Jack of the Wood : Sunday-Irish Session 

Sundays

1 till who knows when?

Traditional Irish music is kept alive at Jack of the Wood with our unplugged Sunday session.

Jack of the Wood

95 Patton ave

Asheville, NC 28801

(828) 252.5445

http://www.jackofthewood.com/

Fun for All Ages!

The Billy Jonas Band loves to engage and delight both young and adult audiences. Whether performing for adults, families, school groups, faith communities, or a mix, they strive for a musical excellence that inspires, entertains, and moves people literally and figuratively. With “wild winded word magic” (Dirty Linen Magazine), homemade “industrial re-percussion” instruments, exquisite 3 and 4 part vocal harmonies, plus guitar and bass, they love to create community through song and story. Their specialty: finding and pushing your “wonder” button.

In 2010, the Billy Jonas Band was honored with a performance at the White House!

The last of our 3 Fringe Summer Nights will have pop up performances, Asheville Fringe announcements, cold beverages and weirdo camaraderie. Join us!
Featuring:
Strange Daughters Butoh
The Accidentals
Justin Evans

Donations go to artists. Donate to Asheville Fringe at https://app.arts-people.com/index.php?donation=afs

Join us for Black Mountain’s original Sunday Jam! Hosted by Spiro and Friends, this jam features original jams and favorite covers. Bring your instrument! Sign-ups at the stage starting at 6 PM!

Pisgah Beer, Gluten Free and N/A options available. Family and dog friendly venue.

The taproom is open from 2:00 to 9:00 PM with music beginning at 6:30 PM.

Some ask: “What is the sound of one hand clapping?” Billy Jonas asks: “What is the sound of 600 sets of keys jingling on the downbeat?”

Music enthusiasts of all ages are in for a treat as The Grey Eagle and Worthwhile Sounds join forces to bring a sensational pairing: BJ & BJ (Billy Jonas & BJ Leiderman) to Grey Eagle Music Hall on Sunday, August 20. The doors will open at 7:00 PM, and the show will begin at 7:30 PM. Additionally there’s a 4pm back-to-school “family show” with the Billy Jonas Band, bidding farewell to Sherman Hoover, The BJB bassist for 14 years.

Billy Jonas, an acclaimed performer, singer-songwriter, composer, multi-instrumentalist, and educator creates a soul-spelunking, heart healing, and joy-filled journey. With his captivating blend of voice, guitar, and “industrial re-percussion” (found, foraged, and homemade instruments), Jonas inspires audience participation and invites an atmosphere of ecstatic connectedness.

BJ Leiderman shares the evening stage, and is the award-winning composer, renowned for his unforgettable theme music on Public Radio. With his debut album “BJ,” BJ Leiderman will serenade the crowd with original songs and cherished cover tunes. His crowd-pleasing medley of beloved Public Radio themes promises to delight listeners of all ages.

– ALL AGES

AJJ Tickets | Asheville, NC | Grey Eagle Music Hall (etix.com)

– STANDING ROOM ONLY

AJJ
AJJ frontman Sean Bonnette can summarize the band’s new album, Good Luck Everybody, in a single sentence: “Sonically, it’s our least punk record, and lyrically, it’s our most punk record.”

And indeed, Good Luck Everybody (January 17, 2020), the Arizona band’s seventh album, stands out in their already diverse catalog. While still rooted in the folk-punk sound AJJ has become known for, the album is unafraid to delve into new territories that test the limits of what the band is capable of.

“I think it explores some of the weirder sides of AJJ, the more experimental leanings that we’ve had in the past,” says bassist Ben Gallaty. Good Luck Everybody draws from a wealth of sonic inspirations, from Laurel Canyon folk-rock of the 60s and 70s to avant garde artists like Suicide, as well as some orchestral pop. There is even a piano ballad, the tragic “No Justice, No Peace, No Hope.”

Lyrically, Good Luck Everybody is a change of pace from the idiosyncratic songwriting style Bonnette has honed over more than 15 years fronting AJJ. It still features his wonderfully weird turns of phrase and oddball word pairings, but this time, his thematic lens is more directly focused on the inescapable atrocities of the world around him. Longtime fans will recognize the album’s social commentary as a return to their 2011 release, Knife Man, but this time it’s fueled by a more radical urgency.

“I usually try for a timeless effect in songwriting, so that you can hear a song and generally not think about the context under which it was written,” says Bonnette. “But for this one, I was trying to write, and all the bad political shit just kept invading my brain and preventing me from writing that way. So I decided to fully embrace it and exorcise that demon.”

Much like Woody Guthrie and Phil Ochs pulled their songs straight from newspaper headlines, Good Luck Everybody feels like a long scroll through social media feeds on a particularly volatile day.

with special guests….

OPEN MIKE EAGLE
SAD PARK
FOOT OX

LEAF isn’t just for kids! Join us in the Mezzanine while you wait for your youth to finish their class or just to hang out!

Nina Rao and Aditi Sethi are both practitioners on the path of Bhakti Yoga where chanting of Sanskrit mantras is an expression of longing for the Divine in all hearts, and celebrating the One Love!

Nina Rao learned traditional chants from her grandfather in a village in south India when she nine years old. The chants quietly stayed with her until she rediscovered chanting with Krishna Das in New York in 1996. In 1998 she met her guru, Sri Siddhi Ma in the foothills of the Himalayas and spent time with her regularly for 19 years. For many years Nina has been Krishna Das’ business manager and accompanies him musically as well. She has released two albums Antarayaami and Anubhav and regularly leads kirtan, workshops, and retreats in her hometowns of Brooklyn & New Paltz, New York. She is also founder and chairwoman of non-profit Saving Wild Tigers which supports conservation of wild tigers and all species in their natural habitat in India. In addition, she hosts a podcast series on the Be Here Now Network exploring spirituality, practice, and conservation of wilderness and Nature. NinaRaoChant.com

As a child under the guidance of her parents and grandparents from India, Aditi began offering devotional music from the Sikh and Hindu traditions to her community. More recently, she studied Indian devotional and classical music with her teacher, Krishna Kant Shukla, who lives in Varnasi, India. She has been living in the Asheville area since 2008 and has offered kirtan to her local community with Jojo Silverman, Scott Sheerin, and others. As a hospice physician and end-of-life-doula, she values the power of mantra to focus the mind, open the heart and expand consciousness. aditimusic.com

Tickets are: $25 Advance. $30 at door

We view our Open Mic as a service to the community, providing performance opportunities for musicians who rarely get to play on a nice stage. We like to provide opportunities for community members to come enjoy live music for FREE at least once a week, and sometimes more than once a week.

You’ll hear a variety of wonderfully talented folks on their way up. You never know what you’ll hear… original songs, covers, guitar, piano….. and often something quite surprising.

Each performer gets 15 minutes or three songs.

Our Open Mic has been so popular that we typically have more folks wanting to perform than we’ve had room for. After consulting with some of our regular attendees and participants we want to make sure that everyone has a fair chance to perform on stage.

So we are trying out a new process and it seems to be very popular.

We’ve expanded the number of available performance slots to 10 per night.

• Note: There are actually 12 spots on the list each night. . The host of Open Mic is spot 1, and the owner of White Horse (Bob Hinkle) is spot 3. That leaves 10 available spots to be drawn from the hat.

In place having folks lineup in advance for the signup list, we now pull names out of a hat.

We suggest that those desiring to perform on stage arrive prior to 6:30pm.

When you arrive, check in with the bartender and they will give you a piece of paper where you will write your name and drop it into “the hat”

Sometime between 6:30 and 6:45, the bartender will announce that the names are being drawn.  You must be present when the names are drawn to confirm your participation. Participants will be added to the nights performer list in the order in which they are drawn.

Any names left in the hat that do not make the performer list for the night , are automatically put first on the list for the following week. PLUS…. they get a free bottle of beer or soft drink “on the house” as a thank you for their patience and support of fellow musicians.

Rachel Watson longs for a different life. Her only escape is the perfect couple she watches through the train window every day, happy and in love. Or so it appears. When Rachel learns that the woman she’s been secretly watching has suddenly disappeared, she finds herself as a witness and even a suspect in a thrilling mystery in which she will face bigger revelations than she could ever have anticipated. Based on the bestselling novel by Paula Hawkins and DreamWorks film.

*Adult language and content. Parental discretion advised.

Rachel Watson longs for a different life. Her only escape is the perfect couple she watches through the train window every day, happy and in love. Or so it appears. When Rachel learns that the woman she’s been secretly watching has suddenly disappeared, she finds herself as a witness and even a suspect in a thrilling mystery in which she will face bigger revelations than she could ever have anticipated. Based on the bestselling novel by Paula Hawkins and DreamWorks film.

*Adult language and content. Parental discretion advised.

Cole Ritter & The Night Owls + Vaden Landers Tickets | Asheville, NC | Grey Eagle Music Hall (etix.com)

You don’t know Jai Wolf like you think you do. After hundreds of millions of streams on indie-dance anthems like “Indian Summer” and “Starlight,” blockbuster festival sets from Indio to India, and co-signs from the likes of Skrillex and ODESZA, it’s clear from the opening notes of Jai Wolf’s long-awaited debut album The Cure to Loneliness that he sees the expectations around his name as an opportunity to challenge convention.

The Cure to Loneliness finds Jai Wolf completing his evolution from upstart bedroom remixer to future bass DJ to builder of lush musical worlds. While still very much dancefloor-focused, some tracks on the LP conjure the angular riffage of The Strokes and Phoenix, weave melodies through the sugary happysad of M83 and CHVRCHES, or build up walls of sound like Explosions in the Sky — all while maintaining the melodious polish and evocative groove to which fans have grown so close.

“In my heart, this album is me,” says Jai Wolf. “From the sounds to the lyrics, it’s everything that I’ve always wanted to do.” Taking a different approach to many of his contemporaries under the wing of indie darling label Mom+Pop (Courtney Barnett, Flume, Jagwar Ma, Alina Baraz), Jai Wolf largely eschewed singles over the course of two years to patiently craft The Cure to Loneliness. The result is a thoughtfully framed, confidently expressed musical vision that will tug at heartstrings in 2019 and long beyond.

The Cure to Loneliness is available everywhere now.