Calendar of Events
Upcoming events and things to do in Asheville, NC. Below is a list of events for festivals, concerts, art exhibitions, group meetups and more.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
The Blue Ridge National Heritage Area (BRNHA) is proud to announce its first-ever craft exhibit: Returning to the Ridge: Blue Ridge Craft Trails Exhibition. This landmark event will bring together the exceptional talents of 33 artists featured on the Blue Ridge Craft Trails (BRCT), showcasing the vibrant artistic landscape of Western North Carolina. Mars Landing Galleries, owned by Miryam Rojas and located at 37 Library Street, Mars Hill, NC 28754, will serve as the venue for this celebration of craft from July 2 to September 28, 2025.
Southern Appalachia’s artistic spirit, deeply rooted in its beautiful natural environment, will be on full display. From the intricate details of pottery to the masterful craftsmanship of woodworking, the exhibition will feature 60 pieces spanning a diverse range of traditional mediums, including fiber art, printmaking, metalworking (including jewelry), and basketry. This celebration of local artistry comes at a crucial time, as Hurricane Helene impacted many artists. Artists participating are from the central and western sections of BRNHA’s 25-county footprint, encompassing the NC mountains and the Qualla Boundary.
The gallery’s regular hours are Wednesday through Sunday, 10 am – 5 pm. Adding to the visitor experience, the exhibition coincides with three First Friday events in Downtown Mars Hill – July 4, August 1, and September 5. On these evenings, the downtown area, including Mars Landing Galleries (open 5 pm – 8 pm, with live music), will offer extended hours, inviting the community to explore local shops, restaurants, galleries and enjoy the lively atmosphere.
Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.
Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.
This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
The Blue Ridge National Heritage Area (BRNHA) is proud to announce its first-ever craft exhibit: Returning to the Ridge: Blue Ridge Craft Trails Exhibition. This landmark event will bring together the exceptional talents of 33 artists featured on the Blue Ridge Craft Trails (BRCT), showcasing the vibrant artistic landscape of Western North Carolina. Mars Landing Galleries, owned by Miryam Rojas and located at 37 Library Street, Mars Hill, NC 28754, will serve as the venue for this celebration of craft from July 2 to September 28, 2025.
Southern Appalachia’s artistic spirit, deeply rooted in its beautiful natural environment, will be on full display. From the intricate details of pottery to the masterful craftsmanship of woodworking, the exhibition will feature 60 pieces spanning a diverse range of traditional mediums, including fiber art, printmaking, metalworking (including jewelry), and basketry. This celebration of local artistry comes at a crucial time, as Hurricane Helene impacted many artists. Artists participating are from the central and western sections of BRNHA’s 25-county footprint, encompassing the NC mountains and the Qualla Boundary.
The gallery’s regular hours are Wednesday through Sunday, 10 am – 5 pm. Adding to the visitor experience, the exhibition coincides with three First Friday events in Downtown Mars Hill – July 4, August 1, and September 5. On these evenings, the downtown area, including Mars Landing Galleries (open 5 pm – 8 pm, with live music), will offer extended hours, inviting the community to explore local shops, restaurants, galleries and enjoy the lively atmosphere.
Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.
Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.
This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
The Blue Ridge National Heritage Area (BRNHA) is proud to announce its first-ever craft exhibit: Returning to the Ridge: Blue Ridge Craft Trails Exhibition. This landmark event will bring together the exceptional talents of 33 artists featured on the Blue Ridge Craft Trails (BRCT), showcasing the vibrant artistic landscape of Western North Carolina. Mars Landing Galleries, owned by Miryam Rojas and located at 37 Library Street, Mars Hill, NC 28754, will serve as the venue for this celebration of craft from July 2 to September 28, 2025.
Southern Appalachia’s artistic spirit, deeply rooted in its beautiful natural environment, will be on full display. From the intricate details of pottery to the masterful craftsmanship of woodworking, the exhibition will feature 60 pieces spanning a diverse range of traditional mediums, including fiber art, printmaking, metalworking (including jewelry), and basketry. This celebration of local artistry comes at a crucial time, as Hurricane Helene impacted many artists. Artists participating are from the central and western sections of BRNHA’s 25-county footprint, encompassing the NC mountains and the Qualla Boundary.
The gallery’s regular hours are Wednesday through Sunday, 10 am – 5 pm. Adding to the visitor experience, the exhibition coincides with three First Friday events in Downtown Mars Hill – July 4, August 1, and September 5. On these evenings, the downtown area, including Mars Landing Galleries (open 5 pm – 8 pm, with live music), will offer extended hours, inviting the community to explore local shops, restaurants, galleries and enjoy the lively atmosphere.
Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.
Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.
This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
The Blue Ridge National Heritage Area (BRNHA) is proud to announce its first-ever craft exhibit: Returning to the Ridge: Blue Ridge Craft Trails Exhibition. This landmark event will bring together the exceptional talents of 33 artists featured on the Blue Ridge Craft Trails (BRCT), showcasing the vibrant artistic landscape of Western North Carolina. Mars Landing Galleries, owned by Miryam Rojas and located at 37 Library Street, Mars Hill, NC 28754, will serve as the venue for this celebration of craft from July 2 to September 28, 2025.
Southern Appalachia’s artistic spirit, deeply rooted in its beautiful natural environment, will be on full display. From the intricate details of pottery to the masterful craftsmanship of woodworking, the exhibition will feature 60 pieces spanning a diverse range of traditional mediums, including fiber art, printmaking, metalworking (including jewelry), and basketry. This celebration of local artistry comes at a crucial time, as Hurricane Helene impacted many artists. Artists participating are from the central and western sections of BRNHA’s 25-county footprint, encompassing the NC mountains and the Qualla Boundary.
The gallery’s regular hours are Wednesday through Sunday, 10 am – 5 pm. Adding to the visitor experience, the exhibition coincides with three First Friday events in Downtown Mars Hill – July 4, August 1, and September 5. On these evenings, the downtown area, including Mars Landing Galleries (open 5 pm – 8 pm, with live music), will offer extended hours, inviting the community to explore local shops, restaurants, galleries and enjoy the lively atmosphere.
Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.
Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.
This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
Is your work provocative, challenging, daring, and relevant?
Then we want you!
October Open Exhibition: “Raw + Unfiltered”
First 25 artists, up to 2 pieces each, any medium/style, labeled & priced, ready to hang, must hand-deliver to Flood Gallery during allotted time.
Guidelines:
• Limit 2 works per Artist
• Twenty-five Artist limit; first come, first hung!
• Artwork must be framed and ready to hang/display.
• Artwork should be for sale. Flood Gallery retains 35%, so price accordingly.
• Label each artwork with name, title, medium, and price. Artist bio/statement optional.
• We welcome diverse perspectives, styles & media!
• No entry fee!
• Hand-deliver artwork to Flood Gallery on Sat, Sept. 27, 11am – 5pm.
Opening Reception: Saturday, October 4, 6-9pm
Show runs Oct. 4 – Nov. 7; Pick up artwork Saturday, Nov. 8
Flood Gallery Fine Art Center
802 Fairview Rd. Suite 1200
Asheville, NC 28803
The Arts Council of Henderson County is happy to announce this anticipated art show happening again in 2025!
Get ready for the most exciting event of the year! The Art on Main Fine Art and Craft Show is back, and it’s celebrating its 66th year. Can you believe it? For over six decades, this event has been a highlight in the art community, drawing in art enthusiasts from all over.
Historic Downtown Hendersonville sets the stage for this extraordinary event, adding a touch of charm and nostalgia to the whole experience. As you stroll through the streets lined with quaint shops and historic buildings, you’ll feel like you’ve stepped back in time. It’s the perfect backdrop for a celebration of art and creativity.
All mediums of fine art and fine craft will be represented.
Please join over 100 artists for this Main Street Art Show.
September 27th and 28th, 10 am – 5 pm
The Blue Ridge National Heritage Area (BRNHA) is proud to announce its first-ever craft exhibit: Returning to the Ridge: Blue Ridge Craft Trails Exhibition. This landmark event will bring together the exceptional talents of 33 artists featured on the Blue Ridge Craft Trails (BRCT), showcasing the vibrant artistic landscape of Western North Carolina. Mars Landing Galleries, owned by Miryam Rojas and located at 37 Library Street, Mars Hill, NC 28754, will serve as the venue for this celebration of craft from July 2 to September 28, 2025.
Southern Appalachia’s artistic spirit, deeply rooted in its beautiful natural environment, will be on full display. From the intricate details of pottery to the masterful craftsmanship of woodworking, the exhibition will feature 60 pieces spanning a diverse range of traditional mediums, including fiber art, printmaking, metalworking (including jewelry), and basketry. This celebration of local artistry comes at a crucial time, as Hurricane Helene impacted many artists. Artists participating are from the central and western sections of BRNHA’s 25-county footprint, encompassing the NC mountains and the Qualla Boundary.
The gallery’s regular hours are Wednesday through Sunday, 10 am – 5 pm. Adding to the visitor experience, the exhibition coincides with three First Friday events in Downtown Mars Hill – July 4, August 1, and September 5. On these evenings, the downtown area, including Mars Landing Galleries (open 5 pm – 8 pm, with live music), will offer extended hours, inviting the community to explore local shops, restaurants, galleries and enjoy the lively atmosphere.
Celebrating the women who made the Spartanburg Art Museum possible, this exhibition showcases the women of the Spartanburg art scene from the early 20th century to the present day. Women of Spartanburg Art features works from our permanent collection by Irma Howard Cook, Josephine Sibley Couper, Margaret Law, and Helen DuPre Mosely.
Spartanburg Art Museum is located on the campus of the Chapman Cultural Center at 200 E Saint John Street, Spartanburg, South Carolina, 29306.
The Museum and administrative office are on the first floor of the West Wing (Carlos Dupre Moseley Building) near Liberty Street.
The art studios are on the second floor of the East Wing (Montgomery Building) near S Converse Street.
Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.
Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.
This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
This is a commemorative gathering on the first anniversary of Hurricane Helene, both to remember the tragedy and celebrate the resiliency of WNC. Please come out to join with us in this special event as we raise funds for Habitat for Humanity and LEAF Global Arts, so that they might continue the good work they are doing in Asheville and surrounding communities since the storm. Music provided by the Mad Dog Blues Band and Red Clay Revival, featuring Lindsay Pruett. Also, we will attempt to set a world record for the largest drawing ever!
Join us on Saturday, September 27th for an interactive performance presented in conjunction with the 15th Annual ReVIEWING Black Mountain College International Conference. Kyriakos Apostolidis, gordon fung, Kim Nucci, Che Pai, and Kyle Price of //sense, a Chicago-based neo-Fluxus theater troupe, will stage an immersive “theater of mixed means” that weaves a metaphorical and metaphysical network through history, art, and life, paying homage to the legacy of BMC.
This performance invites audiences to collectively revisit the past and reimagine the future. Through the embodied actions of its artists, the troupe transforms time and space into heterotopic sites where multiple centers across eras converge in the present moment. Conceiving individuals as living time capsules, the performers fuse human experiences into intellectual rhizomes, cultivating a shared terrain of intelligence, consciousness, and the cosmic mind.
International Conference
Co-hosted by BMCM+AC and UNC Asheville
at UNC Asheville’s Reuter Center
Thematic Focus: Performance at Black Mountain College
The ReVIEWING Black Mountain College conference is a forum for scholars and artists to contribute original work on topics related to Black Mountain College and its place in cultural history.
The conference is hosted annually in the fall. ReVIEWING 15 will take place September 26 – 28th, 2025, presented in conjunction with BMCM+AC’s fall 2025 exhibition, Points in Space: Performance at Black Mountain College, organized by Jeff Arnal, curator, and Adolfo Alzuphar, curatorial assistant. Black Mountain College’s interdisciplinary and collaborative philosophy fostered groundbreaking time-based experiments across disciplines, significantly influencing performance, theater, film, music, dance, and visual art worldwide. The exhibition will feature visual and time-based artworks that echo BMC’s innovative spirit from 1933 to 1957 including historical and contemporary works, interactive installations, performances, and immersive experiences that bring the past into conversation with the present.
The Arts Council of Henderson County is happy to announce this anticipated art show happening again in 2025!
Get ready for the most exciting event of the year! The Art on Main Fine Art and Craft Show is back, and it’s celebrating its 66th year. Can you believe it? For over six decades, this event has been a highlight in the art community, drawing in art enthusiasts from all over.
Historic Downtown Hendersonville sets the stage for this extraordinary event, adding a touch of charm and nostalgia to the whole experience. As you stroll through the streets lined with quaint shops and historic buildings, you’ll feel like you’ve stepped back in time. It’s the perfect backdrop for a celebration of art and creativity.
All mediums of fine art and fine craft will be represented.
Please join over 100 artists for this Main Street Art Show.
September 27th and 28th, 10 am – 5 pm
Henderson County Gem and Mineral Society’s Annual Gem, Jewelry & Mineral Show
Dates:
SEPTEMBER 26-28TH, 2025
Time:
Fri-Sat 10am-6pm
Sun 10am-5pm
Address:
National Guard Armory
2025 Spartanburg Hwy
East Flat Rock, NC 28726
SHOW FEATURES:
16 exciting vendors
Grab bags
Snack and refreshments
Hourly prize drawings
Grand prize drawing
Raffle
Children’s activities
Live demos: cabbing,
faceting, & jewelry making
Admission: $5 adults (covers
all weekend)
Kids 12 & under: FREE with a
paying adult
The Blue Ridge National Heritage Area (BRNHA) is proud to announce its first-ever craft exhibit: Returning to the Ridge: Blue Ridge Craft Trails Exhibition. This landmark event will bring together the exceptional talents of 33 artists featured on the Blue Ridge Craft Trails (BRCT), showcasing the vibrant artistic landscape of Western North Carolina. Mars Landing Galleries, owned by Miryam Rojas and located at 37 Library Street, Mars Hill, NC 28754, will serve as the venue for this celebration of craft from July 2 to September 28, 2025.
Southern Appalachia’s artistic spirit, deeply rooted in its beautiful natural environment, will be on full display. From the intricate details of pottery to the masterful craftsmanship of woodworking, the exhibition will feature 60 pieces spanning a diverse range of traditional mediums, including fiber art, printmaking, metalworking (including jewelry), and basketry. This celebration of local artistry comes at a crucial time, as Hurricane Helene impacted many artists. Artists participating are from the central and western sections of BRNHA’s 25-county footprint, encompassing the NC mountains and the Qualla Boundary.
The gallery’s regular hours are Wednesday through Sunday, 10 am – 5 pm. Adding to the visitor experience, the exhibition coincides with three First Friday events in Downtown Mars Hill – July 4, August 1, and September 5. On these evenings, the downtown area, including Mars Landing Galleries (open 5 pm – 8 pm, with live music), will offer extended hours, inviting the community to explore local shops, restaurants, galleries and enjoy the lively atmosphere.
Our latest exhibition, Iron and Ink: Prints from America’s Machine Age, focuses on a dynamic era in American history when industrialization and advances in technology transformed urban landscapes and redefined the nature of work and leisure nationwide.
Showcasing Collection prints from 1905 to the 1940s, Iron and Ink explores connections between industrial labor, urbanization, and the growing middle class. The exhibition highlights works by Works Progress Administration artists from the 1930s whose powerful images of machinery, skyscrapers, and daily life—both at work and recreation—capture this transformational era in American society.
This exhibition is organized by the Asheville Art Museum and Robin Klaus, PhD, assistant curator.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
What do you do when the dream comes true? You take it on the road and share it with the world! Venardos Circus is thrilled to announce the launch of a SECOND Touring Company and an All-New Production “FAR BEYOND.” The show will play at Tanger Outlets in Asheville, October 2 – 19, 2025. Tickets are on sale now!
The show will feature Singing Ringmaster Julia Swann, the Reyes Brothers’ Juggling Perch Pole, the Mind-Bending Contortion of Nordic Beauty Sno Bunta, Slapstick Sensation Sam Ferlo, Duo Dadiva’s Astonishing Aerial Acrobatics, the Ridiculous Rob Lok, Priscilla & Jonathan’s Diabolical Daggers, and the Wicked Wheel of Wonder! All this and more are woven together with Venardos’ unique theatrical musical production style. This production explores what happens when a dream comes true, what we discover about ourselves, and ultimately the responsibility we all share to keep reaching “FAR BEYOND.”
“This has been a dream in the making for a very long time” said Producer, Kevin Venardos. “Everyone knows bringing a dream to fruition is no simple task and to create an entirely different touring company that mirrors the same talent, values, and level of professionalism we bring to our audiences is truly a labor of love. We cannot wait to visit more cities and introduce The Little Circus that Could to even more people.”
The magical experience that is the signature of Venardos Circus from the moment you enter the tent remains but with new acts, music, and a different dream to share. The show schedule will be as follows:
• Thursday, October 2 – 7 p.m. OPENING NIGHT
• Friday, October 3 – 7 p.m.
• Saturday, October 4 – 2 p.m., 5 p.m.
• Sunday, October 5 – 2 p.m., 5 p.m.
• Wednesday, October 8 – 7 p.m.
• Thursday, October 9 – 7 p.m.
• Friday, October 10 – 7 p.m.
• Saturday, October 11 – 11 a.m., 2 p.m., 5 p.m.
• Sunday, October 12 – 2 p.m., 5 p.m.
• Wednesday, October 15 – 7 p.m.
• Thursday, October 16 – 7 p.m.
• Friday, October 17 – 7 p.m.
• Saturday, October 18 – 11 a.m., 2 p.m., 5 p.m.
• Sunday, October 19 – 2 p.m., 5 p.m.
Tickets: Kid’s (under 12) tickets start at $19 and $31.33 for adults. Prices include taxes and fees. One baby in arms is admitted free with each paying adult. (Two years old or younger per paying adult seated on a lap). Premier Gallery and VIP Experience Reserved seating is available. In the new, larger tent, fans will still enjoy the intimate feel and proximity to the performers but with enhanced views of aerial acts due to the taller design of the tent. The VIP Experience will offer assigned seating closest to the stage with guests escorted to their positions and other special experiences. Premier Gallery seating will occupy a multi-tier riser to provide greater visibility.
The circus performers are also the crew on this traveling tour, much like the original circus tradition. There are no animals in Venardos Circus.
Parking: Doors open an hour prior to showtime. Concessions are available when doors open. Classic circus treats like fresh popcorn, cotton candy, house-made all-natural pink lemonade, packaged candy, and more are available for presale online or in the tent. The complete show schedule is available at www.VenardosCircus.com.
What to expect on site:
• The parking area is flat so there is easy handicap access between the lot and the tent.
• Concessions are available but we encourage guests to order online when purchasing tickets. Contactless payment options available.
• The main event lasts approximately 90 minutes, with a brief intermission.
About Venardos Circus:
The Venardos Circus, a unique Broadway-Style Circus performance, has been touring the U.S. since its debut at the L.A. County Fair in 2014. It is reinventing the American Circus tradition for a new generation with Broadway-style flair, bringing joy to people across the U.S. Theatre lovers and nostalgic circus fans alike will appreciate the intimate experience and sentimental way the show pays homage to circus traditions through the lens of high-quality entertainment for a modern family audience.
For more information, please visit www.venardoscircus.com
The Asheville Art Museum presents Native America: In Translation, an
exhibition curated by Apsáalooke artist Wendy Red Star, on view from May 22 through November 3,
2025. Featuring work by seven Indigenous photographers and lens-based artists from across North
America, the exhibition explores urgent questions of identity, heritage, land rights, and the ongoing
impact of colonialism.
Building on Red Star’s role as guest editor of the Fall 2020 issue of Aperture magazine, Native
America: In Translation continues the conversation through personal and often experimental visual
storytelling. Using self-portraits, performance-based imagery, and multimedia assemblages, the
artists offer new perspectives on Native life and representation today.
Please join us for an exhibition walkthrough and book signing for artist Sharon Louden from 5-6pm. An opening reception for Barriers & Boundaries will follow from 6-8pm.