Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.

What goes on behind the curtain? In our Tech Youth Production Classes, students learn and experience technical theatre and backstage work, including: safety, basic light and sound board operation, and stage management. Students will then put their skills to practice by running all technical and backstage roles during the Youth performances of The Prom, a musical comedy about big Broadway stars on a mission and a small-town Indiana prom.
Registration begins on Wednesday, July 13, 2022. Tuition will be $250.00 – payment plans and scholarships will both be available.
Student Ages: 12-18
Classes: Aug 25-Oct 13 | Thursdays at 4:30-6:00 PM
Tech Week: Oct 17-20 | Monday through Thursday | 4:30-8:00 PM
Performances: Saturday, Oct 22 at 6:30 PM and Sunday, Oct 23 at 2:30 PM
NOTE: If applying for a scholarship, please fill out the Scholarship Application INSTEAD of filling out a registration. Once your application is processed, we will be in touch with you to register.

Students explore their potential and harness their skills in this intermediate course all about the art of the scene. Students will discover their strengths and weaknesses through practicing acting exercises and character development techniques. Scene study is best for students who are already familiar with basic performance training. The course includes a showcase for family and friends on the final day of class.
Registration begins on Wednesday, July 20, 2022 at 10:00 am. Tuition will be $225 – Scholarships are available.
NOTE: If applying for a scholarship, please fill out the Scholarship Application INSTEAD of filling out registration. If your application is approved, we will be in touch with you to register.

Blood at The Root written by Dominique Morisseau – BLOOD AT THE ROOT is a striking ensemble drama based on the Jena Six; six Black students who were initially charged with attempted murder for a school fight after being provoked with nooses hanging from a tree on campus. This bold new play by Dominique Morisseau (Sunset Baby, Detroit ’67, Skeleton Crew) examines the miscarriage of justice, racial double standards, and the crises in relations between men and women of all classes and, as a result, the shattering state of Black family life.
“Bursting with youthful exuberance, critical race issues, emotional authenticity, and astonishing beauty. It is powerfully auspicious“-DC Theater Arts
“Blood at the Root vividly illustrates the near impossibility of getting through one’s teenage years-fraught in the best-case scenario-unscathed when also having to tackle larger societal problems. It’s a necessary and evocative production all-around.” – Chicago Reader
Set in the 1960s, a progressive white couple’s proud liberal sensibilities are put to the test when their daughter brings her Black fiancé home to meet them in this fresh and relevant stage adaptation of the iconic film Guess Who’s Coming to Dinner that starred the inimitable and great Sidney Poitier. Blindsided by their daughter’s whirlwind romance and fearful for her future, Matt and Christina Drayton quickly come to realize the difference between supporting a mixed-race couple in your newspaper and welcoming one into your family. However, they’re surprised to find they aren’t the only ones with concerns about the match, and it’s not long before a multi-family clash of racial and generational difference sweeps across the Drayton’s idyllic San Francisco terrace. At the end of the day, will the love between young Joanna and John prevail? With humor and insight, Guess Who’s Coming To Dinner begins a conversation sure to continue at dinner tables long after the curtain comes down.
Shared stories of memorable summers. Hosted by Tom Chalmers.
All tickets are general admission. Performance begins at 7:30pm in 35below at Asheville Community Theatre. The 35below lobby doors and box office will open at 6:30pm.
A bi-monthly storytelling series in the vein of “This American Life,” Listen to This is an evening of stories and songs from some of Asheville’s most interesting writers, performers, and citizens. Each month is hosted by local comedian Tom Chalmers and features a central theme (past shows have featured stories about everything from gluttony to mistaken identity). Themes and performers for each month are announced closer to show date.
Real people. Real stories. Real good times.
A storytelling series in the vein of “This American Life,” Listen to This is an evening of stories and songs from some of Asheville’s most interesting writers, performers, and citizens. Hosted by local comedian Tom Chalmers. Stay tuned for this month’s theme!
Ushers Needed
Volunteer ushers are a vital part of the theatre’s Front of House operations.
Ushering is such an easy way to support Local Theater, and to see a show for free! Whether it’s collecting tickets or tidying up after the performance, your help is greatly appreciated and rewarded with free admission. Sign up today, it is a great way to support local theatre!

Blood at The Root written by Dominique Morisseau – BLOOD AT THE ROOT is a striking ensemble drama based on the Jena Six; six Black students who were initially charged with attempted murder for a school fight after being provoked with nooses hanging from a tree on campus. This bold new play by Dominique Morisseau (Sunset Baby, Detroit ’67, Skeleton Crew) examines the miscarriage of justice, racial double standards, and the crises in relations between men and women of all classes and, as a result, the shattering state of Black family life.
“Bursting with youthful exuberance, critical race issues, emotional authenticity, and astonishing beauty. It is powerfully auspicious“-DC Theater Arts
“Blood at the Root vividly illustrates the near impossibility of getting through one’s teenage years-fraught in the best-case scenario-unscathed when also having to tackle larger societal problems. It’s a necessary and evocative production all-around.” – Chicago Reader

The Fangmeyer Theatre at HART
Directed by Steve Lloyd
When a badly botched version of Hamlet- “to be or not to be, that’s the point…”- hits a local stage, Henry Condell and John Heminges, two of Shakespeare’s closest friends, know they have to act. Three years after William Shakespeare’s death, a group of actors meet to try and gather the Bard’s scattered masterpieces and create the First Folio. It’s a theatrical, beat-the-clock race to save a legacy. The Book of Will is full of the wit and nerve you would expect from Shakespeare’s favorite actors and a triumph that will leave your heart full of joy.
Suitable for all audiences.

Directed by Steve Lloyd
When a badly botched version of Hamlet- “to be or not to be, that’s the point…”- hits a local stage, Henry Condell and John Heminges, two of Shakespeare’s closest friends, know they have to act. Three years after William Shakespeare’s death, a group of actors meet to try and gather the Bard’s scattered masterpieces and create the First Folio. It’s a theatrical, beat-the-clock race to save a legacy. The Book of Will is full of the wit and nerve you would expect from Shakespeare’s favorite actors and a triumph that will leave your heart full of joy.

A WNC PREMIERE! by Catherine Bush Directed by Rodney Smith Opening 8/19/2022 – 9/17/2022
Set in the 1960s, a progressive white couple’s proud liberal sensibilities are put to the test when their daughter brings her Black fiancé home to meet them in this fresh and relevant stage adaptation of the iconic film Guess Who’s Coming to Dinner that starred the inimitable and great Sidney Poitier. Blindsided by their daughter’s whirlwind romance and fearful for her future, Matt and Christina Drayton quickly come to realize the difference between supporting a mixed-race couple in your newspaper and welcoming one into your family. However, they’re surprised to find they aren’t the only ones with concerns about the match, and it’s not long before a multi-family clash of racial and generational difference sweeps across the Drayton’s idyllic San Francisco terrace. At the end of the day, will the love between young Joanna and John prevail? With humor and insight, Guess Who’s Coming To Dinner begins a conversation sure to continue at dinner tables long after the curtain comes down.
The Hot Girls’ End of Summer Report
Friday August 26
The Orange Peel
101 Biltmore Ave, Downtown Asheville
8p, doors at 7p • fully seated show
Standup Comedy Show
Featuring the HOTTEST and FUNNIEST female identifying comedians from around the region!
Hosted by Morgan Bost
Featuring Lace Larrabee who was recently on NBC’s America’s Got Talent with yesses from all the judges. This actress, comedian and podcaster is best known for “Queen America,” “Punchline” and “Flophouse.” with Hilliary Begley, fresh off her European tour, best known for Dumplin’ on Netflix and Amazon Prime. plus Moira Goree, Becca Steinhoff and more great regional comedians
Show: 8pm | Doors: 7pm
$17 – $20
The Hot Girls’ End of Summer Report
Friday August 26 at The Orange Peel
101 Biltmore Ave, in Downtown Asheville
8p, doors at 7p • fully seated show
You wont want to miss this Standup Comedy Show as the HOTTEST and FUNNIEST comedians from around the region get back in town to give us their Hot Girl End off Summer report!
Featuring Lace Larrabee who was recently on NBC’s America’s Got Talent with yesses from all the judges. This actress, comedian and podcaster is best known for “Queen America,” “Punchline” and “Flophouse.” with Hilliary Begley, fresh off her European tour, best known for Dumplin’ on Netflix and Amazon Prime.
plus Moira Goree, Becca Steinhoff and more great regional comedians you don’t want to miss this HOT evening out!!
Hosted by the amazing Morgan Bost

Commit to treating yourself to a year of professional live theatre with a 2022-23 Season Pass! Whether you’re looking for flexible tickets to attend each show as you know your own schedule, or whether you’re a “book it ahead” person who has a favorite seat you just have to have: we’ve got you covered with the Season Pass!
This flex pass gives you first choice at seats or, if you prefer, time to wait and decide when you know what your calendar looks like! Ticket exchanges are always free.
All this at a 20% discount* off the price of single tickets.
That’s like seeing six shows for the price of five!
How it works: Once you purchase your pass, you’ll be emailed a special, unique code that you’ll use as a coupon code to book your tickets to each show when you’re ready. Don’t worry, we’ll have your code on file in case you misplace your copy!
*up to 20% depending on seat choice
Please be aware that, as of 7/2022, NC Stage is still requiring masks of all staff, audience members, and volunteers. Read about more about this decision and our complete COVID-19 policy.
See you at the theatre!!
Purchase Tickets Online
…or call us at (828) 239-0263. We’re here to help!
Ushers Needed
Volunteer ushers are a vital part of the theatre’s Front of House operations.
Ushering is such an easy way to support Local Theater, and to see a show for free! Whether it’s collecting tickets or tidying up after the performance, your help is greatly appreciated and rewarded with free admission. Sign up today, it is a great way to support local theatre!

Kids have great imaginations – this is the place to let it loose! Our youngest students will learn to bring fun stories and characters to life. Through games and play, they’ll get comfortable expressing with their voices and bodies. And, their confidence will grow as they perform with other kids! Join us for play and creativity!
Registration begins on Wednesday, July 20, 2022 at 10:00 am. Tuition will be $175 – Scholarships are available.
NOTE: If applying for a scholarship, please fill out the Scholarship Application INSTEAD of filling out registration. If your application is approved, we will be in touch with you to register.

Improv teaches performers spontaneity, creativity, and to think outside the box! In this class, students will learn the basics of improv with techniques designed to get them comfortable with performing, quick thinking, and being present on stage. They’ll be laughing and learning with fun games, warm-ups, “Yes And” exercises, and a showcase for family and friends during the last class.
Registration begins on Wednesday, July 20, 2022 at 10:00 am. Tuition will be $225 – Scholarships are available.
NOTE: If applying for a scholarship, please fill out the Scholarship Application INSTEAD of filling out registration. If your application is approved, we will be in touch with you to register.
Set in the 1960s, a progressive white couple’s proud liberal sensibilities are put to the test when their daughter brings her Black fiancé home to meet them in this fresh and relevant stage adaptation of the iconic film Guess Who’s Coming to Dinner that starred the inimitable and great Sidney Poitier. Blindsided by their daughter’s whirlwind romance and fearful for her future, Matt and Christina Drayton quickly come to realize the difference between supporting a mixed-race couple in your newspaper and welcoming one into your family. However, they’re surprised to find they aren’t the only ones with concerns about the match, and it’s not long before a multi-family clash of racial and generational difference sweeps across the Drayton’s idyllic San Francisco terrace. At the end of the day, will the love between young Joanna and John prevail? With humor and insight, Guess Who’s Coming To Dinner begins a conversation sure to continue at dinner tables long after the curtain comes down.
Elf The Musical
MUSICAL
Book by Thomas Meehan & Bob Martin; Music by Matthew Sklar; Lyrics by Chad Beguelin
Directed by: Jeff Catanese
AUDITION DATES: AUDITION DATES HAVE BEEN CHANGED. NEW AUDITION DATES ARE: Saturday, August 27 5:30-8:30pm and Sunday, August 28 1:00-4:00pm with callbacks Tuesday, Aug 30th 6:30-9:30pm.
AUDITION FORM: Please fill out the Audition Form and sign up for an open time slot. Walk-ups are welcome (just be aware you may have to wait for an open slot). You can fill out the Audition Form at the audition, or save time and fill it out now!
CALLBACK DATE: Tuesday, August 30, 2022; 6:30-9:30 pm
PRODUCTION DATES: December 2-December 18, 2022; Performances: Fridays December 2, 9, 16 and Saturdays December 3, 10, and 17 at 7:30pm and Sundays December 4, 11, and 18 at 2:30pm. Extra Performance Added for Thursday, December 15 at 7:30pm. Student Matinee: Tuesday December 6th, 2022 at 10am. Cast must plan to arrive at least 1 hour prior to show time.
REHEARSALS: Production Calendar. Rehearsals will be held Sundays, Mondays, Wednesdays, and Thursdays from 6:30PM – 9:30PM beginning September 18th. A printed rehearsal calendar will be available at auditions – you are able to list any conflicts you have with the rehearsal schedule at this time.
DIRECTOR SEEKS: A cast of 9 principal roles and 10+ ensemble roles. Actors of all ages, gender identities, races, ethnicities, and disabilities will be considered for any desired role indicated on their audition sheet.
AUDITION MATERIAL:
Singing: Please prepare 16 bars of music and bring your sheet music to the audition in the key in which you will be singing. We will provide an accompanist. Acapella is fine if you don’t have sheet music. The music director will also have you sing scales.
Dance: All those auditioning will learn a short routine with choreographer Rose Pillmore. Dances will be modified as needed to ensure accessibility of choreographic content. No need to prepare in advance, just wear something you can move in.

Blood at The Root written by Dominique Morisseau – BLOOD AT THE ROOT is a striking ensemble drama based on the Jena Six; six Black students who were initially charged with attempted murder for a school fight after being provoked with nooses hanging from a tree on campus. This bold new play by Dominique Morisseau (Sunset Baby, Detroit ’67, Skeleton Crew) examines the miscarriage of justice, racial double standards, and the crises in relations between men and women of all classes and, as a result, the shattering state of Black family life.
“Bursting with youthful exuberance, critical race issues, emotional authenticity, and astonishing beauty. It is powerfully auspicious“-DC Theater Arts
“Blood at the Root vividly illustrates the near impossibility of getting through one’s teenage years-fraught in the best-case scenario-unscathed when also having to tackle larger societal problems. It’s a necessary and evocative production all-around.” – Chicago Reader

The Fangmeyer Theatre at HART
Directed by Steve Lloyd
When a badly botched version of Hamlet- “to be or not to be, that’s the point…”- hits a local stage, Henry Condell and John Heminges, two of Shakespeare’s closest friends, know they have to act. Three years after William Shakespeare’s death, a group of actors meet to try and gather the Bard’s scattered masterpieces and create the First Folio. It’s a theatrical, beat-the-clock race to save a legacy. The Book of Will is full of the wit and nerve you would expect from Shakespeare’s favorite actors and a triumph that will leave your heart full of joy.
Suitable for all audiences.

Directed by Steve Lloyd
When a badly botched version of Hamlet- “to be or not to be, that’s the point…”- hits a local stage, Henry Condell and John Heminges, two of Shakespeare’s closest friends, know they have to act. Three years after William Shakespeare’s death, a group of actors meet to try and gather the Bard’s scattered masterpieces and create the First Folio. It’s a theatrical, beat-the-clock race to save a legacy. The Book of Will is full of the wit and nerve you would expect from Shakespeare’s favorite actors and a triumph that will leave your heart full of joy.

A WNC PREMIERE! by Catherine Bush Directed by Rodney Smith Opening 8/19/2022 – 9/17/2022
Set in the 1960s, a progressive white couple’s proud liberal sensibilities are put to the test when their daughter brings her Black fiancé home to meet them in this fresh and relevant stage adaptation of the iconic film Guess Who’s Coming to Dinner that starred the inimitable and great Sidney Poitier. Blindsided by their daughter’s whirlwind romance and fearful for her future, Matt and Christina Drayton quickly come to realize the difference between supporting a mixed-race couple in your newspaper and welcoming one into your family. However, they’re surprised to find they aren’t the only ones with concerns about the match, and it’s not long before a multi-family clash of racial and generational difference sweeps across the Drayton’s idyllic San Francisco terrace. At the end of the day, will the love between young Joanna and John prevail? With humor and insight, Guess Who’s Coming To Dinner begins a conversation sure to continue at dinner tables long after the curtain comes down.
Elf The Musical
MUSICAL
Book by Thomas Meehan & Bob Martin; Music by Matthew Sklar; Lyrics by Chad Beguelin
Directed by: Jeff Catanese
AUDITION DATES: AUDITION DATES HAVE BEEN CHANGED. NEW AUDITION DATES ARE: Saturday, August 27 5:30-8:30pm and Sunday, August 28 1:00-4:00pm with callbacks Tuesday, Aug 30th 6:30-9:30pm.
AUDITION FORM: Please fill out the Audition Form and sign up for an open time slot. Walk-ups are welcome (just be aware you may have to wait for an open slot). You can fill out the Audition Form at the audition, or save time and fill it out now!
CALLBACK DATE: Tuesday, August 30, 2022; 6:30-9:30 pm
PRODUCTION DATES: December 2-December 18, 2022; Performances: Fridays December 2, 9, 16 and Saturdays December 3, 10, and 17 at 7:30pm and Sundays December 4, 11, and 18 at 2:30pm. Extra Performance Added for Thursday, December 15 at 7:30pm. Student Matinee: Tuesday December 6th, 2022 at 10am. Cast must plan to arrive at least 1 hour prior to show time.
REHEARSALS: Production Calendar. Rehearsals will be held Sundays, Mondays, Wednesdays, and Thursdays from 6:30PM – 9:30PM beginning September 18th. A printed rehearsal calendar will be available at auditions – you are able to list any conflicts you have with the rehearsal schedule at this time.
DIRECTOR SEEKS: A cast of 9 principal roles and 10+ ensemble roles. Actors of all ages, gender identities, races, ethnicities, and disabilities will be considered for any desired role indicated on their audition sheet.
AUDITION MATERIAL:
Singing: Please prepare 16 bars of music and bring your sheet music to the audition in the key in which you will be singing. We will provide an accompanist. Acapella is fine if you don’t have sheet music. The music director will also have you sing scales.
Dance: All those auditioning will learn a short routine with choreographer Rose Pillmore. Dances will be modified as needed to ensure accessibility of choreographic content. No need to prepare in advance, just wear something you can move in.
Set in the 1960s, a progressive white couple’s proud liberal sensibilities are put to the test when their daughter brings her Black fiancé home to meet them in this fresh and relevant stage adaptation of the iconic film Guess Who’s Coming to Dinner that starred the inimitable and great Sidney Poitier. Blindsided by their daughter’s whirlwind romance and fearful for her future, Matt and Christina Drayton quickly come to realize the difference between supporting a mixed-race couple in your newspaper and welcoming one into your family. However, they’re surprised to find they aren’t the only ones with concerns about the match, and it’s not long before a multi-family clash of racial and generational difference sweeps across the Drayton’s idyllic San Francisco terrace. At the end of the day, will the love between young Joanna and John prevail? With humor and insight, Guess Who’s Coming To Dinner begins a conversation sure to continue at dinner tables long after the curtain comes down.

The Fangmeyer Theatre at HART
Directed by Steve Lloyd
When a badly botched version of Hamlet- “to be or not to be, that’s the point…”- hits a local stage, Henry Condell and John Heminges, two of Shakespeare’s closest friends, know they have to act. Three years after William Shakespeare’s death, a group of actors meet to try and gather the Bard’s scattered masterpieces and create the First Folio. It’s a theatrical, beat-the-clock race to save a legacy. The Book of Will is full of the wit and nerve you would expect from Shakespeare’s favorite actors and a triumph that will leave your heart full of joy.
Suitable for all audiences.

Directed by Steve Lloyd
When a badly botched version of Hamlet- “to be or not to be, that’s the point…”- hits a local stage, Henry Condell and John Heminges, two of Shakespeare’s closest friends, know they have to act. Three years after William Shakespeare’s death, a group of actors meet to try and gather the Bard’s scattered masterpieces and create the First Folio. It’s a theatrical, beat-the-clock race to save a legacy. The Book of Will is full of the wit and nerve you would expect from Shakespeare’s favorite actors and a triumph that will leave your heart full of joy.

A WNC PREMIERE! by Catherine Bush Directed by Rodney Smith Opening 8/19/2022 – 9/17/2022



