow musicians.

Jalen Ngonda is one of the most captivating performers on today’s soul scene. His voice, equal parts raw feeling and elegance, exudes confidence and charm. At 28, his resume reads more like that of a seasoned veteran: He has performed at New York City’s Summer Stage Festival, Picktathon, Newport Folk Festival, opened for Laura Mvula and Lauryn Hill at the Montreal Jazz Festival and sold-out houses on his own in Germany, the UK and Switzerland. Most recently, Jalen thrilled audiences and garnered rave reviews with his powerful solo performance in support of Thee Sacred Souls’ US tour. Now with a pair of widely revered singles under his belt at his new home, Daptone Records, Jalen prepares for the release of his debut LP, Come Around and Love Me.

Jalen Ngonda grew up in a music loving family on the outskirts of Washington D.C. He began musical studies in grade school, where he dabbled in violin, ultimately moving on to the guitar and piano. His inspiration came from listening to his father’s collection of Motown CDs (The Temptations, Mary Wells, and Smokey Robinson and the Miracles), which opened his eyes to the vastness of American music, guiding him along a path of constant study and discovery–from early blues, to gospel to jazz to rock & soul.

Some years later, after a serendipitous, last minute opening slot for Jools Holland–attended by Daptone Co-Founder, Neal Sugarman–the pair hit it off and plans for an album on Daptone were struck. Unfortunately, this happened to be a month before the COVID 19 pandemic shut down the world. Notwithstanding, Jalen eventually made it to Hive Mind Studios in Brooklyn, NY where he began writing and recording with the help of producer/arrangers Mike Buckley and Vincent Chiarito (both members of Charles Bradley’s Extraordinaires) and a crack team of a-list musicians from the Daptone family. The team skillfully blends heavy arrangements and introspective lyrics with motown sophistication, leaving the listener in a blissful wash of wonderment–culminating in quite possibly one of the finest soul albums of the decade.
SOUNDING ARROW

Sounding Arrow is the musical project by recording artist Scott Kinnebrew. The debut record Loving Is Breathing,  released in September 2017, is a call to life, love and the spirit of compassion.  While sitting comfortably in the contemporary Indie Folk genre, there is a patina to Sounding Arrow’s sound that’s indicative of earlier musical influences. Though a widely  celebrated recording, these songs have rarely been performed live.   It’s just since moving back to Asheville, NC from LA in 2020 that Kinnebrew began playing them again, having found a group of musicians that shared the right chemistry.

Scott Kinnebrew is a veteran recording artist and performer.  His band Truth & Salvage Co. released two records under the Megaforce Records banner and toured Nationally for years, headlining shows and supporting heavy hitters like The Black Crowes, The Avett Brothers, Levon Helm, Lynryd Skynrd, and Gov’t Mule. Before moving to Los Angeles in 2005 he led the long time local Asheville band Scrappy Hamilton.

Included with admission

Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.

Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.

Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!

Black Mountain College and Mexico (BMC/MX): Exhibition, Publication, and Public Programming

Black Mountain College (1933–1957), a small but remarkably influential liberal arts school in rural North Carolina, had important links to Mexico that until now have been little investigated. A crucible of twentieth-century creativity, BMC galvanized and inspired artists and intellectuals from around the world, while Mexico’s innovations and age-old traditions—in fine and applied arts, architecture, poetry, music, performance, and more—dovetailed with, and indeed drove, global impulses toward modernism and beyond. Among the many key BMC figures whose lives were importantly touched by experiences in Mexico were Anni and Josef Albers, Ruth Asawa, John Cage, Jean Charlot, Elaine de Kooning, Buckminster Fuller, Carlos Mérida, Robert Motherwell, Charles Olson, Clara Porset, M.C. Richards, and Aaron Siskind. In turn, engagements with BMC and its legacy have played a significant role in shaping contemporary approaches to art in Mexico, evident in the works of Jorge Méndez Blake, Iñaki Bonillas, Abraham Cruzvillegas, Jose Dávila, Gerda Gruber, Lake Verea, Gabriel Orozco, and Damián Ortega, among others.

The exhibition BMC/MX features works by these and other prominent contemporary Mexican artists alongside a selection of historic works by BMC artists, highlighting the ways in which ideas and modalities are translated across materials, space, and time.

Related programming, planned in collaboration with Mexican artists, features a series of public events, including a performance by artist (and BMC/MX co-curator) David Miranda to take place at Different Wrld; an exhibition visit (in Spanish and English) with BMC/MX Project Director Eric Baden; and a series of experiential art events in the BMCM+AC library.

The exhibition is accompanied by the book Black Mountain College and Mexico (forthcoming late summer 2023), which investigates the people, ideas, and practices linking BMC and Mexico during the life of the school, as well as resonances between BMC and the work of contemporary Mexican artists. With contributions by BMC/MX’s curators, as well as by artist Abraham Cruzvillegas, design scholar Ana Elena Mallet, and author and activist Margaret Randall, this fully illustrated volume brings new light to this complex and underexplored subject.

BMC/MX is an investigation into modes of communication—the arenas in which new ideas and alliances may come to be—between Black Mountain College and Mexico, between past and present, between form and idea.

About the Curators

BMC/MX’s Project Director Eric Baden is a photographer and from 1994 to 2022 was professor of photography at Warren Wilson College in Swannanoa, North Carolina. He is the founding director of photo+, a multidisciplinary arts event held in Asheville, North Carolina.

Artist and educator David Miranda is curator at the Museo Experimental El Eco (Universidad Nacional Autónoma de México, UNAM), and teaches at the Escuela Nacional de Pintura, Escultura y Grabado “La Esmeralda” in Mexico City.

Diana Stoll is an editor, writer and curator who works with institutions such as The Museum of Modern Art and the J. Paul Getty Museum. She has served as an editor at Aperture and Artforum magazines, and contributes writings to prominent arts publications.

Romare Bearden (Charlotte, NC 1911–1988 New York, NY), African American writer and artist, is renowned for his collages. He constantly experimented with various techniques to achieve his artistic goals throughout his career. This exhibition highlights works on paper and explores his most frequently used mediums, including screen-printing, lithography, hand-colored etching, collagraph, monotype, relief print, photomontage, and collage.

Bearden’s work reflects his improvisational approach to his practice. He considered his process akin to that of jazz and blues composers. Starting with an open mind, he would let an idea evolve spontaneously.

“Romare Bearden: Ways of Working highlights Bearden’s unique artistic practice and masterful storytelling through art,” says Pamela L. Myers, Executive Director of the Asheville Art Museum. “We are thrilled to collaborate with Jerald Melberg Gallery to present these extraordinary works on paper in conversation with Bearden’s collage Sunset Express, 1984 in the Museum Collection (on view in the Museum’s SECU Collection Hall). This exhibition will also provide a glimpse into the cultural histories and personal interests that influenced his art-making practice, and we hope it encourages introspection and dialogue with our visitors.”

Jerald Melberg states, “Romare Bearden’s groundbreaking artistic practice continues to captivate audiences worldwide. With an unparalleled legacy of creativity and innovation, Bearden’s contributions to art remain deeply influential years beyond his life.” We have enjoyed organizing this exhibition with the Asheville Art Museum to showcase his artistic genius and inspire visitors from the Western North Carolina region and beyond.”

This exhibition is made possible in part by the Judy Appleton Fund. Many thanks to the Jerald Melberg Gallery for the loan of these important artworks and to Mary and Jerald Melberg for their long-standing support of the arts, artists, and the Asheville Art Museum.

The Art of Food features works from important postwar artists, like Robert Rauschenberg, Roy Lichtenstein, John Baldessari, Wayne Thiebaud, Ed Ruscha, Andy Warhol, David Hockney, and Jasper Johns, alongside the work of contemporary artists, like Alison Saar, Lorna Simpson, Enrique Chagoya, Rachel Whiteread, and Jenny Holzer, among others. The Art of Food features more than 100 works in mediums that include drawings, paintings, photographs, prints, sculptures, and ceramics by 37 artists. Each artist has a unique means of depicting food in their work that, when seen alongside others, creates a nuanced representation of the complex place food holds in everyday life. Cross-historical resonances between artists in the exhibition spark novel meditations on food and its discontents, while speaking to a broad range of audiences.

Hosted by the Asheville Guitar Bar, a discussion series
provides deeper understanding and greater enjoyment of classic albums and recording
artists. Led by Asheville speaker, author and music journalist Bill Kopp, Music to Your Ears
is an interactive experience that shines a light on important music and people. Music to
Your Ears is a 90-minute conversation, held at the Guitar Bar, a music magnet in
Asheville’s historic River Arts District. The September 6 event is a listening party and
discussion focusing on Tapestry, the landmark 1971 album from Carole King.
Carole King was already a remarkably successful artist when she recorded her second solo
album, 1971’s landmark Tapestry. On her own and as part of a songwriting partnership with
Gerry Goffin, King was responsible for some of the most enduring pop music of the early sixties: her extensive credits include
writing or co-writing “Will You Love Me Tomorrow,” “The Loco-Motion,” “Up on the Roof” and scores of other classics.
King’s Tapestry was an exemplar of the burgeoning singer-songwriter movement, featuring remakes of two of her classics
(originally cut by other artists) and a batch of top-flight new songs like “It’s too Late” and “You’ve Got a Friend.” Close friend,
musical associate and like-minded artist James Taylor contributed to the album as well. Tapestry was met with universal critical
acclaim and massive sales worldwide, reaching the #1 spot in the U.S., Canada, Australia, Japan, Spain and elsewhere. Tapestry’s
influence and sustained impact are staggering: worldwide sales of the album have exceeded 30 million copies.

Announcing an opportunity to enjoy and appreciate Tapestry with fellow music lovers. The latest
in the popular Music to Your Ears discussion series will explore Carole King’s second solo album, as
well as its context and enduring importance. Bill Kopp will be joined by singer-songwriter Dulci
Ellenberger for an evening of listening and conversation about Carole King’s Tapestry. Dulci may
even sing and play a song or two. The evening is the latest installment of the popular “Music to Your Ears’ discussion series,
hosted by Asheville Guitar Bar and sponsored by AshevilleFM.
Join host and music journalist Bill Kopp for an evening in discussion with Dulci
Ellenberger about Carole King. We’ll listen to key tracks and encourage questions
from the audience.
ABOUT THE DISCUSSION SERIES
Music to Your Ears is Bill Kopp’s monthly discussion series hosted by Asheville Guitar Bar and co-sponsored by AshevilleFM.
On the first Wednesday of each month, music enthusiasts gather to discuss an important album, artist or musical movement. An
interactive evening, MTYE isn’t a lecture; it’s a discussion led by experts and designed to enrich the listening experience.
ABOUT DULCI ELLENBERGER (dulcisings.com)
Asheville-based singer-songwriter Dulci Ellenberger has recorded and performed with a wide variety of acts in many styles.
Formally trained and possessing deep experience as a musician, songwriter and performer, she settled in Asheville after years
touring internationally. Her work with Holy Ghost Tent Revival, Cowboy Judy and Fwuit! are among her highest-profile local
credits. A multi-instrumentalist and powerful yet nuanced and smooth vocalist, her concert calendar is a busy one, with dates
throughout the region. While she has her own inimitable style, Dulci proudly names Carole King as a major inspiration.
ABOUT BILL KOPP (blog.musoscribe.com)
With over 500 bylines in regional publications (Mountain Xpress, Bold Life, WNC Magazine and more), Asheville-based speaker,
author and music journalist is an acknowledged expert on popular music. Author of two books – Reinventing Pink Floyd: From
Syd Barrett to The Dark Side of the Moon and Disturbing the Peace: 415 Records and the Rise of New Wave – Bill Kopp writes
for publications across the country and abroad. A contributing editor at Goldmine Magazine, he has authored more than 30 album
liner note essays and conducted more than 1000 interviews. He regularly hosts discussions on artists and albums of historical
importance, and is a frequent guest on music-focused radio programs and podcasts.

Included with admission

Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.

Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.

Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!