Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.

Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.

Thursday, September 14, 2023
Public Tour: The Art of Food
Sep 14 @ 6:00 pm – 7:00 pm
Asheville Art Museum
Friday, September 15, 2023
Applications open: 2024 Asheville Fringe Arts Festival
Sep 15 all-day
online w/ Asheville Fringe Arts

APPLICATIONS OPEN NOW!

Do you have a boundary-pushing, innovative performance piece, short film or installation that you’re ready to share?

We will open applications for the film portion of the festival in fall 2023. Films must be submitted via FilmFreeway. Our application fee for films is $5.


NOW CONSIDERING WORKS OF ALL KINDS

We accept live performances from 5 to 60 minutes in length, plus installations and films. We’re open to other types of performance as well – let’s talk! Depending on its length, your piece may be grouped with another show, or scheduled as a Random Act of Fringe. RAFs are free and open to the public, and artists receive a stipend for their performance, rather than relying on door sales.

Typically each artist with a ticketed show gets 2 performances. But in 2024, we’re exploring the option of giving a few shows 3 performances, at select venues only. Our venues range from 20-80 person capacity.

1. FRINGE SHOT

A piece that is
5-15 minutes long

May be paired with another performance, or be selected as a free Random Act of Fringe.

2. SHORT FORM

A piece that is
20-40 minutes long

May be paired with another show.

3. FULL-LENGTH

A piece that is
45-60 minutes long

Ticketed theater-style show.

4. INSTALLATION

A piece that is
Site-specific (any length)

May be in an unusual location, or repeated many times. May be seen by as few as one person at a time.

5. FILM

A piece that is
Designed specifically for film.

May be of any genre & length. Could be combined with other films for a showcase or film night.
Submit on Film Freeway Fall 2023

3. THE ASHEVILLE FRINGE ARTS FESTIVAL IS A JURIED FESTIVAL.

We carefully review each and every submission. You’ll know by late October if your piece is selected. Should your piece get selected, there is a $35 participation fee.

ReStore ReUse Contest
Sep 15 all-day
online

The local ReStore ReUse Contest is officially open for
submissions. Now through September 30, residents can show off their creativity and talent for
a chance to win in the 12 th annual contest. Fabulous furniture make-overs, remarkable
renovations, or unique yard art…if you recently took on a DIY project using predominantly
reused building materials, the Asheville Habitat ReStore wants to know. There are five
categories this year plus Best in Show, and all entries must be submitted electronically. For
guidelines and entry form, visit ashevillehabitat.org/restore .

The creativity of this community never ceases to amaze. Past projects have included a fence
fashioned from doors, a potting bench built from pallets, a wine bar made from a vintage
console radio, a chair constructed from an oil drum, and so much more. To see photos from
2022, click here.
A panel of five judges will select winners in the following categories: Furniture, Homesteading,
Live/Work Space, Home Décor, Art + Best in Show. Winners will be announced in mid-
October.

Biltmore Estate: Ciao! From Italy Sculptural Postcard Display
Sep 15 @ 8:30 am
Biltmore Estate

Included with admission

Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.

Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.

Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!

Creekside Play @ Hickory Nut Gap Farm
Sep 15 @ 10:00 am – 5:00 pm
Hickory Nut Gap Farm

STATIONARY FUN – Creekside play area has a treehouse and wee slide ➤ The Big Barn has our Sound Silo full of instruments to play on and make noise, trikes on the trike track around a REAL tractor and cornhole boards(ask the staff for bags) ➤ On the grassy slope behind the Big Barn we’ve got our famous and fast culvert tunnel slides for all ages, hammocks on the hill and tetherball!

Availability: All stationary fun is available every day during business hours of 10-5, starting September 2nd, through the rest of the season- tetherball will be back in action starting September 6th!

ANIMALS TO SEE – We will have a brooder house full of chicks in various ages and stages all season, there will typically be mama pigs and piglets in agritourism pens on the hill, more rarely there will be grazing cattle in a nearby field.

FOOD TRUCK SCHEDULE

9/2 Sat  11-4 Fern Leaf CCS Food Truck

9/16 Sat 11-4 Milk & Honey Food Truck – they will be serving HNG beef for their all-American burger!

9/24 Sun 11-4 *Big Barn Market* Root Down Farm Food Truck

9/30 Sat 11-4 Milk & Honey Food Truck

10/7 Sat 11-4 Fern Leaf CCS Food Truck

10/14 Sat 11-4 Milk & Honey Food Truck

10/15 Sun 11-4 El Bodegon Food Truck

10/22 Sun 11-4 El Bodegon Food Truck

10/29 Sun 11-4 *Big Barn Market* Grush’s Cajun Dino Grill Food Truck

11/4 Sat 11-4 Fern Leaf CCS Food Truck

FALL SEASONAL OFFERINGS

APPLES – Our partners in Edneyville, NC, Lyda Farms, bring some of the best in the region. Local and low spray, folks come every year to get the best of fall in NC by the bag to bake, stew, butter, sauce and of course, crunch into while sitting on the farm.

Availability: Apples will be available to buy starting September 9th, they will typically run out Mid to late October.

FRESH PRESSED CIDER – We press fresh apple cider every year, comprised of our historical orchard apples on the Old Sherrill’s Inn property and apples from our partner Lyda Farms. This is a raw, unpasteurized product – delicious and changeable as the season, no added sugar or seasonings.

Availability: 1st pressing September 13th, bottled cider will be in the store for purchase September 14th!

JACKOLANTERN PUMPKINS – We work with several WNC veggie farmers in the area, including Hawkins Farms. We’ll have pumpkins arranged all around the Farm Store to display their beauty AND make sure you get *just the right one*. The seeds are dynamite when roasted, too…

Availability: Coming Mid-September, they will typically run out by end of October so make sure you get yours! 

EDIBLE SQUASH & DECORATIVE GOURDS – From Mr. Anthony Cole’s farms, we have some long-lasting festive gourds to decoarate for the season, and a broad variety of edible squashes and pumpkins perfect for pies, soups and pasta.

Availability: Coming Mid-September.

Exhibition: NEO MINERALIA
Sep 15 @ 10:00 am – 6:00 pm
Center for Craft

Photo credit:

Sae Honda. Courtesy of the Artist.

NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.

NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.

The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.

Exhibition: Something earned, Something left behind
Sep 15 @ 10:00 am – 6:00 pm
Center for Craft

Photo credit:

J Diamond, “Pony II,” 2022. Courtesy of the Artist

Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.

Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.

Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.

Exhibition: Crafting Denim
Sep 15 @ 10:00 am – 6:00 pm
Center for Craft

Photo credit:

Photograph by Bowery Blue Makers

Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.

A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.

Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.

Beyond the Lens: Photorealist Perspectives on Looking, Seeing, and Painting
Sep 15 @ 11:00 am – 6:00 pm
Asheville Art Museum

Throughout the history of painting from the mid-19th century forward, artists have used an

endless variety of approaches to record their world. Beyond the Lens: Photorealist Perspectives on Looking, Seeing, and Painting continues this thread, offering an opportunity to explore a singular and still forceful aspect of American art. Photorealism shares many of the approaches of historical and modernist realism, with a twist. The use of the camera as a basic tool for organizing visual information in advance of painterly expression is now quite common, but Photorealists embraced the camera as the focal point in their creative process.

Beyond the Lens presents key works from the collection of Louis K. and Susan Pear Meisel,

bringing together paintings and works on paper dating from the 1970s to the present to focus on this profoundly influential art movement. The exhibition includes work by highly acclaimed formative artists of the movement such as Charles Bell, Robert Bechtle, Tom Blackwell, Richard Estes, Audrey Flack, and Ralph Goings as well as paintings by the successive generations of Photorealist artists Anthony Brunelli, Davis Cone, Bertrand Meniel, Rod Penner, and Raphaella Spence. Featured artworks in the exhibition include diverse subject matters, but the primary focus is on the common and every day: urban scenes, “portraits” of cars, trucks, and motorcycles, still life compositions using toys, food, candy wrappers, and salt and pepper shakers. All provide opportunities for virtuoso studies in how light, reflection, and the camera as intermediary shapes our perception of the material world.

This multigenerational survey demonstrates how the 35-mm camera, and later technological

advances in digital image-making, informed and impacted the painterly gesture. Taken together, the paintings and works on paper in Beyond the Lens show how simply spellbinding these virtuosic works of art can be.

Beyond the Lens offers a fascinating look into the Photorealism movement and delves into the profound connection between the artists’ observation and creative process,” says Pamela L. Myers, Executive Director of Asheville Art Museum. “We are delighted to present this curated collection of artworks encapsulating the creative vision and technical precision that defines this artistic genre.”

Photorealism found its roots in the late 1960s in California and New York, coexisting with an explosion of new ideas in art-making that included Conceptual, Pop, Minimalism, Land and Performance Art. At first, representational realism coexisted with the thematic and conceptual explosion but was eventually relegated to the margins regarding critical and curatorial attention. Often misunderstood and sometimes negatively criticized or lampooned as a betrayal of modernism’s commitment to abstraction, the artists involved in Photorealism remained committed explorers of the trail they had blazed. In the decades of the late twentieth century and early twenty-first century, realistic and symbolic painting experienced a renaissance, as contemporary artists are increasingly drawn to narrative and storytelling. Concurrently, using a camera as a preparatory tool equally legitimate and valuable as pencils and pens has made the rubric of Photorealism increasingly relevant.

This exhibition is organized by the Asheville Art Museum and guest curated by Terrie Sultan.

This exhibition is sponsored in part by Jim and Julia Calkins Peterson.

Romare Bearden: Ways of Working Exhibition
Sep 15 @ 11:00 am – 6:00 pm
Asheville Art Museum

Romare Bearden (Charlotte, NC 1911–1988 New York, NY), African American writer and artist, is renowned for his collages. He constantly experimented with various techniques to achieve his artistic goals throughout his career. This exhibition highlights works on paper and explores his most frequently used mediums, including screen-printing, lithography, hand-colored etching, collagraph, monotype, relief print, photomontage, and collage.

 

Bearden’s work reflects his improvisational approach to his practice. He considered his process akin to that of jazz and blues composers. Starting with an open mind, he would let an idea evolve spontaneously.

 

Romare Bearden: Ways of Working highlights Bearden’s unique artistic practice and masterful storytelling through art,” says Pamela L. Myers, Executive Director of the Asheville Art Museum. “We are thrilled to collaborate with Jerald Melberg Gallery to present these extraordinary works on paper in conversation with Bearden’s collage Sunset Express, 1984 in the Museum Collection (on view in the Museum’s SECU Collection Hall). This exhibition will also provide a glimpse into the cultural histories and personal interests that influenced his art-making practice, and we hope it encourages introspection and dialogue with our visitors.”

 

Jerald Melberg states, “Romare Bearden’s groundbreaking artistic practice continues to captivate audiences worldwide. With an unparalleled legacy of creativity and innovation, Bearden’s contributions to art remain deeply influential years beyond his life.” We have enjoyed organizing this exhibition with the Asheville Art Museum to showcase his artistic genius and inspire visitors from the Western North Carolina region and beyond.”

 

This exhibition is made possible in part by the Judy Appleton Fund. Many thanks to the Jerald Melberg Gallery for the loan of these important artworks and to Mary and Jerald Melberg for their long-standing support of the arts, artists, and the Asheville Art Museum.

The Art of Food: From the Collections of Jordan D. Schnitzer and His Family Foundation
Sep 15 @ 11:00 am – 6:00 pm
Asheville Art Museum

The Art of Food features works from important postwar artists, like Robert Rauschenberg, Roy Lichtenstein, John Baldessari, Wayne Thiebaud, Ed Ruscha, Andy Warhol, David Hockney, and Jasper Johns, alongside the work of contemporary artists, like Alison Saar, Lorna Simpson, Enrique Chagoya, Rachel Whiteread, and Jenny Holzer, among others.

The Art of Food features more than 100 works in mediums that include drawings, paintings, photographs, prints, sculptures, and ceramics by 37 artists.

Each artist has a unique means of depicting food in their work that, when seen alongside others, creates a nuanced representation of the complex place food holds in everyday life. Cross-historical resonances between artists in the exhibition spark novel meditations on food and its discontents, while speaking to a broad range of audiences.

Western North Carolina Glass: Selections from the Collection
Sep 15 @ 11:00 am – 6:00 pm
Asheville Art Museum

Western North Carolina is important in the history of American glass art. Several artists of the Studio Glass Movement came to the region, including its founder Harvey K. Littleton. Begun in 1962 in Wisconsin, it was a student of Littleton’s that first came to the area in 1965 and set up a glass studio at the Penland School of Craft in Penland, North Carolina. By 1967, Mark Peiser was the first glass artist resident at the school and taught many notable artists, like Jak Brewer in 1968 and Richard Ritter who came to study in 1971. By 1977, Littleton retired from teaching and moved to nearby Spruce Pine, North Carolina and set up a glass studio at his home.

Since that time, glass artists like Ken Carder, Rick and Valerie Beck, Shane Fero, and Yaffa Sikorsky and Jeff Todd—to name only a few—have flocked to the area to reside, collaborate, and teach, making it a significant place for experimentation and education in glass. The next generation of artists like Hayden Wilson and Alex Bernstein continue to create here. The Museum is dedicated to collecting American studio glass and within that umbrella, explores the work of Artists connected to Western North Carolina. Exhibitions, including Intersections of American Art, explore glass art in the context of American Art of the 20th and 21st centuries. A variety of techniques and a willingness to push boundaries of the medium can be seen in this selection of works from the Museum’s Collection.

Pack Square Artisan Market
Sep 15 @ 1:00 pm – 8:00 pm
Pack Square Park

Juried market features handmade goods from local and independent artists.

Downtown After 5: The Sensational Barnes Brothers with Alex Krug Combo
Sep 15 @ 5:00 pm – 9:00 pm
Downtown After 5
ArborEvenings
Sep 15 @ 5:30 pm – 8:00 pm
The North Carolina Arboretum

Sip and stroll through the Arboretum’s gardens in the glow of the golden hour, all while listening to live music from a variety of local and regional artists! ArborEvenings runs Thursdays and most Fridays through September 30, 2022 from 5:30 to 8:00 p.m.

There is no additional cost to attend ArborEvenings beyond our standard parking fee. As always, Arboretum Society members and their accompanying guests can enter for FREE (guests must be in member vehicles to receive free entry). Proceeds from ArborEvenings help support the The North Carolina Arboretum Society and further advance the Arboretum’s mission.

Beverage Service

Beer, Wine, and soft drinks will be for sale onsite at the Green Gardener’s Shed from 5:30 to 8:15 p.m. each night of the event. Outside alcohol is strictly prohibited, but guests are welcome to bring in water or a favorite non-alcoholic beverage.

Food Available for Pre-Order, Picnics Welcome

Although the Bent Creek Bistro will not be open during the event, they will be offering their delicious dining options at ArborEvenings via pre-order! Simply place your online order — including alcoholic beverages — up until 11 a.m. on the date you plan to attend, then pick up your order at the Baker Information Desk between 5:30 and 6:30 p.m. (In the event of rain cancellation, pre-orders will be fully refunded.)

Guests are welcome to bring in outside food and non-alcoholic beverages. However, outside alcohol is strictly prohibited. 

Find more information here. 

Montford Park Players: The Tempest
Sep 15 @ 7:30 pm
Montford Park Players

The Tempest, September 1st to 30th
Written by William Shakespeare
Directed by Dwight Chiles
Magic, monsters and mayhem fill this favorite from The Bard. This one isn’t done with great regularity, so now’sa good time to catch it!

All shows will be at the Hazel Robinson Amphitheater in the Montford District of Asheville, and all will be presented absolutely FREE of charge!

All shows will run Fridays through Sundays and all will be presented at 7:30pm and prime seats can be reserved.

Montford Park Players has been bringing some of theater’s greatest works to Western North Carolina for over 50 years. Montford Park Players continues its mission of bring free theater to the community. The summer season allows everyone to come spend an evening under the stars, seeing some of the best live performances presented in Asheville.

Saturday, September 16, 2023
Applications open: 2024 Asheville Fringe Arts Festival
Sep 16 all-day
online w/ Asheville Fringe Arts

APPLICATIONS OPEN NOW!

Do you have a boundary-pushing, innovative performance piece, short film or installation that you’re ready to share?

We will open applications for the film portion of the festival in fall 2023. Films must be submitted via FilmFreeway. Our application fee for films is $5.


NOW CONSIDERING WORKS OF ALL KINDS

We accept live performances from 5 to 60 minutes in length, plus installations and films. We’re open to other types of performance as well – let’s talk! Depending on its length, your piece may be grouped with another show, or scheduled as a Random Act of Fringe. RAFs are free and open to the public, and artists receive a stipend for their performance, rather than relying on door sales.

Typically each artist with a ticketed show gets 2 performances. But in 2024, we’re exploring the option of giving a few shows 3 performances, at select venues only. Our venues range from 20-80 person capacity.

1. FRINGE SHOT

A piece that is
5-15 minutes long

May be paired with another performance, or be selected as a free Random Act of Fringe.

2. SHORT FORM

A piece that is
20-40 minutes long

May be paired with another show.

3. FULL-LENGTH

A piece that is
45-60 minutes long

Ticketed theater-style show.

4. INSTALLATION

A piece that is
Site-specific (any length)

May be in an unusual location, or repeated many times. May be seen by as few as one person at a time.

5. FILM

A piece that is
Designed specifically for film.

May be of any genre & length. Could be combined with other films for a showcase or film night.
Submit on Film Freeway Fall 2023

3. THE ASHEVILLE FRINGE ARTS FESTIVAL IS A JURIED FESTIVAL.

We carefully review each and every submission. You’ll know by late October if your piece is selected. Should your piece get selected, there is a $35 participation fee.

ReStore ReUse Contest
Sep 16 all-day
online

The local ReStore ReUse Contest is officially open for
submissions. Now through September 30, residents can show off their creativity and talent for
a chance to win in the 12 th annual contest. Fabulous furniture make-overs, remarkable
renovations, or unique yard art…if you recently took on a DIY project using predominantly
reused building materials, the Asheville Habitat ReStore wants to know. There are five
categories this year plus Best in Show, and all entries must be submitted electronically. For
guidelines and entry form, visit ashevillehabitat.org/restore .

The creativity of this community never ceases to amaze. Past projects have included a fence
fashioned from doors, a potting bench built from pallets, a wine bar made from a vintage
console radio, a chair constructed from an oil drum, and so much more. To see photos from
2022, click here.
A panel of five judges will select winners in the following categories: Furniture, Homesteading,
Live/Work Space, Home Décor, Art + Best in Show. Winners will be announced in mid-
October.

Biltmore Estate: Ciao! From Italy Sculptural Postcard Display
Sep 16 @ 8:30 am
Biltmore Estate

Included with admission

Embark on a scenic journey across George Vanderbilt’s Italy with a large-scale outdoor display that combines brilliant botanical designs with authentic messages written by Vanderbilt himself.

Beautifully handcrafted of natural elements, each sculptural postcard depicts a location or landmark Vanderbilt visited more than a century ago. This captivating complement to Biltmore’s Italian Renaissance Alive exhibition reveals Vanderbilt’s passions for travel, culture, architecture, and art as well as his personal experience of such renowned Italian cities as Milan, Florence, Venice, Pisa, and Vatican City.

Adding to the charm and visual appeal of Ciao! From Italy—sure to be a hit among kids of all ages—is the G-scale model train that travels in and out of each postcard in this enlightening display!

Creekside Play @ Hickory Nut Gap Farm
Sep 16 @ 10:00 am – 5:00 pm
Hickory Nut Gap Farm

STATIONARY FUN – Creekside play area has a treehouse and wee slide ➤ The Big Barn has our Sound Silo full of instruments to play on and make noise, trikes on the trike track around a REAL tractor and cornhole boards(ask the staff for bags) ➤ On the grassy slope behind the Big Barn we’ve got our famous and fast culvert tunnel slides for all ages, hammocks on the hill and tetherball!

Availability: All stationary fun is available every day during business hours of 10-5, starting September 2nd, through the rest of the season- tetherball will be back in action starting September 6th!

ANIMALS TO SEE – We will have a brooder house full of chicks in various ages and stages all season, there will typically be mama pigs and piglets in agritourism pens on the hill, more rarely there will be grazing cattle in a nearby field.

FOOD TRUCK SCHEDULE

9/2 Sat  11-4 Fern Leaf CCS Food Truck

9/16 Sat 11-4 Milk & Honey Food Truck – they will be serving HNG beef for their all-American burger!

9/24 Sun 11-4 *Big Barn Market* Root Down Farm Food Truck

9/30 Sat 11-4 Milk & Honey Food Truck

10/7 Sat 11-4 Fern Leaf CCS Food Truck

10/14 Sat 11-4 Milk & Honey Food Truck

10/15 Sun 11-4 El Bodegon Food Truck

10/22 Sun 11-4 El Bodegon Food Truck

10/29 Sun 11-4 *Big Barn Market* Grush’s Cajun Dino Grill Food Truck

11/4 Sat 11-4 Fern Leaf CCS Food Truck

FALL SEASONAL OFFERINGS

APPLES – Our partners in Edneyville, NC, Lyda Farms, bring some of the best in the region. Local and low spray, folks come every year to get the best of fall in NC by the bag to bake, stew, butter, sauce and of course, crunch into while sitting on the farm.

Availability: Apples will be available to buy starting September 9th, they will typically run out Mid to late October.

FRESH PRESSED CIDER – We press fresh apple cider every year, comprised of our historical orchard apples on the Old Sherrill’s Inn property and apples from our partner Lyda Farms. This is a raw, unpasteurized product – delicious and changeable as the season, no added sugar or seasonings.

Availability: 1st pressing September 13th, bottled cider will be in the store for purchase September 14th!

JACKOLANTERN PUMPKINS – We work with several WNC veggie farmers in the area, including Hawkins Farms. We’ll have pumpkins arranged all around the Farm Store to display their beauty AND make sure you get *just the right one*. The seeds are dynamite when roasted, too…

Availability: Coming Mid-September, they will typically run out by end of October so make sure you get yours! 

EDIBLE SQUASH & DECORATIVE GOURDS – From Mr. Anthony Cole’s farms, we have some long-lasting festive gourds to decoarate for the season, and a broad variety of edible squashes and pumpkins perfect for pies, soups and pasta.

Availability: Coming Mid-September.

Dirty Dancing Festival of Lake Lure
Sep 16 @ 10:00 am
Morse Park, Lake Lure, NC
iStock-1483384205.jpeg

LIVE MUSIC & ENTERTAINMENT

We are lining up some GREAT entertainment for 2023! 

Look forward to 3 LIVE Bands AND a guest appearance by Franke Previte and Lisa Sherman!

1155-8th-dirty-dancing-festival-2017_orig.jpeg

ASHEVILLE BALLET

Festival favorites, Asheville Ballet will be teaching all your favorite dance moves and adding some new twists. 

AND, they’ll be performing on stage and encouraging you to get on your feet, too!

iStock-1074831090.jpeg

REFRESHMENTS

Come hungry and enjoy the tasty food trucks coming this year – your stomach will thank you.

And, we always have the best local beer, wine, cider, and mead of any festival around!

iStock-1145600660.jpeg

ARTISAN VILLAGE

This year’s “Village” will be a blend of handcrafted and quality items you just can’t live without. Added bonus: they will serve as fond reminders of your Lake Lure Dance Festival experience!

Exhibition: NEO MINERALIA
Sep 16 @ 10:00 am – 6:00 pm
Center for Craft

Photo credit:

Sae Honda. Courtesy of the Artist.

NEO MINERALIA suggests that recent rock formations no longer fit within the traditional groups: Igneous, Metamorphic, and Sedimentary. Instead, the Anthropocene, the era of human influence on the climate and environment, has introduced two post-natural rocks: Synthetic and Digital.

NEO MINERALIA presents a selection of new geological specimens crafted by ten international artists exploring rocks as reflections of our effects on human and nonhuman ecologies. By embedding synthetic materials (plastics, e-waste) and layers of data points (critical, financial, social) into the craftsmanship of these artifacts, the artists transgress the definition of rocks, turning them from passive aggregates of minerals into metaphorical aggregates of data. Within their apparent “rockness” we can decode hopes, warnings, and speculative future scenarios.

The featured works stemming from places as varied as Mexico, Japan, Poland, and Australia (including a curated artists’ books library), collectively signal a new era of planetary and geological consciousness where we are asked to read, feel, and listen to rocks in new ways.

Exhibition: Something earned, Something left behind
Sep 16 @ 10:00 am – 6:00 pm
Center for Craft

Photo credit:

J Diamond, “Pony II,” 2022. Courtesy of the Artist

Something earned, Something left behind is an exhibition of objecthood; a critical analysis of the transactional and political languages of everyday and culturally significant objects. This exhibition challenges a history of exclusion and inclusion of People of Color (POC) and their narratives from the canon of craft based on subject matter. It dissects this history’s origins and precedent as an economic transaction to gain access to white spaces.

Racial and ethnic identity influences the way individuals perceive themselves, the way others perceive them, and the way they choose to behave. For this reason, People of Color are expected to perform certain roles in order to fit into hegemonic institutions. These roles can be an active shrinking of themselves and the racialized part of them, or a personal exploitation of their racialized selves. This exhibition addresses and redresses the ways narrowed populations have been included, and the ways in which they have been asked to participate.

Together, this work creates space for and legitimizes POC narratives with depth and care. The exhibiting artists’ practices work against institutionalized expectations of POC work, expanding discourse and inserting new subjectivity into the canon of craft art. It engages with a community hungry for the revitalization and resuscitation of non-Western voices within art spaces. This exhibition challenges the expectations of art from artists of marginalized backgrounds and embraces a new subjectivity of interrogating one’s inherited experiences.

Exhibition: Crafting Denim
Sep 16 @ 10:00 am – 6:00 pm
Center for Craft

Photo credit:

Photograph by Bowery Blue Makers

Jeans – with their standardized pockets, rivets, and denim – are so much a part of everyday wardrobes that they are easy to overlook. Yet, in workshops across the nation, independent makers are reevaluating the garment and creating jeans by hand, using antiquated equipment and denim woven on midcentury looms. Crafting Denim explores how and why jeans have come to exist at the intersections of industry and craft, modernity, and tradition.

A product of industrial factory production for over a century, jeans are being recast by a new cohort of small-scale makers including craftspeople like Ryan Martin of W.H. Ranch Dungarees, Takayuki Echigoya of Bowery Blue Makers, and Sarah Yarborough and Victor Lytvinenko of Raleigh Denim, who favor choice materials and small-batch fabrication. The jeans they make merge craft traditions with industry and extend the conversation between hand and machine.

Each maker creates a distinctive product but shares a deep appreciation for materials, tools, history, and denim. These jeans are in dialogue with the past and in line with contemporary interests in sustainability. The small workshops featured here are sites of innovation and preservation, and visitors are invited to take a close look at an everyday item and imagine alternative contexts for making and living in our own clothes.

Guided History Walk on 7th Ave./Historic Train Depot District with Mary Jo Padgett
Sep 16 @ 10:00 am – 11:30 am
Hendersonville City Hall, front steps

Take a 90-plus minute stroll along 7th Avenue/Historic Depot District, where the action was when the first steam engine locomotives rolled into town starting in 1879 bringing hundreds of tourists. The district surrounding the historic Railroad Depot was where it was happening in the Gilded Age of Hendersonville from 1879, when the first steam locomotive arrived with hundreds of tourists daily, till the Crash of 1929 … learn about the drays, the hustle, the inns, the summer visitors, the shoot-outs, growth of agriculture, and popular candy stores.  These 90-plus minute walks occur rain or shine.  Please make a reservation, 828-545-3179.

All tours: $10 per person age 10 and over.  Children under 10 yrs. free with paying adult.

Meeting Place:  Hendersonville City Hall, front steps  (at corner of 5th Ave. E. and King St.)

Schedule a private tour anytime for your group.

Reservations/information:  828-545-3179

Heritage Day
Sep 16 @ 10:00 am – 4:00 pm
Folk Art Center
Ooh La La Curiosity Market
Sep 16 @ 10:00 am – 4:00 pm
Pritchard Park

Ooh La La Curiosity Market is an artist’s market that takes place in Pritchard Park, located in the center of beautiful downtown Asheville and will showcase the work of more than a dozen local artists. Taking place on Saturdays throughout Summer and every Saturday in October. Ooh La La will feature works by local painters, leather smiths, jewelry makers, potters, up-cycled crafters, and other curious delights, all beneath the colored canopies of large market umbrellas. In addition to the artists, the market will also feature live local music with three musical acts performing each Saturday and will include everything from a solo saxophonist to folk, blues, acoustic and jazz acts.

Gatherings of Artists + Writers Coffee
Sep 16 @ 10:30 am – 12:00 pm
Tryon Fine Arts Center

TFAC invites all artists: painters, sculptors, writers, performers & more — to a casual weekly drop-in gathering on Saturday mornings at 9 AM to share your works in progress, alert others, and chat about art and what’s happening in your community.

The first weekly Coffee is Saturday, August 20 at 9 am.

No RSVP needed, just drop by!

Free parking available on Melrose Avenue, behind and alongside TFAC.

Beyond the Lens: Photorealist Perspectives on Looking, Seeing, and Painting
Sep 16 @ 11:00 am – 6:00 pm
Asheville Art Museum

Throughout the history of painting from the mid-19th century forward, artists have used an

endless variety of approaches to record their world. Beyond the Lens: Photorealist Perspectives on Looking, Seeing, and Painting continues this thread, offering an opportunity to explore a singular and still forceful aspect of American art. Photorealism shares many of the approaches of historical and modernist realism, with a twist. The use of the camera as a basic tool for organizing visual information in advance of painterly expression is now quite common, but Photorealists embraced the camera as the focal point in their creative process.

Beyond the Lens presents key works from the collection of Louis K. and Susan Pear Meisel,

bringing together paintings and works on paper dating from the 1970s to the present to focus on this profoundly influential art movement. The exhibition includes work by highly acclaimed formative artists of the movement such as Charles Bell, Robert Bechtle, Tom Blackwell, Richard Estes, Audrey Flack, and Ralph Goings as well as paintings by the successive generations of Photorealist artists Anthony Brunelli, Davis Cone, Bertrand Meniel, Rod Penner, and Raphaella Spence. Featured artworks in the exhibition include diverse subject matters, but the primary focus is on the common and every day: urban scenes, “portraits” of cars, trucks, and motorcycles, still life compositions using toys, food, candy wrappers, and salt and pepper shakers. All provide opportunities for virtuoso studies in how light, reflection, and the camera as intermediary shapes our perception of the material world.

This multigenerational survey demonstrates how the 35-mm camera, and later technological

advances in digital image-making, informed and impacted the painterly gesture. Taken together, the paintings and works on paper in Beyond the Lens show how simply spellbinding these virtuosic works of art can be.

Beyond the Lens offers a fascinating look into the Photorealism movement and delves into the profound connection between the artists’ observation and creative process,” says Pamela L. Myers, Executive Director of Asheville Art Museum. “We are delighted to present this curated collection of artworks encapsulating the creative vision and technical precision that defines this artistic genre.”

Photorealism found its roots in the late 1960s in California and New York, coexisting with an explosion of new ideas in art-making that included Conceptual, Pop, Minimalism, Land and Performance Art. At first, representational realism coexisted with the thematic and conceptual explosion but was eventually relegated to the margins regarding critical and curatorial attention. Often misunderstood and sometimes negatively criticized or lampooned as a betrayal of modernism’s commitment to abstraction, the artists involved in Photorealism remained committed explorers of the trail they had blazed. In the decades of the late twentieth century and early twenty-first century, realistic and symbolic painting experienced a renaissance, as contemporary artists are increasingly drawn to narrative and storytelling. Concurrently, using a camera as a preparatory tool equally legitimate and valuable as pencils and pens has made the rubric of Photorealism increasingly relevant.

This exhibition is organized by the Asheville Art Museum and guest curated by Terrie Sultan.

This exhibition is sponsored in part by Jim and Julia Calkins Peterson.

Hayrides @ Hickory Nut Gap Farm
Sep 16 @ 11:00 am – 4:00 pm
Hickory Nut Gap Farm

HAYRIDES – Brought to you by Project HNG our sister nonprofit! Proceeds go to Project HNG. Suitable for all ages, babies in arms are free, 16 people per ride.

Availability: every Saturday & Sunday starting September 2nd through November 11th. 11am-4pm, last ride goes out at 3:30pm. May be cancelled due to tremendous weather conditions.