Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
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Useful and Beautiful: Silvercraft by William Waldo Dodge features a selection of functional silver works by Dodge drawn from the Museum’s Collection. Organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator, this exhibition will be on view in the Debra McClinton Gallery at the Museum from February 23 through October 17, 2022.
William Waldo Dodge Jr. (Washington, DC 1895–1971 Asheville, NC) moved to Asheville in 1924 as a trained architect and a newly skilled silversmith. When he opened for business promoting his handwrought silver tableware, including plates, candlesticks, flatware (spoons, forks, and knives), and serving dishes, he did so in a true Arts and Crafts tradition. The aesthetics of the style were dictated by its philosophy: an artist’s handmade creation should reflect their hard work and skill, and the resulting artwork should highlight the material from which it was made. Dodge’s silver often displayed his hammer marks and inventive techniques, revealing the beauty of these useful household goods.
The Arts and Crafts style of England became popular in the United States in the early 1900s. Asheville was an early adopter of the movement because of the popularity and abundance of Arts and Crafts architecture in neighborhoods like Biltmore Forest, Biltmore Village, and the area around The Grove Park Inn. The title of this exhibition was taken from the famous quotation by one of the founding members of the English Arts and Crafts Movement, William Morris, who said, “have nothing in your house that you do not know to be useful or believe to be beautiful.” Not only did Dodge follow this suggestion; he contributed to American Arts and Crafts silver’s relevancy persisting almost halfway into the 20th century.
“It has been over 15 years since the Museum exhibited its collection of William Waldo Dodge silver and I am looking forward to displaying it in the new space with some new acquisitions added,” said Whitney Richardson, associate curator. Learn more at ashevilleart.org.
Collage paintings, assemblages, textiles, & faux artifacts designed by Jean Hess to explore the 1920 WV mining labor dispute as metaphor for the human condition.
Three rooms will be filled with an eclectic mix of collage paintings ranging in scale from 6×6” to 50×70”; 3-D assemblages and faux artifacts; hand-stitched textiles; documentation in the form of historic notes, catalog entries for a collection of ephemera, photographs.
Exhibits through November 30, 2022.
“Matewan as Metaphor” is an experiment in artistic license. Mixed-media artist Jean Hess creates a personal story by combining real and imagined resources with the intention of healing her own memory and transcending limits on what is possible and allowed in creative and scholarly endeavors as well as in visual art. The 1920 mining labor dispute in Matewan, West Virginia, which involved her own family, stands for a full life and its adversities.
Matewan was, in 1920, the scene of an armed skirmish between coal miners, mining companies, local union officials and hired strike-breakers. Baldwin-Felts Detective Agency thugs hired by the coal operators traveled by train to cast striking miners and their families out of their homes. The local mayor and several Baldwin-Felts agents were killed. The chief of police, the Matewan mayor, and several other locals gathered at the train station to confront the hired guns about the unlawful evictions. The Baldwin-Felts agents refused to recognize the local authority, and a shootout ensued. The mayor, some miners, and several detectives were killed. This was one of many violent conflicts that took place in Southern WV between pro-union miners and men hired by coal companies to use force and intimidation to prevent miners from unionizing.
Jean Hess’ multi-variant creative output segues with an equally unpredictable life. She has lived in Washington, DC, Baltimore, Albuquerque, Santa Fe and Abiquiu, New Mexico as well as Atlanta, Dallas and now Knoxville, Tennessee. Her work-for-pay background includes stints as a computer programmer, Montessori teacher, museum registrar, writer and research consultant for government and private industry. With degrees [BA, MA] in cultural anthropology she tends to draw inspiration from wide-ranging interests, and not always according to established rules.
Hess is well-known for experimental mixed-media collage paintings and assemblages that combine the skillful use of layered paint and resins, light refraction and found materials such as antique ephemera and pressed plants. Because her palette, surface and touch are consistent, one can always tell a work of art is hers. And yet Hess likes surprises, plays with materials that are sometimes unfamiliar, operates in a controlled-experiment spirit and likes accidental detours that energize her work. While she took some undergraduate art courses she is largely self-taught.
Public collections include: Huntsville Museum of Art; Evansville Museum of Art, History and Science; Knoxville Museum of Art; University of Virginia; Farm Credit Administration; Knoxville Convention Center; City of Chattanooga; St. Mary’s Hospital Heart Institute [IN]; Canon USA.
Jean Hess is proud that much of her work is in private collections, cared for by sympathetic individuals.
The Artist Support Grant provides funding emerging or established artists to create work, improve their business operations, or bring their work to new audiences. Grants range from $500-3,000.
Apply by October 15 | The Arts Build Community grant supports innovative, arts-based projects that inspire diverse groups of participants to be more active, involved, and civically-engaged by creating together. Grants range from $1,000-2,500.
The Asheville Art Museum is pleased to announce that people world-wide can now explore more of the Museum’s diverse Collection of 20th- and 21st-century American art online from the comfort of their homes, on the go with their smart phones, or from their favorite coffee shop.
“This was a massive undertaking, and it’s a tremendous accomplishment,” says Executive Director Pamela Myers. “I cannot express my gratitude to the Museum’s talented curatorial team. They’ve dedicated so much time, energy, and thought to enable these artworks to be experienced and enjoyed on an easily accessible, international platform.”
To date, the curatorial team has meticulously digitized approximately 20 percent of the Museum’s Collection and uploaded it to the online database. “Our evolving Collection has grown to nearly 7,500 works, with 1,500 of them already available online,” says Associate Registrar and Project Lead Chris Whitten. “We’ve already devoted several years to reach this point in the process,” he says, “and plan on regularly adding hundreds more each quarter until the entire Collection is online.”
A Robust, Expanding Collection
Associate Curator Whitney Richardson says the Museum’s Collection has experienced dramatic growth in the past five years. In fact, it has almost doubled in size and keeps expanding. “Like most museums, we have more art in our Collection than we can show at any one time. With the Collection growing at the rate that it is, this digital platform allows us to share more of what is in our holdings.
ince 2003, the Bearfootin’ Art Walk has helped raise funding for Downtown Hendersonville and a variety of local non-profits. In addition to raising funds, the bears offer a window into good work being done by community organizations in Henderson County.
The Bearfootin’ Bears arrive as blank slates before local artists transform each in a spectacular fashion, with creative themes ranging from Mona Lisa to Blue Ridge Mountain scenery. After the “Reveal” event in early May, the bears then take up residence in downtown Hendersonville for the duration of the summer and fall, up until auction. Participants bid during the auction to raise funds for local non-profits and Downtown Hendersonville. Winning bids up to $3,000 are split evenly between the downtown program and the nonprofit chosen by the sponsor, while bid amounts exceeding $3,000 are directed entirely to the non-profit. In 2021, the Bears raised more than $100,000, and in 2022 we hope to continue the tradition of giving.
The Omni Grove Park Inn, an award-winning, 513-room resort set in the idyllic Blue Ridge Mountains just minutes from downtown Asheville, N.C., is celebrating The 30th National Gingerbread House Competition™, which is the nation’s largest, hosted at the resort annually. Beginning July 6, 2022 the competition registration is officially now open here through November 14, 2022. The competition will be held and winners will be announced on November 21, 2022.
New elements for The 30th National Gingerbread House Competition™ include:
- Introduction of 10th Judge, Ashleigh Shanti, chef/owner of Good Hot Fish & 2020 James Beard finalist.
- Addition of six brand-new specialty awards and increased prizes (60% increase to years past) across the four age categories, which include Best Use of Sprinkles, Most Unique Ingredient, Longest Standing Competitor, Best Use of Color, Pop Culture Star, Most Innovative Structure, and Best Use of Spice.
- All registered competitors will have the opportunity to vote on their favorite piece of the entire competition to determine the winner of the new People’s Choice: Best in Show award.
The full press release announcing the official rules and entry forms can be found here and below, and a highlight reel and hi-res imagery from last year’s competition can be found here. Please let me know if you will consider the news on behalf of The Omni Grove Park Inn!
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Full schedule of events and more will be available at www.blackmountaincollege.org/reviewing/
Tickets will be available at the door. If you would prefer to not pay the service charges listed below, please plan on purchasing your tickets day of.
The art gallery at Asheville Regional Airport is showcasing 3 local artists in its newest exhibit. Revive highlights a variety of creations from sculpture and pottery to mixed media pieces.
The artists each bring a unique perspective of new life to their work. Mark Crossley’s botanical studies are realized in copper sculptures. Mark Flowers’ mixed media designs tell stories that are a cause for reflection. Akira Satake’s pottery uses traditional Japanese firing and glazing methods to create classic and unique forms.
“As hundreds of thousands of travelers pass through our airport during this exhibit, we are proud to show off these local artists and give visitors and residents a taste of the creativity in our region,” said Alexandra Ingle, Brand and Experience Designer at AVL and curator of the gallery.
Artwork can be purchased from the gallery by emailing [email protected]. Details about the program and how to apply can be found on the airport’s website at flyavl.com.
Asheville’s much anticipated Kenilworth Artists Studio Tour returns for its 18th annual event on Oct. 8 and 9, 2022, from 10 a.m. to 5 p.m. each day. The Kenilworth neighborhood, located between downtown Asheville and Biltmore Village, is the setting for the studio art tour. Held at the start of Asheville’s “leaf season,” when western North Carolina begins its fall leaf color transition, tour participants will enjoy mild temperatures while taking in Kenilworth’s lovely mix of grand homes, modest bungalows, and mature gardens. It’s your chance to enjoy and purchase the inspiring work of 28 artists who create their art in the midst of this historic and charming neighborhood they call home. This year’s participating artists will showcase a wide range of media: works in oil, watercolor, acrylic, gouache, encaustic, jewelry, pottery, ceramics, glass, fiber, woodcraft, mixed-media, photography, paper and collage. Fun for both the serious art buyer or the casual browser, it’s a great destination for finding unique local, hand-made art for holiday gift-giving, special occasions, and treats for yourself. The tour is free, and is self-guided. As has been the association’s tradition for many years, each artist will donate a portion of sales to Loving Food Resources, a pantry serving western North Carolina hospice and HIV/AIDS clients.
“LIFE ART LIFE William Bernstein 50 year retrospective” exhibition August 6-October 9, 2022 at the Toe River Arts’ Kokol Gallery, Spruce Pine, NC, features the paintings and glass of this artist who has been on the forefront of the studio glass movement.
Graduating 1968 from the Philadelphia College of Arts and just married, Bernstein moved to Penland School of Crafts to be their second glass resident artist from 1968-70. He was a co-founder of the Glass Arts Society (GAS) that formed to bring together the glass community so people could work together and learn from each other. Receiving numerous awards, fellowships and grants, he has exhibited internationally and has artwork in many private and public collections. Bernstein has lived most of his professional life in the rural Celo community of Yancey, North Carolina along with his family and artist wife, Katherine Bernstin. This retrospective provides a great opportunity for one to imagine a life surrounded by art.
This has been not only been a year-long process of curating pieces for an exhibit, but a lifetime of making art that connects with all things about one’s life. Bernstein’s work in glass and paint showcases just that: his family, his pets, friends, his environs, his moods and so much more. A life well-lived in creating art. More on Bernstein Glass www.bernsteinglass.com
William Warmus (A Fellow and former curator of Modern Glass at the Corning Museum), writes for the exhibition catalog, “Bernstein is a minimalist whose style is based upon the dedication to the concepts of honesty, modesty, and humility. It has a feel of its surroundings and of the people of the region.”
The Toe River Arts Kokol Gallery is located at 269 Oak Avenue, Spruce Pine, NC 28777. The exhibition dates: August 6 – October 9, 2022. Hours: Tuesdays-Saturdays from 10:30 – 5:00 pm. 828-765-0520, www.toeriverarts.org
Public receptions on Fridays: August 12 and October 7, both 5:00-7:00 PM. Artist gallery talk Friday, August 12, 4:00 pm. The exhibition travels to Cary Arts Center November 30 – January 21, 2023.
Coinciding with the United Nations’ Year 2022 as the Year of Glass and the 60th Anniversary of the Studio Glass Movement, this has been made possible by Toe River Arts, the North Carolina Arts Council, the Cary Art Center, Art Alliance for Contemporary Glass, the Blumenthal Foundation, and Mountain Electronics in Micaville, NC.
Asheville Gallery of Art presents Judy Rentner’s rich, colorful paintings, during the month of October, in an exhibition titled ‘Nature’s Gems’. The opening reception will be held on Friday, October 7th from 5:00-8:00pm.
Of all of the seasons of the year, fall is the crescendo, the last burst of beauty before nature’s tones soften and become quiet in the winter months. Autumn colors are like precious gems: topaz, sapphires, emeralds, rubies…, an endless sparkling array of brilliance. Although an artist cannot compete with God’s creations, she can capture the awe-inspiring essence of a moment in time to share with her viewers. Judy is such an artist.
Judy Rentner has been painting the landscapes of Western North Carolina for 23 years and they continue to inspire her. Having lived in 10 different states from coast to coast, she still considers North Carolina one of the most beautiful. Although she has been painting most of her adult life, it was here that she found her creative style. Painting in oils, with a palette knife, enabled her to achieve the essence of a scene in light and color. Everything about the creative process is personal and many viewers find themselves drawn to Judy’s unique, inviting style.
A graduate of Ohio University, Judy Rentner did not pursue art until years later when she took workshops, in watercolor, from various artists. This was a pivotal time of discovery as she learned the skills needed to express her ideas in paint. She then experimented with different mediums producing work that was both realistic and abstract. Moving to North Carolina, she placed her work in galleries and taught classes in watercolor, acrylic, and oil. Currently, her passion lies in painting landscapes, with a palette knife, in oils. This technique has given her freedom of expression, using color to its fullest extent.
Judy’s work is represented in several galleries. Check out her website at www.judyrentner.com and be sure to drop by Asheville Gallery of Art this October to view her outstanding autumn paintings. The gallery is open from 11:00am until 6:00pm Monday through Sunday.
Her Painting Titles and writeup:
1. “Crossing into light”….My daughter, a photographer, went to Duke Gardens to “chase the light”. Normally I paint from my own sketches and photos, but this was so striking a scene, that it inspired me to capture it in oil.
2. “Sun Rise in the Mountains” was a combination of many scenes I have painted in our beautiful Smokey Mountains.
3 “Fall Treasure” This is a scene I captured in the Smokey Mountain National Park. Almost every fall I drive through the mountains of Western North Carolina searching for the right landscape. I do not have to go far as this is a painter’s paradise.
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| Richard Misrach, Wall, Jacumba, California, 2009, pigment print, 60 × 80 inches. Courtesy the Artist. © Richard Misrach, courtesy Fraenkel Gallery, San Francisco.. |
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| Draped and Veiled: 20×24 Polaroid Photographs by Joyce Tenneson showcases Joyce Tenneson’s Transformations series, which she began in 1985 and engaged with through 2005. Transformations features partially or fully nude figures poetically presented; Tenneson’s photographs have always been interested in the magic of the human figure, contained within bodies of all ages and emotions in a broad range that are both vulnerable and bold. This exhibition features 12 large Polaroids from the poetic series. Draped and Veiled will be on view May 25–October 10, 2022. |
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Rebel/Re-Belle: Exploring Gender, Agency, and Identity | Selections from the Asheville Art Museum and Rubell Museum combines works, primarily created by women, from two significant collections of contemporary art to explore how artists have innovated, influenced, interrogated, and inspired visual culture in the past 100 years.
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Useful and Beautiful: Silvercraft by William Waldo Dodge features a selection of functional silver works by Dodge drawn from the Museum’s Collection. Organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator, this exhibition will be on view in the Debra McClinton Gallery at the Museum from February 23 through October 17, 2022.
William Waldo Dodge Jr. (Washington, DC 1895–1971 Asheville, NC) moved to Asheville in 1924 as a trained architect and a newly skilled silversmith. When he opened for business promoting his handwrought silver tableware, including plates, candlesticks, flatware (spoons, forks, and knives), and serving dishes, he did so in a true Arts and Crafts tradition. The aesthetics of the style were dictated by its philosophy: an artist’s handmade creation should reflect their hard work and skill, and the resulting artwork should highlight the material from which it was made. Dodge’s silver often displayed his hammer marks and inventive techniques, revealing the beauty of these useful household goods.
The Arts and Crafts style of England became popular in the United States in the early 1900s. Asheville was an early adopter of the movement because of the popularity and abundance of Arts and Crafts architecture in neighborhoods like Biltmore Forest, Biltmore Village, and the area around The Grove Park Inn. The title of this exhibition was taken from the famous quotation by one of the founding members of the English Arts and Crafts Movement, William Morris, who said, “have nothing in your house that you do not know to be useful or believe to be beautiful.” Not only did Dodge follow this suggestion; he contributed to American Arts and Crafts silver’s relevancy persisting almost halfway into the 20th century.
“It has been over 15 years since the Museum exhibited its collection of William Waldo Dodge silver and I am looking forward to displaying it in the new space with some new acquisitions added,” said Whitney Richardson, associate curator. Learn more at ashevilleart.org.
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Richard Misrach, Wall, Jacumba, California, 2009, pigment print, image: 60 × 80 inches, framed: 61 × 81 × 2 inches. Courtesy the Artist. © Richard Misrach, courtesy Fraenkel Gallery, San Francisco.
This tour will be offered in Spanish or English depending on needs of participants.
PUBLIC TOURS
Join docents for tours of the Museum’s Collection and special exhibitions. No reservations are required.
The Artist Support Grant provides funding emerging or established artists to create work, improve their business operations, or bring their work to new audiences. Grants range from $500-3,000.
Apply by October 15 | The Arts Build Community grant supports innovative, arts-based projects that inspire diverse groups of participants to be more active, involved, and civically-engaged by creating together. Grants range from $1,000-2,500.
The Asheville Art Museum is pleased to announce that people world-wide can now explore more of the Museum’s diverse Collection of 20th- and 21st-century American art online from the comfort of their homes, on the go with their smart phones, or from their favorite coffee shop.
“This was a massive undertaking, and it’s a tremendous accomplishment,” says Executive Director Pamela Myers. “I cannot express my gratitude to the Museum’s talented curatorial team. They’ve dedicated so much time, energy, and thought to enable these artworks to be experienced and enjoyed on an easily accessible, international platform.”
To date, the curatorial team has meticulously digitized approximately 20 percent of the Museum’s Collection and uploaded it to the online database. “Our evolving Collection has grown to nearly 7,500 works, with 1,500 of them already available online,” says Associate Registrar and Project Lead Chris Whitten. “We’ve already devoted several years to reach this point in the process,” he says, “and plan on regularly adding hundreds more each quarter until the entire Collection is online.”
A Robust, Expanding Collection
Associate Curator Whitney Richardson says the Museum’s Collection has experienced dramatic growth in the past five years. In fact, it has almost doubled in size and keeps expanding. “Like most museums, we have more art in our Collection than we can show at any one time. With the Collection growing at the rate that it is, this digital platform allows us to share more of what is in our holdings.
ince 2003, the Bearfootin’ Art Walk has helped raise funding for Downtown Hendersonville and a variety of local non-profits. In addition to raising funds, the bears offer a window into good work being done by community organizations in Henderson County.
The Bearfootin’ Bears arrive as blank slates before local artists transform each in a spectacular fashion, with creative themes ranging from Mona Lisa to Blue Ridge Mountain scenery. After the “Reveal” event in early May, the bears then take up residence in downtown Hendersonville for the duration of the summer and fall, up until auction. Participants bid during the auction to raise funds for local non-profits and Downtown Hendersonville. Winning bids up to $3,000 are split evenly between the downtown program and the nonprofit chosen by the sponsor, while bid amounts exceeding $3,000 are directed entirely to the non-profit. In 2021, the Bears raised more than $100,000, and in 2022 we hope to continue the tradition of giving.
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SOLO Southeast’s intensive EMT program is designed to offer students a streamlined pathway into the world of Emergency Medical Services (EMS). The course is fast-paced and taught by our highly experienced instructors. Students learn anatomy, patient assessment, life-saving medical interventions, and pre-hospital patient care.
Asheville Gallery of Art presents Judy Rentner’s rich, colorful paintings, during the month of October, in an exhibition titled ‘Nature’s Gems’. The opening reception will be held on Friday, October 7th from 5:00-8:00pm.
Of all of the seasons of the year, fall is the crescendo, the last burst of beauty before nature’s tones soften and become quiet in the winter months. Autumn colors are like precious gems: topaz, sapphires, emeralds, rubies…, an endless sparkling array of brilliance. Although an artist cannot compete with God’s creations, she can capture the awe-inspiring essence of a moment in time to share with her viewers. Judy is such an artist.
Judy Rentner has been painting the landscapes of Western North Carolina for 23 years and they continue to inspire her. Having lived in 10 different states from coast to coast, she still considers North Carolina one of the most beautiful. Although she has been painting most of her adult life, it was here that she found her creative style. Painting in oils, with a palette knife, enabled her to achieve the essence of a scene in light and color. Everything about the creative process is personal and many viewers find themselves drawn to Judy’s unique, inviting style.
A graduate of Ohio University, Judy Rentner did not pursue art until years later when she took workshops, in watercolor, from various artists. This was a pivotal time of discovery as she learned the skills needed to express her ideas in paint. She then experimented with different mediums producing work that was both realistic and abstract. Moving to North Carolina, she placed her work in galleries and taught classes in watercolor, acrylic, and oil. Currently, her passion lies in painting landscapes, with a palette knife, in oils. This technique has given her freedom of expression, using color to its fullest extent.
Judy’s work is represented in several galleries. Check out her website at www.judyrentner.com and be sure to drop by Asheville Gallery of Art this October to view her outstanding autumn paintings. The gallery is open from 11:00am until 6:00pm Monday through Sunday.
Her Painting Titles and writeup:
1. “Crossing into light”….My daughter, a photographer, went to Duke Gardens to “chase the light”. Normally I paint from my own sketches and photos, but this was so striking a scene, that it inspired me to capture it in oil.
2. “Sun Rise in the Mountains” was a combination of many scenes I have painted in our beautiful Smokey Mountains.
3 “Fall Treasure” This is a scene I captured in the Smokey Mountain National Park. Almost every fall I drive through the mountains of Western North Carolina searching for the right landscape. I do not have to go far as this is a painter’s paradise.
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| Richard Misrach, Wall, Jacumba, California, 2009, pigment print, 60 × 80 inches. Courtesy the Artist. © Richard Misrach, courtesy Fraenkel Gallery, San Francisco.. |
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| Draped and Veiled: 20×24 Polaroid Photographs by Joyce Tenneson showcases Joyce Tenneson’s Transformations series, which she began in 1985 and engaged with through 2005. Transformations features partially or fully nude figures poetically presented; Tenneson’s photographs have always been interested in the magic of the human figure, contained within bodies of all ages and emotions in a broad range that are both vulnerable and bold. This exhibition features 12 large Polaroids from the poetic series. Draped and Veiled will be on view May 25–October 10, 2022. |
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Rebel/Re-Belle: Exploring Gender, Agency, and Identity | Selections from the Asheville Art Museum and Rubell Museum combines works, primarily created by women, from two significant collections of contemporary art to explore how artists have innovated, influenced, interrogated, and inspired visual culture in the past 100 years.
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Useful and Beautiful: Silvercraft by William Waldo Dodge features a selection of functional silver works by Dodge drawn from the Museum’s Collection. Organized by the Asheville Art Museum and curated by Whitney Richardson, associate curator, this exhibition will be on view in the Debra McClinton Gallery at the Museum from February 23 through October 17, 2022.
William Waldo Dodge Jr. (Washington, DC 1895–1971 Asheville, NC) moved to Asheville in 1924 as a trained architect and a newly skilled silversmith. When he opened for business promoting his handwrought silver tableware, including plates, candlesticks, flatware (spoons, forks, and knives), and serving dishes, he did so in a true Arts and Crafts tradition. The aesthetics of the style were dictated by its philosophy: an artist’s handmade creation should reflect their hard work and skill, and the resulting artwork should highlight the material from which it was made. Dodge’s silver often displayed his hammer marks and inventive techniques, revealing the beauty of these useful household goods.
The Arts and Crafts style of England became popular in the United States in the early 1900s. Asheville was an early adopter of the movement because of the popularity and abundance of Arts and Crafts architecture in neighborhoods like Biltmore Forest, Biltmore Village, and the area around The Grove Park Inn. The title of this exhibition was taken from the famous quotation by one of the founding members of the English Arts and Crafts Movement, William Morris, who said, “have nothing in your house that you do not know to be useful or believe to be beautiful.” Not only did Dodge follow this suggestion; he contributed to American Arts and Crafts silver’s relevancy persisting almost halfway into the 20th century.
“It has been over 15 years since the Museum exhibited its collection of William Waldo Dodge silver and I am looking forward to displaying it in the new space with some new acquisitions added,” said Whitney Richardson, associate curator. Learn more at ashevilleart.org.