This “theatrical landmark has transformed theater and the way we think about history” (The New York Times)

Hamilton is the story of America then, told by America now. Featuring a score that blends hip-hop, jazz, R&B and Broadway, Hamilton has taken the story of American founding father Alexander Hamilton and created a revolutionary moment in theatre—a musical that has had a profound impact on culture, politics, and education. With book, music, and lyrics by Lin-Manuel Miranda, direction by Thomas Kail, choreography by Andy Blankenbuehler, and musical supervision and orchestrations by Alex Lacamoire, Hamilton is based on Ron Chernow’s acclaimed biography. It has won Tony^®, Grammy^®, and Olivier Awards, the Pulitzer Prize for Drama, and an unprecedented special citation from the Kennedy Center Honors.

Official Website

Advanced Camp 1: June 13-17, 2022 – WAIT LIST

The African savannah comes to life on stage with Simba, Rafiki and an unforgettable cast of characters as they journey from Pride Rock to the jungle… and back again, in this inspiring, coming-of-age tale.

All campers will receive two tickets for each Friday show (3pm and 5pm). The campers stay after the 3pm show for a CAST pizza party between showings, and will go home at the conclusion of the 5pm show on Friday.

Camps run Monday-Friday, 9am -3pm
(The Performance and Competition Team is 10am-4pm.)

Shipwrecks! Betrayals! Romance! Mistaken identities and switcheroos! Magic! A tipsy sea monster! This Shakespearean comedy has everything!

Rehearsals for “The Tempest” will be from 11am-4pm Mondays, Wednesdays and Fridays starting June 13, and performances will be July 1-3 and July 8 & 9.

Asheville Area Arts Council funding helps support Moppets after-school program

Taught by Artistic Director Ashleigh Goff and veteran Moppet Eli Hamilton, the class is our first-ever partnership with the City of Asheville. Students in the after-school program are learning basic theater skills and building their self-confidence in a fun and welcoming environment. The program will culminate in a showcase performance for the students’ peers and families.

“One of our overarching goals is to introduce more kids to classical theater, wherever they are,” Moppets Executive Director Rachel Cort said. “This funding helps us to take a big step toward that goal. We are incredibly grateful to the Asheville Area Arts Council for supporting the Moppets and aspiring young actors in our community.”

When his husband dies, Remy Washington, a Black man, finds himself both the owner of a drive-in movie theater and a caregiver to his late husband’s straight, white teenage son, Peter, who goes by “Pup”. United by their love of classic American monster movies, the two have developed a warm and caring familial chemistry – but their relationship fractures when Remy discovers Pup and his friends have been bullying a gay teen at his school. Told through dueting monologue and playful dialogue, “Monsters of the
American Cinema” is a haunting and humorous tale about fathers and sons, ghosts, and the monsters we battle in the world and within ourselves.

Georgia O’Keeffe performed by Leslie Goddard

Georgia O’Keeffe was an independent woman who broke the rules and forged her own unique place in the world of arts. Her style is familiar from the bold, miraculous canvases that gave rise to her legend. Her face is familiar for the astonishing Alfred Stieglitz photographs that captured her wisdom and haunting beauty.

Her innovative impressionist images challenged perceptions and constantly evolved. She not only painted the world around her, she created a world where gigantic brilliant flowers and cow skulls; cavernous valleys and haunting skylines; parched deserts and wide skies, and even the artist herself achieve their undisputed domain. Through her vision, they grew large to cover the canvas and expand to become another world.

She not only created art; she created a world.

 Cost: Free |  outdoors, bring lawn seating

The Fangmeyer Theatre at HART
Directed by Julie Kinter

See the play that inspired the movie we all know and love, Steel Magnolias. Step into Truvy’s Beauty Salon in Chinquapin, Louisiana, where all the ladies who are “anybody” come to get their hair done. The story follows six uniquely southern women over the course of three years as they form friendships as strong as steel. When tragedy strikes, this group of women draw on their underlying strength—and love—leaving the audience with a truly touching story by turns hilarious and poignant. “You have no idea how wonderful you are,” M’Lynn tells the ladies at the end of the play. Truvy responds, with a smile, “Of course we do.”

Suitable for all audiences.

Red, White and Tuna is supported by the North Carolina Arts Council, a division of the Department of Natural and Cultural Resources, and the Community Foundation of Henderson County.

Directed by Hendersonville Theater’s Beth Bristol, performers Jonathan Forrester and Victoria Lamberth play 20 quirky characters of both genders and various ages. These memorable characters include matronly ladies, cowboy disc jockeys, hippies, and a dozen other memorable, unique characters all wrapped up in politics, relationships, and gossip.

“It’s just one of the funniest plays I’ve ever worked on,” said director Beth Bristol. “And between the absolute hilarity of the script and Jonathan’s and Victoria’s antics, I can barely keep a straight face during rehearsals. They’re the perfect pair to pull off this type of zany comedy.”

Bristol returns to HT to direct her third comedy on the Hendersonville stage. She previously directed The Foreigner and Moonlight and Magnolias. She was last seen on the HT stage in 2018 in Rumors. Bristol has been a teacher for 16 years for Henderson County Public Schools.

Victoria Lamberth is an actor, director and writer who lives in Hendersonville. Victoria started acting in middle school, and she has acted professionally in Nashville, Los Angeles and Memphis. Her last appearance on the HT stage was as Barbara in August: Osage County. When she is not onstage, Lamberth is employed as Artistic Director of HT.

Jonathan Forrester has been acting, directing and stage managing for over 20 years. Forrester directed Always a Bridesmaid in 2021. Forrester is the Life Enrichment Coordinator for Trinity View Senior Living Community in Arden and serves on HT’s board of directors.

Parental guidance is suggested due to references to alcohol and smoking, adult situations and language, some of which may be considered blasphemous. Showtimes are 7:30 PM on Fridays and Saturdays and 3 PM on Sundays. Hendersonville Theater has made masks optional for patrons, but volunteers, staff and performers are fully vaccinated. No proof of vaccination is required to attend a performance.

MIDSUMMER FOR HATERS!

A Collaboration with Nemesis Theatre Company
Directed by Melon Wedick

Shakespeare’s beloved classic gets a new treatment by the people who can’t stand it, resulting in a kidnapped Amazon, mystified mortals, sadistic fairies, and mechanicals gone wild! Will any of them survive four nights in the magic forest?

There are two versions of the cast for this show. The two casts are listed below. The cast won’t know which of the two versions they’re presenting until the show starts for each performance! If you’re interested in seeing a particular actor in a specific role, please contact us at [email protected].

Cast A:
Helena – Christine Hellman
Hermia – Lauren Otis
Demetrius – Jon Stockdale
Lysander – Daniel Henry
Titania – Alexander McDonald
Oberon – Erin McCarson
Ensemble A – Molly Graves, Zak Hamrick, Christine Hellman, Katie Jones, Haven Volpe, Paul Vonasek

Cast B:
Helena – Christine Hellman
Hermia – Molly Graves
Demetrius – Alexander McDonald
Lysander – Paul Vonasek
Titania – Lauren Otis
Oberon – Jon Stockdale
Ensemble B is Zak Hamrick, Christine Hellman, Daniel Henry, Katie Jones, Erin McCarson, Haven Volpe

Welcome to Tuna, where the Lion’s Club is too liberal and Patsy Cline never dies. It’s the Fourth of July and time for the Tuna High School Reunion! Two comedic actors ignite the stage with over 20 polyester-clad characters from Texas’ third smallest town. Full of fireworks, fun, and gossip, this loving send-up of rural America is full of memorable characters and hilarious spoofs.

By Ed Howard, Joe Sears, and Jaston Williams

DIRECTED BY BETH BRISTOL

Welcome to Tuna, where the Lion’s Club is too liberal and Patsy Cline never dies. It’s the Fourth of July and time for the Tuna High School Reunion! Two comedic actors ignite the stage with over 20 polyester-clad characters from Texas’ third smallest town. Full of fireworks, fun, and gossip, this loving send-up of rural America is full of memorable characters and hilarious spoofs.

by Rick Cummins & John Scoullar book by Antoine de Saint-Exupéry Directed by Jason Williams Opening 6/10/2022 – 7/9/2022

This “theatrical landmark has transformed theater and the way we think about history” (The New York Times)

Hamilton is the story of America then, told by America now. Featuring a score that blends hip-hop, jazz, R&B and Broadway, Hamilton has taken the story of American founding father Alexander Hamilton and created a revolutionary moment in theatre—a musical that has had a profound impact on culture, politics, and education. With book, music, and lyrics by Lin-Manuel Miranda, direction by Thomas Kail, choreography by Andy Blankenbuehler, and musical supervision and orchestrations by Alex Lacamoire, Hamilton is based on Ron Chernow’s acclaimed biography. It has won Tony^®, Grammy^®, and Olivier Awards, the Pulitzer Prize for Drama, and an unprecedented special citation from the Kennedy Center Honors.

Official Website

2022 Season will offer Rootabaga Express! on Thursday and Saturday mornings at 10:15 am. Celebrate 100 years of Rootabaga this summer! Published in 1922, the “Rootabaga Stories” have entertained readers and audiences of all ages for 100 years. Use the links at the bottom to read a story or watch part of a play. The Sandburg Summer Stage is a series of free public performances. These 30-minute programs feature the cast and directors from The Vagabond School of the Drama, an apprentice program of the Flat Rock Playhouse. Performances are held rain or shine, at the park amphitheatre near the Front Lake. Rootabaga Express! Carl Sandburg created his own version of American fairy tales when he published Rootabaga Stories (1922) and Rootabaga Pigeons (1923). He replaced the European fairy tale cast of princes, princesses, castles and kingdoms with icons American children would recognize — taxi-drivers, movie actors, skyscrapers, prairies and automobiles. Rootabaga Express! brings the stories of the Five Rusty Rats, Bimbo the Snip and more to life.You’ll meet new characters and journey farther into the Village of Liver and Onions and Sandburg’s imagination than ever before.The 30-minute shows are appropriate for all ages and held rain or shine. These shows are supported by the Flat Rock Playhouse and the Park Store, operated by America’s National Parks. Apprentice actors from the Flat Rock Playhouse have performed adaptations of Sandburg’s works for park visitors since 1974. Using Sandburg’s own words from his collections of children’s stories, poetry, collected music, biography of Abraham Lincoln and his own autobiography, the performances provide visitors with a sense of the scope of his work and imagination. Sandburg was an expert storyteller, and easily wove important messages of fairness, empathy and social justice into his writings. Whatever play you are able to attend you will walk away with a smile on your face and a better understanding of the legacy of Carl Sandburg.

No shows June 30 and July 2.

This “theatrical landmark has transformed theater and the way we think about history” (The New York Times)

Hamilton is the story of America then, told by America now. Featuring a score that blends hip-hop, jazz, R&B and Broadway, Hamilton has taken the story of American founding father Alexander Hamilton and created a revolutionary moment in theatre—a musical that has had a profound impact on culture, politics, and education. With book, music, and lyrics by Lin-Manuel Miranda, direction by Thomas Kail, choreography by Andy Blankenbuehler, and musical supervision and orchestrations by Alex Lacamoire, Hamilton is based on Ron Chernow’s acclaimed biography. It has won Tony^®, Grammy^®, and Olivier Awards, the Pulitzer Prize for Drama, and an unprecedented special citation from the Kennedy Center Honors.

Official Website

When his husband dies, Remy Washington, a Black man, finds himself both the owner of a drive-in movie theater and a caregiver to his late husband’s straight, white teenage son, Peter, who goes by “Pup”. United by their love of classic American monster movies, the two have developed a warm and caring familial chemistry – but their relationship fractures when Remy discovers Pup and his friends have been bullying a gay teen at his school. Told through dueting monologue and playful dialogue, “Monsters of the
American Cinema” is a haunting and humorous tale about fathers and sons, ghosts, and the monsters we battle in the world and within ourselves.

The Fangmeyer Theatre at HART
Directed by Julie Kinter

See the play that inspired the movie we all know and love, Steel Magnolias. Step into Truvy’s Beauty Salon in Chinquapin, Louisiana, where all the ladies who are “anybody” come to get their hair done. The story follows six uniquely southern women over the course of three years as they form friendships as strong as steel. When tragedy strikes, this group of women draw on their underlying strength—and love—leaving the audience with a truly touching story by turns hilarious and poignant. “You have no idea how wonderful you are,” M’Lynn tells the ladies at the end of the play. Truvy responds, with a smile, “Of course we do.”

Suitable for all audiences.

Red, White and Tuna is supported by the North Carolina Arts Council, a division of the Department of Natural and Cultural Resources, and the Community Foundation of Henderson County.

Directed by Hendersonville Theater’s Beth Bristol, performers Jonathan Forrester and Victoria Lamberth play 20 quirky characters of both genders and various ages. These memorable characters include matronly ladies, cowboy disc jockeys, hippies, and a dozen other memorable, unique characters all wrapped up in politics, relationships, and gossip.

“It’s just one of the funniest plays I’ve ever worked on,” said director Beth Bristol. “And between the absolute hilarity of the script and Jonathan’s and Victoria’s antics, I can barely keep a straight face during rehearsals. They’re the perfect pair to pull off this type of zany comedy.”

Bristol returns to HT to direct her third comedy on the Hendersonville stage. She previously directed The Foreigner and Moonlight and Magnolias. She was last seen on the HT stage in 2018 in Rumors. Bristol has been a teacher for 16 years for Henderson County Public Schools.

Victoria Lamberth is an actor, director and writer who lives in Hendersonville. Victoria started acting in middle school, and she has acted professionally in Nashville, Los Angeles and Memphis. Her last appearance on the HT stage was as Barbara in August: Osage County. When she is not onstage, Lamberth is employed as Artistic Director of HT.

Jonathan Forrester has been acting, directing and stage managing for over 20 years. Forrester directed Always a Bridesmaid in 2021. Forrester is the Life Enrichment Coordinator for Trinity View Senior Living Community in Arden and serves on HT’s board of directors.

Parental guidance is suggested due to references to alcohol and smoking, adult situations and language, some of which may be considered blasphemous. Showtimes are 7:30 PM on Fridays and Saturdays and 3 PM on Sundays. Hendersonville Theater has made masks optional for patrons, but volunteers, staff and performers are fully vaccinated. No proof of vaccination is required to attend a performance.

MIDSUMMER FOR HATERS!

A Collaboration with Nemesis Theatre Company
Directed by Melon Wedick

Shakespeare’s beloved classic gets a new treatment by the people who can’t stand it, resulting in a kidnapped Amazon, mystified mortals, sadistic fairies, and mechanicals gone wild! Will any of them survive four nights in the magic forest?

There are two versions of the cast for this show. The two casts are listed below. The cast won’t know which of the two versions they’re presenting until the show starts for each performance! If you’re interested in seeing a particular actor in a specific role, please contact us at [email protected].

Cast A:
Helena – Christine Hellman
Hermia – Lauren Otis
Demetrius – Jon Stockdale
Lysander – Daniel Henry
Titania – Alexander McDonald
Oberon – Erin McCarson
Ensemble A – Molly Graves, Zak Hamrick, Christine Hellman, Katie Jones, Haven Volpe, Paul Vonasek

Cast B:
Helena – Christine Hellman
Hermia – Molly Graves
Demetrius – Alexander McDonald
Lysander – Paul Vonasek
Titania – Lauren Otis
Oberon – Jon Stockdale
Ensemble B is Zak Hamrick, Christine Hellman, Daniel Henry, Katie Jones, Erin McCarson, Haven Volpe

Welcome to Tuna, where the Lion’s Club is too liberal and Patsy Cline never dies. It’s the Fourth of July and time for the Tuna High School Reunion! Two comedic actors ignite the stage with over 20 polyester-clad characters from Texas’ third smallest town. Full of fireworks, fun, and gossip, this loving send-up of rural America is full of memorable characters and hilarious spoofs.

By Ed Howard, Joe Sears, and Jaston Williams

DIRECTED BY BETH BRISTOL

Welcome to Tuna, where the Lion’s Club is too liberal and Patsy Cline never dies. It’s the Fourth of July and time for the Tuna High School Reunion! Two comedic actors ignite the stage with over 20 polyester-clad characters from Texas’ third smallest town. Full of fireworks, fun, and gossip, this loving send-up of rural America is full of memorable characters and hilarious spoofs.

by Rick Cummins & John Scoullar book by Antoine de Saint-Exupéry Directed by Jason Williams Opening 6/10/2022 – 7/9/2022

This “theatrical landmark has transformed theater and the way we think about history” (The New York Times)

Hamilton is the story of America then, told by America now. Featuring a score that blends hip-hop, jazz, R&B and Broadway, Hamilton has taken the story of American founding father Alexander Hamilton and created a revolutionary moment in theatre—a musical that has had a profound impact on culture, politics, and education. With book, music, and lyrics by Lin-Manuel Miranda, direction by Thomas Kail, choreography by Andy Blankenbuehler, and musical supervision and orchestrations by Alex Lacamoire, Hamilton is based on Ron Chernow’s acclaimed biography. It has won Tony^®, Grammy^®, and Olivier Awards, the Pulitzer Prize for Drama, and an unprecedented special citation from the Kennedy Center Honors.

Official Website

This “theatrical landmark has transformed theater and the way we think about history” (The New York Times)

Hamilton is the story of America then, told by America now. Featuring a score that blends hip-hop, jazz, R&B and Broadway, Hamilton has taken the story of American founding father Alexander Hamilton and created a revolutionary moment in theatre—a musical that has had a profound impact on culture, politics, and education. With book, music, and lyrics by Lin-Manuel Miranda, direction by Thomas Kail, choreography by Andy Blankenbuehler, and musical supervision and orchestrations by Alex Lacamoire, Hamilton is based on Ron Chernow’s acclaimed biography. It has won Tony^®, Grammy^®, and Olivier Awards, the Pulitzer Prize for Drama, and an unprecedented special citation from the Kennedy Center Honors.

Official Website

The Fangmeyer Theatre at HART
Directed by Julie Kinter

See the play that inspired the movie we all know and love, Steel Magnolias. Step into Truvy’s Beauty Salon in Chinquapin, Louisiana, where all the ladies who are “anybody” come to get their hair done. The story follows six uniquely southern women over the course of three years as they form friendships as strong as steel. When tragedy strikes, this group of women draw on their underlying strength—and love—leaving the audience with a truly touching story by turns hilarious and poignant. “You have no idea how wonderful you are,” M’Lynn tells the ladies at the end of the play. Truvy responds, with a smile, “Of course we do.”

Suitable for all audiences.

When his husband dies, Remy Washington, a Black man, finds himself both the owner of a drive-in movie theater and a caregiver to his late husband’s straight, white teenage son, Peter, who goes by “Pup”. United by their love of classic American monster movies, the two have developed a warm and caring familial chemistry – but their relationship fractures when Remy discovers Pup and his friends have been bullying a gay teen at his school. Told through dueting monologue and playful dialogue, “Monsters of the
American Cinema” is a haunting and humorous tale about fathers and sons, ghosts, and the monsters we battle in the world and within ourselves.