Calendar of Events

Healing Dolls Exhibition

Explore Biltmore House with an Audio Guide that introduces you to the Vanderbilt family and their magnificent home’s history, architecture, and collections of fine art and furnishings.

PLUS: Immersive, multi-sensory Italian Renaissance Alive exhibition created by Grande Experiences

PLUS: FREE next-day access to Biltmore’s Gardens and Grounds

This visit includes access to:

• Italian Renaissance Alive at Amherst at Deerpark®
• 8,000 Acres of Gardens and Grounds for two consecutive days
• Antler Hill Village & Winery
• Complimentary Wine Tastings at the Winery
• Tastings require a Day-of-Visit Reservation, which can be made by:
  • Scanning the QR Code found in your Estate Guide
  • Visiting any Guest Services location
• Complimentary parking

Art Exhibition: Italian Renaissance Alive

This fascinating experience takes you on a spellbinding tour of Italy, fully immersing you in the beauty and brilliance of iconic masterworks from the greatest artistic period in history

Join us on Sundays this Fall and Winter for $10 to ride Kolo Bike Park on over 125 acres beside Downtown Asheville!  Enjoy pump tracks, skills area, trails, skinnys, berms, table tops and much more! Littleville is also included for our youngest shredders. Rentals not included.

Reservations not required. Call for conditions: 828.225.2921.

Asheville Gallery of Art’s March show, “Awakenings” features work by three new Gallery members: Jon Sebastian, Sara Bell, Andrea Stutesman. The show runs daily March 1 through March 31st, 2023 during gallery hours, 11am-6pm. An opening reception will be held March 3, 5-8pm; everyone is welcome.

The three artists will showcase their passion through three mediums, respectively. Not unlike the delicate and elusive trillium of the North Carolina mountain beds, these artists spring forward in the presentation of “Awakenings.” As featured artists of the month, Andrea Stutesman, Sara Bell, and Jon Sebastian join forces in presenting this amazing show by rendering their art using pastels, watercolors, and oil paints. Mesmerizing spring colors will grace the windows and walls of the gallery, rendering imagery of flowers, exotic and endangered animals, and vibrant landscapes. “Awakenings” is the second of three group shows featuring new artists to the gallery.

Andrea Stutesman
Andrea’s early art explorations began with pastels under the guidance of her mother, an accomplished painter. Her work is from the heart, inspired by her interactions with people and places or by the stories brought to her with requests for commissions. She strives to transform a sense of calm and connection that she experiences when painting that will invite viewers to slow down and enjoy the beauty of life.

Jon Sebastian
Art and painting in particular is, for artist Jon Sebastian, the selective recreation of reality according to his own principles and what he deems interesting and just in this world we share. Jon cannot remember a time when he did not paint. At Asheville Gallery of Art, Jon is now moving forward with confidence that others will find his works a compelling addition to their own collections. Jon paints immersive works filled with color, light and shadow. His subjects are of nature and of the peace and spirituality in which they envelope us.

Sara Bell
Sara Bell has always loved drawing. It’s a form of meditation for her and has now become a way for her to find peace and sanity when her world gets too overwhelming, which, as a single mom with a neuro-divergent teen, happens quite often. When it does, Sara follows John Muir’s quote, “Off into the woods I go to lose my mind and find my soul.” The results of these adventures are delightful sketches and photography of the forests. Sara then works from her photos to create her watercolors and intaglio prints.
Come visit this engaging and thoughtful exhibition at 82 Patton Avenue in downtown Asheville. For further information about this show, contact the Asheville Gallery of Art at (828) 251-5796, visit the Gallery’s website at ashevillegallery-of-art.com, or go to the Gallery’s Facebook page.

An enrolled member of the Eastern Band of Cherokee Indians, Luzene Hill advocates for Indigenous sovereignty—linguistically, culturally, and individually. Revelate builds upon Hill’s investigation of pre-contact cultures. This has led Hill to incorporate the idea of Ollin, the Nahuatl word for the natural rhythms of the universe, in Aztec cosmology in her work. Before Europeans arrived in North America, Indigenous societies were predominantly matrilineal. Women were considered sacred, involved in the decision-making process, and thrived within communities holding a worldview based on equilibrium.

Ollin emphasizes that we are in constant state of motion and discovery. Adopted as an educational framework, particularly in social justice and ethnic studies, Ollin guides individuals through a process of reflection, action, reconciliation, and transformation. This exhibition combines Hill’s use of mylar safety blankets alongside recent drawings. Capes constructed of mylar burst with energy and rustle with subtle sound, the shining material a signifier of care, awareness, displacement, and presence. Though Hill works primarily in sculpture, drawing has increasingly become an essential part of her practice as she seeks to communicate themes of feminine and Indigenous power across her entire body of work. The energy within her drawings extends to the bursts of light reflecting from her capes or the accumulation of materials in other installation works.

Luzene Hill was born in Atlanta, GA, in 1946. She received her bachelor of fine art and master of fine art from Western Carolina University. She lives and works on the Qualla Boundary, Cherokee, NC.

Natural Collector is organized by the Asheville Art Museum. IMAGE: Christian Burchard, Untitled (nesting bowls), 1998, madrone burl, various from 6 × 6 × 6 to ⅜ × ⅜ × ⅜ inches. Gift of Fleur S. Bresler, 2021.76.01.

Natural Collector | Gifts of Fleur S. Bresler features around 15 artworks from the collection of Fleur S. Bresler, which include important examples of modern and contemporary American craft including wood and fiber art, as well as glass and ceramics. These works that were generously donated by contemporary craft collector Bresler to the Asheville Art Museum over the years reflect her strong interest in wood-based art and themes of nature. According to Associate Curator Whitney Richardson, “This exhibition highlights artworks that consider the natural element from which they were created or replicate known flora and fauna in unexpected materials. The selection of objects displayed illustrates how Bresler’s eye for collecting craft not only draws attention to nature and artists’ interest in it, but also accentuates her role as a natural collector with an intuitive ability to identify themes and ideas that speak to one another.” This exhibition presents work from the Collection representing the first generation of American wood turners like Rude Osolnik and Ed Moulthrop, as well as those that came after and learned from them, such as Philip Moulthrop, John Jordan, and local Western North Carolina (WNC) artist Stoney Lamar. Other WNC-based artists in Natural Collector include Anne Lemanski, whose paper sculpture of a snake captures the viewer’s imagination, and Michael Sherrill’s multimedia work that tricks the eye with its similarity to true-to-life berries. Also represented are beadwork and sculpture by Joyce J. Scott and Jack and Linda Fifield.

Paul Wong, Carbon, silver and gold, 2016, pigmented linen and cotton pulp, publisher: Dieu Donné, New York, edition 3/25, 18 × 11 inches. Gift of Dieu Donné, New York, 2022.27.06. © Paul Wong.

On View March 8 through July 24, 2023
The Van Winkle Law Firm Gallery • Level 1

Paper is an essential part of the art-making process for many artists, serving as the base for drawing, painting, printmaking, and other forms of art. As a substrate, paper can vary in weight, absorbency, color, size, and other aspects. Since industrialization, paper has primarily been produced through mechanical means that allow for consistency and affordability.

What happens, then, when an artist chooses to return to the foundations of paper, wherein it is made by hand using pulps, fibers, and dyes that reflect the human element through variations, inconsistencies, flaws, and surprises? Certain artists have sought out these qualities and embraced them, making paper not just a support on which to work, but fully a medium in and of itself.

Pulp Potential: Works in Handmade Paper is organized by the Asheville Art Museum and curated by Hilary Schroeder, former assistant curator, with assistance from Alexis Meldrum, curatorial assistant. Special thanks to Dieu Donné, New York, NY.

Asheville-born and Raleigh-Durham-based interdisciplinary artist Sherrill Roland’s socially driven practice draws upon his experience with wrongful incarceration for a crime he did not commit and seeks to open conversations about how we care for our communities and one another with compassion and understanding. Through sculpture, installation, and conceptual art, Roland engages visitors in dialogues around community, social contract, identity, biases, and other deeply human experiences. Comprised of artwork created from 2016 to the present, Sherrill Roland: Sugar, Water, Lemon Squeeze reflects on making something from nothing, lemonade from lemons, the best of a situation. A reference to a simple recipe from the artist’s childhood, the title also speaks to Roland’s employment of materials available to him while incarcerated, such as Kool-Aid and mail from family members. In the face of his personal experiences, he invites viewers to confront their own uncomfortable complicity in perpetuating injustice. Roland’s work humanizes these difficult topics and creates a space for communication and envisioning a better future. This exhibition is organized by the Asheville Art Museum and curated by Hilary Schroeder, assistant curator, in collaboration with the Artist. This exhibition is funded, in part, by a grant from South Arts in partnership with the National Endowment for the Arts.

Included with admission

Back by popular demand, The Vanderbilts at Home and Abroad exhibition offers guests:

• An opportunity to view rarely-seen treasures from the Biltmore collection
• A first-hand look at the Vanderbilts’ lifestyle
• Deeper insights into George, Edith, and Cornelia’s personalities, both at home and on their extensive travels

Access to exhibitions at The Biltmore Legacy is included with Biltmore daytime admission.

In the past 50 years in the United States and beyond, artists have sought to break down social and political hierarchies that include issues of identity, gender, power, race, authority, and authenticity. Unsurprisingly, these decades generated a reconsideration of the idea of pattern and decoration as a third option to figuration and abstraction in art. From 1972 to 1985, artists in the Pattern and Decoration movement worked to expand the visual vocabulary of contemporary art to include ethnically and culturally diverse options that eradicated the barriers between fine art and craft and questioned the dominant minimalist aesthetic. These artists did so by incorporating opulence and bold intricacies garnered from such wide-ranging inspirations as United States quilt-making and Islamic architecture. Too Much Is Just Right: The Legacy of Pattern and Decoration features more than 70 artworks in an array of media from both the original time frame of the Pattern and Decoration movement, as well as contemporary artworks created between 1985 and the present. The artworks in this exhibition demonstrate the vibrant and varied approaches to pattern and decoration in art. Artworks from the 21st century elucidate contemporary perspectives on the employment of pattern to inform visual vocabularies and investigations of diverse themes in the present day. Artworks drawn from the Asheville Art Museum’s Collection join select major loans and feature Pattern and Decoration artists Valerie Jaudon, Joyce Kozloff, Robert Kushner, and Miriam Schapiro, as well as Anni Albers, Elizabeth Alexander, Sanford Biggers, Tawny Chatmon, Margaret Curtis, Mary Engel, Cathy Fussell, Samantha Hennekke, John Himmelfarb, Anne Lemanski, Rashaad Newsome, Peter Olson, Don Reitz, Sarah Sense, Billie Ruth Sudduth, Mickalene Thomas, Shoku Teruyama, Anna Valdez, Kehinde Wiley, and more. This exhibition is organized by the Asheville Art Museum and guest curated by Marilyn Laufer & Tom Butler.

Join us for a relaxing ride through quiet countryside on your way to small town life in western North Carolina on the Tuckasegee River Excursion. Departing from Bryson City, this 4 hour excursion travels 32 miles round-trip to Dillsboro and back to the Bryson City Depot. Pass by the famous movie set of The Fugitive starring Harrison Ford!

• About This Trip
• Things To Do
• Itinerary
• Classes of Service and Pricing
• Class Comparison
• How to Purchase
• Schedule
• The Tuckasegee (tuck-uh-SEE-jee) River Excursion includes an 1 hour and 20 minute layover in the historic town of Dillsboro, where you’ll find more than 50 shops, restaurants, a brewery, and country inns. There is time to shop, snack, and visit the many unique shops before returning to Bryson City.

Food Scraps Drop Off

The City of Asheville, in partnership with Buncombe County and the Natural Resources Defense Council, is offering a FREE Food Scrap Drop-Off program in

two locations for all Buncombe County residents.  This organic matter will be collected and turned into good clean compost, keeping it OUT of our landfill and reducing greenhouse gas emissions.

Register for Food Scraps Drop Off

Need a handy kitchen countertop food scrap bin?  Let us know on the registration form! We’ll be having bin giveaways at city and county facilities and would love to give you one.

Locations

Stephens-Lee Recreation Center “Food Scrap Shed” next to the Community Garden on the North side of the parking lot

30 Washington Carver Avenue, Asheville

• • Monday – Friday, 7 a.m. – 6 p.m.
  • Saturday, 8 a.m. – 2 p.m.
  • Sunday, 12 – 4 p.m.

Murphy Oakley Community Center and Library – “Food Scrap Bin Shelters” on the east side of the parking lot

749 Fairview Road, Asheville

• • Dawn – Dusk

West Asheville Library – “Food Scrap Bin Shelters” on the south side of the building

942 Haywood Road, Asheville

Library open hours

Buncombe County Landfill – Convenience Center85 Panther Branch Road, Alexander

• • • • Monday-Friday, 8 a.m. – 4:30 p.m.
      • Saturday, 8 a.m. – 12:30 pm

Banff Centre Mountain Film and Book Festival is one of the largest and most prestigious mountain festivals in the world! Hot on the heels of the Festival that is held every fall in beautiful Banff, Alberta, the Banff Centre Mountain Film Festival World Tour hits the road. With stops planned in about 550 communities and more than 40 countries across the globe, the Banff World Tour celebrates amazing achievements in outdoor storytelling and filmmaking worldwide! From the over 400 entries submitted into the Festival each year, award-winners and audience favorites are among the films that are carefully selected to play in theatres around the world. Traveling to remote vistas, analyzing topical environmental issues, and bringing audiences up-close and personal with adrenaline-packed action sports the 2022/2023 World Tour is an exhilarating and provocative exploration of the mountain world.

The Perspective Café is kicking off 2023 with a classic bang! Grab your friends and join us each Sunday from 2pm to 5pm in the Perspective Café to play an assortment of board and card games. You can even bring your own favorite games from home to share with new friends.

The Perspective Café will be offering special snacks and cocktails to savor while you play and make a memorable afternoon! Enjoy the galleries and then head up to the rooftop.

RTS: Hay Fever

By Noel Coward

Friday and Saturday performances are held at Asheville Community Theatre; Sunday performances are held at the Reuter Center on the campus of UNCA. 

Hay Fever is presented as readers theatre by The Autumn Players.

David Bliss and his wife, Judith, find their quiet family weekend in the country interrupted when their high-spirited children, Simon and Sorel, arrive with uninvited guests. Drama unfolds for the Bliss family as comedic misunderstandings and tempers flare in the countryside.

Jack of the Wood : Sunday-Irish Session 

Sundays

1 till who knows when?

Traditional Irish music is kept alive at Jack of the Wood with our unplugged Sunday session.

Jack of the Wood

95 Patton ave

Asheville, NC 28801

(828) 252.5445

http://www.jackofthewood.com/

In honor of Pi Day, UNC Asheville is hosting a fun-run on March 19th starting at 3:14 pm. Run or walk (or skip or trot) the 3.14-mile distance, which celebrates Pi’s value. The event is open to the public and has a registration fee of $10 for students and $20 for all other participants. We will have delicious Pi(e) at the finish line!

For more information and to register for tickets, visit Eventbrite.

Proceeds benefit the Asheville Initiative for Math at UNC Asheville, including the Marvelous Math Club. Marvelous Math Club uses math as a catalyst to build leadership skills, create community and provide a space where elementary school students can grow academically and socially.

The Episcopal Church of St. John in the Wilderness will offer a traditional and simple service of
Choral Evensong on Sunday, March 19, 2023 at 4pm in the church.
The service will include prayer as set forth in the Book of Common Prayer, and sung by the
clergy, choir and congregation.
“Evensong is one of the great liturgical traditions of Christianity. This service will be similar to
those celebrated in the Church of England and by Anglican churches around the world,” said Fr.
Josh Stephens, the rector of St. John. “We hope it enriches your journey through Lent as we set
aside this sacred time for evening worship.”
Dialogues between Priest and congregation, Anglican Chant Psalm, ancient canticles sung to
plainsong tones, scripture lessons appointed by the lectionary, prayers, choral anthems and
organ music will be a part of this meditative Mid-Lenten Friends of Music offering.
The public is invited to come and worship with the parishioners of St. John for this special
offering.

The service will include prayer as set forth in the Book of Common Prayer, and sung by the
clergy, choir and congregation.
“Evensong is one of the great liturgical traditions of Christianity. This service will be similar to
those celebrated in the Church of England and by Anglican churches around the world,” said Fr.
Josh Stephens, the rector of St. John. “We hope it enriches your journey through Lent as we set
aside this sacred time for evening worship.”
Dialogues between Priest and congregation, Anglican Chant Psalm, ancient canticles sung to
plainsong tones, scripture lessons appointed by the lectionary, prayers, choral anthems and
organ music will be a part of this meditative Mid-Lenten Friends of Music offering.
The public is invited to come and worship with the parishioners of St. John for this special
offering.

Asheville Fringe Festival 

The Asheville Fringe Arts Festival will celebrate 21 years of experimental, unusual, and out-of-the-box art on March 19 through 26. Featuring more than 50 performances, including dance, theater, puppetry, music, film, installation, and things that defy definition.

Schedule and tickets at AshevilleFringe.org

KICKOFF PARTY FT. PEACOCK PARTY PLANET BAND FREE!

Every Sunday evening Modelface Comedy brings you the best comedians from all over the country. This Sunday we have local legend Cody Hughes filming his first 30 min comedy special!!!

Local favorites James Harrod and Marlene Thompson will also be filming their 15 min sets!

Cody Hughes is a comedian from Asheville NC. He’s lived in a few different big cities and a lot of comedians like him and a lot of other comedians have heard good things about him from the comedians who like him. A few comedians don’t like him and he can’t do anything about that. Oh well. He has opened for Lewis Black, John Oliver, Maria Bamford, and many others. Cody will also be part of the prestigious Asheville Comedy Festival this August.

Featuring James Harrod and Marlene Thompson

Hosted by Katie Hughes

ages 21+ doors at 6pm, show at 6:30pm

Described as, “untarnished by the politics of music” (Jazz Music Archives) and “at home alongside more contemporary exponents of improvising singing” (LoudMouth, AU) Danielle Wertz is an internationally recognized jazz vocalist, composer, arranger and educator. After being named a semi-finalist in the 2015 Thelonious Monk International Jazz Vocals Competition, she self-released a duo project that was recorded at ABC Studios in Sydney, Australia, and has been receiving high praise since its 2017 release.

Danielle lived in Northern California from 2017-2022 and rapidly gained recognition as one of the Bay Area’s most in-demand vocalists. She just signed with Outside in Music for her forthcoming record, set to release in March 2023.

Danielle has also had the privilege of working and performing with many world class musicians in a professional, non-academic setting including Cyrille Aimée, Kate McGarry, Keith Ganz, Chris Botti, Michael Bowie, Lena Seikaly, Mark G. Meadows and Chris Grasso.

From renowned concert halls, performing arts centers and music venues, Danielle has performed on stages of all sizes:

The John F. Kennedy Center for the Performing Arts, The Arsht Center, SFJAZZ Center, Blues Alley, Black Cat SF, The Mansion at Strathmore, The Carlyle Club, Bethesda Blues and Jazz, The Creative Cauldron, Twins Jazz, Nocturne Jazz and Supper Club, and the St. Petersburg Jazz Philharmonic Hall.

• Visit Danielle’s website

• Listen to Sample Video

– ALL AGES
– STANDING ROOM ONLY

SOULSIDE

Soulside formed in Washington, DC, in 1985, split up in 1989, then reformed in 2014 and has continued playing and writing music since then. After releasing their debut album on Sammich/Dischord, they recorded Trigger (Dischord, 1988) and Hot Bodi-Gram (Dischord, 1989), which were combined on the Soon Come Happy CD in 1990. The band toured extensively in the US and Europe during these years, including groundbreaking shows in Poland and East Berlin shortly before the Berlin Wall fell in 1989.  In 2020, Soulside put out a new 7-inch, This Ship, their first release in 30 years, which was recorded in Prague. Happy”, released in 1990 and re-mastered in 2003.

J. ROBBINS (BAND)

J. Robbins has been the guitarist/singer and primary songwriter (or pushiest collaborator) in several bands since the early ’90s, including Jawbox, Burning Airlines, Channels, and Office of Future Plans.

For the bulk of that time, he has also been active as a recording engineer/producer, working with musicians from around the world at his Baltimore-based studio, The Magpie Cage.