Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Asheville Gallery of Art
January 2019 Show
“A Colorful Beginning”
“A Colorful Beginning” for January at Asheville Gallery of Art
Asheville Gallery of Art’s January show, “A Colorful Beginning” ushers in the year with an expressive interpretation of color by more than 20 member artists. The show runs January 2-31 during gallery hours, 11 a.m.-6 p.m. Monday through Saturday and 11-4 p.m. Sunday. The gallery, located at 82 Patton Avenue in downtown Asheville across from Pritchard Park, will host a reception for the artists on Friday, January 4, from 5-8 p.m. Everyone is cordially invited to stop by.
After the holiday decorations come down, and before life settles once again into the gray days of winter, start the new year off right by surrounding yourself with the bright glow and warmth of colorful works of art. Each artist brings his or her unique interpretation of color to this group show. Now in its 30th year, Asheville Gallery of Art, noted for its diversity of styles, mediums, and techniques, promises a show that will uplift and cheer you as you wait for spring.
The pieces for the show, as well as the work of all 31 gallery members, will be on display and for sale through the month of January. For further information about this show, contact Asheville Gallery of Art at (828) 251-5796, visit the gallery’s website, www.ashevillegallery-of-art.com, or the gallery’s Facebook page.
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.
As Virginia Woolf said, “one cannot think well, love well, sleep well, if one has not dined well.” Food and water are essential for survival, but mankind’s relationship to food has transformed over time from one of sustenance to one laden with personal and cultural significance.
A Matter of Taste explores depictions of food and drink in art and reveals how images of fruits and vegetables can function as complex metaphors for excess, status, memory, and politics. Drawn from southern museums and private collections, this exhibition showcases over 35 paintings, decorative arts, and works on paper by artists such as Andy Warhol, Wayne Thiebaud, Henri Cartier-Bresson and Claes Oldenburg.
This show spans 400 years and multiple continents, revealing the evolving role of food and drink in various media and cultural contexts. While depictions of fruit and vegetables appeared in ancient times, still life painting as an independent genre dates to 16th-century Holland.
In 19th-century America, still life paintings remained popular but evolved in terms of subject matter, media, and message. Painters such as Thomas Wightman, George Forster, and De Scott Evans embraced Dutch still lifes and used food as commentary on the current political climate and the transient state of the human condition.
Illustrated newspapers led to an increase of cartoons by artists such as Winslow Homer and William Hogarth, who utilized food and drink as social satire. The 20th-century modern art movement further changed the perception of food. The culture of mass production enabled Pop artists to elevate seemingly mundane foodstuffs to high art. Yet, other contemporary artists explored the symbolic and nostalgic role of food seen in works by Tim Tate, Linda Armstrong, and Laquita Thomson.
Visitors will also experience an elaborately set dining table fit for a sumptuous feast. Dining became its own art form over time and communicated one’s social standing and wealth. Each of the table’s six place settings represent a different culture and offer a glimpse into global dining customs. Selective drinkware will accompany this section revealing how tea sets and even punch bowls reflected an owner’s prestige.
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.
As Virginia Woolf said, “one cannot think well, love well, sleep well, if one has not dined well.” Food and water are essential for survival, but mankind’s relationship to food has transformed over time from one of sustenance to one laden with personal and cultural significance.
A Matter of Taste explores depictions of food and drink in art and reveals how images of fruits and vegetables can function as complex metaphors for excess, status, memory, and politics. Drawn from southern museums and private collections, this exhibition showcases over 35 paintings, decorative arts, and works on paper by artists such as Andy Warhol, Wayne Thiebaud, Henri Cartier-Bresson and Claes Oldenburg.
This show spans 400 years and multiple continents, revealing the evolving role of food and drink in various media and cultural contexts. While depictions of fruit and vegetables appeared in ancient times, still life painting as an independent genre dates to 16th-century Holland.
In 19th-century America, still life paintings remained popular but evolved in terms of subject matter, media, and message. Painters such as Thomas Wightman, George Forster, and De Scott Evans embraced Dutch still lifes and used food as commentary on the current political climate and the transient state of the human condition.
Illustrated newspapers led to an increase of cartoons by artists such as Winslow Homer and William Hogarth, who utilized food and drink as social satire. The 20th-century modern art movement further changed the perception of food. The culture of mass production enabled Pop artists to elevate seemingly mundane foodstuffs to high art. Yet, other contemporary artists explored the symbolic and nostalgic role of food seen in works by Tim Tate, Linda Armstrong, and Laquita Thomson.
Visitors will also experience an elaborately set dining table fit for a sumptuous feast. Dining became its own art form over time and communicated one’s social standing and wealth. Each of the table’s six place settings represent a different culture and offer a glimpse into global dining customs. Selective drinkware will accompany this section revealing how tea sets and even punch bowls reflected an owner’s prestige.
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.
As Virginia Woolf said, “one cannot think well, love well, sleep well, if one has not dined well.” Food and water are essential for survival, but mankind’s relationship to food has transformed over time from one of sustenance to one laden with personal and cultural significance.
A Matter of Taste explores depictions of food and drink in art and reveals how images of fruits and vegetables can function as complex metaphors for excess, status, memory, and politics. Drawn from southern museums and private collections, this exhibition showcases over 35 paintings, decorative arts, and works on paper by artists such as Andy Warhol, Wayne Thiebaud, Henri Cartier-Bresson and Claes Oldenburg.
This show spans 400 years and multiple continents, revealing the evolving role of food and drink in various media and cultural contexts. While depictions of fruit and vegetables appeared in ancient times, still life painting as an independent genre dates to 16th-century Holland.
In 19th-century America, still life paintings remained popular but evolved in terms of subject matter, media, and message. Painters such as Thomas Wightman, George Forster, and De Scott Evans embraced Dutch still lifes and used food as commentary on the current political climate and the transient state of the human condition.
Illustrated newspapers led to an increase of cartoons by artists such as Winslow Homer and William Hogarth, who utilized food and drink as social satire. The 20th-century modern art movement further changed the perception of food. The culture of mass production enabled Pop artists to elevate seemingly mundane foodstuffs to high art. Yet, other contemporary artists explored the symbolic and nostalgic role of food seen in works by Tim Tate, Linda Armstrong, and Laquita Thomson.
Visitors will also experience an elaborately set dining table fit for a sumptuous feast. Dining became its own art form over time and communicated one’s social standing and wealth. Each of the table’s six place settings represent a different culture and offer a glimpse into global dining customs. Selective drinkware will accompany this section revealing how tea sets and even punch bowls reflected an owner’s prestige.
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.
As Virginia Woolf said, “one cannot think well, love well, sleep well, if one has not dined well.” Food and water are essential for survival, but mankind’s relationship to food has transformed over time from one of sustenance to one laden with personal and cultural significance.
A Matter of Taste explores depictions of food and drink in art and reveals how images of fruits and vegetables can function as complex metaphors for excess, status, memory, and politics. Drawn from southern museums and private collections, this exhibition showcases over 35 paintings, decorative arts, and works on paper by artists such as Andy Warhol, Wayne Thiebaud, Henri Cartier-Bresson and Claes Oldenburg.
This show spans 400 years and multiple continents, revealing the evolving role of food and drink in various media and cultural contexts. While depictions of fruit and vegetables appeared in ancient times, still life painting as an independent genre dates to 16th-century Holland.
In 19th-century America, still life paintings remained popular but evolved in terms of subject matter, media, and message. Painters such as Thomas Wightman, George Forster, and De Scott Evans embraced Dutch still lifes and used food as commentary on the current political climate and the transient state of the human condition.
Illustrated newspapers led to an increase of cartoons by artists such as Winslow Homer and William Hogarth, who utilized food and drink as social satire. The 20th-century modern art movement further changed the perception of food. The culture of mass production enabled Pop artists to elevate seemingly mundane foodstuffs to high art. Yet, other contemporary artists explored the symbolic and nostalgic role of food seen in works by Tim Tate, Linda Armstrong, and Laquita Thomson.
Visitors will also experience an elaborately set dining table fit for a sumptuous feast. Dining became its own art form over time and communicated one’s social standing and wealth. Each of the table’s six place settings represent a different culture and offer a glimpse into global dining customs. Selective drinkware will accompany this section revealing how tea sets and even punch bowls reflected an owner’s prestige.
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.
Post Firing Sculpture Repair
Molly Morning-glory & Mac McCusker
Tuesdays 10:30am-1pm
January 8- February 26
Have broken projects piling up in your studio? Perhaps the piece you worked on for ages didn’t come out how you wanted? Join Molly Morning-glory and Mac McCusker to learn about cold finishing techniques and materials. Bring in your duds and we’ll help you make them beautiful! Sand blasting, epoxies, acrylic paint, spray enamel and more will be covered in this 8-week class. We will also create a sculpture or vessel to be bisque fired and finished without glazing, using shoe polish, patina, or furniture wax.
Level: Intermediate and Advanced
Tuition: $310 + $50 Lab Fee
You got Served! Handbuilt Tableware
Tyler-James Anderson
Tuesdays 6:30-9pm
January 8- February 26
In this class we will be focusing our efforts into creating beautiful plates, platters, and assorted dishes to liven up your serving game at home. Implementing plaster mold making and slab construction, we will be making both loose and refined forms that showcase surface design and fluidity. This class takes a fun, whimsical, and creative approach to forming and decorating, while providing students with solid fundamentals for their future handbuilding endeavors.
Level: All Levels
Tuition: $310 + $55 Lab Fee
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.
Bowled Over: How to Create Visual Interest on Simple Forms
Laurie Caffery Harris
Wednesdays 6:30-9pm
January 9- February 27
Bowls are often overlooked by potters because they are such a simple form, but they have so much potential! In this intermediate level class, we will explore bowls of all sizes and shapes on the potter’s wheel to create forms that reflect your unique style. We will also discuss and practice surface design through mishima (slip inlay), painting, and sgraffito carving. By the end of the session we will have made pieces that are not only visually interesting, but accurately represent your personal style and sensibilities.
Level: Intermediate and Advanced
Tuition: $310 + $50 Lab Fee
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.
Introduction To Sculpture
Mac McCusker
Thursdays, 11am-1:30pm
January 10- February 28
Ever wanted to try your hand at sculpting with clay? This introductory class will enable you to competently create small-scale sculptures of animals or people. Learn to build with slabs, coils, and solid clay sculpting to advance your ceramic skills or elevate the quality of your work! Using images and sketches as a reference, we will make several pieces in class using a combination of building techniques. This class is for all levels.
Level: All Levels
Tuition: $310 + $55 Lab Fee
Alternatives To Glaze
Cynthia Lee
Thursdays 3-5:30pm
January 10- February 28
Consider experimenting with some unorthodox surface treatments for a new look in your work. Using tiles, we will play with materials rolled on wet clay and cold surface techniques on bisque clay. Demonstrations and discussions will include applying these concepts to functional and sculptural work. Come with imagination, without reservations and a yearning for creative research!
Level: Intermediate
Tuition: $310 + $50 Lab Fee
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.
Introduction To The Potter’s Wheel
Alyssa Ruberto and Halima Flynt
Saturdays 10am-12:30pm
January 12- March 2
Get ready to throw! This 8-week beginner’s course is designed to teach new potters the fundamentals of wheel-throwing, trimming, and glazing to make a variety of complete, food-safe and functional wares. By the end of this course, students will be able to confidently make pottery in any studio setting. Seasoned beginners are also encouraged to try new techniques to reach an intermediate level.
Level: Beginner and Seasoned Beginner
Tuition: $295 + $45 Lab Fee
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.
Post Firing Sculpture Repair
Molly Morning-glory & Mac McCusker
Tuesdays 10:30am-1pm
January 8- February 26
Have broken projects piling up in your studio? Perhaps the piece you worked on for ages didn’t come out how you wanted? Join Molly Morning-glory and Mac McCusker to learn about cold finishing techniques and materials. Bring in your duds and we’ll help you make them beautiful! Sand blasting, epoxies, acrylic paint, spray enamel and more will be covered in this 8-week class. We will also create a sculpture or vessel to be bisque fired and finished without glazing, using shoe polish, patina, or furniture wax.
Level: Intermediate and Advanced
Tuition: $310 + $50 Lab Fee
What’s In The Kitchen?
For Kids Ages 6-12
Sara Ballek
Tuesdays 4-6pm
January 15- February 19
Learning about foods and objects in your kitchen can be exciting and fun to explore, but what if you had the chance to make some of your own? In this class students will develop work relating to items they use in their kitchen while learning more about sculpting and decorating clay. We will be focusing on using the wheel and a variety of hand building methods to create fun, functional objects for everyday use or play!
Tuition: $225
You got Served! Handbuilt Tableware
Tyler-James Anderson
Tuesdays 6:30-9pm
January 8- February 26
In this class we will be focusing our efforts into creating beautiful plates, platters, and assorted dishes to liven up your serving game at home. Implementing plaster mold making and slab construction, we will be making both loose and refined forms that showcase surface design and fluidity. This class takes a fun, whimsical, and creative approach to forming and decorating, while providing students with solid fundamentals for their future handbuilding endeavors.
Level: All Levels
Tuition: $310 + $55 Lab Fee
Join us for an Acrylic Pour Painting Class! Create a beautiful painting on a 12 x 16 canvas! Let your Spirit Flow… so many color combinations to choose from! The class includes paint, canvas, supplies and take home instructions. Cost is $40 per person. Pre-register is recommended to reserve your spot. Seating is limited.
Come let your inner child play!
Contact Riitta Thrall for registration and more details via email or Facebook.
[email protected]
Classes will be held every Wednesday evening in the lobby.
Parking not included in pricing.
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.
Bowled Over: How to Create Visual Interest on Simple Forms
Laurie Caffery Harris
Wednesdays 6:30-9pm
January 9- February 27
Bowls are often overlooked by potters because they are such a simple form, but they have so much potential! In this intermediate level class, we will explore bowls of all sizes and shapes on the potter’s wheel to create forms that reflect your unique style. We will also discuss and practice surface design through mishima (slip inlay), painting, and sgraffito carving. By the end of the session we will have made pieces that are not only visually interesting, but accurately represent your personal style and sensibilities.
Level: Intermediate and Advanced
Tuition: $310 + $50 Lab Fee
When reflecting on the current state of the environment, it seems that we have entered into times of seismic sorrows. Carbon emissions, water pollution, fracking, and changing climate patterns all point to a troubling reality with serious consequences for human and non-human populations. Through weavings, installations, sculpture, and print, artists Rena Detrixhe and Tali Weinberg (Tulsa, OK) explore the complex relationship between humans and the planet, offering insights, expressing grief, and creating space for resilience and change.
In Time of Seismic Sorrows is curated by Marilyn Zapf and organized by the Center for Craft. The Center for Craft is supported in part by the N.C. Arts Council, a division of the Department of Natural and Cultural Resources.