Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Momentum on Broadway, downtown Asheville’s newest contemporary art gallery, located at 52 Broadway Street, hosts a storytelling event with local printmaker and raconteur Andy Farkas, New Year’s Day – Tuesday January 1, 2019 – from 2-4pm. This all ages story telling event, “What Will Your Story be for 2019?” will be in conjunction with a special presentation of his original prints and watercolors.
Andy depicts times of triumph, bewilderment, and excitement through his beautifully written vignettes inscribed within his whimsical imagery. Inspired by Andy’s daughters and his own life events, these original vignettes call upon our emotions to do the thinking and our own life stories to give the phrases added depth and significance. Along with sharing his charming and insightful stories, Andy will discuss his creative process of printmaking in the Japanese style of Moku Hanga, an ancient Japanese printmaking technique using woodcut engravings and water-based pigments.
“Stories build bridges between the seen and unseen world — breathing life into a way of being, understanding, and feeling that, at its most profound, illumines a path toward enlightenment.” – Andy Farkas
This event will take place at Momentum’s Broadway location, 52 Broadway street in downtown Asheville from 2-4pm. Light refreshments will be served. All ages are welcome, and this event is free and open to the public.
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.
As Virginia Woolf said, “one cannot think well, love well, sleep well, if one has not dined well.” Food and water are essential for survival, but mankind’s relationship to food has transformed over time from one of sustenance to one laden with personal and cultural significance.
A Matter of Taste explores depictions of food and drink in art and reveals how images of fruits and vegetables can function as complex metaphors for excess, status, memory, and politics. Drawn from southern museums and private collections, this exhibition showcases over 35 paintings, decorative arts, and works on paper by artists such as Andy Warhol, Wayne Thiebaud, Henri Cartier-Bresson and Claes Oldenburg.
This show spans 400 years and multiple continents, revealing the evolving role of food and drink in various media and cultural contexts. While depictions of fruit and vegetables appeared in ancient times, still life painting as an independent genre dates to 16th-century Holland.
In 19th-century America, still life paintings remained popular but evolved in terms of subject matter, media, and message. Painters such as Thomas Wightman, George Forster, and De Scott Evans embraced Dutch still lifes and used food as commentary on the current political climate and the transient state of the human condition.
Illustrated newspapers led to an increase of cartoons by artists such as Winslow Homer and William Hogarth, who utilized food and drink as social satire. The 20th-century modern art movement further changed the perception of food. The culture of mass production enabled Pop artists to elevate seemingly mundane foodstuffs to high art. Yet, other contemporary artists explored the symbolic and nostalgic role of food seen in works by Tim Tate, Linda Armstrong, and Laquita Thomson.
Visitors will also experience an elaborately set dining table fit for a sumptuous feast. Dining became its own art form over time and communicated one’s social standing and wealth. Each of the table’s six place settings represent a different culture and offer a glimpse into global dining customs. Selective drinkware will accompany this section revealing how tea sets and even punch bowls reflected an owner’s prestige.
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.
As Virginia Woolf said, “one cannot think well, love well, sleep well, if one has not dined well.” Food and water are essential for survival, but mankind’s relationship to food has transformed over time from one of sustenance to one laden with personal and cultural significance.
A Matter of Taste explores depictions of food and drink in art and reveals how images of fruits and vegetables can function as complex metaphors for excess, status, memory, and politics. Drawn from southern museums and private collections, this exhibition showcases over 35 paintings, decorative arts, and works on paper by artists such as Andy Warhol, Wayne Thiebaud, Henri Cartier-Bresson and Claes Oldenburg.
This show spans 400 years and multiple continents, revealing the evolving role of food and drink in various media and cultural contexts. While depictions of fruit and vegetables appeared in ancient times, still life painting as an independent genre dates to 16th-century Holland.
In 19th-century America, still life paintings remained popular but evolved in terms of subject matter, media, and message. Painters such as Thomas Wightman, George Forster, and De Scott Evans embraced Dutch still lifes and used food as commentary on the current political climate and the transient state of the human condition.
Illustrated newspapers led to an increase of cartoons by artists such as Winslow Homer and William Hogarth, who utilized food and drink as social satire. The 20th-century modern art movement further changed the perception of food. The culture of mass production enabled Pop artists to elevate seemingly mundane foodstuffs to high art. Yet, other contemporary artists explored the symbolic and nostalgic role of food seen in works by Tim Tate, Linda Armstrong, and Laquita Thomson.
Visitors will also experience an elaborately set dining table fit for a sumptuous feast. Dining became its own art form over time and communicated one’s social standing and wealth. Each of the table’s six place settings represent a different culture and offer a glimpse into global dining customs. Selective drinkware will accompany this section revealing how tea sets and even punch bowls reflected an owner’s prestige.
Asheville Gallery of Art
January 2019 Show
“A Colorful Beginning”
“A Colorful Beginning” for January at Asheville Gallery of Art
Asheville Gallery of Art’s January show, “A Colorful Beginning” ushers in the year with an expressive interpretation of color by more than 20 member artists. The show runs January 2-31 during gallery hours, 11 a.m.-6 p.m. Monday through Saturday and 11-4 p.m. Sunday. The gallery, located at 82 Patton Avenue in downtown Asheville across from Pritchard Park, will host a reception for the artists on Friday, January 4, from 5-8 p.m. Everyone is cordially invited to stop by.
After the holiday decorations come down, and before life settles once again into the gray days of winter, start the new year off right by surrounding yourself with the bright glow and warmth of colorful works of art. Each artist brings his or her unique interpretation of color to this group show. Now in its 30th year, Asheville Gallery of Art, noted for its diversity of styles, mediums, and techniques, promises a show that will uplift and cheer you as you wait for spring.
The pieces for the show, as well as the work of all 31 gallery members, will be on display and for sale through the month of January. For further information about this show, contact Asheville Gallery of Art at (828) 251-5796, visit the gallery’s website, www.ashevillegallery-of-art.com, or the gallery’s Facebook page.
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.
As Virginia Woolf said, “one cannot think well, love well, sleep well, if one has not dined well.” Food and water are essential for survival, but mankind’s relationship to food has transformed over time from one of sustenance to one laden with personal and cultural significance.
A Matter of Taste explores depictions of food and drink in art and reveals how images of fruits and vegetables can function as complex metaphors for excess, status, memory, and politics. Drawn from southern museums and private collections, this exhibition showcases over 35 paintings, decorative arts, and works on paper by artists such as Andy Warhol, Wayne Thiebaud, Henri Cartier-Bresson and Claes Oldenburg.
This show spans 400 years and multiple continents, revealing the evolving role of food and drink in various media and cultural contexts. While depictions of fruit and vegetables appeared in ancient times, still life painting as an independent genre dates to 16th-century Holland.
In 19th-century America, still life paintings remained popular but evolved in terms of subject matter, media, and message. Painters such as Thomas Wightman, George Forster, and De Scott Evans embraced Dutch still lifes and used food as commentary on the current political climate and the transient state of the human condition.
Illustrated newspapers led to an increase of cartoons by artists such as Winslow Homer and William Hogarth, who utilized food and drink as social satire. The 20th-century modern art movement further changed the perception of food. The culture of mass production enabled Pop artists to elevate seemingly mundane foodstuffs to high art. Yet, other contemporary artists explored the symbolic and nostalgic role of food seen in works by Tim Tate, Linda Armstrong, and Laquita Thomson.
Visitors will also experience an elaborately set dining table fit for a sumptuous feast. Dining became its own art form over time and communicated one’s social standing and wealth. Each of the table’s six place settings represent a different culture and offer a glimpse into global dining customs. Selective drinkware will accompany this section revealing how tea sets and even punch bowls reflected an owner’s prestige.
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.
As Virginia Woolf said, “one cannot think well, love well, sleep well, if one has not dined well.” Food and water are essential for survival, but mankind’s relationship to food has transformed over time from one of sustenance to one laden with personal and cultural significance.
A Matter of Taste explores depictions of food and drink in art and reveals how images of fruits and vegetables can function as complex metaphors for excess, status, memory, and politics. Drawn from southern museums and private collections, this exhibition showcases over 35 paintings, decorative arts, and works on paper by artists such as Andy Warhol, Wayne Thiebaud, Henri Cartier-Bresson and Claes Oldenburg.
This show spans 400 years and multiple continents, revealing the evolving role of food and drink in various media and cultural contexts. While depictions of fruit and vegetables appeared in ancient times, still life painting as an independent genre dates to 16th-century Holland.
In 19th-century America, still life paintings remained popular but evolved in terms of subject matter, media, and message. Painters such as Thomas Wightman, George Forster, and De Scott Evans embraced Dutch still lifes and used food as commentary on the current political climate and the transient state of the human condition.
Illustrated newspapers led to an increase of cartoons by artists such as Winslow Homer and William Hogarth, who utilized food and drink as social satire. The 20th-century modern art movement further changed the perception of food. The culture of mass production enabled Pop artists to elevate seemingly mundane foodstuffs to high art. Yet, other contemporary artists explored the symbolic and nostalgic role of food seen in works by Tim Tate, Linda Armstrong, and Laquita Thomson.
Visitors will also experience an elaborately set dining table fit for a sumptuous feast. Dining became its own art form over time and communicated one’s social standing and wealth. Each of the table’s six place settings represent a different culture and offer a glimpse into global dining customs. Selective drinkware will accompany this section revealing how tea sets and even punch bowls reflected an owner’s prestige.
JOIN US FOR OUR SECOND ANNUAL TWELFTH NIGHT CELEBRATION
SATURDAY, JANUARY 5TH, BEGINNING AT 6:30 PM AT HARMONS’ DEN BISTRO
CHEF CHRISTY BISHOP WILL BE PREPARING A SUMPTUOUS SHAKESPEAREAN FEAST
FOR 30 SPECIAL PATRONS
5 COURSE BANQUET $65 all inclusive
ADD WINE PAIRINGS for $25
To reserve your seat at the table call the HART Box Office at
828-456-6322 and simply leave a message for the box office or the
bistro, or email us at [email protected]
Seating is limited, so don’t delay.
Reservations must be received by December 30
The menu for this event can be viewed on our website…
www.harmonsden.harttheatre.org
https://www.facebook.com/events/384185518991379/
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.
As Virginia Woolf said, “one cannot think well, love well, sleep well, if one has not dined well.” Food and water are essential for survival, but mankind’s relationship to food has transformed over time from one of sustenance to one laden with personal and cultural significance.
A Matter of Taste explores depictions of food and drink in art and reveals how images of fruits and vegetables can function as complex metaphors for excess, status, memory, and politics. Drawn from southern museums and private collections, this exhibition showcases over 35 paintings, decorative arts, and works on paper by artists such as Andy Warhol, Wayne Thiebaud, Henri Cartier-Bresson and Claes Oldenburg.
This show spans 400 years and multiple continents, revealing the evolving role of food and drink in various media and cultural contexts. While depictions of fruit and vegetables appeared in ancient times, still life painting as an independent genre dates to 16th-century Holland.
In 19th-century America, still life paintings remained popular but evolved in terms of subject matter, media, and message. Painters such as Thomas Wightman, George Forster, and De Scott Evans embraced Dutch still lifes and used food as commentary on the current political climate and the transient state of the human condition.
Illustrated newspapers led to an increase of cartoons by artists such as Winslow Homer and William Hogarth, who utilized food and drink as social satire. The 20th-century modern art movement further changed the perception of food. The culture of mass production enabled Pop artists to elevate seemingly mundane foodstuffs to high art. Yet, other contemporary artists explored the symbolic and nostalgic role of food seen in works by Tim Tate, Linda Armstrong, and Laquita Thomson.
Visitors will also experience an elaborately set dining table fit for a sumptuous feast. Dining became its own art form over time and communicated one’s social standing and wealth. Each of the table’s six place settings represent a different culture and offer a glimpse into global dining customs. Selective drinkware will accompany this section revealing how tea sets and even punch bowls reflected an owner’s prestige.
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.
As Virginia Woolf said, “one cannot think well, love well, sleep well, if one has not dined well.” Food and water are essential for survival, but mankind’s relationship to food has transformed over time from one of sustenance to one laden with personal and cultural significance.
A Matter of Taste explores depictions of food and drink in art and reveals how images of fruits and vegetables can function as complex metaphors for excess, status, memory, and politics. Drawn from southern museums and private collections, this exhibition showcases over 35 paintings, decorative arts, and works on paper by artists such as Andy Warhol, Wayne Thiebaud, Henri Cartier-Bresson and Claes Oldenburg.
This show spans 400 years and multiple continents, revealing the evolving role of food and drink in various media and cultural contexts. While depictions of fruit and vegetables appeared in ancient times, still life painting as an independent genre dates to 16th-century Holland.
In 19th-century America, still life paintings remained popular but evolved in terms of subject matter, media, and message. Painters such as Thomas Wightman, George Forster, and De Scott Evans embraced Dutch still lifes and used food as commentary on the current political climate and the transient state of the human condition.
Illustrated newspapers led to an increase of cartoons by artists such as Winslow Homer and William Hogarth, who utilized food and drink as social satire. The 20th-century modern art movement further changed the perception of food. The culture of mass production enabled Pop artists to elevate seemingly mundane foodstuffs to high art. Yet, other contemporary artists explored the symbolic and nostalgic role of food seen in works by Tim Tate, Linda Armstrong, and Laquita Thomson.
Visitors will also experience an elaborately set dining table fit for a sumptuous feast. Dining became its own art form over time and communicated one’s social standing and wealth. Each of the table’s six place settings represent a different culture and offer a glimpse into global dining customs. Selective drinkware will accompany this section revealing how tea sets and even punch bowls reflected an owner’s prestige.
Class registration for Spring Semester (January-May) for Encore Theatre Company and auditions for semester production of Anne of Green Gables. Students registered in Beginner, Intermediate, Advanced and Triple Threat classes are eligible to audition. Must have a 1-2 minute MEMORIZED monologue to audition for Advanced class or Anne of Green Gables.
https://www.facebook.com/events/418118238929696/
The next Asheville Movie Guys screening will be at 7:20 p.m. on Monday, Jan. 7, featuring “Mary Queen of Scots.”
Everyone is welcome to join us for the movie and discussion.
Asheville Citizen Times subscribers and Asheville Movies.com patrons get in for the discounted price of $6.50, courtesy of the Fine Arts Theatre. Just say you’re a subscriber or patron at the box office.
Subscribers to the Asheville Movie Guys mailing list may also download and print out a coupon for free popcorn. Limited to the first 20 requests. To be added, email [email protected].
The evening includes a brief introduction by the Asheville Movie Guys, Citizen Times planning editor Bruce Steele and Edwin Arnaudin of AshevilleMovies.com, as well as a lively discussion with the audience after the credits.
For additional showtimes and a trailer, visit fineartstheatre.com.
https://www.facebook.com/events/282706319106330/
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.
Post Firing Sculpture Repair
Molly Morning-glory & Mac McCusker
Tuesdays 10:30am-1pm
January 8- February 26
Have broken projects piling up in your studio? Perhaps the piece you worked on for ages didn’t come out how you wanted? Join Molly Morning-glory and Mac McCusker to learn about cold finishing techniques and materials. Bring in your duds and we’ll help you make them beautiful! Sand blasting, epoxies, acrylic paint, spray enamel and more will be covered in this 8-week class. We will also create a sculpture or vessel to be bisque fired and finished without glazing, using shoe polish, patina, or furniture wax.
Level: Intermediate and Advanced
Tuition: $310 + $50 Lab Fee
You got Served! Handbuilt Tableware
Tyler-James Anderson
Tuesdays 6:30-9pm
January 8- February 26
In this class we will be focusing our efforts into creating beautiful plates, platters, and assorted dishes to liven up your serving game at home. Implementing plaster mold making and slab construction, we will be making both loose and refined forms that showcase surface design and fluidity. This class takes a fun, whimsical, and creative approach to forming and decorating, while providing students with solid fundamentals for their future handbuilding endeavors.
Level: All Levels
Tuition: $310 + $55 Lab Fee
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.
Bowled Over: How to Create Visual Interest on Simple Forms
Laurie Caffery Harris
Wednesdays 6:30-9pm
January 9- February 27
Bowls are often overlooked by potters because they are such a simple form, but they have so much potential! In this intermediate level class, we will explore bowls of all sizes and shapes on the potter’s wheel to create forms that reflect your unique style. We will also discuss and practice surface design through mishima (slip inlay), painting, and sgraffito carving. By the end of the session we will have made pieces that are not only visually interesting, but accurately represent your personal style and sensibilities.
Level: Intermediate and Advanced
Tuition: $310 + $50 Lab Fee
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.
Introduction To Sculpture
Mac McCusker
Thursdays, 11am-1:30pm
January 10- February 28
Ever wanted to try your hand at sculpting with clay? This introductory class will enable you to competently create small-scale sculptures of animals or people. Learn to build with slabs, coils, and solid clay sculpting to advance your ceramic skills or elevate the quality of your work! Using images and sketches as a reference, we will make several pieces in class using a combination of building techniques. This class is for all levels.
Level: All Levels
Tuition: $310 + $55 Lab Fee
Alternatives To Glaze
Cynthia Lee
Thursdays 3-5:30pm
January 10- February 28
Consider experimenting with some unorthodox surface treatments for a new look in your work. Using tiles, we will play with materials rolled on wet clay and cold surface techniques on bisque clay. Demonstrations and discussions will include applying these concepts to functional and sculptural work. Come with imagination, without reservations and a yearning for creative research!
Level: Intermediate
Tuition: $310 + $50 Lab Fee
Join Sanctuary Brewing Company and Ben Phan, Guitarist and Songwriter on Thursday January 10th, 2019 for an evening of incredible music by an even more incredible person!
A year of jazz conservatory at Virginia Commonwealth University left Ben Phan rebellious: uninspired by the environment and fed-up with the structure, he knew he didn’t want to be an academic musician.
So Phan began his professional career as a founding member of the Richmond Afrobeat Movement, a blend of jazz, funk and African dance music which earned significant attention in the South, including a TV appearance and other media features.
A stint as Musical Director for Free Run Wine Merchants gave Phan a chance to develop his professional skills, setting up musical events for the company, which included solo jazz gigs as well as band arrangements.
Phan then joined a bluegrass and folk band, the Rusty Strings, and discovered the joy in sitting on a porch and singing together with others, simply for the love of music.
In 2014, Phan decided to hike the Pacific Crest Trail and his life changed forever. Along with everything else he needed, he carried a mini-guitar on his back and became known by the name “Shredder” because of how he “shredded the guitar” when he played. Five months of travel on foot, 2,668 miles from the Mexican border all the way into Canada, playing for himself and the people he met, transformed his relationship with music. He began writing songs, drawn from his experiences on the trail as well as his past struggles with depression, addiction, loss and love. The music offered hope and solace, to him and to his audiences.
The time on the Pacific Crest Trail renewed Phan’s passion for music. With a prolific body of original work, he returned to Asheville to record his first solo EP, “Hold On, Let Go.” He assembled a band, made up of some of the best musicians in Asheville: besides liking his music, they appreciate the dedication and professionalism Phan brings to his work. The band released it’s debut album, “Dreams in Modern Folk”, to a sold out crowd at the Altamont Theatre, one of Asheville’s finest listening rooms. The band continued to perform successful shows over the following year, refining their high energy sound which combines fiery improvisation with rich composition. This led to a successful kickstarter campaign to fund their next album, “Fear is the Teacher”, which the band is currently recording with Grammy winning producer Matt Williams. Phan continues to perform with the band, as a solo artist, and in collaborations with other musicians; he has also built a successful guitar teaching practice, which he finds a great source of inspiration.
Phan is a prolific poet, songwriter, and guitarist, with the soul of an improviser. He crafts his songs to give room for improvisation, presence, and self-expression in the moment. He believes that the best live music is when everyone playing is co-creating – which means that every one of his concerts offers audiences a different sound and a unique experience.
https://www.benphanmusic.com/
https://www.facebook.com/events/215055552739243/
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.
Introduction To The Potter’s Wheel
Alyssa Ruberto and Halima Flynt
Saturdays 10am-12:30pm
January 12- March 2
Get ready to throw! This 8-week beginner’s course is designed to teach new potters the fundamentals of wheel-throwing, trimming, and glazing to make a variety of complete, food-safe and functional wares. By the end of this course, students will be able to confidently make pottery in any studio setting. Seasoned beginners are also encouraged to try new techniques to reach an intermediate level.
Level: Beginner and Seasoned Beginner
Tuition: $295 + $45 Lab Fee
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.